Best 50mm Lens For Sony A6000

By | 29/10/2022

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Despite its age the Sony a6000 remains 1 of Sony’s most pop mirrorless cameras and was too my very first Sony Alpha camera.

sony a6000 lenses

I’ve put together this acme 10 list of the most popular lenses based on feedback from our ain Alpha Shooters community.

Of course, there are a lot more than just ten lenses that you tin mountain to the Sony a6000.

Please visit my Sony E-Mount Lenses Guide for a complete list of all E-mountain lenses that tin be used with the Sony a6000.

Sony a6000 Forum & Facebook Group

If you are looking for farther help and advice on the a6000 or would simply similar to share your photos and videos, then please head over to our friendly Sony a6000 Forum. If yous prefer Facebook so I also run the Sony Alpha Shooters Group where you tin ask questions or mail your shots taken with the Sony a6000.

Here are the elevation ten lenses for the Sony a6000 listed by focal length:

1. Laowa 9mm f/ii.8 Aught-D

laowa 9mm f2.8 zero d lens a6000

The Laowa 9mm f/2.8 Aught-D is the widest broad-angle lens that you can currently buy for the Sony a6000. It is transmission focus only, but if don’t heed this then this lens is definitely a bully one to have in your gear pocketbook.

Wide-open at f/2.viii primal sharpness is excellent, and it becomes even better at f/4 and f/5.half-dozen. Edge sharpness isn’t quite so skillful wide-open up, merely it’southward very good when you hit f/v.6 through to f/11. Diffraction will outset to kick in if yous stop down past f/11. CA (Chromatic Aberration) is very well controlled. Vignetting broad-open at f/2.8 is very noticeable, and information technology remains even if yous step-down to f/eleven.

Despite the Zero-D in the name which stands for “Zero Distortion”, there is very minimal distortion just it’s really nothing to worry almost and tin can easily be corrected in post. Flare control could be better and you will get some flare when pointing this lens towards strong light sources, even with the lens hood on.

The Laowa manages blackout very well making the Laowa 9mm an option for astrophotographers, although the vignetting could be crusade for business organization.

The Laowa 9mm f/2.8 Zippo-D is very well built and weighs in at only 215g, then you will barely detect this lens on your Sony a6000. If money were no object I’d order one today.

Pros:
Very sharp, depression CA, low distortion, meaty
Cons:
Manual focus merely, flare control, vignetting, price
Recommended Reviews:
Christopher Frost (YouTube) | Engineering Mafia (YouTube) | ePhotoZine
Sample Photos:
FlickR
Minimum Focusing Distance:
0.12m (0.39ft)
Minimum Aperture:
f/22
Maximum Aperture:
f/2.8
Aperture Blades:
7
Car Focus:
No, manual focus only
Stabilization:
No.
Filter Thread Size:
49mm
Length:
53mm (2.1 in.)
Bore:
60mm (2.36 in.)
Weight:
215g (7.58oz.)

2. Sony Due east 10-18mm F4 OSS (SEL1018)

sony 10-18mm f4 wide-angle lens a6000

The Sony E x-18mm F4 OSS is an APS-C lens and likewise the widest that Sony offers with a focal range of between 10-18mm. With a maximum constant aperture of f/4, autofocus and optical image stabilization all packed into a high quality metal housing, this is really a pretty prissy lens and also one that I own myself.

At 10mm the lens is already abrupt at f/4 in the center of the frame, but things practice become a little softer towards the edge. However terminate down to f/5.6 and the edges before long go squeamish and abrupt and at f/viii the sharpness is extremely practiced across the frame. For nine/10 of my landscape shots I’grand typically using this lens at f/8, and then don’t worry most the softer corners when wide-open at f/4. At 14-18mm sharpness drops off a little at f/4, but stopping down to f/8 soon sharpens things upwardly over again.

Chromatic aberrations are reasonably well controlled but some purple fringing is visible in loftier contrast shots. All the same, with lens corrections turned on in the a6000 this will always be corrected with JPEG images and if you lot shoot raw so you lot can easily fix this in post.

Wide-bending lens always suffer from vignetting in the corners and the 10-18mm is no different. At 10mm and f/iv vignetting is apparent and it’s not even gone completely at f/11. Thankfully in-photographic camera corrections also take care of this for JPEG images. There is just a minor amount of distortion visible but again this will be corrected in-camera for JPEGS.

At only 225g this is a very low-cal lens and is ofttimes my first pick when I’thou travelling light or hiking in the mountains. Beneath is a shot of Mont Blanc that I took with the 10-18mm on my Sony a6500, I only admired this mount from afar!

sony 10-18mm lens sample image

Sony E 10-18mm (Shot on a6500) @ 10mm | 1/400 | f/seven.1 | ISO 100 | Handheld | ** Total Resolution SOOC Download: JPEG | RAW

Pros:
Build quality, low weight, sharpness, distortion, quiet AF motor
Cons:
Vignetting, expensive
Recommended Reviews:
Drew Robinson | John Sison (YouTube) | Stuck in Customs | SonyAlphaLab
Sample Photos:
Flickr
Minimum Focusing Distance:
0.25m (0.82ft)
Minimum Discontinuity:
f/22
Maximum Discontinuity:
f/4
Aperture Blades:
7
Auto Focus:
Aye
Stabilization:
Yes
Filter Thread Size:
62mm
Length:
63.5mm (2-ane/two in.)
Diameter:
70.0mm (2-seven/8 in.)
Weight:
225g (8oz.)




Price
Check & Buyer Reviews for

Sony Eastward x-18mm F4 OSS


At: Amazon | B&H Photo

iii. Sigma 16mm f/1.4 DC DN

Sigma 16mm f/1.4 DC DN Sony E-mount a6000

If you are looking for one of the sharpest wide-bending APS-C lenses with autofocus, so the Sigma 16mm f/1.4 DC DN is certainly a lens that y’all will want to take a closer await at.

With a maximum aperture of f/1.4 this is a very fast lens. Central sharpness is very skilful at f/1.4 and f/2, and it becomes even sharper at f/two.8 through to f/viii. Diffraction does start to kick in from around f/xi but sharpness still remains proficient.

There are signs of CA (Chromatic Abnormality) both centrally and at the edges of the frame, simply this is very low and can easily exist corrected in-photographic camera if you are shooting JPEGS and in post if you are shooting raw. Barrel distortion is practically nonexistent and certainly nothing to worry almost.

Flare resistance is extremely good and even when shooting directly into the lord’s day it’s very difficult to induce any flare at all. The ix bladed aperture too produces very pleasing sunstars when y’all step the aperture downwardly.

The focus ring is buttery smooth and the lens itself is well built and weather condition sealed, the only existent downside to this lens is that the AF motor is non the quietest.

For astrophotography shooters this lens does unfortunately exhibit some blackout. Stars are squeamish and circular in the center of the frame, just closer to the edges they practise get-go to stretch a picayune. Merely that that certainly doesn’t stop this beingness i of the best APS-C lenses for astrophotography, hither’s a YouTube Review worth watching if yous shoot astro, and too a Sigma 16mm F1.4 vs Rokinon 12mm F2.0 Comparison for astro.

Pros:
Sharpness, price, low CA, build quality, flare resistance
Cons:
AF motor racket
Recommended Reviews:
Dustin Abbott | Engineering science Mafia (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.25m (2.07ft)
Minimum Aperture:
f/sixteen
Maximum Aperture:
f/1.4
Aperture Blades:
9
Motorcar Focus:
Yes
Stabilization:
No
Filter Thread Size:
67mm
Length:
92.3mm (3.6 in.)
Diameter:
72.2mm (2.eight in.)
Weight:
405g (14.3oz)




Price
Check & Buyer Reviews for

Sigma 16mm F1.four DC DN


At: Amazon | B&H Photo

4. Sony E 16-55mm F2.8 M (SEL1655G)

Sony E 16-55mm F2.8 G (SEL1655G)

The Sony E 16-55mm F2.viii Thou lens is a loftier quality standard zoom lens with a fast f/ii.8 aperture.

Atmospheric condition sealed and well congenital, this lens weighs in at only 494g (17.5 oz).

At the maximum discontinuity of f/ii.viii and 16mm the center of the frame is very sharp and the corners look good too. Stop down to f/4 and f/5.6 and you’ll see further improvements in sharpness until y’all accomplish f/xvi.

At 55mm and f/2.8 the center of the frame is very sharp but the corners are a picayune softer until you step down to f/4.

There is some barrel distortion at 16mm when shooting at f/2.8 but this is gone by around 30mm. If you shoot in JPEG then in-camera corrections will take care of this for yous anyway.

The lens does not include Optical Steadyshot which would take been useful when mounted to the Sony a6000 since this camera does not accept in-body stabilization (IBIS). However, if you are shooting with a fast plenty shutter speed this will not be an issue.

To learn more most this lens I’d recommend watching this video from Christopher Frost:

Pros:
Well congenital, fast f/2.8 aperture, bokeh, razor sharp, flare command, quiet autofocus motor
Cons:
No stabilization
Recommended Reviews:
Christopher Frost (YouTube) | Arthur R (YouTube) | Jason Vong (YouTube)
Sample Photos:
Sony Gallery | Flickr
Format:

APS-C
Lens Structure:
12 groups, 17 elements
Angle of View:
83°-29°
Aperture Blades:
9 rounded
Minimum Aperture:
f/22
Maximum Discontinuity:
f/2.8
Minimum Focusing Altitude:
1.09 ft (0.33 1000)
Maximum Magnification Ratio:
0.66
Machine Focus:
Aye
Stabilization:
No
Filter Thread Size:
67mm
Length:
100mm
Diameter:
73mm
Weight:
494g / 17.five oz




Toll
Check & Buyer Reviews for

Sony E 16-55mm F2.8 G


At: Amazon | B&H Photo

5. Tamron 17-70mm F2.8 Di III-A VC RXD

Tamron 17-70mm F2.8 Di III-A VC RXD lens for Sony E-mount APS-C

The Tamron 17-70 F2.8 Di 3-A VC RXD lens has only recently been announced simply information technology’s already proving to be a very popular choice for the Sony a6000 and Sony’s APS-C cameras.

For a quick overview of this lens I’d recommend watching the following video from Jussi Alexander:

Pros:
Cost, size and weight
Cons:

Recommended Reviews:
Jussi Alexander (YouTube)
Sample Photos:
Tamron Nihon
Format:
APS-C
Lens Structure:

Bending of View:
79゜55′-23゜00′
Aperture Blades:
nine
Minimum Discontinuity:
f/22
Maximum Aperture:
f/ii.8
Minimum Focusing Distance:
0.19m (7.5 in) (broad) / 0.39m (xv.four in) (tele)
Maximum Magnification Ratio:
ane:four.8 (broad) / ane:5.2 (tele)
Auto Focus:
Yeah
Stabilization:
No
Filter Thread Size:
67mm
Length:
119.3mm (four.7 in)
Diameter:
74.6mm
Weight:
525g (eighteen.5oz)




Cost
Check & Buyer Reviews for

Tamron 17-70mm F2.8 Di III-A VC RXD


At: Amazon | B&H Photograph

6. Sony E PZ 18-105mm F4 Thousand OSS (SELP18105G)

Sony E PZ 18-105mm F4 G OSS a6000

The Sony Due east PZ eighteen-105mm F4 G OSS lens is perchance one of the well-nigh pop short zoom APS-C lens that Sony makes, well at least it was until the 18-135mm was released. The 18-105 features a constant aperture of f/iv and a motorized internal zoom, so the lens trunk itself does not extend. Sony label this every bit a G lens, and so both the build and optical quality are a step to a higher place their non G lenses. At 427g this lens is a good 100g heavier than the xviii-135mm and it’s also longer and wider too.

The lens has optical image stabilization congenital in and the autofocus is both fast and accurate. The motorized zoom is controlled by a rocker switch on the lens, notwithstanding I personally find that it’s too slow and would much rather have a non-motorized zoom.

At 18mm and the maximum aperture of f/4 cardinal frame sharpness is excellent and the corners are simply a little softer. Stopping down to f/5.6 improves the fundamental sharpness even further and the corners are now also nice and abrupt. At 45mm sharpness is even better and at 105mm sharpness is all the same excellent. Sadly, at 105mm edge sharpness does take a plough for the worse.

At the edges of the frame y’all will run into some chromatic aberrations are prevalent towards the edges of the frame and in that location is besides some vignetting at 18mm and f/iv. Step-down to f/5.6 and the vignetting is gone. Distortion unfortunately it not and so well controlled with both butt and pincushion baloney visible. In-camera corrections will take care of this distortion when shooting in JPEG style, but central sharpness tin can suffer as a consequence. Flare command is very skilful even when shooting directly into bright low-cal sources.

I own this lens myself only since purchasing the 18-135mm lens it has only bene collecting dust. The 18-135mm is smaller, lighter, sharper in the centre, and despite the variable aperture is definitely my preferred lens to accept with me when I’m travelling light. However, video shooters might adopt the constant f/4 aperture and motorized zoom over the variable aperture and manual zoom of the 18-135mm, and the edge sharpness will probably be of less concern.

Hither’south a sample shot taken on my Sony a6500 of the town Agulo, which yous will find on the Canary Island of La Gomera.

sony selp18105g la gomera agulo

Sony E 18-105mm (Shot on a6500) @ 61mm | i/200 | f/9 | ISO 100 | Handheld | ** Total Resolution SOOC Download: JPEG | RAW

Pros:
Build quality, middle sharpness, paradigm stabilization, constant aperture
Cons:
Border sharpness at f/4 not groovy, CA, distortion at 105mm
Recommended Reviews:
Jordan Steele | Christopher Frost (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.45 (Wide)-0.95m (Tele) (1.48 (Wide)-3.12ft (Tele))
Minimum Discontinuity:
f/22
Maximum Discontinuity:
f/iv
Aperture Blades:
7
Auto Focus:
Yes
Stabilization:
Yeah
Filter Thread Size:
72mm
Length:
110mm (4-3/8in.)
Diameter:
78mm (iii-ane/8 in.)
Weight:
427g (15.1oz.)




Price
Check & Buyer Reviews for

Sony Due east 18-105mm F4 G OSS


At: Amazon | B&H Photo

vii. Sony East eighteen-135mm F3.v-5.half-dozen OSS (SEL18135)

Sony E 18-135mm F3.5-5.6 OSS a6000

The Sony E xviii-135mm F3.5-5.6 OSS is an APS-C lens that does everything really well. Information technology’s minor and lightweight and is definitely my own personal favourite travel lens for when I want to travel as light equally possible. Information technology covers a wide focal range from 18mm all the mode upwardly to 135mm and has a variable discontinuity of f/3.5 up to f/v.half-dozen.

Central sharpness at 18mm is very good but does improve from f/three.5 all the way up to f/11. At f/16 diffraction kicks in and things start to get simply a little softer. At 35mm sharpness is excellent from f/3.5 up to f/11 then starts to driblet at f/16. At 70mm and 135mm key sharpness is excellent from f/v.6 to f/11, but starts to driblet at f/16. The edges are a lilliputian soft when using the longer focal lengths, but the centre always remains sharp.

CA (Chromatic Aberration) centrally at 18mm is very well controlled, however the edges do testify signs of fringing. This improves upwardly to 70mm, just then at 135mm things become worse. Fortunately in-camera corrections take care of this, so if you are shooting in JPEG you don’t demand to worry nigh it. Flare command is excellent and the bokeh is very smooth.

The Sony East xviii-135mm F3.5-5.half-dozen OSS lens as well includes the inbuilt OSS (Optical Steady Shot) system which helps to stabilize camera shake on cameras that do not have IBIS born (like the Sony a6000). The autofocus motor is both fast and silent, and the lens feels well built. Sadly it is non weather sealed, then yous need to be a little more careful with this lens when the heavens open.

I ain this lens myself and have no regrets ownership information technology. If you desire an all-in-one travel lens that can do everything well and non counterbalance you lot down, and so this is it. Here are just a couple of shots I’ve taken with it on my Sony a6500.

sony sel18135 post box

Sony E xviii-135mm (Shot on a6500) @ 43mm | 1/500 | f/five | ISO 100 | ** Full Resolution SOOC Download: JPEG | RAW

sony sel18135 wild cat la gomera

Sony E eighteen-135mm (Shot on a6500) @ 109mm | ane/125 | f/v.6 | ISO 100 | ** Full Resolution SOOC Download: JPEG | RAW

Pros:
Lightweight, well built, bokeh, central sharpness, fast AF
Cons:
No weather sealing, poor edge sharpness at 135mm
Recommended Reviews:
Applied science Mafia (YouTube) | SonyAlphaLab (YouTube) | Christopher Burress (YouTube)
Sample Photos:
My Sample Photos | Flickr
Minimum Focusing Distance:
0.45 m (i.48 ft)
Minimum Aperture:
f/22-36
Maximum Aperture:
f/3.five-5.vi
Discontinuity Blades:
7
Auto Focus:
Yes
Stabilization:
Aye
Filter Thread Size:
55mm
Length:
88mm (3-ane/2 in.)
Diameter:
67.2mm (2-3/iv in.)
Weight:
325 grand (xi.5 oz.)




Price
Check & Heir-apparent Reviews for

Sony East xviii-135mm F3.v-five.6 OSS


At: Amazon | B&H Photo

8. Sigma 30mm f/1.iv DC DN

Sigma 30mm f/1.4 DC DN Sony E-mount

The Sigma 30mm F1.4 DC DN Contemporary lens is i of the sharpest lenses available for the Sony a6000 and Sony East-mount.

It’s sharper and offers better contrast than the more expensive Sony East 35 F1.8 lens above.

At the maximum aperture of f/1.4 this lens is razor precipitous in the heart of the frame and the corners are just a little softer. End down to f/ii.8 and the corners soon sharpen up.

There is some vignetting when shooting wide-open up but stop down to f/2.8 and you’ll at present struggle to observe it.

Chromatic aberrations are visible at f/1.4 but improve as you finish down. These tin be corrected in-photographic camera if y’all are shooting JPEG.

I own this lens myself and then here’s a shot of a little tawny owl at a local birds of prey center:

sony a6400 sample tawny owl sigma 30mm

Sigma 30mm F1.iv DC DN (Shot on a6400) @ f/1.4 | 1/400 | ISO 160 | Full Resolution SOOC Download: JPEG | RAW **

To learn more about this lens I’d recommend watching this video from Christopher Frost:

Pros:
Sharpness, size, price, bokeh
Cons:
Vignetting, distortion
Recommended Reviews:
Lavikka Photography (YouTube) | DPReview
Sample Photos:
Flickr
Lens Construction:
9 elements in 7 groups
Minimum Focusing Altitude:
30cm / xi.8in.
Minimum Aperture:
f/xvi
Maximum Discontinuity:
f/1.iv
Aperture Blades:
9 rounded
Motorcar Focus:
Yes
Stabilization:
No
Filter Thread Size:
52mm
Length:
73.3㎜ / 2.9in
Bore:
64.8㎜ / 2.55in.
Weight:
265g/ 9.3oz.




Toll
Bank check & Heir-apparent Reviews for

Sigma 30mm F1.4 DC DN


At: Amazon | B&H Photo

9. Sigma 56mm f/ane.4 DC DN

Sigma 56mm f/1.4 DC DN Sony E-mount

Just like both the Sigma 16mm and the 30mm, the Sigma 56mm f/1.4 DC DN Contemporary lens is well built and extremely sharp.

With an equivalent total-frame focal length of 84mm this is a very popular lens for portrait shooters.

Weighing in at 280g / 9.9oz this lens is only a little heavier than the 30mm lens but is really the more compact lens despite the extra weight.

Central sharpness is excellent from f/1.4 right through to f/11, and it is withal very good even at f/xvi. The extreme edges are very good from f/1.4 to f/2.eight and excellent from f/4 to f/xi. Compared to the Sony E 50mm F1.eight the Sigma is significantly sharper.

Focusing is fast and quiet, flare is well controlled and the bokeh is deliciously smooth.

There is a little chromatic aberration nowadays, mild vignetting and baloney, merely in-photographic camera corrections volition take care of these for you when shooting JPEGs.

To acquire more well-nigh this lens I’d recommend watching this video from Christopher Frost:

Pros:
Very sharp, price, build quality, bokeh
Cons:
Vignetting, CA
Recommended Reviews:
Technology Mafia (YouTube) | Camera Labs
Sample Photos:
Flickr
Lens Construction:
10 elements in 6 groups
Minimum Focusing Distance:
50cm / nineteen.7in.
Minimum Aperture:
f/xvi
Maximum Discontinuity:
f/1.4
Aperture Blades:
9 rounded
Car Focus:
Yep
Stabilization:
No
Filter Thread Size:
55mm
Length:
59.5mm / 2.3in
Diameter:
66.5mm / two.6in.
Weight:
280g / 9.9oz.




Price
Check & Buyer Reviews for

Sigma 56mm F1.iv DC DN


At: Amazon | B&H Photograph

x. Sony E 70-350mm F4.5-half dozen.three M OSS (SEL70350G)

Sony E 70-350mm F4.5-6.3 G OSS (SEL70350G)

The Sony E 70-350mm F4.5-6.iii M OSS is currently the longest APS-C zoom lens that you can buy for the Sony a6000.

I’ve not owned this lens for very long but I accept been impressed by its compact size, weight and autofocus operation. It is a variable aperture lens and the maximum aperture at 350mm is f/6.three.

I have to admit to being a little disappointed that Sony decided non to include a focus limiter switch that you practise find on the Sony FE 70-300 full-frame lens, but information technology’south not a major issue unless you make use of this often.

I decided to compare the autofocus performance of this lens with the Sony FE 70-300 and found they both offer similar levels of performance.

Here are a dew sample photos that I’ve shot with this lens:

Sony 70-350 Sample Image German Shepard

Sony a6400 + Eastward seventy-350 @ 350mm | i/2000 | f/half dozen.3 | ISO 500 | Full Resolution SOOC Download: JPEG | RAW **

Sony 70-350 Sample Image German Shepard

Sony a6400 + Due east lxx-350 @ 350mm | 1/2000 | f/6.3 | ISO 640 | Total Resolution SOOC Download: JPEG | RAW **

Sony 70-350 Sample Image Boston Terrier

Sony a6400 + Due east 70-350 @ 210mm | one/2000 | f/6.3 | ISO 1000 | Cropped | Total Resolution SOOC Download: JPEG | RAW **

Sony 70-350 Sample Image Boston Terrier

Sony a6400 + E seventy-350 @ 160mm | ane/2000 | f/five.6 | ISO thou | Cropped | Full Resolution SOOC Download: JPEG | RAW **

And here’s 1 I shot with this lens on my a7R 4 in crop manner:

Sony a7RIV Sample Image German Shepard Splashing in Sea

Sony a7R IV + Eastward 70-350 G @ 350mm | 1/2000 | f/six.3 | ISO 1000 | Full Resolution SOOC Download: JPEG | RAW **

This lens has quickly become i of my favourite telephoto lenses for APS-C cameras like the Sony a6000.

To learn more than about this lens I’d recommend watching this video from Christopher Frost:

Pros:
Very fast and quiet autofocus, lightweight and compact, sharpness
Cons:
No focus limiter or panning modes
Recommended Reviews:
Christopher Frost (Youtube) | Arthur R (YouTube)
Sample Photos:
Sony Gallery
Format:
APS-C
Lens Construction:
13 groups, 19 elements
Angle of View:
22°-four°forty′
Aperture Blades:
7 circular
Minimum Discontinuity:
f/4.5-6.iii
Maximum Aperture:
f/22-32
Minimum Focusing Altitude:
3.61–4.93 ft (i.1–i.v k)
Maximum Magnification Ratio:
0.75
Auto Focus:
Yes
Stabilization:
Yes
Filter Thread Size:
67mm
Length:
142mm
Diameter:
77mm
Weight:
625g / 22.i oz




Price
Bank check & Buyer Reviews for

Sony E 70-350mm F4.v-vi.3 Chiliad OSS


At: Amazon | B&H Photo

**Please Note:
Unless otherwise mentioned no mail service processing has been applied to the image samples in this guide except for cropping. Total resolution SOOC JPEG images are available to download. RAW files are as well bachelor simply password protected to assistance continue my hosting costs sensible. All the same, I do provide the username/password to all members of our community forum.
All images are copyright protected and may exist used for personal use but.

Additional Lens Guides

If you’d like to discover more lenses that are compatible with the Sony a6000 I’d recommend taking a look at some of my additional lens guides.

Sony a6000 Resource

Sony a6000 Forum & Facebook Group

If you are looking for further help and communication on the a6000 or would only like to share your photos and videos, and then delight head over to our friendly Sony a6000 Forum. If y’all adopt Facebook then I also run the Sony Blastoff Shooters Group where you can ask questions or post your shots taken with the Sony a6000.

Source: https://www.alphashooters.com/cameras/a6000/lenses/