Best Bokeh Lens For Sony A6400

To choose the best lenses for the Sony A6400 nosotros strongly took into account size and cost. We say the A6400 is one of the

all-time Sony cameras

considering nosotros recollect information technology has the best combination of features, versatility and price. It’s a compact and affordable camera – so surely its lenses should be as well.

We’ve used the Sony A6400, we’ve tested all these lenses, and if we were spending our own money, these are the options we would consider first. Y’all can also check out our longer list of the best lenses for Sony A6000 cameras generally if you similar, and many of the all-time Sony lenses will fit on the A6400 just fine.

We’ve tried to cover a range of interests, from travel to portraits to sports and wild fauna. Nosotros’ve also taken A6400 video shooters into business relationship as yous’ll run into from our comments, including a couple of affordable prime lenses which are great for stills photography but also give hassle-free gimbal shooting with lightweight and no zoom and no rebalancing for different zoom settings!

Above all, we’ve tried to remainder suitability for the A6400’s size, good performance that can get the most from its 24MP sensor and value for money to reverberate the A6400’s asking price.

When you’re buying lenses it’southward easy to spend a lot more than you ever intended and way more than the camera toll in the start place. With the A6400 we think information technology’south important to choose the right lenses for the job that evangelize expert results without costing a fortune.

All-time lenses for the Sony A6400 in 2022

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Frustrated past the short focal range of the standard Sony sixteen-50mm kit lens? Then become this! With an equivalent focal range of 27-200mm in full frame terms, the Sony E 18-135mm F3.5-5.6 OSS is practically a superzoom, but remains compact, neat and affordable and – unlike near every other long-zoom lens – it holds its functioning fifty-fifty at full zoom. What we like about this lens is its neat, cylindrical design, its fuss-free exterior, piece of cake performance and in-built prototype stabilizer. Like a lot of modern mirrorless lenses, it does rely on digital as well as optical corrections, but the result is a long-range kit lens with far better paradigm quality across the range than we would normally look from a lens of this blazon.

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The Sony A6400 is unremarkably sold with Sony’s 16-50mm ability zoom kit lens, which is very compact and convenient only optically a bit poor. If you want a step up in quality, one pick is Sony’s rather massive and expensive sixteen-55mm f/2.8 Thou, only we would pick this instead. The Sigma 18-50mm F2.8 DC DN offers a constant f/2.8 aperture, simply similar the Sony lens, with classic 3x zoom range for a standard zoom. Given its constant maximum aperture, the Sigma is remarkably compact (our shot shows it fitted to our Sony A7R 3, but you’ll get the thought). It’southward a well-built, weather-resistant lens with super-fast and almost silent autofocus and impressive image quality. All in all, this Sigma is a picayune(ish) lens that really does punch well to a higher place its weight.

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Sony also makes an older x-18mm f/4 OSS which is a little cheaper than this 1 and as well worth considering. The 10-18mm has optical stabilization, which is good for stills photography, merely this new Eastward PZ 10-20mm F4 K has a power zoom, which is ideal for video, and so take your pick. The Sony Due east PZ 10-20mm F4 G is especially good for vloggers who need to movie themselves and their background because information technology gives a wider bending of view than a regular zoom. Information technology’s also a keen travel lens, ideal for narrow city streets, alpine landmarks and spectacular interiors. Sadly, none of the ultra-broad lens options for the Sony A6400 are cheap, but its such a useful lens to take that nosotros recommend it anyhow.

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For longer range subjects you demand a lens with big magnifying power but also the optical quality for precipitous results. And then while there is a cheaper and smaller Sony Due east 55-210mm lens, this is the ane nosotros would recommend for sports and wildlife fans. The Sony Due east 70-350mm f/4.5-6.three K OSS is a adequately large and expensive lens, only it sports a 5x zoom range equating to 105-525mm on a full-frame trunk, so it’s practically in super-telephoto territory. It might not have an ultra-fast maximum aperture, but the modest f/4.5-6.three aperture rating enables a much more than compact, lightweight build, and it does have Sony’south OSS optical image stabilization system. It’s a biggish lens, merely offers huge range at an affordable price.

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We said in the introduction that nosotros wanted to include a couple of prime lenses, and this is the first. The Tamron 20mm f/2.8 Di Iii OSD M 1:ii is actually a full frame lens, so if you make up one’s mind afterward to upgrade to a full frame Sony, this lens will piece of work just fine. On a total frame camera it’south a wide-bending prime number, while fitted to a Sony A6400 information technology’due south equivalent to a 30mm lens – perfect as a semi-wideangle ‘street photography’ lens, in other words. Not just that, its i:2 close upward capability means it’s half way (literally) towards a full macro lens, so it does two jobs not ane. Best of all it’s not too big and not too expensive, despite starting time rate optical functioning, so it’south a groovy buy for Sony A6400 users.

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Here’s another full frame Sony lens that makes a brilliant pick for the Sony A6400. On a full frame camera, the Sony FE 50mm f/1.8 is a ‘great fifty’, a classic standard prime lens with an angle of view said to closely resemble the homo field of vision. Fitted to the Sony A6400, with its smaller sensor, it gives the same angle of view equally a 75mm lens, which is shut to the ideal focal length for a portrait lens – it makes you stand a little further away, which delivers more flattering facial perspectives. The f/1.viii maximum aperture means you can create nicely defocused backgrounds, though if you’re shooting video yous may find in that location’s some motor noise from the autofocus. At this price, though, the Sony FE 50mm f/ane.8 is a bit of a deal for Sony A6400 owners.