Best Bokeh Lens For Sony A6400

By | 15/11/2022

Best lenses for the Sony A6400 in 2022

Sony A6400



(Paradigm credit: Sony/Digital Camera World)

To choose the best lenses for the Sony A6400 nosotros strongly took into account size and cost. We say the A6400 is one of the

all-time Sony cameras

considering nosotros recollect information technology has the best combination of features, versatility and price. It’s a compact and affordable camera – so surely its lenses should be as well.

We’ve used the Sony A6400, we’ve tested all these lenses, and if we were spending our own money, these are the options we would consider first. Y’all can also check out our longer list of the best lenses for Sony A6000 cameras generally if you similar, and many of the all-time Sony lenses will fit on the A6400 just fine.

We’ve tried to cover a range of interests, from travel to portraits to sports and wild fauna. Nosotros’ve also taken A6400 video shooters into business relationship as yous’ll run into from our comments, including a couple of affordable prime lenses which are great for stills photography but also give hassle-free gimbal shooting with lightweight and no zoom and no rebalancing for different zoom settings!

Above all, we’ve tried to remainder suitability for the A6400’s size, good performance that can get the most from its 24MP sensor and value for money to reverberate the A6400’s asking price.

When you’re buying lenses it’southward easy to spend a lot more than you ever intended and way more than the camera toll in the start place. With the A6400 we think information technology’south important to choose the right lenses for the job that evangelize expert results without costing a fortune.

All-time lenses for the Sony A6400 in 2022

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Our expert reviewers spend hours testing and comparing products and services so yous tin can choose the all-time for you. Find out more almost how we test.

(Image credit: Future)


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The all-time long-zoom standard lens for the A6400, that’s neat and simple

Specifications

Focal length:

18-135mm (27-200mm equivalent)

Maximum aperture:

f/3.5-5.half dozen

Elements/groups:

16/12

Diaphragm blades:

7

Stabilizer:

Yep

Minimum focus distance:

0.45m

Maximum magnification:

0.29x

Filter thread:

55mm

Dimensions (WxL):

67.2x88mm

Weight:

325g

Reasons to buy


+

Effective zoom range of 27-202mm



+

Optical SteadyShot



+

Meaty and lightweight

Reasons to avoid


Relies heavily on digital corrections

Frustrated past the short focal range of the standard Sony sixteen-50mm kit lens? Then become this! With an equivalent focal range of 27-200mm in full frame terms, the Sony E 18-135mm F3.5-5.6 OSS is practically a superzoom, but remains compact, neat and affordable and – unlike near every other long-zoom lens – it holds its functioning fifty-fifty at full zoom. What we like about this lens is its neat, cylindrical design, its fuss-free exterior, piece of cake performance and in-built prototype stabilizer. Like a lot of modern mirrorless lenses, it does rely on digital as well as optical corrections, but the result is a long-range kit lens with far better paradigm quality across the range than we would normally look from a lens of this blazon.

(Image credit: Matthew Richards)


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A pro-spec standard zoom lens, but without the pro price tag!

Specifications

Focal length:

xviii-50mm (27-75mm equivalent)

Maximum aperture:

Constant f/2.8

Elements/groups:

xiii elements in 10 groups

Diaphragm blades:

7

Stabilizer:

No

Minimum focus altitude:

0.12m (West) 0.3m (T)

Maximum magnification:

0.36x (W) 0.2x (T)

Filter thread:

55mm

Dimensions:

65 x 75mm

Weight:

290g

Reasons to purchase


+

Constant f/2.eight maximum aperture



+

Value for money



+

Image quality

Reasons to avoid


No stabilizer



Pocket-sized… ish

The Sony A6400 is unremarkably sold with Sony’s 16-50mm ability zoom kit lens, which is very compact and convenient only optically a bit poor. If you want a step up in quality, one pick is Sony’s rather massive and expensive sixteen-55mm f/2.8 Thou, only we would pick this instead. The Sigma 18-50mm F2.8 DC DN offers a constant f/2.8 aperture, simply similar the Sony lens, with classic 3x zoom range for a standard zoom. Given its constant maximum aperture, the Sigma is remarkably compact (our shot shows it fitted to our Sony A7R 3, but you’ll get the thought). It’southward a well-built, weather-resistant lens with super-fast and almost silent autofocus and impressive image quality. All in all, this Sigma is a picayune(ish) lens that really does punch well to a higher place its weight.

(Image credit: Matthew Richards)


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A great super-wide zoom for travel photography and vlogging

Specifications

Focal length:

10-20mm (xv-30mm equivalent)

Maximum discontinuity:

Constant f/four

Elements/groups:

11 elements in 8 groups

Diaphragm blades:

vii

Stabilizer:

No

Minimum focus distance:

0.2m (AF), 0.13-0.17m (MF)

Maximum magnification:

0.14x (AF), 0.18x (MF)

Filter thread:

62mm

Dimensions:

lxx x 55mm

Weight:

178g

Reasons to purchase


+

Ultra-wide angle of view



+

Constant f/4 maximum aperture



+

Power zoom mechanism

Reasons to avert


No stabilization



Quite expensive

Sony also makes an older x-18mm f/4 OSS which is a little cheaper than this 1 and as well worth considering. The 10-18mm has optical stabilization, which is good for stills photography, merely this new Eastward PZ 10-20mm F4 K has a power zoom, which is ideal for video, and so take your pick. The Sony Due east PZ 10-20mm F4 G is especially good for vloggers who need to movie themselves and their background because information technology gives a wider bending of view than a regular zoom. Information technology’s also a keen travel lens, ideal for narrow city streets, alpine landmarks and spectacular interiors. Sadly, none of the ultra-broad lens options for the Sony A6400 are cheap, but its such a useful lens to take that nosotros recommend it anyhow.

(Prototype credit: Matthew Richards/Digital Camera World)


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If you lot’re more into sports and wildlife, this is the lens for you

Specifications

Focal length:

70-350mm (105-525mm equivalent)

Maximum aperture:

f/4.v-6.iii

Elements/groups:

19/13

Diaphragm blades:

7

Stabilizer:

Yeah

Minimum focus distance:

ane.one-1.5m

Maximum magnification:

0.23x

Filter thread:

67mm

Dimensions (WxL):

77x142mm

Weight:

625g

Reasons to buy


+

Very skillful image quality



+

Nigh silent autofocus

Reasons to avoid


Irksome-ish maximum aperture



Quite expensive

For longer range subjects you demand a lens with big magnifying power but also the optical quality for precipitous results. And then while there is a cheaper and smaller Sony Due east 55-210mm lens, this is the ane nosotros would recommend for sports and wildlife fans. The Sony Due east 70-350mm f/4.5-6.three K OSS is a adequately large and expensive lens, only it sports a 5x zoom range equating to 105-525mm on a full-frame trunk, so it’s practically in super-telephoto territory. It might not have an ultra-fast maximum aperture, but the modest f/4.5-6.three aperture rating enables a much more than compact, lightweight build, and it does have Sony’south OSS optical image stabilization system. It’s a biggish lens, merely offers huge range at an affordable price.

(Epitome credit: Future)


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This is a versatile everyday prime lens that tin also do close-ups

Specifications

Focal length:

20mm (30mm equivalent)

Maximum aperture:

f/two.8

Elements/groups:

10-9

Diaphragm blades:

7

Stabilizer:

No

Min focus distance:

0.11m

Max magnification:

0.5x

Filter thread:

67mm

Dimensions (WxL):

72x64mm

Weight:

220g

Reasons to buy


+

Infrequent sharpness



+

0.5x macro adequacy

Reasons to avoid


Not the fastest AF



Slightly chunky on the A6400

We said in the introduction that nosotros wanted to include a couple of prime lenses, and this is the first. The Tamron 20mm f/2.8 Di Iii OSD M 1:ii is actually a full frame lens, so if you make up one’s mind afterward to upgrade to a full frame Sony, this lens will piece of work just fine. On a total frame camera it’south a wide-bending prime number, while fitted to a Sony A6400 information technology’due south equivalent to a 30mm lens – perfect as a semi-wideangle ‘street photography’ lens, in other words. Not just that, its i:2 close upward capability means it’s half way (literally) towards a full macro lens, so it does two jobs not ane. Best of all it’s not too big and not too expensive, despite starting time rate optical functioning, so it’south a groovy buy for Sony A6400 users.

(Prototype credit: Sony)


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This ‘bully fifty’ full frame lens is perfect for portraits on the Sony A6400

Specifications

Focal length:

50mm (75mm equivalent)

Maximum aperture:

f/ii.8

Elements/groups:

6/v

Diaphragm blades:

7

Stabilizer:

No

Minimum focus distance:

0.45m

Filter thread:

49mm

Dimensions (WxL):

69x60mm

Weight:

186g

Reasons to buy


+

Excellent value



+

Lightweight, travel-friendly

Reasons to avoid


No weather seals



Some vignetting at f/1.8

Here’s another full frame Sony lens that makes a brilliant pick for the Sony A6400. On a full frame camera, the Sony FE 50mm f/1.8 is a ‘great fifty’, a classic standard prime lens with an angle of view said to closely resemble the homo field of vision. Fitted to the Sony A6400, with its smaller sensor, it gives the same angle of view equally a 75mm lens, which is shut to the ideal focal length for a portrait lens – it makes you stand a little further away, which delivers more flattering facial perspectives. The f/1.viii maximum aperture means you can create nicely defocused backgrounds, though if you’re shooting video yous may find in that location’s some motor noise from the autofocus. At this price, though, the Sony FE 50mm f/ane.8 is a bit of a deal for Sony A6400 owners.


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Rod is an contained photography journalist and editor, and a long-standing Digital Camera Globe contributor, having previously worked as DCW’s Group Reviews editor. Before that he has been technique editor on North-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, too every bit contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they showtime appeared, and before that began his career writing about moving picture photography. He has used and reviewed practically every interchangeable lens camera launched in the past xx years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more than. Rod has his own camera gear blog at fotovolo.com
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merely too writes about photo-editing applications and techniques at lifeafterphotoshop.com
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Source: https://www.digitalcameraworld.com/buying-guides/best-lenses-for-the-sony-a6400