Best Camera For Less Than 1000

By | 13/11/2022

The best professional person photographic camera in 2022: which pro photographic camera organization is best?

Best professional cameras: Nikon Z9



(Image credit: Digital Photographic camera World)

The best professional photographic camera for you lot will exist dependent on what you shoot. If you’re a fashion, portrait, or beauty photographer you lot’ll want a camera with a loftier resolution and then you can ingather in and print images big scale. Sports and news photographers should be more than concerned about things like burst rates and tracking capabilities while professional landscape photographers will need a camera with excellent weather sealing too as lots of megapixels.

Blackness Friday camera deals

There are a scattering of cameras that can do all of these things, merely they cost a fortune. Ofttimes the key to finding the right photographic camera for you is figuring out what you demand out of your kit. If you lot’re a videographer (or you regularly shoot video for your work), for example, so yous’ll exist looking for a whole other fix of features, with uncropped capture, codecs, and frame rates becoming far more important than autofocus modes and sensor size.

If you are primarily a videographer, and then you may want to check out our dedicated Best 4K cameras for video
(opens in new tab)

guidance or check out the best cameras for vlogging
(opens in new tab)
. Serious filmmakers may be all-time off looking at our guide to the best cinema cameras
(opens in new tab)
.

Plus, the medium format photographic camera
(opens in new tab)

market is merely becoming more competitive. The release of the meaty and relatively affordable Fujifilm GFX 100s
(opens in new tab)

definitely turned a few heads, making medium format a little more than accessible. While yous could never call medium format cameras ‘cheap’, the Hasselblad 907X 50C
(opens in new tab)

joins the GFX 100s in featuring a more affordable toll tag. Don’t worry though, there are still plenty of eye–wateringly expensive models, including the brilliant Phase One XT
(opens in new tab)
.

To assist you observe the best professional camera for your purposes, we’ve divided this guide into half-dozen unlike brands. Subsequently all, when you lot purchase a photographic camera, you lot’re as well buying into the unabridged lens ecosystem – so, you want to make sure that the photographic camera has the glass you’ll need.

No matter whether yous’ve got a upkeep of $ane,000 or $x,000, we’ve gathered the best professional cameras right here.

All-time professional person camera in 2022

Why yous tin can trust Digital Camera World


Our expert reviewers spend hours testing and comparison products and services so you can cull the all-time for you. Discover out more about how we test.

Canon

Canon offers a large range of professional person lenses and produces some of the most highly-regarded pro cameras. The best Catechism cameras
(opens in new tab)

have traditionally been known as its DSLRs, specially in professional person circles, just it’due south shifting its attending wholesale to its new mirrorless EOS R arrangement, and the original EOS R
(opens in new tab)

and beginner-orientated EOS RP
(opens in new tab)

were just the opening salvo – the EOS R5 is the photographic camera that’southward caught our attending, and that of every other pro lensman out there, nosotros suspect.

(Prototype credit: James Artaius)


(opens in new tab)

The Catechism EOS R3 is center-poppingly good

Specifications

Type:

Mirrorless

Sensor:

Full frame

Megapixels:

45

Lens mount:

Canon RF

Monitor:

3.15-inch vari-angle touchscreen, 2,100k dots

Viewfinder:

OLED EVF, 5,690k dots, 100% coverage, 0.76x magnification

Max continuous shooting speed:

12fps mechanical shutter, 20fps electronic

Max video resolution:

8K

User level:

Professional

Reasons to purchase


+

30fps stills



+

6K RAW video



+

Eye Control AF works!



+

Blackout-costless shooting

Reasons to avoid


“Just” 24.1MP



No 8K video



Split SD / CFexpress

The Canon EOS R3 is a height-tier tool of choice for working professionals. Whether you shoot sports, weddings, portraiture, pets, or news, the blackout-costless 30fps stills and 6K RAW video mean that you never miss a moment of action or detail – and the improved AF functioning, coupled with ghostly expert Middle Command AF, ensure that every shot is focused exactly where yous want it.

It sets a new dynamic range benchmark for pro-level cameras, and its lower pixel count enables it to generate significantly less noise than the college resolution rivals from Sony and Nikon. This is the professional photographic camera of the time to come – and it’s here at present.

Read our full
Canon EOS R3 review

(opens in new tab)

(Image credit: Digital Camera Earth)


(opens in new tab)

If you’re after a camera that does it all, the R5 offers infrequent 8K video, fast AF and excellent IBIS

Specifications

Type:

Mirrorless

Sensor:

Total frame

Megapixels:

45

Lens mount:

Canon RF

Monitor:

3.15-inch vari-angle touchscreen, 2,100k dots

Viewfinder:

OLED EVF, 5,690k dots, 100% coverage, 0.76x magnification

Max continuous shooting speed:

12fps mechanical shutter, 20fps electronic

Max video resolution:

8K

User level:

Professional

Reasons to purchase


+

All-time AF on the market



+

Best full-frame IBIS



+

8K video is phenomenal

Reasons to avoid


Video recording limitations



Standard 4K is merely okay

Every bit a stills camera, the Canon EOS R5 is simply Catechism’s finest product ever. It’s the perfect amalgamation of the EOS R’s form, the EOS 5D’s role, and the professional-class autofocus of the EOS-1D X. If you’re a still or hybrid shooter who flits between photography and videography, it’south ane of the best cameras you will ever have the pleasure of using.

Information technology has attracted some attention for the incorrect reasons, notably overheating (or the threat of it) when recording 8K video, just this shouldn’t backbite from this camera’s extraordinary capabilities. It’due south not perfect at everything, simply given its resolution, its frame rate, and its video capabilities combined, this is genuinely a landmark photographic camera. What’due south more – and this might sound a little strange – it’south taken the inflow of the much more expensive Sony A1 to realize just how good the Canon EOS R5 actually is.

Read our full

Canon EOS R5 review

(opens in new tab)

(Image credit: Canon)


(opens in new tab)

It might exist eight years old but the Canon 5D IV yet delivers first-class epitome quality for a fraction of the cost

Specifications

Type:

DSLR

Sensor:

Total-frame

Megapixels:

thirty.4MP

Lens mount:

Catechism EF

LCD:

three.2in touchscreen, 1.62million dots

Viewfinder:

Optical

Maximum continuous shooting speed:

7fps

Max video resolution:

4K

User level:

Professional

Reasons to buy


+

Responsive touchscreen



+

Impressive alive-view AF

Reasons to avert


4K video crop



Heart of the road resolution

Mirrorless cameras might accept taken over simply that doesn’t hateful there isn’t still a place for the humble DSLR. In fact, the Catechism EOD 5D IV is still a pretty pop choice among professional person photographers despite beingness released in 2016. It combines a reasonably high-resolution 30.2MP sensor with decent continuous flare-up speeds and fast AF.

Although it tin can shoot in 4K the file sizes are massive then you’d be ameliorate off looking at the best cameras for 4K video
(opens in new tab)

if that’due south something you’re likely to use a lot. It’s robust, reliable, and weather-resistant which is a major plus for pro photographers. Sadly, Canon has shifted almost all its attention to its new EOS R range of mirrorless cameras so we don’t know when – or even if – we will e’er see a successor to the EOS 5D 4 but we can enjoy what a great scrap of kit it is anyway.

Read our full
Canon EOS 5D Mark Four review

(opens in new tab)

Sony

Sony launched its full frame mirrorless camera system from scratch, and although you can use older Blastoff lenses designed for its SLR cameras on the new A7 and A9 bodies, in practice yous’re much better off investing in native FE mount lenses. At that place are now 31 native FE lenses with more than to come up, so although swapping to Sony might be expensive initially, these cameras accept a lot more than native lens back up than other mirrorless photographic camera brands.

See also:
Best Sony cameras

(opens in new tab)

(Paradigm credit: James Artaius / Digital Camera Globe)


(opens in new tab)

Sony’s sports camera is insanely fast and perfect for capturing fast-paced scenes

Specifications

Type:

Mirrorless

Sensor:

Full Frame

Megapixels:

24.2MP

Lens:

Sony E mountain

LCD:

3in tilting touchscreen, ane.44million dots

Viewfinder:

EVF

Maximum continuous shooting speed:

20fps electronic shutter, 10fps mechanical

Max video resolution:

4K

User level:

Professional person

Reasons to buy


+

Baking burst shooting



+

Incredible autofocus



+

Unrivaled connectivity

Reasons to avoid


Menus remain obtuse



Isn’t it fourth dimension for CFexpress?

Until we got our hands on the Canon EOS 1DX Marker 3, the Sony A9 II was by far the fastest full-frame sports camera we’d ever used. The fact it’s still a lot smaller than the 1DX Mark III is a big selling point plus it has a lightning-fast processor and its autofocus system is extremely impressive.

It features a Transfer & Tagging system that enables you lot to capture up to 50 seconds of voice communication and catechumen it to an prototype caption plus the speed of image transfer has been massively improved which is great news for printing or sports photographers who need to evangelize images fast. It can shoot up to 20fps using the electronic shutter and 3inch, tilting, touchscreen LCD. It doesn’t accept the handy Pro Capture feature you would observe on Olympus cameras simply considering what it does have going for information technology, we can forgive that.

Read our full

Sony A9 Mark II review

(opens in new tab)

(Image credit: Rod Lawton/Digital Camera Earth)


(opens in new tab)

There’south nix this photographic camera doesn’t practice incredibly well – but that comes at a cost

Specifications

Type:

Mirrorless

Sensor:

Full Frame

Megapixels:

50.1MP

Lens:

Sony Eastward mountain

LCD:

3in tilting touchscreen, 1.44million dots

Viewfinder:

EVF, 9.44million dots

Maximum continuous shooting speed:

50fps electronic shutter, 10fps mechanical

Max video resolution:

8K

User level:

Professional

Reasons to buy


+

Unprecedented 30fps burst shooting



+

8K video that doesn’t overheat



+

Hybrid CFexpress A and SD card slots

Reasons to avoid


Stabilization is still suspect



30fps isn’t guaranteed



No articulating screen

This could be the ultimate mirrorless camera. In that location is literally nothing it tin can’t shoot. Sports? Check, thanks to its unreal 30fps continuous shooting. Fine detail? Cheque, cheers to its 50.1MP resolution. Video? Check, thanks to its 8K recording capability (fifty-fifty though information technology’s hampered by not having a fully articulating screen).

The Sony A1 is far and away the almost avant-garde and near powerful camera on the market… nevertheless this comes at a cost, literally. It’s virtually twice the cost of the Sony A9 II, and it’due south fifty-fifty more expensive than the 100MP medium format Fujifilm GFX 100S. There are also caveats on the 30fps flare-up, which isn’t e’er doable (sometimes topping out at 15-20fps, which is still impressive but less impressive than the spec sheet). Overall, though, if you lot desire a camera that tin take on any possible assignment, this is information technology.

Read our total

Sony A1 review

(opens in new tab)

(Paradigm credit: Rod Lawton/Digital Photographic camera World)


(opens in new tab)

Sony’s highest resolution camera nonetheless delivers up to 10fps when shooting in burst way

Specifications

Type:

Mirrorless

Sensor:

Full-frame

Megapixels:

61MP

Lens mount:

Sony

LCD:

3in tilting touchscreen, 1.44 one thousand thousand dots

Viewfinder:

EVF, 5.76m dots

Maximum continuous shooting speed:

10fps

Max video resolution:

4K

User level:

Professional

Reasons to buy


+

Compact for full frame



+

Highest full frame resolution yet



+

Still capable of 10fps

Reasons to avoid


Poor residual with larger lenses

The A7R Four is Sony’s new highest-resolution full-frame mirrorless camera, with a tape-breaking 61 million pixels and yet still capable of shooting continuously at 10fps. Information technology also has Sony’s usual very practiced 4K video capabilities, though still capped at 30p. The latest iteration of Sony’s eye AF, still, is stunningly effective at tracking portrait subjects, fifty-fifty in continuous AF. While the Sony A9 is designed for out-and-out speed and responsiveness,  the A7R Marker IV is much more suitable for all-round photography at the highest quality levels.

It continues the ‘R’ line by offer the highest resolution of any full-frame camera, but while its 10fps burst shooting looks skilful on newspaper for sports photography, it doesn’t have the buffer chapters and responsiveness of the A9, then its high frame charge per unit is useful to accept, merely the A7R Mark IV would not exist your start choice for sports. All the same, for outright resolution, the A7R Mark IV reigns supreme, and not only in the Sony camp but amongst total-frame cameras in general. Yous have to switch upwards to medium format to shell this, with all the costs and limitations that go with it. Not even the new Sony A1
(opens in new tab)
, at twice the price, can match this resolution.

Read our full
Sony A7R IV review

(opens in new tab)

Nikon

Like Canon, Nikon also offers a huge range of professional lenses and a choice of pro camera bodies. Nikon has also taken its starting time steps in the full-frame mirrorless marketplace with the Nikon Z6 and Z7 and, as with the Catechism EOS R, these cameras can use existing current Nikon DSLR lenses, without restriction, via an adaptor, then Nikon users tin endeavour a ‘sidegrade’ to mirrorless a stride at a time rather than having to bandy out a whole organisation.

See also:

Best Nikon cameras

(opens in new tab)

best professional camera: Nikon Z9

(Epitome credit: James Artaius)

7. Nikon Z9

Nikon might’ve been slow to the mark with the Z9 but we call up information technology’due south a astounding camera totally worth the look

Specifications

Type:

DSLR

Sensor:

Total-frame

Megapixels:

45.7MP

Autofocus:

493-point hybrid phase/contrast detect

Screen type:

3-inch bi-directional tilting touchscreen, one.04m dots

Maximum continuous shooting speed:

20fps

Movies:

8K

User level:

Professional

Reasons to buy


+

8K 60p video resolution



+

120fps burst shooting



+

Deep Learning AF

Reasons to avoid


Screen non fully articulated



Some features not available til 2022

Nikon might’ve been late to the game in launching its professional, top-spec mirrorless but the Nikon Z9 was definitely worth the wait.  Information technology’southward an absolute beast of a camera when information technology comes to video, knocking the Canon EOS R3
(opens in new tab)

out of the park. It’s capable of 8K 60p video recording or 8K 30p with an enormous ii-hour record limit. Nikon decided to remove the mechanical shutter completely which ways the Z9 is capable of 120fps continuous shooting and has a max shutter speed of 1/32,000 which makes it perfect for sport and bird photography.

The Z9 is powered by Deep Learning AF
(opens in new tab)

which makes the photographic camera capable of nine kinds of recognition: human eyes, faces, heads, and upper bodied; animate being eyes, heads, and bodies; and cars, planes, trains, and motorbikes. It has the same 493 AF points as the Nikon Z7 Two which seems impressive until you lot find out that the Catechism EOS R3 has a whopping 4,779 AF points. The Z9 comes in quite a bit cheaper than both the Sony A1 and the Canon EOS R3 and it has a lot of avant-garde features.

Read our full

Nikon Z9 Review

(opens in new tab)

(Prototype credit: Future)

To this day the D850 still has i of the best focusing systems in any DSLR and the picture quality is insane

Specifications

Blazon:

DSLR

Sensor:

Full-frame

Megapixels:

45.7MP

Lens mount:

Nikon F

LCD:

3.2in tilting touchscreen, 2.3million dots

Viewfinder:

Optical

Maximum continuous shooting speed:

7fps

Max video resolution:

4K

User level:

Professional person

Reasons to buy


+

Big, bright viewfinder



+

Sophisticated, proven AF organisation



+

Superb resolution

Reasons to avert


Wearisome live view focusing

Where the Nikon D6 is congenital for sheer speed, immovability, and responsiveness, the D850 is congenital for resolution – though it can still capture images at 7fps, or 9fps with the optional bombardment grip. Some may say the D850 is the high-point of DSLR resolution and perhaps the final dandy DSLR release, but information technology does not feel like a dinosaur.

Its big, mesomorphic body feels good in the mitt and great with bigger lenses, and while its alive view AF may be sluggish, it’s a very powerful, modern-feeling photographic camera – a superb all-rounder that actually feels as tough, rugged, fresh, and exciting now as when it was launched dorsum in 2017. Whenever I was shooting fashion or editorial, the Nikon D850 was my go-to camera due to how easy information technology was to navigate and change settings and how cute the images came out.

Read our full
Nikon D850 review

(opens in new tab)

(Epitome credit: Phil Hall)


(opens in new tab)

Now with dual card slots this Nikon mirrorless is what the pro’southward needed all along

Specifications

Blazon:

Mirrorless

Sensor:

Full frame CMOS

Megapixels:

45.7MP

Monitor:

3.2-inch tilting touchscreen, 2,100K dots

Continuous shooting speed:

10fps

Viewfinder:

EVF, three,690k dots, 100% coverage

Max video resolution:

Uncropped 4K UHD up to 30p, cropped 4K UHD upwards to 60p

User level:

Enthusiast/Professional

Reasons to buy


+

Excellent image quality



+

Lovely handling



+

five-centrality IS system



+

All-time-in-form build quality

Reasons to avert


EVF resolution lower than rivals



Tilt-bending display, not vari-angle

The Z7 II is Nikon’southward flagship total-frame mirrorless camera and an updated version of the original Z7. All the changes that we’ve seen on the Z7 II compared to the original Z7 are certainly welcome, particularly the additional card slot and dual processors. That being said, we can’t help feeling Nikon has played it a bit safe.

It doesn’t actually rival the impressive Canon EOS R5 or the Sony A7R Four, it just builds on the original Z7. It’s nevertheless a bright camera and although information technology doesn’t have as many standout features, it is capable of shooting in 12-bit 4K Apple ProRes raw when using an external monitor such as the Atmos Ninja 5 (although y’all practise have to pay for the upgrade).

Read our full
Nikon Z7 2 review

(opens in new tab)

Fujifilm

Fujifilm has two separate lines of professional cameras – its APS-C X series and its medium format GFX series. The flagship Ten-T4 is the latest offering in the X range and one of the cheapest cameras on our pro list but it’s an incredible photographic camera for both video and stills. With the GFX range, Fujifilm has done something not many other photographic camera brands have managed – it fabricated medium format photography affordable. The launch of the GFX 100s was an exciting moment for Fujifilm and Fujifilm fans who wanted the high resolution of the GFX 100 but in a smaller torso and at nearly half the price. Nosotros were then blown away past it in fact, we had to give information technology five stars in our review.

Read more:

Fujifilm GFX 100s vs GFX 100

(opens in new tab)

(Image credit: Fujifilm)


(opens in new tab)

professional speed at nether a thou – is this the ultimate enthusiast photographic camera?

Specifications

Sensor:

40MP APS-C X-Trans five Hr BSI

Image processor:

X-Processor 5

Lens mount:

Fujifilm X-mount

AF points:

425 phase-detection points

ISO range:

64 – 51,200

Video:

8K 30p, 6.2K 30p, 4K 60p, 1080 120p

Viewfinder:

5.76-million-dot OLED

Size:

136.3 x 92.9 ten 84.6mm

Weight (body only):

660g / 23oz (including bombardment)

Reasons to purchase


+

40MP still images



+

8K video with long recording times



+

fifteen/20fps continuous shooting



+

160MP multi-shot mode

Reasons to avoid


Cooling fan is actress



10-H2S is improve for outright speed

On paper, Fujifilm has not put a foot wrong with the X-H2. The design and treatment follow that of the X-H2S (physically they are all but identical) and the X-H1 before it, a photographic camera nosotros admired greatly, so we’re very happy to see its successor.

The X-H2 handles very well, its specification is spellbinding and its toll signal is just as impressive. Yep, it has a smaller sensor, but information technology matches the specs of full-frame cameras at 2-three times the price. The image quality is every bit as good as we would expect, and the resolution doesn’t disappoint. The Fujifilm Ten-H2 genuinely sets new standards for APS-C cameras.

Read our full

Fujifilm X-H2 review


(opens in new tab)

(Image credit: Hannah Rooke)


(opens in new tab)

Fujifilm’south new flagship camera proves that APS-C sensors tin compete at the highest levels

Specifications

Blazon:

Mirrorless

Sensor:

APS-C

Megapixels:

26.1MP

Lens mount:

Fujifilm X

Screen:

3in articulating touchscreen, 1,620k dots

Viewfinder:

EVF, 5.76 million dots

Max continuous shooting speed:

40/15fps

Max video resolution:

6K

User level:

Adept/professional

Reasons to purchase


+

6K video, 4K 120p!



+

In-body stabilization



+

40fps continuous shooting

Reasons to avert


Expensive for APS-C

The 10-H2S replaces the Fujifilm X-T4 at the top of the Fujifilm X-mount camera range – until the 40MP X-H2 arrives afterwards in 2022, maybe. We were impressed enough with the X-T4, only the 10-H2S takes it to a new level, with 4x faster processing, 40fps continuous shooting, 6K videos with 4K at upwards to 120p, in-trunk stabilization, and a height-plate condition display. It reminds us of the Fujifilm X-H1, the short-lived first ‘pro’ effort from Fujifilm that never quite overshadowed the X-T series.

Just the X-H2S is unlike, boasting professional person build quality, ultra-loftier-speed capture, and AI-driven subject recognition AF. It doesn’t offer 8K video, but it can practice 6K and an excellent set of 4K capture options which include 4K 120p and Apple ProRes codecs. The Fujifilm X-H2S may expect pricey for an APS-C camera, but it tin mix it with the fastest full-frame models and undercuts them essentially in toll. And let’s not forget that Fujifilm backs it up with an impressive lens range too.

Read our total

Fujifilm Ten-H2S review

(opens in new tab)

(Image credit: Rod Lawton/Digital Camera World)

12. Fujifilm GFX 100S

Delivering the unthinkable… an affordably medium format camera with a 102 megapixel sensor

Specifications

Sensor:

Medium format

Megapixels:

102MP

Lens mount:

Fujifilm Thou

LCD:

3.2-inch touchscreen, 2.36 one thousand thousand dots

Viewfinder:

EVF, 5.76 million dots

Max continuous shooting speed:

5fps

Max video resolution:

4K at 30fps

User level:

Professional

Reasons to buy


+

Incredible resolving power



+

Total frame 4K video

Reasons to avert


Controls may split stance



In-trunk stabilisation isn’t foolproof

Want the ultimate resolution in a body and so small-scale and steady that you can use it for street photography? Meet the Fujifilm GFX 100S, a marvel of photographic accomplishment that packs a 100MP medium format sensor into a torso about the size of a bulky DSLR that fifty-fifty possesses in-torso paradigm stabilization – which, despite having to stabilize a gigantic medium format sensor, is actually on par with the IBIS systems on Sony’s smaller full-frame sensors.

While it lacks the vertical grip of the $10,000 Fujifilm GFX 100
(opens in new tab)
, it’s otherwise the same tech and same capabilities squeezed into a much smaller and much cheaper body – though Fujifilm’s medium format lenses mean that this is still far from a compact system. The image quality is simply spectacular; for ultimate stills shooting, this is almost unbeatable. It even shoots an incredibly respectable 4K 30p video, too!

Read our full
Fujifilm GFX 100S review

(opens in new tab)



Read more:

Fujifilm GFX 100S vs Fujifilm GFX 100

Panasonic

Panasonic’s range is now split between its existing Micro Four Thirds cameras with smaller sensors but legendary 4K video capabilities, and its new total frame mirrorless Lumix Southward models – and with no upgrade path at all betwixt these systems. In that location are an increasing number of native Lumix S lenses right now, thanks to the L-Mount Alliance and the piece of work of other lens makers similar Sigma and Leica. The Lumix South system is developing fast but will require heavy investment in an all-new organisation.

Encounter too:
Best Panasonic cameras

(opens in new tab)

(Image credit: Jon Devo)

The long-awaited GH6 offers staggering video specifications but can shoot pretty great stills as well

Specifications

Blazon:

CSC

Sensor:

Micro Iv Thirds

Megapixels:

25.2MP

Screen:

three-inch vari-angle touchscreen, 1.84m dots

Viewfinder:

3.86m dot OLED, 100% coverage

Lens:

Micro Four Thirds

Continuous shooting speed:

14fps with AFS, 8fps with AFC + Live View

Max video resolution:

5.7K

User level:

Professional

Reasons to buy


+

Shoots 5.7K at 60p



+

Impressive choice of codecs



+

25MP stills

Reasons to avoid


No Raw video internally



Quite mesomorphic for a MFT system

Skilful things come to those who wait is the phrase that comes to mind when I think of the Panasonic GH6. It had pretty big boots to make full post-obit the popular Panasonic GH5

(opens in new tab)
which even so is regarded as i of the best value options for shooting video. Nonetheless, the GH6 is an improvement in just about every way. Information technology has a brand new 25.2MP sensor, it can shoot 4K at 120p or a staggering 5.7K at 60p. There was hope it would be able to shoot in-photographic camera RAW thank you to the brand new stacked MFT sensor and CFExpress Blazon B storage merely sadly it’southward non the case.

For those looking to shoot stills, Panasonic decided to stick with its DFD (Depth From Defocus) contrast AF system which is super fast and effective. From what we’ve seen then far, the image quality is very good, it can shoot up to 75fps in burst mode (when using the electronic shutter and AFS) although this is reduced to 8fps when shooting with continuous AF. The body is very big for a Micro Four Thirds camera – it’s fifty-fifty bigger than some of the Sony A7 bodies withal, the lenses are still much more compact and there are loads to choose from. All in all, the GH6 is incredibly impressive and while the starting price point is pretty high merely it’s notwithstanding cheaper than the Sony A7S Iii and it has 5.7K capture and 25MP stills.

Read our full

Panasonic GH6 review

(opens in new tab)

(Image credit: Time to come)

The Lumix S1R is a big, hefty, impressive camera merely non a game-changer

Specifications

Type:

Mirrorless

Sensor:

Full frame

Megapixels:

47.3MP

Lens mount:

L-Mount

LCD:

3.2in tri-centric touchscreen, 2.1million dots

Viewfinder:

EVF

Maximum continuous shooting speed:

9fps

Max video resolution:

4K

User level:

Professional person

Reasons to buy


+

47.3MP resolution



+

Superb EVF

Reasons to avoid


Waiting for new lenses



But 6fps with continuous AF

The new Lumix S range is a very interesting proposition for professional photographers, peculiarly now that the range of L-mount lenses available is now quite good, and growing fast. The Lumix S1R is the nearly enticing suggestion for pros, combining 4K video capture with a high-speed 6K photo mode and a huge 47.3MP resolution.

The v.76-1000000 dot electronic viewfinder is astonishing, and the S1R handles very well too. The 24MP Lumix S1
(opens in new tab)

is cheaper and a piffling better at the video, merely that’s a cost decision – if you’re really serious virtually video, the pricier Lumix S1H
(opens in new tab)

is the ane to go for.

Read our full

Panasonic Lumix S1R review

(opens in new tab)

Olympus

Compared to the spectacular developments from other photographic camera makers, Olympus has had a pretty quiet fourth dimension of information technology. It’s soldiered on with its relatively modest Micro Iv Thirds format in a maelstrom of medium format bombshells and armies of full-frame mirrorless cameras. In this environment, a 20MP Micro Four Thirds sensor seems hopelessly outgunned. And even so it isn’t. The MFT format’south size brings substantial cost and weight advantages that its fans will be merely likewise pleased to tell y’all about.

(Epitome credit: James Artaius / Digital Photographic camera World)

Olympus aims for the pro sports market place with its flagship photographic camera

Specifications

Type:

Mirrorless

Sensor:

Micro 4 Thirds

Megapixels:

twenty.4MP

Screen:

3.0-inch 1,037k vari-bending touchscreen

Viewfinder:

Electronic 2,360k

Lens:

Micro Four Thirds

Continuous shooting speed:

15fps

Max video resolution:

4K

User level:

Professional

Reasons to buy


+

Pro build quality



+

Next-generation AF

Reasons to avert


Smaller MFT sensor



Pricey next to E-M1 II

Olympus raised a few eyebrows when it launched the OM-D E-M1X, a big new professional camera aimed squarely at the sports marketplace, merely with what looked like very similar specs to the existing E-M1. But dig deeper and you find the E-M1X is a very different beast, with an integrated grip for bigger bombardment chapters and duplicated horizontal/vertical shooting controls, and a dual processing organisation that dramatically ups the game for autofocus tracking, with a new AI system for recognizing and tracking subjects.

What many won’t realize, likewise, is that Olympus has an extremely compelling pro lens line-upwards, especially for telephoto lenses, and while the Olympus MFT sensor is smaller than the total frame sensors used past Catechism, Nikon, and Sony pro cameras, it will cost a lot less to build a fully professional system – and information technology will be a lot lighter to behave around. If 20MP is enough (it is for EOS-1D 10 Mark Three and Nikon D6 devotees!), then the Due east-M1X is a very powerful professional person proposition indeed. It’s undermined slightly by the E-M1 Mark Three, which borrows some of its tech, but the E-MX’s big, chunky trunk gives it a serious handling reward, particularly with bigger lenses.

Read our full
Olympus OM-D E-M1X review

(opens in new tab)

(Image credit: James Artaius)

Olympus has used much of the tech from its flagship East-M1X here

Specifications

Type:

Mirrorless

Sensor:

Micro Iv Thirds

Megapixels:

20.4MP

Screen:

iii.0-inch 1,037k vari-angle touchscreen

Viewfinder:

Electronic 2,360k

Lens:

Micro Four Thirds

Continuous shooting speed:

15fps

Max video resolution:

4K/C4K

User level:

Professional/Enthusiast

Reasons to buy


+

15fps burst, with 60fps option



+

Impressive image stabilisation

Reasons to avoid


Complex carte system



Is 20MP enough?

Information technology’s unlikely Olympus volition ever fully overcome resistance to its smaller Micro Four Thirds sensor format, which is one-quarter the size of those in its full-frame rivals, but that’s a pity because this system has a lot to offer. The Olympus OM-D Eastward-M1 Mark Three is actually a very effective all-round professional photographic camera for general photography.

When shooting sports, its autofocus and frame charge per unit are a adept match for more expensive full-frame rivals and its Pro Capture mode (up to 60fps) is just jaw-dropping. When the loftier resolution is essential, its 50MP and 80MP options tin can foursquare upwardly against many medium format cameras, absolutely with static subjects, not moving ones. And when shooting absolutely anything, its 7.5 stops of image stabilization outperform every photographic camera on the market.

Read our full

Olympus OM-D E-M1 Mark 3 review

(opens in new tab)

How to choose a pro system

Picking the best professional camera is not simply about picking the one with the all-time or well-nigh enticing specifications. You lot have to look at the system as a whole, its lenses, its other models, and what is set to exist released in the time to come. Earlier making a choice, it’s worth asking yourself a serial of questions:

1) Are y’all switching from a dissimilar arrangement?
If this is the instance, it’south well worth looking into whether there’southward any potential for compatibility between your existing and new system (i.e. using lens mountain adapters). ‘Migrating’ an existing system is much simpler and cheaper than starting again with a whole new setup.

ii) What lenses will you lot need?
Call back almost the kind of work y’all need and the lenses you need for it, and bank check whether the system you’re considering can meet those needs. Lens guides can be useful hither, such equally our guides to the all-time Canon lenses
(opens in new tab)

or the best Nikon lenses
(opens in new tab)
.

three) DSLR or mirrorless?
While information technology does sometimes feel like mirrorless is taking over the world, the best DSLR cameras do still have their advantages and some, like the Catechism EOS-1D X Marker 3, are breaking new ground. Read our guide to DSLR vs mirrorless cameras if you’re still not sure.

4) Video vs stills?
Are you lot shooting videos also equally stills? While both DSLRs and mirrorless cameras can and practise produce fantabulous video, mirrorless currently has the edge here, and so if the video is function of your portfolio then information technology’due south worth factoring this into consideration.

How we test cameras

We test cameras
(opens in new tab)

both in real-world shooting scenarios and in carefully controlled lab conditions. Our lab tests measure resolution, dynamic range, and signal-to-noise ratio. Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer examination equipment and DxO Analyzer is also used for noise analysis across the photographic camera’s ISO range. We utilize both real-earth testing and lab results to inform our comments in ownership guides.

More ownership guides:

All-time Fujifilm cameras
(opens in new tab)


Best mirrorless camera
(opens in new tab)


Best medium format photographic camera
(opens in new tab)


Cheapest full frame cameras
(opens in new tab)


Best cameras for vlogging
(opens in new tab)


The all-time 4K camera for filmmaking
(opens in new tab)

Having studied Journalism and Public Relations at the University of the W of England Hannah developed a dearest for photography through a module on photojournalism. She specializes in Portrait, Manner and lifestyle photography merely has more than recently branched out in the world of stylized product photography. For the last 3 years Hannah has worked at Wex Photo Video as a Senior Sales Banana using her experience and knowledge of cameras to help people buy the equipment that is right for them. With v years experience working with studio lighting, Hannah has run many successful workshops instruction people how to use different lighting setups.

Related manufactures

Source: https://www.digitalcameraworld.com/buying-guides/the-best-cameras-for-professionals