Best Camera For Wedding Photography 2021

By | 30/10/2022

When it comes to camera and lens choice, wedding photography is a catchy genre, requiring versatility, speed, and image quality for successful results. Versatility comes in the form of photograph and video capabilities since information technology’south now common to deliver content in both mediums. Speed comes in terms of focusing and flare-up shooting because a nuptials can be a fast-paced event. And epitome quality, naturally, considering a wedding ceremony is a cute, once-in-a-lifetime experience that deserves to be recorded in the all-time quality. Building a camera kit to fulfill these prerequisites is crucial, so when considering Sony, hither are some ideas of how to build the all-time one.

The Camera

Sony a1

Information technology’s difficult to argue with the Sony a1 existence the ideal camera for wedding photography. It’s i of the highest-resolution models in Sony’due south lineup, i of the fastest cameras around, and has some of the best video specs in the Alpha serial. It checks off every box for the features you’ll demand as a wedding photographer.

Sony a1 Mirrorless Camera
Sony a1 Mirrorless Photographic camera

  • Full-frame 50MP BSI CMOS stacked sensor; high-resolution, fast readout speeds, and excellent noise performance when working in low-light conditions

  • Hybrid AF is 1 of the most refined focusing systems around with impressive field of study detection and tracking to make sure y’all keep your subjects in sharp focus

  • Fast continuous shooting upward to thirty fps; perfect for photographing high-free energy receptions or just in that location to make sure you lot don’t miss the disquisitional moment of the ceremony

  • 8K 30p and 4K 120p video; if video is part of your plan, the a1 doubles as an incredible capable camera for loftier-res, wide-gamut video with impressive recording flexibility

  • 5-axis image stabilization means you can mayhap forgo a tripod or monopod for some shots and have an easier time getting sharp results in dim lighting

  • Dual CFexpress Type A/SD UHS II card slots means an impressive level of flexibility and reliability for file storage—and having two of the same type of slot makes it a bit easier to keep your cards in order and change on the wing

It’s no surprise that Sony’s flagship Alpha camera is likely the all-time selection for wedding photographers. Information technology’s one of the virtually well-rounded cameras available and, considering the multimedia requirements of some nuptials shoots, potent photo and video capabilities make it an easy selection for whatsoever working wedding photographer.

Sony a7 Iv

The a1 is bang-up, certain, only a flagship camera isn’t a requirement for all hymeneals shoots. Whether it’s budget concerns or only the fact that yous don’t need all the tech the a1 has, accept a expect at the Sony a7 Iv equally a close second pick for the platonic nuptials camera. Similar the a1, the a7 4 has an accommodating ethos with strong photo and video capabilities. It shares many of the core technologies and concepts of the flagship model, also, making it a nifty option for a backup camera or a 2d camera along with a college spec’d a1, a more than cine-specific FX3 or FX6, or even in a pair of a7 IVs for familiarity and consistency.

Sony a7 IV Mirrorless Camera
Sony a7 IV Mirrorless Camera

  • Full-frame 33MP BSI CMOS sensor; enough of resolution for most wedding applications, including some larger print sizes, and the BSI blueprint excels in low-light conditions

  • Similar the a1, a similar hybrid AF system has been carried over that’s impressively quick and utilizes AI-based subject detection and tracking for refined accuracy

  • Up to 10 fps shooting with an 828 raw frame buffer should exist plenty of continuous shooting capacity for wedding applications

  • Record videos at upward to 4K 60p in x-bit; this is a groovy format for wedding applications and, with no recording limit, an a7 Four is as well a solid choice as a remote camera to capture the entire ceremony from a unmarried vantage point

  • Same v-centrality image stabilization every bit the a1, including Agile IS digital stabilization that’s bully for steadying footage

  • Ane CFexpress Blazon A/SD UHS-Ii slot, and one SD UHS-Two slot; if working with SD cards, you’ll take two of the same slot or cull the CFexpress Type A for higher bitrate video needs

A strong alternative to the flagship, the a7 4 is an impressively well-rounded camera that really punches above its weight in terms of features and capabilities. It’s a great choice for wedding photographers shooting purely stills or for image-makers requiring strong photo and video capabilities.

The Lenses

Lens choice is a personal thing but it’s no coincidence that almost working wedding ceremony photographers typically gravitate to the same lenses: a 24-70mm, a lxx-200mm, and maybe an auxiliary fast prime or other unique focal length for a bit of a personal touch. Considering the fast footstep and demand to be flexible and adaptable when shooting, the two zooms give the most versatility possible from a pair of lenses. And then the 3rd, and possibly fourth, optic is the time to add a bit of your signature to the shoot or fill in for a focal length or aperture setting not provided by the zooms.

FE 24-70mm f/2.viii GM 2

The workhorse of lenses, the FE 24-70mm f/2.8 GM II is near equally versatile and reliable of a lens as you can possibly get. Roofing wide-bending to portrait-length fields of view and sporting the all-important f/2.8 abiding maximum discontinuity, this standard zoom is the go-to choice when photographing at a relatively shut range. Walking the floor during the reception, photographing from the seats or aisle during the ceremony, and basically whatever other instance where you’ll desire to include a scrap of context and scenery in your shot, this is the lens.

Sony FE 24-70mm f/2.8 GM II Lens
Sony Iron 24-70mm f/two.8 GM II Lens

  • Bright f/2.viii blueprint means you can isolate your subjects against decorated backgrounds with shallow depth of field and it also excels in low lighting

  • This version 2 of the 24-70mm f/2.viii is 22% lighter and 18% smaller than the previous version, making it easier to bear and use at all-twenty-four hour period weddings

  • Faster AF performance keeps upwardly with the best AF systems from the a1 or a7 4, and the linear AF motors keep focusing repose for video applications, too

  • Manual discontinuity ring, with de-click switch; two focus hold buttons; zoom smoothness/torque switch; and a focus way switch offering a lot of command over exposure and settings direct from the lens

Iron seventy-200mm f/ii.viii GM OSS Ii

All-time buds with the 24-70mm f/2.viii, the Atomic number 26 seventy-200mm f/2.viii GM OSS Ii is pure telephoto versatility. Whereas the 24-70mm covers everything you demand at relatively close range, the 70-200mm does the aforementioned when y’all’re at a greater distance—when you’re photographing the ceremony from the back of the room or from above, photographing the first dance from off the trip the light fantastic floor, or capturing other moments when yous need to be a bit further abroad from the action, the 70-200mm is exactly what you lot need. And the f/2.8 constant maximum aperture, again, is a key ingredient to getting desirable subject separation and performance in depression-light conditions.

Sony FE 70-200mm f/2.8 GM OSS II Lens
Sony FE 70-200mm f/2.8 GM OSS II Lens

  • Speedy f/2.8 blueprint is great, just the OSS image stabilization is arguably as much of a benefit when working in low lighting with this lens

  • Every bit above, this version Ii of this lens offers a 29% weight reduction compared to version I, making information technology much easier to tote all day

  • Focusing system is iv times faster than the previous gen, too, helping to keep up with any fleeting moments or high-speed continuous shooting situations

  • Internal zoom design keeps the overall length and center of gravity virtually the same and makes this lens easier to use handheld or even with a gimbal for video applications

It’south hard to argue with 24-70mm and lxx-200mm f/2.8 lenses being the foundation of whatsoever wedding lens kit. They encompass such a useful range of focal lengths, keep a loftier caste of speed up between the two, and tend to have some of the most refined optical and physical designs in a lens lineup, meaning they’ll likewise be some of the best performing lenses available. If y’all’re shooting with two bodies, at that place’s a very good take a chance these ii lenses volition exist in well-nigh-constant use throughout the wedding twenty-four hour period.

Also, information technology’s worth mentioning that, while nosotros’re partial to these f/two.eight Chiliad Master versions of the focal lengths, there are also f/4 versions (Vario-Tessar T* FE 24-70mm f/4 ZA OSS and FE 70-200mm f/4 G OSS) bachelor depending on your upkeep or need to cutting down on weight or size. The slower f/4 lenses lack the obvious depth-of-field and low-light benefits of an f/2.8 blueprint, but they do weigh quite a bit less, for the ultimate portable wedding kit.

Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens
Sony Vario-Tessar T* Atomic number 26 24-70mm f/4 ZA OSS Lens

If yous accept fourth dimension to switch upwardly some lenses or value something a bit different, then a third or fourth lens offer a unique feature could be a potent asset to have in your bag. Particularly during the formal portrait session or if yous’re looking to round out your shoot during the reception with some details, look for some of the quirkier or more specialized optics to round out your kit.

FE 100mm f/ii.8 STF GM OSS

1 of the quirkier lenses in Sony’southward lineup, the Fe 100mm f/2.eight STF GM OSS is a portrait-length prime that’s all about the unique apodization filter for shine bokeh. In the context of wedding photography, this lens volition excel for your formal portraits taken right after the ceremony, delivering a overnice flattering focal length and smooth, out-of-focus backgrounds that will make your subjects really popular. The 100mm f/ii.8 STF is, absolutely, a dull lens, merely information technology also does accept OSS to help counter photographic camera milk shake and proceed images sharp when shooting indoors or under dim lighting conditions. Even though this focal length and aperture combination is covered with the seventy-200mm f/ii.eight, information technology’southward still a unique enough choice to get some impressive formal, staged portraiture results that would otherwise be difficult to get from the zoom.

Sony FE 100mm f/2.8 STF GM OSS Lens
Sony FE 100mm f/2.8 STF GM OSS Lens

FE 50mm f/1.2 GM

The fastest lens in Sony’s lineup, the Iron 50mm f/i.two GM is a great choice when you’re looking to spruce upwards your wedding portfolio with some immensely shallow-depth-of-field images, as well as when you’re looking to photograph handheld in some of the dimmest weather. Over again, despite it being a focal length covered by the 24-70mm range, the f/1.2 maximum aperture is singled-out plenty to warrant the addition of a divide prime number to achieve the unique selective-focus effects. Specific to wedding photography, this lens would slot in nicely for formal full-length portraits, likewise equally for more action-rich scenes of dancing or mingling, where shallow depth of field can be used to creative outcome and highlight small-simply-important moments.

Sony FE 50mm f/1.2 GM Lens
Sony FE 50mm f/1.two GM Lens

Iron 85mm f/1.8

Finally, the FE 85mm f/i.8 is just a solid all-around lens whose main benefit over a lxx-200mm f/2.8 is portability and speed. It’s not Sony’s fastest 85, but the 85mm f/1.eight is a stiff residue of a flattering portrait-length field of view, lightweight design, and an appreciably bright f/1.8 maximum aperture. For weddings, this combination is slap-up for quick, informal portraits and other mid-range subjects where the 85mm focal length offers a fleck of separation and the f/one.8 design is vivid enough for working in available lighting atmospheric condition. Information technology’due south also a great respite from the heavier zooms, for instances when yous want to set down the seventy-200mm for a bit but still be ready to capture whatsoever spontaneous moments.

Sony FE 85mm f/1.8 Lens
Sony FE 85mm f/1.8 Lens

Versatility is cardinal for wedding photography and mixing a multimedia-capable photographic camera body with a pair of well-rounded zooms volition serve whatever wedding photographer well. These tools are the ultimate bare canvas for photographing your next wedding ceremony.

What do yous expect for in a camera and lens setup? Does your wedding camera and lens combination differ from these suggestions? Allow usa know in the Comments department, below.