Polish quality defocused areas
Centre-locked continuous autofocus
Manual focus tricky with EVF
Inside Fuji’s offset compact organization camera (CSC), the Fuji Ten-Pro1, is a 16.three million pixel X-Trans CMOS that produces images of up to 15.89MP.
This means that when images are printed at 300ppi, they are only a small fraction brusk of full A3 size – ideal for nigh enthusiast photographers.
Although this sensor is APS-C sized, Fuji claims that its cunning design enables the XPro1 to produce images that are superior to a full-frame camera’south.
The hole-and-corner is in the organisation of the pixels.
Unlike most cameras that use a Bayer pattern of red, green, green and blue receptors (commonly referred to every bit RGGB) arranged in a 2 x two filigree, the X-Trans CMOS device uses a 6 x 6 RGGB filter array design, with a random arrangement of colour filters inside each cake of 36 photograph receptors.
Fuji claims this avoids the upshot of moiré patterning, which can occur every bit a outcome of the fine filigree structure that makes upwardly the boilerplate Bayer pattern sensor.
As a issue, the Fuji XPro1 isn’t fitted with an anti-aliasing filter, which means it should be able to produce sharper images from the outset.
The Fuji X-Pro1 is the brand’s starting time interchangeable lens camera since the Fuji FinePix S5 Pro, which dates from September 2006. While the S5 Pro is a DSLR that accepts Nikon F-mountain lenses, the Fuji Ten-Pro1 is a meaty organisation camera debuting Fuji’s X mount.
To coincide with the release of the X-Pro1, Fuji has introduced three uniform XF lenses; the Fujinon XF 18mm f/two R, XF 35mm f/1.4 R and XF 60mm f/two.iv R Macro, these take a focal length equivalent to 27mm, 53mm and 91mm optics on a full-frame camera.
Traditionalists volition love the fact that each of these lenses has an aperture ring for adjusting exposure.
Similarly, the top plate of the photographic camera has a shutter speed dial to set the shutter speed in whole stops running from ane/4000 to 1 second.
There are likewise Time and Seedling options on the shutter speed punch, with the outset enabling exposure to exist set to 2-30sec in steps of 1/3EV and the latter enabling manually timed exposures upwardly to 60 minutes.
Both the aperture lens rings and the shutter speed punch take an A (Automatic) setting. Setting both to A puts the camera in program style, while setting only ane or the other to A selects discontinuity or shutter priority mode.
There are no scene modes, only the Fuji X-Pro1 isn’t designed to attract novice photographers who need to use them.
In manual exposure mode (when the photographer sets both dials to anything other than A), the correct exposure can be judged using the scale on the left side of the viewfinder and LCD. In other modes this scale indicates the exposure compensation.
Every bit a meaty system camera, the Fuji X-Pro1 has no reflex mirror to bounciness low-cal into the viewfinder, merely, like the Fuji FinePix X100, it has a hybrid viewfinder that combines a direct optical viewfinder (OVF) with an electronic viewfinder (EVF).
A small lever on the front of the camera enables the user to switch between the two finders – more than of these later.
Images may also be equanimous on the iii-inch 1,230,000-dot LCD screen on the back of the camera. This is one of the highest resolution camera screens around, but unlike the units on many recent CSCs, it’s not touch-sensitive.
Another consequence of at that place being no mirror in the Fuji X-Pro1 is that information technology has a contrast detection autofocus system rather than a phase detection system.
There are a total of 49 individually selectable AF points arranged in a seven 10 vii filigree across the image frame. Helpfully, the size of these points tin exist quickly adjusted (in that location are five options) using the command dial near the thumb rest, so if you need more precision it takes just a 2nd or two to achieve it.
Fujifilm has a history of making film, so it’south inappreciably surprising that the visitor is underlining this in its latest camera in the form of Motion picture Simulation modes.
In total there are x of these modes, with names such every bit Provia (the standard JPEG setting), Velvia, Astia, Pro Neg H and Pro Neg S ringing bells with photographers who started shooting on film.
No CSC would be complete without video technology, and the Fuji 10-Pro1 can shoot Full HD (1920 x 1080pixels) movies up to 29 minutes long at 24fps and with stereo sound.
While in many ways the Fuji Ten-Pro1 looks and feels like a traditional rangefinder camera with the addition of an LCD screen, information technology has only virtually all the features you respect from a modernistic digital camera. These include a virtual horizon display to help go on shots level, plenty of control over white balance, a range of bracketing options, dynamic range optimisation settings and a motion panorama way.
The simply really noticeable absence is a built-in flash, just there is a hotshoe to have flashguns such as Fuji’s EF-20 TTL or the larger EF-42 TTL.