Best Landscape Lens For Fuji Xt3

By | 11/10/2022

If yous take a peek inside the bag of most photographers, you volition likely find at to the lowest degree 1 wide-angle lens. Broad-angle lenses allow you to capture much more than of the scene fifty-fifty if you lot stand close to your subject, giving the epitome more context and a sense of existent proximity to the action or location.

Landscapes, astrophotography and compages are 3 of the more than obvious genres for which wide-angle lenses tin be used, but they also come in handy for environmental portraits, macro (if the lens has a close focusing distance) and even close-range sports to name a few.

In Fujifilm APS-C terms, whatever lens with a focal length of 23mm or wider is classified every bit a wide-angle lens, whereas anything wider than 16mm falls into the ultra-wide lens category. (In 35mm terms, these focal lengths would be 35mm and 24mm respectively.)

In this article, we’re going to take a await at the all-time wide-bending options currently available to users of popular models such every bit the Fujifilm X-T3, Ten-T2, 10-H1, and Ten-Pro2. Nosotros consider this list dynamic in that nosotros program to update it whenever Fujifilm or a third-political party visitor releases a relevant wide-angle product and we are able to test it.

Ethics statement: All opinions expressed in this article are based on our real-world experience with each lens unless otherwise stated. We were not asked to write annihilation nigh these products, nor were nosotros provided whatsoever compensation of whatever kind. Within the article, there are affiliate links. If you decide to purchase something after clicking the link, we will receive a small commission. To know more about our ideals, yous tin visit our total disclosure page. Thank you lot!

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Super-Wide Prime number Lenses for Fujifilm

Super-wide bending primes are classified equally lenses with a focal length of less than 24mm in 35mm equivalent terms. In the instance of the Fujifilm 10 series, this would exist the equivalent of less than 16mm. Generally photographers purchase a lens with a very wide field of view in social club to capture landscapes, cityscapes, and architecture.

The widest: Laowa 9mm f/2.eight Zero D

laowa 9mm 2.8 fujifilm-1

The widest prime lens available for the Fujifilm X series is the Laowa 9mm f/ii.viii Aught D, providing coverage upwardly to a 113° angle of view. Information technology is extremely meaty and lightweight for a wide-angle prime number, and every bit the name suggests, promises close-to-nil distortion. Although it lacks weather condition-sealing, it benefits from a solid metallic build that fits all Fujifilm cameras nicely, a clicking aperture ring and a smooth focus band.

Unlike most of the other lenses mentioned here, the 9mm is a manual focus lens without electronic contacts, so it won’t record the aperture in the EXIF data. For this reason, you too need to brand sure that “Shoot without lens” is set to On in the card – otherwise the photographic camera won’t take a picture while the lens is mounted.

Nosotros used information technology for a cursory period in Barcelona and were very impressed with all aspects of the lens, including epitome quality and handling. We found that sharpness was excellent beyond the frame, fifty-fifty at f/2.8, and distortion is all simply absent every bit long as you brand certain the camera is level with the ground. Chromatic aberrations weren’t an issue and flare simply appears if you shoot into direct sources of lite. Nosotros especially enjoyed the sunstars the lens produces when used at the slower apertures. You tin meet an example in the epitome taken inside the Sagrada Familia below!

laowa 9mm 2.8 fujifilm-2
Laowa 9mm f/2.8 at f/16

laowa 9mm 2.8 fujifilm-3
Laowa 9mm f/2.8 at f/8

laowa 9mm 2.8 fujifilm-4
Laowa 9mm f/2.8 at f/8

Why choose the Laowa 9mm f/2.viii Aught-D for your X Series camera:

  • optical quality is excellent
  • very piffling distortion as promised
  • the 2.8 aperture is handy for low-light work
  • meaty and affordable for a wide-angle lens

To consider:

  • no weather-sealing
  • if you don’t enjoy manual focus lenses, the 9mm may not exist for you

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The outsider: Zeiss Touit 12mm f/2.viii (equivalent 18mm)

Zeiss Touit 12mm f/2.8
Zeiss Touit 12mm f/ii.8

The Zeiss Touit 12mm and 32mm never received much love from the Fujifilm community, in part considering of their hefty price tag but also because the Touit 32mm in particular didn’t fill an urgent gap in the 10 line-up. (Fujifilm users already had the excellent XF 35mm f/1.4 at the time.) The 12mm was a more relevant addition to the range considering its field of view is noticeably wider than that of its closest rival, the XF 14mm f/ii.8.

Having spent iii weeks with the 12mm, I can say that there is a lot to similar about this lens despite these criticisms. Sharpness is first-class at all values (especially f/iv and f/5.6), the bokeh is decent at f/2.eight if you apply the closest focus distance of 16.5cm, and you won’t feel whatsoever bug with baloney, vignetting, chromatic aberration or flare. It isn’t particularly compact, especially when used with the petal-shaped lens hood, but it is adequately lightweight and suits larger cameras like the X-T3 very well. The barrel is made of metal only the discontinuity and focus rings are rubberised, making them comfortable to use in cold temperatures.

The AF motor is fast but non as fast as today’south XF lenses. Still, it’due south more than than plenty for landscapes, compages and the multiple other genres this lens is intended for.

I only have a couple of gripes, the first of which is that the rings aren’t all that easy to find with your fingers since they are flush with the barrel and lack texture. The discontinuity ring besides tends to be noisy and moves about too freely. So there is the retail price, which hasn’t come downwardly all that much since its release. That said, it is possible to find the occasional second-hand bargain or promotion.

X-T1, 1/250, f/ 16, ISO 400

X-T1, one/fifty, f/ 16, ISO 200

Why choose the Zeiss Touit 12mm f/2.eight for your X Series camera:

  • optical quality is exactly what you’d expect from a Zeiss product
  • the ii.8 discontinuity is handy for low-light work

To consider:

  • aperture band is noisy and moves most likewise freely
  • i of the more expensive lenses on this listing

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The oldie merely goodie: Fujinon XF 14mm f/ii.viii R (equivalent 21mm)

fuji 14mm
We did use this lens only forgot to take a product shot!

Announced not long afterward the X-Pro1 back in 2013, the 14mm was the 5th lens to appear on the X Series roadmap. Both pocket-sized and compact, it is a dandy match size-wise for all Fujifilm cameras and benefits from a metal construction with a clicking aperture ring and a sliding focus ring that lets you speedily bound between auto and manual focus. Information technology also includes engraved depth of field markings on the barrel. Unfortunately the aperture ring tin be quite loose on some samples, which is something that can be said about well-nigh early on XF lenses.

Despite its age, edge-to-edge sharpness is excellent at all discontinuity values, baloney is minimal and the bokeh is fairly pleasant if you use the fastest discontinuity of 2.viii and focus as close as possible. (The minimum focus distance is 18cm.)

The lens comes packaged with the same plastic petal-shaped lens hood as the 18-55mm. While a plastic hood is amend than no hood at all, nosotros would take expected the lens to come up with its own metal lens hood instead.

Because it is an older lens, its stepping focus motor is slower and noisier than that of mod XF lenses. That said, you should find it a little faster on the 10-T3 compared to previous cameras because of the camera’s updated autofocus algorithm.

X-Pro1, i/300, f/ 5.6, ISO 200

X-Pro1, ane/750, f/ 5.6, ISO 200 – XF 14mm f/2.8

Why choose the XF 14mm f/2.viii for your X Series camera:

  • sharpness is withal up to scratch despite its historic period
  • fairly fast maximum two.8 aperture
  • very little distortion for a wide-angle lens

To consider:

  • AF motor is slower than that of more recent lenses
  • build quality isn’t quite every bit good as more than recent lenses

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Wide Prime Lenses for Fujifilm

Broadly speaking, wide bending primes are equal to or wider than 35mm in 35mm equivalent terms, or 23mm for the Fujifilm Ten series. They can come in handy for many genres including landscapes street, journalism and environmental portraits. In this category there are three main fields of view that are popular amongst photographers: 24mm, 28mm and 35mm equivalent. Nosotros’ve listed the best from widest to narrowest.

The fastest, part I: Fujinon XF 16mm f/1.4 R WR (equivalent 24mm)

best wide angle fujifilm xf 16mm 2.8
Fujifilm XF 16mm f/2.8

The XF 16mm f/1.iv may non be as broad as some of the other super-wide lenses mentioned here but it certainly offers the best overall value and loads of versatility for genres as varied as landscapes, environmental portraiture and street.

The build quality of the barrel is excellent and unlike the other options mentioned beneath, features total weather-sealing. It is consummate with a clicking discontinuity band, which isn’t as loose as those of the older primes, and a sliding MF/AF focus ring. There is also altitude scale but we notice that the lines are bunched also closely together for information technology to be useful. Although the lens is bigger than most other XF broad-bending primes, it is still a good fit for cameras like the Ten-T3.

The most appealing aspect of this lens is of course its fast 1.4 aperture, which when combined with its splendid minimum focus distance of 15cm, allows for lots of background separation and a pleasant bokeh. (If you don’t focus close enough yet, yous may detect the bokeh a little nervous against certain backgrounds.)

Sharpness is already excellent at ane.4 and continues to improve until f/five.half dozen which seems to be the sweet spot. At close focus distances, sharpness wide open up isn’t quite as practiced as at a altitude. Flare, chromatic abnormality, vignetting and distortion are all well-controlled, and the AF motor is fast and silent. It comes with its own plastic petal-shaped lens hood merely if you are vehemently against plastic, you can purchase the metal LH-X16 accessory hood separately.

fujifilm xf 16mm 2.8 sample image
X-T1, i/450, f/ 56/10, ISO 200

xf 16mm 2.8 sample images
X-T10, 1/80, f/ 1.4, ISO 1250 – XF 16mm f/1.4

Why choose the XF 16mm f/one.4 for your X Serial photographic camera:

  • incredibly versatile for landscapes, architecture, street, ecology portraits, astrophotography and more
  • sharpness is excellent through the discontinuity range
  • the fast 1.iv aperture is useful for subject separation and low-light work

To consider:

  • a flake also large for the smallest X Series bodies
  • one of the more expensive lenses on this listing

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The best bargain: Samyang Rokinon 12mm f/2

Samyang Rokinon 12mm f/2
Samyang Rokinon 12mm f/2

I cannot count how many times I’ve read reviews praising the qualities of the Samyang Rokinon 12mm f/2, and after trying it for ourselves last year, we finally understood what all the hype was about.

Both small and light, you can comfortably employ the 12mm on any Ten Series camera. The discontinuity ring is very precise and the focus band is sufficiently potent that it won’t accidentally move when shooting landscapes or astrophotography. The lens could do with a hyperfocal calibration all the same. On the negative side, it lacks weather-sealing and is generally made of plastic. Because it is manual focus and lacks electronic contacts, it doesn’t communicate any EXIF information to the camera either.

As for the optical quality, there is very picayune to complain most considering how affordable this lens is compared to the competition. Sharpness is already excellent from f/two, with pinnacle performance being found between f/4 and f/5.6, and the bokeh is pleasant enough at the fastest aperture if you accept reward of the minimum focus altitude of 20cm. Vignetting, chromatic aberration and barrel distortion are all present to varying degrees but they tin be corrected by applying the lens contour in postal service. (Note that yous cannot right the JPGs in-photographic camera because the lens doesn’t communicate with the camera.)

Sadly we weren’t able to test the lens for astrophotography just past all accounts, information technology is ane of the best lenses you can find for the genre thanks to its broad angle, fast aperture and well-controlled coma.

X-Pro2, 1/850, f/11, ISO 200
Ten-Pro2, 1/850, f/11, ISO 200

X-Pro2, 1/220, f/11, ISO 200
X-Pro2, 1/220, f/xi, ISO 200

Why cull the Samyang Rokinon 12mm f/2 for your X Series photographic camera:

  • the perfect combination of affordability and quality
  • excellent operation from the fastest discontinuity

To consider:

  • manual focus only
  • you lot cannot utilize corrections to JPGs taken in-camera considering the camera and lens don’t communicate EXIF data

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Super compact: Fujinon XF 18mm f/2 R (equivalent 27mm)

The 18mm, with its 27mm equivalent field of view, is a decent wide angle lens merely optically speaking, information technology is known every bit ane of the worst performers in the Fujinon lens range. It isn’t equally sharp as near other XF lenses, suffers from chromatic abnormality and barrel distortion, and has a sluggish AF motor. The metal barrel is complete with well-damped focus and discontinuity rings, merely it lacks weather-sealing.

All this being said, we felt we should include it on the principal list considering it is extremely lightweight and compact, with dimensions just shy of a pancake lens. This makes it a good selection for street and travel, and physically a adept fit for the smaller X Series cameras in the range. It is also the only prime shut to the popular 28mm equivalent for the system.

X-Pro1, 1/500, f/five.6, ISO 200 – XF 18mm f2

X-Pro1, 1/640, f/, ISO 200 – XF 18mm f2

Why choose the XF 18mm f/2 for your X Serial camera:

  • ane of the most compact and lightweight broad angle primes for the organisation
  • the only prime number close to the 28mm equivalent field of view

To consider:

  • optical quality not up to the standard of today’s XF lenses
  • AF motor is sluggish (but this matters less for landscapes and compages)

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Affordable option: Samyang Rokinon 21mm (equivalent 31.5mm)

samyang rokinon 21mm
Samyang Rokinon 21mm f/1.4

The Samyang Rokinon 21mm f/1.iv is a wide-angle manual focus prime for mirrorless systems with an unusual 31.5mm equivalent field of view. Nosotros had the chance to use the X mountain version while travelling effectually Cornwall a couple of years agone.

Although it is light and compact, the focus ring is rather loose and information technology’south a shame that there aren’t whatsoever electronic contacts on the mount to communicate EXIF information. We were also surprised by the lack of a hyperfocal scale on the barrel given that this is a fully manual lens. It doesn’t characteristic whatever weather condition sealing merely the build quality is decent.

At the centre, the lens peaks at f/v.half dozen and the functioning is skillful at short focus distances where yous also get a decent (though far from spectacular) out-of-focus rendering. f/1.4 is a little soft but it improves from f/2. As for the corners, they are ever softer than the eye, fifty-fifty at the higher aperture values, so it isn’t equally adept an selection for landscapes as the XF 23mm f/2 for case. Resistance to flare and chromatic abnormality is excellent however, and barrel distortion isn’t an issue.

The primary reason to consider this lens is for the price since information technology is less expensive than most X series lenses, fifty-fifty the 23mm f/2.

samyang rokinon 21mm sample
X-Pro2, 1/5000, f/8, ISO 200

samyang rokinon 21mm
Ten-Pro2, ane/680, f/xi, ISO 200

Why choose the Samyang Rokinon 21mm f/1.four for your 10 Series camera:

  • fast f/1.4 aperture is groovy for low-light work and separating subject from background
  • cheaper than most alternatives

To consider:

  • corners are softer than the heart at all values
  • 31.5mm equivalent focal length is somewhat unusual (it sits betwixt a 28mm and 35mm lens)

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The fastest Two: Fujinon XF 23mm f/1.4 R (equivalent 35mm)

XF 23mm f/one.4

The XF 23mm f/1.4 offers the exact same focal length as the XF 23mm f/2 simply it has a faster aperture, making it an interesting companion for low-light piece of work. When yous focus close, the lens delivers a very pleasant bokeh wide open up and sharpness is very skilful. From f/2.8 it becomes razor sharp and only succumbs to diffraction beyond f/xi.

Considering of the more than circuitous optical design, the 23mm f/1.4 is larger and heavier than its f/2 counterpart and its size increases when you lot attach the rather big petal-shaped lens hood. It has a metal build but isn’t weather-sealed. The aperture and focus rings feature skillful resistance and y’all tin can slide the latter back to change from MF to AF. Focus distance and hyperfocal distance markings are both nowadays on the barrel although they are very small.

Every bit for the autofocus machinery, it isn’t as fast as that of the 23mm f/two but it is good enough for virtually genres, peculiarly on more recent bodies like the X-T3.

X-E1, 1/1500, f/ one.4, ISO 200

X-Pro1, 1/950, f/ ane.4, ISO 200

Why choose the XF 23mm f/1.four for your X Serial camera:

  • fast f/ane.four discontinuity is great for low-lite work and separating discipline from background
  • excellent optical quality

To consider:

  • larger and more expensive than the f/2 version
  • no weather condition-sealing
  • slower AF motor

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The best deal: Fujinon XF 23mm f/ii R (equivalent 35mm)

XF 23mm f/2

The 23mm f/ii is part of the and then-called “Fujicron” trinity of f/2 lenses. Despite existence cheaper than their broad aperture counterparts, these lenses are super meaty (fifty-fifty with the plastic hood fastened), have a peak-notch weatherproof construction and evangelize very good image quality. Their internal autofocus mechanism is also ane of the fastest and quietest of all Fujinon lenses.

Being the equivalent of 35mm in 35mm format terms, the 23mm boasts a very versatile focal length. Information technology suits a variety of genres from landscapes to street to travel and tends to be a favourite amongst event and wedding ceremony photographers since it allows yous to photograph a subject while incorporating some of the surrounding context.

This particular lens is a little soft at f/2 but sharpens up once you cease downward to f/2.eight and peaks at f/5.six. Sharpness is fairly uniform across the frame which is a good thing for landscapes. Thanks to its minimum focus distance of 22cm, you can become fairly close to your subject and separate information technology from the groundwork, though don’t expect a magnificent bokeh. Distortion, flare and vignetting aren’t an upshot and chromatic abnormality at the fastest apertures can easily be removed in post product.

As a side note, we actually compared the XF 23mm f/2 to the stock-still 23mm lens of the X100T and found that it was not merely quicker to focus just also sharper, specially at close focus distances.

X-T2, 1/170, f/8, ISO 200

X-T2, i/250, f/4, ISO 200

Why cull the XF 23mm f/2 for your X Serial camera:

  • meaty still well-congenital with full conditions-sealing
  • quick AF mechanism
  • affordable

To consider:

  • a little soft at f/two but it improves by f/2.8

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Wide Angle Zoom Lenses for Fujifilm

If y’all feel y’all might enjoy working at a variety of focal lengths, zooms are a slap-up alternative to wide-angle primes. At the moment, there are quite a few skillful zooms available for the 10 Serial, and then let’s take a look at them at present.

Super wide I: XF eight-16mm f/2.8 R LM WR (equivalent 12-24mm)

fujifilm xf 8-16mm-1
XF 8-16mm f/two.8

While visiting Turin this past Christmas, we had the adventure to use a demo of the XF 8-16mm for a couple of days thank you to our friends at Riflessi Store and it chop-chop shot to the elevation of our listing of favourites.

This make new super broad-bending zoom offers the widest zoom range of any Fujinon lens, forth with a constant 2.8 aperture and total atmospheric condition-sealing, two desirable characteristics that were missing from the older XF x-24mm f/iv. It features a atmospheric condition-sealed barrel whose build quality is 2d to none only it is a good deal larger and heavier than nearly other Fujinon lenses, so it is best to utilise it on larger bodies. Because the front element is bulbous and the lens hood is fixed to the forepart of the lens, you cannot attach filters without a filter adapter.

In terms of optical quality, in that location is very niggling to mutter about. Sharpness is first-class, distortion is contained considering the wide-bending nature of this lens and vignetting is barely noticeable. I didn’t notice much flare either despite purposefully shooting into the dominicus many times. The only small downside is the lack of optical stabilisation, which isn’t a big issue with a lens this wide unless you plan to shoot hand-held video.

fujifilm xf 8-16mm-3
X-T3, 12.3mm, one/6s, f/2.viii, ISO 250

fujifilm xf 8-16mm-2
X-T3, nine.4mm, 1/75s, f/ii.eight, ISO 400

Why cull the XF 8-16mm f/2.8 for your X Series photographic camera:

  • yous need a super wide lens for architecture and landscape work
  • you lot desire the best broad-angle zoom Fujifilm has to offer

To consider:

  • no stabilisation
  • large, heavy and expensive

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Super wide Ii: XF 10-24mm f/4 R OIS (equivalent 15-36mm)

XF 10-24mm f/4 sample images
XF 10-24mm f/4

We owned the XF x-24mm f/four for a year or so and it is the one lens I truly regret selling to fund other purchases. It covers an equivalent range of fifteen-36mm in 35mm terms, making it an incredibly versatile option for landscapes, cityscapes and compages.

Sharpness is excellent, with the best operation existence found at the mid to widest angles, but information technology isn’t easy to achieve a shallow depth of field due to the f/4 aperture. Information technology isn’t ideal for low-light work for the same reason. However flare resistance is very good and distortion and chromatic aberration are well-controlled once the correct lens profile is practical.

The just complaints I have regarding the build quality of the 10-24mm are the lack of atmospheric condition-sealing, since one of the chief applications of this lens is landscapes, and the loose discontinuity ring. We also detect it a flake strange that Fujifilm didn’t include aperture markings on the aperture ring since the maximum aperture doesn’t vary. However everything else is top-tier, from the rubberised focus ring to the metal barrel itself. Information technology is admittedly quite a large lens but happily the length doesn’t modify when yous zoom out due to the internal zoom mechanism.

The lens also comes with optical stabilisation, which at 2.v stops of compensation isn’t the nearly effective just is certainly better than no stabilisation at all. I was able to take shots at i/4 of a second at the widest angle without much trouble.

xf 10-24mm f4
X-T1, 1/420, f/ 9, ISO 200

xf 10-24mm f4 samples
X-T1, 1/300, f/ eight, ISO 200

Why choose the XF 10-24mm f/4 for your Ten Serial photographic camera:

  • a very versatile zoom range for landscapes, architecture and more than
  • great optical and build quality

To consider:

  • no conditions-sealing
  • optical stabilisation is good but not class-leading

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Large yet versatile: XF 16-55mm f/2.8 R LM WR

XF 16-55mm f/2.8
XF 16-55mm f/2.8

I of the most popular zooms for the X series is the 16-55m f/2.8, which on the wide end covers all focal lengths from 24mm to 35mm (35mm format). Classified equally a standard professional zoom, it can be found inside the bags of about working photographers, especially those who shoot events or weddings.

Although information technology is a big and heavy lens, the optical and build quality are excellent. It is made out of solid metal, features full weather-sealing and its aperture, zoom and focus rings are all very pleasant to utilize. Sharpness is besides exceptional, fifty-fifty at the fastest values of f/2.eight and f/4. Vignetting, distortion, flare and chromatic aberration never posed an outcome, and the out-of-focus rendering is pleasant if you accept advantage of the 2.8 aperture and minimum focus distance of 30cm. The AF motor is fast and silent also.

The only allow-down is the lack of optical stabilisation given that lenses like the 18-135mm and 50-140mm are stabilised. Were all Ten Series bodies stabilised themselves, it wouldn’t be so much of a glaring omission, but this currently isn’t the case!

X-T1, one/1000, f/ ii.eight, ISO 200

Ten-T1, ane/750, f/ 5.6, ISO 200

Why choose the XF 16-55mm f/ii.8 for your Ten Serial camera:

  • fantabulous optical and build quality
  • offers a versatile zoom range for consequence photography
  • 2.8 aperture is handy for low-light work

To consider:

  • too large and heavy for smaller 10 Series cameras
  • no optical stabilisation

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The quality kit zoom: XF eighteen-55mm f/2.8-iv LM OIS

XF 18-55mm f/2.8-4
XF 18-55mm f/2.eight-4

If you feel that the 16-55mm is overkill, you may want to turn your attention to the 18-55mm f/two.8-4. It isn’t quite equally wide as the professional person zoom just if that doesn’t carp you, at that place are a couple of reasons to consider this alternative – namely its affordability and compactness. What’due south more, if you purchase your Fujifilm camera in a kit, the 18-55mm will likely be the default kit lens.

Different the 16-55mm, the eighteen-55mm has a variable aperture, making it a niggling more hard to attain a shallow depth of field and work in depression lite once you zoom in. On the flip side, however, information technology does benefit from OIS, meaning that yous can use it at slower shutter speeds.

One time again, we don’t have any complaints in the build quality section. The focus and discontinuity rings are smoothen and the rubberised zoom band turns nicely. The just matter the all-metal construction lacks is atmospheric condition-sealing, which is to be expected from a kit zoom.

Optically speaking, the lens performs admirably considering its kit lens status. Sharpness is practiced through the zoom range and issues such as distortion, chromatic aberration and vignetting are well-corrected via software. Flare is a little more than invasive than on other lenses but nothing to cause concern.

Information technology goes without saying that this lens won’t deliver the same kind of performance as a professional zoom or prime. Rather, consider it an excellent starting point for those just starting out on their photography journey.

XF 18-55mm f/2.8-4
10-E2, 1/320, f/ 8, ISO 200

XF 18-55mm f/2.8-4
X-E2, 1/400, f/ 3.6, ISO 200

Why cull the XF sixteen-55mm f/2.viii for your Ten Series photographic camera:

  • affordable and meaty
  • surprisingly practiced optical and build quality for a kit zoom
  • comes bundled with nearly X Serial cameras

To consider:

  • no weather-sealing
  • optically inferior to the 16-55mm

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Excluded or even so-to-exist tested

  • XF 16-80mm f/four R OIS WR (coming soon):
    In 2019, nosotros can wait another standard zoom to join the ranks, this time with an even wider zoom range simply a slower constant aperture. If yous enjoy a variety of genres beyond only broad-angle photography, information technology may be worth considering this lens one time it is released to the market.
  • XF eighteen-135mm f/iii.5-five.half-dozen R LM OIS WR:
    Equally all-purpose lenses go, the 18-135mm isn’t a bad selection but information technology comes with its own ready of compromises, namely the average sharpness at the edges and corners at the widest and longest focal lengths. If yous’re mostly interested in broad-angle photography, we feel it is wiser to choose a lens with a shorter zoom range and faster aperture as the quality will be amend.
  • XF 16mm f/2.8 R WR (coming presently):
    Nosotros are really excited virtually the inflow of this lens, as it will offer the same focal length as the 16mm f/one.4 at a more than affordable cost. The 2.viii aperture should still be sufficient to attain good subject area separation and a nice background mistiness and weather-sealing will be a plus.
  • XC 15-45mm f/iii.5-5.six and 16-50mm f/iii.5-five.6 OIS II:
    We’ve excluded both of these basic kit lenses from the listing because their optical quality is inferior to that of the excellent xviii-55mm. They ordinarily come bundled with Fujifilm’s entry-level cameras (the X-T100, X-A5 and older cameras).
  • Samyang Rokinon 8mm Fisheye, 10mm f/2.8, 12mm f/2.8, 16mm f/2:
    Unfortunately there are still a number of Samyang Rokinon lenses nosotros need to test on our mirrorless cameras. If they offering the aforementioned quality equally the 12mm and 21mm, we can assume that they are skilful manual focus alternatives for those on a budget. If you own or accept tried any of these lenses, we’d love to hear from you in the comments section below!
  • 7artisans Photoelectric 12mm f/2.eight (equivalent 18mm):
    7artisans produces manual focus lenses for mirrorless cameras. Although we’ve never tried the brand ourselves, they’ve amassed a substantial following as their primes tend to exist very affordable and meaty. We’d love to hear from you below if you lot’ve tried the 12mm f/2.eight for yourself.

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