Best Lens For Sony Nex 6

By | 14/09/2022

SONY NEX VG 30 Camcorder microphone angle

Sony NEX-VG30H

MSRP
$269,999.00

“As a consumer camcorder, the Sony NEX-VG30H is pricey for well-nigh, only it gives you the benefits of interchangeable lenses and a large sensor that allow you create cinema-quality video.”

Pros

  • Lens interchangeability with Eastward-mount and Blastoff- mountain lenses
  • Depth-of-field control for cinematic storytelling.
  • Large sensor delivers great video and photograph quality
  • Superb environs audio capture

Cons

  • Tin become very expensive if y’all add together additional lenses
  • Too cumbersome for i-handed use
  • Some audio focusing racket with certain Alpha lenses

Let’due south become this out of the way: Sony’s Handycam NEX-VG30H camcorder is pricey and big. At $2,700, you could buy about 10 upkeep compact camcorders that shoot high-def. But comparison the VG30 to a regular consumer camcorder is like pitting a BMW v-serial to a Toyota Camry. Both are cars, just naturally one offers more performance and bells-and-whistles than the other.

With that analogy in mind, the VG30 is unique and isn’t similar all camcorders. Whereas most consumer camcorders have fixed so-so zoom lenses, the VG30 lets you use college-quality lenses interchangeably, letting you pick the glass that will deliver the effect y’all desire. The VG30 also has a large sensor, which allows you to shoot better in low light and capture high-quality video and stills. These are the two large features that allows the VG30 to overcome the limitations that are placed on consumer camcorders. The VG30 gives you pro-like features without requiring you to actually go a pro, as it’s intuitive and easy to utilize. In our opinion, you don’t need this camcorder – nigh people won’t demand the amped-up performance – but you’re going to want it considering information technology gives you bully features and benefits that will propel you from amateur to videographer, or yous’re already an advanced user who’s looking for a more than affordable pro-like camcorder.

Features and design

The NEX-VG30H is a loftier-definition prosumer-level camcorder that comes with an 18-200mm E-mount zoom lens, which goes for $two,700. You can besides purchase the camcorder without a lens (the NEX-VG30) for $1,799, and choose the type of lens that all-time fits your needs. That’s the beauty of this interchangeable lens camera: It adapts to you, but it’s too ideal if you already are a Sony camera user and ain a set of lenses, which you lot tin can use with this camcorder (run into more in in “Lens Flexibility.”)

SONY NEX VG 30 Camcorder microphone angleThe 18-200mm zoom is all-purpose enough to satisfy users in most common shooting situations. The zoom is variably controlled in speed and management by changing the pressure level on the large, comfortable rocker fashion switch. It besides has multiple fixed speeds. The zoom is image stabilized (IS), and offers two levels: Standard and Agile. As y’all might guess, Standard is for general use, while Agile is for more than move. Just by looking at the picture, you can tell the VG30H is heavier and larger than your typical consumer camcorder, weighing in at more than 3 pounds (different lenses will yield dissimilar weights, of grade).

A convenient, assignable dial allows for manual control of exposure, aperture, shutter speed, auto exposure (AE) shift to make a scene brighter or dimmer, white balance, and proceeds. In that location are also separate manual buttons for adjusting things like focus, iris (aperture), shutter speed, and white residual.

Aside from having a impact-sensitive 3-inch widescreen LCD, there is also the TruFinder display, Sony’south unique two.4-megapixel OLED (Organic Light Emitting Diode) electronic viewfinder. This astonishing viewfinder provides a colorful, loftier-resolution display of the video beingness captured, every bit well equally settings and their furnishings.

The VG30 isn’t for everybody, just there’due south zilch else like it in the consumer infinite, or in this price range either.

You’ll notice enhanced audio recording with the use of a Quad Capsule Spatial Array microphone system. This iv-microphone array sits atop the VG30’south carrying handle, and uses four precision mic capsules that are spaced at 45-degree angles for the best Dolby 5.1 stereo-environs result. A furry windsock covering the array reduces wind noise. For those pro-level users, an external stereo microphone port is available, and professional XLR-type microphones can likewise exist used with an optional XLR adapter. The audio tin can be manually controlled as well.

The VG30 has 2 operational modes – video and photo. AVCHD-format video is recorded onto either a Memory Stick Pro Duo or a SDHC/SDXC retentiveness card, in one of iv quality settings: FX, FH, Standard, and LP. Frame rates can be set at 60i (standard), 60p, or 24p (movie house-like). Still images are recorded in either 16-megapixel JPEG, RAW, or both. Provided Sony image software reads the RAW format and can enhance and convert the RAW “digital negatives” into more conventional TIFF or JPEG images.

Larger sensor allows for dramatic cinematic quality

In terms of image quality, 1 affair that sets this camcorder apart is the large-format sensor, which is well-nigh 20x bigger than the ones plant in typical camcorders. This larger APS-C sensor, which you’ll likewise find in higher-cease cameras, allows cinematic storytelling techniques, primarily through the depth-of-field effects – the area of focus that lies in front of and behind the main point of focus. Similar in photography, the wider the discontinuity of the shooting lens, the narrower is the depth of field, directing your attention but to that area that is in focus. Cinematic-style videographers use this result to directly your attending to key areas, while blurring out the background. The VG30’south large sensor also has more than individual photo diodes, which provide greater calorie-free gathering power. This greater light sensitivity lets i shoot with natural lighting, something that contributes the storytelling consequence.

Lens flexibility

The zoom lens on a typical consumer camcorder cannot be interchanged. Therefore, the videographer using such a camcorder is limited to the capabilities of the attached lens – focal length zoom range, f-stop (aperture) range, etc. With the interchangeable Eastward-mount lenses used past the Sony VG30, information technology gives the user the flexibility of using either Sony E-mount lenses specifically designed for the camcorder, or Sony Alpha lenses, designed for Sony Alpha DSLRs via an adapter.

The E-mountain lenses range from super wide angle (16mm, f/2.8), macro (30mm, f/2.eight), wide-angle (35mm, f/ane.viii), normal (50mm, f/ane.8), and portrait (85mm, f/2.8), to list the most popular ones. All these E-mount lenses offer wider shooting apertures than those possible with the included 18-200mm zoom in the VG30H kit (f/iii.5-six). As we mentioned, wide apertures allow for ameliorate depth-of-field control.

Alpha lenses offering even greater artistic options considering there are dozens of lenses with an even wider diverseness of focal lengths than the E-series. Each Alpha lens offers fast, wide discontinuity settings as well. The Sony LA-EA2 E-to-Blastoff-mount adapter is required, however.

What’south in the box

The NEX-VG30H kit comes with the NEX-VG30 body, the xviii-200mm IS zoom lens, AC adapter, component AV cable, AV cablevision, USB cable, wireless remote, rechargeable NP-FV70 battery pack, windscreen, large eyecup for viewfinder, lens hood, front and rear lens cap, disc with software, and operating guide. The camcorder has a mini HDMI port, but the cable is sold separately.

Operation and use

Our start tests began with the included 18-200mm zoom. We then afterwards tested the camcorder with supplementary E-mount and Alpha lenses Sony provided for our review.

With the VG30 you get more shooting flexibility with interchangeable lenses, and the adequacy to capture video that tells a story through its cinematic quality.

While nosotros could single-handedly hold the camcorder, our right hand speedily got tired due to the VG30’s weight, specially if you have a heavy lens fastened like the included eighteen-200mm. It’s best to adopt a ii-handed technique, with the left hand cradling the lens from below and the right hand slipped through the handgrip. The rocker-type zoom control, accessible past the handgrip, was the best we have always used and reminded us of professional zoom lenses with precision variable or stock-still speeds.

We loved the OLED viewfinder’due south display because everything was clearly visible, fifty-fifty if the LCD monitor was completely done out past bright sunlight. Viewfinders are rare in consumer camcorders today, and the Sony OLED TruFinder is a true statement slice.

Earlier shooting, nosotros fix the image quality for both video and still images. For video nosotros chose FH (high quality) every bit the best tradeoff between paradigm quality and memory used. The frame rate was fix to 60i (standard), and SteadyShot IS was ready to Active. The transmission button was preset to IRIS (Aperture) because we wanted to endeavor out the depth-of-field outcome.

For photos, we chose JPEG+RAW to capture not only 16-megapixel JPEG images, but likewise RAW versions for further processing with the provided Sony software. Note: Still images can’t be captured while shooting video, and photographing in JPEG and RAW will have upwards quite a bit of storage space. We normally wouldn’t recommend using a camcorder for images, only non so with the VG30. The benefit of using a large sensor with different lenses makes information technology comparable to using a video-capable DSLR.

To create that cinematic storytelling upshot we talked about, we first used a Sony Carl Zeiss Planar 85mm f/1.4 Alpha-mount lens that’s specialized for portraits and stills. It’s a whopping $one,700 glass, but it gives yous two f-stops wider in aperture than the less expensive 85mm f/two.8 lens. With this lens, the camcorder delivered spectacular results. The shots of our model were crystal articulate, with the smoothly blurred-out groundwork that you’d look from a professional cinema lens. A consumer camcorder with a standard stock-still zoom lens could not take done this. We also shot the same scenario with a wide-angle 35mm f/1.8 lens, and once more enjoyed the same defocusing of the background.

Sony-NEX-VG30-sample-4

Because at that place is and then much physical drinking glass, one thing about the 85mm f/1.4 lens we found annoying was that it caused the focusing motor to make a lot of noise. As the lens strained to focus properly, this racket was hands captured past the born microphones. Nosotros recommend using an external microphone to avoid this issue when using sure large Blastoff lenses. But the standard eighteen-200mm zoom is essentially silent with no motor noise recorded.

Since the camcorder uses a large sensor, nosotros expected strong depression-light functioning, and we got some amazing results. With the camcorder gain set to auto, the sensitivity was increased upwards to the maximum 30db level. Cheers to the large sensor, features and details in shadows could clearly exist seen, and surprisingly without the excessive noise in the night areas.

We also got creative and tested the furnishings of variable shutter speed, something many camcorders don’t permit you to do. With the manual button set to shutter speed, we contradistinct the it all the way from a super fast ane/10,000th of a 2d to as irksome as half-2d. When the shutter speed slows to below 1/30th of a 2d, the captured video begins to blur, and gives a distinctive dream-like upshot. Information technology’south peculiarly effective when capturing lighting or people in motion. We shot some not bad “time altering” scenes with slow shutter speeds at the bumper car venue and at other spinning rides.

The VG30 has many “fun” features that volition brand you want to explore your video inventiveness even further, with some interesting built-in visual effects for video and stills. These are found in the Camera Settings/Picture Effects menu: Toy Camera, Popular Color, Posterization, Retro Photo, Soft Hi-Key, Partial Colour, High Contrast B/Westward, Soft Focus, and Miniature. To us, Partial Color was ane of the more unique; yous tin can select from amidst four colors – red, green, blue, and yellowish – and only keep objects in the scene with those colors, while making everything else black and white. This Partial Colour effect tin can really draw attention to an object of a sure color. Another unique feature is CinemaTone, which allows you lot to shoot with a wider range of color gamma, similar to film. This is especially useful for videos shot at the 24p cinema-like setting that many videographers adopt.

When nosotros played back the footage on a 52-inch widescreen HDTV, it was like we were watching a commercial-course pic shot with pro lenses. The sound quality capture with the camcorder’s quad microphones was outstanding, crystal clear, and without distortion – with the exception of the motor noise from the Alpha lens nosotros mentioned.

Conclusion

Yep, the NEX-VG30H costs more than three-times the price of a typical high-end HD camcorder, but the VG30 isn’t interested in playing on that level. Information technology’s designed to requite you lot professional-quality video (and stills) without going professional. If you already have a Sony NEX digital still camera with some lenses lying around, then you’re already ahead of the game.

The VG30 isn’t for everybody, just in that location’s cypher else like it in the consumer space, or in this cost range either. While expensive, other pro video camcorders can toll even more, especially if yous are looking at models that permit you changes lenses. If desire to upwards the ante on your filmmaking, yet, the flexibility and quality of this camcorder are strong selling points. Even if you’re only shooting your kids’ games or a birthday party, information technology might be video that someone actually wants to watch.

Highs

  • Lens interchangeability with Due east-mountain and Alpha- mount lenses
  • Depth-of-field control for cinematic storytelling.
  • Big sensor delivers great video and photo quality
  • Superb surround audio capture

Lows

  • Can get very expensive if y’all add together additional lenses
  • Too cumbersome for ane-handed apply
  • Some audio focusing noise with certain Alpha lenses

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Source: https://www.digitaltrends.com/gadget-reviews/sony-nex-vg30-review/