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Best Canon Lenses for Shooting Stills & Videos
A lens that is good for shooting both stills and videos with the Canon EOS 80D has to be a wide angle zoom. Yous could opt for a tele-lens only they would be bang-up for shooting wild animals, sports and those sort of things. A mid-range tele like the 85mm or fifty-fifty the 105mm would be swell for shooting portraits. Just a tele-lens is non exactly the most sought afterward lens for video work.
A wide bending zoom, on the other paw, is a great slice of optical glass for shooting both videos and stills. Information technology offers a lot more than creative possibilities that you could explore. Just then again, this is not a definitive dominion. A lensman shouldn’t be expected to follow the ‘rules’ at all times. You lot should, on the reverse, attempt to experiment with whatsoever you could lay your hands on and explore the possibilities.
This discussion is centered around the lenses that serve the dual purpose of shooting stills and videos. And they reflect a personal preference – wide angle zooms generally. You are gratuitous to add your own set up of lenses to this list.
5 TOP Lenses for Canon 80D
- Sigma eighteen-35mm f/1.8
- Catechism EF-S 24mm f/two.eight
- Tokina AT-X xiv-20mm f/2
- Sigma 17-50mm f/2.8
- Sigma 35mm f/1.iv
- Canon EF 24-70mm f/2.8
ane. Sigma 18-35mm f/ane.eight DC HSM Fine art Lens
Sigma xviii-35mm f/i.8 DC HSM
is an Art serial lens by Sigma designed for the Catechism EF mount systems. That makes information technology uniform with the EOS 80D. Being an APS-C camera, in that location is a ingather factor associated. The 1.6x ingather gene makes the lens’ focal length the equivalent of a 28.8mm – 56mm on the 35mm format.
DxOMark rates this lens very high. Information technology accumulates 28 points overall on the DxOMark score, with an effective sharpness of 16 megapixels on the EOS 70D (the report for testing on the EOS 80D is not yet out at the time of writing this article).
This standard zoom makes for a groovy piece of glass for everyday photography, street, mural, architecture, low lite, urban landscape etc. Thank you to the wide open discontinuity, you tin have advantage of the actress amount of light intake capacity, especially in low light situations.
The lens in actual real-life shooting conditions is extremely precipitous. You go fantastic epitome sharpness even when shooting wide open at f/1.viii. It has very little distortions and no chromatic aberrations. Vignetting, which is a major problem in some wide angle lenses is as well well suppressed. Even when you lot are shooting wide open. Stopping down the lens practically takes away that problem.
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Auto-focusing is powered past Sigma’s Hyper Sonic AF motor. This is a ring-type auto-focusing motor. Unlike the ziffy and fast AF that we usually see on some of the other lenses, these are smoother and therefore produces better results when shooting videos. One word of caution though. Auto-focusing on the lens does produce some noise. Information technology is not admittedly silent.
A trouble with budget lenses is lens diffraction. This is something that sets in pretty chop-chop as yous stop down the lens. This affects paradigm sharpness. There is no noticeable diffraction on this lens on smaller apertures. At 28.8mm this lens is decent enough for shooting landscapes. The lack of diffraction makes this a fantastic lens to shoot landscapes. No wonder the lens enjoy the ‘Art’ moniker from Sigma, which signifies that this is one of their best offerings.
Sigma 18-35mm F1.8 Art DC HSM Lens for Catechism, Black (210101)
- F1.8 maximum aperture
- F16 minimum
- Ring-type ultrasonic-type AF motor with full-time transmission focusing, 72mm filter size
- Minimum focusing distance 28 cm/ 11.0 in. USB Dock uniform, MC-xi compatible.
- Bachelor in Canon EF (EF-South), Sony Alpha (dot), Nikon f (DX) mounts
ii. Canon EF-S 24mm f/ii.8 STM Lens
A lot of people will be surprised to see this lens on this list. We reviewed this lens previously on our website.
This is an cheap lens which you can own for less than $150. And it is very abrupt. This lens comes under the category of pancake lenses, considering information technology is very thin. But make no mistake near the fact that this is a very capable lens.
The maximum discontinuity of the lens is f/2.8. Which is handy when shooting in low light and particularly useful when attempting a shallow depth of field. A wide open aperture allows you to apply a fast shutter speed, which prevents paradigm mistiness. Further, a broad open aperture negates the need for using high ISO. That is helpful for reducing image racket.
The angle of view of the lens is 59 ˚ 10′. Think this is an EF-Southward lens and therefore uniform with only the APS-C camera such equally the Catechism EOS 80D. Therefore, the lens volition be affected past the 1.6x crop factor. That makes the focal length an effective 38mm. Even then, the focal length beingness shut to 35mm is just perfect for a wide range of everyday photography pursuits – street, everyday life, architecture and so on.
The lens has an uncomplicated design. A full of 6 elements including 1 aspherical chemical element arranged in 5 groups. There are no paradigm stabilization elements on the lens. But the lens does have a STM powered car-focusing mechanism. STM stands for Stepping Motor and is the new AF technology introduced by Catechism.
Related Post: Best Canon Landscape Lenses Compare
The lens likewise comes with full-time manual focusing override. This technology is available in the Ane Shot AF mode simply. This allows for constant manual focusing even when machine-focusing is engaged.
This engineering is uniform with the new movie-servo machinery of Catechism’south new historic period DSLRs including the EOS 80D. Therefore, you are going to go a lot of shine auto-focusing result when shooting movies and using the car-focusing mechanism.
Having said that, this will probably not exist very exciting for still shooters, equally the AF motor can be a little likewise boring for the snap-happy segment of photographers. If you wish to use this as predominantly a still lens and don’t like slow auto-focusing then don’t go for it. You are better of using a comparable USM lens.
DxOMark rates this lens as twenty with a sharpness of thirteen megapixels. That is at the middle end of the list. They too rates that the lens is at its all-time when used broad open up. Tests however shows that results are better when the lens is stopped down to about f/5.half dozen.
Canon EF-S 24mm f/two.8 STM Lens
- Broad angle lens for Canon APS C cameras (equivalent to 38 millimeter on a full frame camera)
- Focal length & maximum aperture: 24 millimeter one:2.8, maximum magnification of x0.27
- Slimmest and lightest lens of the EF South series
- Round discontinuity (7 blades) delivers beautiful, soft backgrounds
- Full time transmission focus allows manual focus adjustment while in Ane Shot AF fashion
3. Tokina AT-10 14-20mm f/2 Pro DX Lens
is a 3rd party lens designed by Tokina for the Catechism EF mount camera systems. Thus, it fits the Canon EOS 80D without issues just with a ingather factor of 1.6x. With that crop cistron the lens becomes an finer 22 – 32mm wide zoom (35mm format equivalent). The maximum aperture of the lens is f/ii. That is adept plenty for a wide variety of imagery including street, architecture, mural, everyday shots, events and so on. This lens has been rated xx by DxOMark with an overall sharpness based on results on a Canon 7D Mark 2 at 11 megapixels.
At that place is something about Tokina and wide bending lenses. A bulk of their current lenses are wide angle. Broad angles are the best when information technology comes to shooting movies. Considering they tend to give a bigger perspective of the scene. Also, wide angle lenses give shallower depth of field compared to their zoom brethren. Plus, with wide bending lenses slow shutter speed shots tend to suffer less from prototype milkshake.
Another reason I love wide angle zooms is that they tend to prove the background in the right perspective. Unlike tele lenses where much of the background is sucked in and prove up larger than they actually are.
The lens structure includes a full of 13 elements arranged in 11 groups. This includes the focusing elements and the aspherical and super low dispersion elements. The focusing mechanism on the lens is internal. Additionally, the lens also comes with a multi-layer anti-reflection coating.
The 9-blade circular discontinuity diaphragm promises great bokeh too every bit corking star-bursts. Especially when you have set the lens to a wide discontinuity (or stopped down equally the instance may be) and there are pocket-sized sources of light in the frame which you wish to play with.
Tokina uses a unique focus clutch mechanism that they say is a ‘one-touch’ focus adjustment which allows you to get from auto-focusing to transmission focusing very easy. Information technology can, however, come up across every bit something of a handicap for some photographers. To exist honest it needs some getting used to.
Optically, this is a very sharp lens. There is little mutter in terms of the lens’ sharpness or its abilities to return colors and retain details.
Tokina ATXAF140DXC 14-20mm f/2 Pro DX Lens for Canon EF
- Canon EF Mount Lens/APS-C Format. 22.4-32mm (35mm Equivalent)
- Aperture Range: f/2 to f/22. One Plastic-Molded Aspherical Element
- Two Glass-Molded Aspherical SD Elements. Two Super Depression Dispersion Elements
- Multi-Layer Anti-Reflection Blanket. Internal Focus; One-Touch Focus Clutch
- Nine-Blade Diaphragm
4. Sigma 17-50mm f/2.8 DC Os HSM Zoom
Another third party lens and this time from my favorite third political party lens manufacturer Sigma.
is a wide bending zoom lens that goes from the standard 50mm all the way to 17mm. The lens has a fixed aperture of f/ii.8 across its zoom range.
This lens is designed for the Canon’southward EF mount APS-C cameras. Therefore the lens volition not work without excessive vignetting with full-frame Canon systems. The forepart element of the lens is quite large. Considering that information technology takes 77mm filters. This ensures that at least on smaller cameras vignetting is down to a bare minimum.
The 17-50mm may appear as if a small improvement over the 18-55mm lens. But the significant thing that you are likely miss if you just consider the focal length is the maximum discontinuity of the lens. When shooting at 55mm with a traditional kit lens, you lot get a maximum aperture of f/v.6. That means this lens is a whole ii stops faster at f/2.viii. That is an incredible advantage, specially when you consider low light situations.
I have already stressed on the advantages of a fast wide aperture and this is zero new here. The lens works really great for movie work as you lot are able to create those beautiful out of focus effects see in movies.
Motorcar-focusing on the lens is powered past Sigma’s HSM motor. This is a dampened well. There is no full-fourth dimension manual focusing override. Y’all will take to switch from auto to manual focusing earlier you lot attempt at moving the manual focusing ring. This is probably the i thing that I did not like about this lens.
Having said that the front element of the lens will non move when you appoint manual focusing. This is ideal for using grad NDs and circular polarizers. This lens existence ideal for landscapes and for shooting movies, you would desire to have this feature.
The lens has optical image stabilization as well. It is rated to give around 4 stops of image shake correction. This again is an advantage when shooting in depression light conditions too as in day times when you need to increase the shutter speed to capture a fleeting moment.
This is quite a substantial lens. At 565 grams information technology is quite heavy. The lens construction includes a total of 17 chemical element that are arranged in 13 groups. The lens diaphragm consists of seven blades.
Finally, near the sharpness examination, the lens is quite sharp at f/2.8 around the center of the frame. Only not and so abrupt at the corners. Having said that sharpness increases when y’all finish downwardly the lens to f/4 and to f/5.half dozen.
5. Sigma 35mm f/1.4 DG HSM A
In that location are two f/i.4 35mm lenses that rivaled for this position and the 1 I chose is the ane fabricated by Sigma. Not because I love Sigma and they are my favorite third party lens manufacturers, but because this lens does about everything that the Canon does at less than half the price.
Sigma 35mm f/1.iv DG HSM A
happens to be the first lens Sigma ever made in the Art serial. Both these lenses have a fairly practiced fan following of their own and they are both extremely capable lenses. Both the lenses shoot at a maximum wide aperture of f/ane.4. Both handle chromatic aberrations well, simply the Sigma does a better job overall. Plus, the price point which kind of makes this as no brainer.
The lens comes with Sigma’s patented Hyper Sonic Motorcar-focusing motor. It is fairly quiet and thus does non scare away subjects that are conscious of a camera. Floating internal focusing elements ensure that the lens’ butt length never changes. The lens also has fulltime manual focusing for transmission control over focusing even in machine-focusing mode.
The lens has fantabulous build quality including the use of Thermally Stable Composite materials for less affect under farthermost temperatures. Superior build quality, however, is nothing if it is not backed up by optical quality. And this is where the presence of a serial of F Low Dispersion elements, Special LD glass elements and lens coatings are useful.
half-dozen. Catechism EF 24-70mm f/two.8 50 II USM
Finally a lens that every Canon user looks up to and revers. The
is probably 1 of the about pop afterward the Nifty-L. It is another thing that not many photographers are able to afford this lens.
Why am I interested in this lens? The lens has a decent quick maximum aperture of f/2.8. This is an extremely well fabricated lens from the Canon stable. It is a fantastic walk around lens cheers to the dandy focal length coverage. Also, this lens is compatible with full-frame systems. So, when yous upgrade to a full-frame photographic camera this lens will withal be usable.
The internal structure of the lens includes 18 elements that are arranged in 13 groups. These include 2 aspherical elements, 1 super UD lens element and ii UD lens elements.
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The EF 24-70mm is an 50 series lens. Canon marks only its tiptop of the line well-made lenses equally 50. So there is some conviction to exist taken from that fact. Fluorine coating has been used both in the rear and the front of the lens. The lens has been designed to resist water seepage, dust and clay and is thus usable in some of the most enervating conditions.
Machine-focusing on the lens is powered by Catechism’s band-type USM motor. This AF motor is reliable and quick. The lens likewise comes with the full-time manual focusing override. The only thing that’southward probably missing on the lens, and we would have loved to see it is image stabilization.
Canon EF 24-70mm f/2.8L 2 USM Standard Zoom Lens
- 24 70 millimetre focal length, 38.4 112 millimetre equivalent focal length on Canon APS C cameras
- F2.eight constant maximum aperture; F22 minimum, ring type ultrasonic type AF motor with full fourth dimension manual focusing
- 82 millimetre filters, closest focusing distance: 0.38 meter/1.25 anxiety
- Image Stabilization : No. Focus adjustment: Inner focusing with USM. Diagonal bending of view: 84° – 34°. Weight ane.7 pound
- Purchase this product betwixt May 1, 2016 and July xxx, 2016 and go 13 months of free impairment protection from Canon. The…
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