Best Mirrorless Camera 2021 For Professionals

By | 21/10/2022

These are the all-time mirrorless cameras in 2022 based on countless hours of testing past our team of professional photographers and reviewers.

Rather than only recommend mirrorless cameras for professional photographers that may be likewise expensive for enthusiasts, we too include upkeep mirrorless cameras for beginners that offering the best bang for your cadet.


Sony Alpha a7 IV

An all round powerhouse mirrorless camera, improving on its predecessor (final year’s winner), with better autofocus, epitome quality, ergonomics and features. Simply trouble is finding one in stock!

Mirrorless cameras offer the latest technology in more compact bodies than DSLRs. Whatever model you choose from our recommendations below, you tin be guaranteed excellent image quality and the all-time value for coin.

With features like electronic viewfinders, high frame rates, complete AF area coverage and in-trunk image stabilization, photography is easier and more fun with a mirrorless photographic camera.

Let’s accept a look at the best mirrorless full-frame and APS-C ingather sensor cameras available right at present. For a condensed version, bank check out our web story.

(For all the total mirrorless camera reviews, click the links below to read our extended breakdowns.)

What is the Best Mirrorless Camera in 2022?

Image Product Features
shk2-table__image Catechism EOS M50 MK II
  • Impressive prototype quality
  • Incredible Autofocus
  • Flexible LCD Touchscreen
  • Pocket-sized and Light
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shk2-table__image Sony a7IV
  • Astonishing Autofocus
  • Advanced Processor
  • Excellent Battery Life
  • Cute Color Expression
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shk2-table__image Fujifilm X-T4
  • Powerful IBIS
  • Fast Autofocus
  • Incredible Video
  • Weatherproof Body
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shk2-table__image Sony a6400
All-time Nether $1000
  • Neat Value
  • Stunning Paradigm Quality
  • Compact
  • 4K Video
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shk2-table__image Fujifilm Ten-T30 II
  • Meaty Size
  • Fantabulous Autofocus
  • Superb Images
  • WiFi + Bluetooth
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shk2-table__image Sony a7C
  • Small and Light
  • Total Frame Sensor
  • Splendid Battery Life
  • Flexible LCD
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shk2-table__image Sony a7R IV
  • Stunning Image Quality
  • OLED viewfinder
  • Advanced Sensor 61MP
  • Excellent in Low Light
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shk2-table__image Panasonic Lumix GH6
  • Robust Image Stabilisation
  • Super Fast Processing
  • Stunning Video
  • Great for Low Low-cal
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shk2-table__image Canon R6
Best FOR Wedding ceremony PHOTOGRAPHY
  • Excellent Loftier Speed Shooting
  • Piece of cake to Operate
  • Amazing Autofocus
  • Exceptional Image Quality
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shk2-table__image Nikon Z6
  • Neat ergonomics
  • Amazing value for money
  • High-resolution EVF
  • Exceptional Image Quality
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Canon EOS M50 Marking Ii – For Beginners

Canon EOS M50

Image: Belinda Crossman for Shotkit


  • Excellent still epitome quality
  • Intuitive user interface
  • Centre and face detection
  • External microphone jack
  • Vertical video recording
  • Fully articulated LCD
  • Compact and lightweight


  • No Image Stabilization
  • 4K video is heavily cropped
  • Short battery life
  • No USB charging
  • Limited native lenses

Sensor: APS-C |Resolution:24.1 megapixels |
2.4M dots |
3-inch fully articulated touchscreen, 1.04M dots |
143 points |
Max frame rate:
10fps without AF, seven.4fps with AF |
Video:4K at 24p |
Weight: 387g (.85 lb)

If this is your first foray into the world of mirrorless cameras and/or have never used a camera with interchangeable lenses, the Canon M50 Marker 2 is a cracking mirrorless camera to get started with.

Still images come out nicely abrupt, with pleasing colors and enough of contrast. Video footage also comes out sharp with nice color.

Beginners can leave the settings on auto and still become fantastic images. When you’re set up to begin diving into the settings, though, you’ll detect the standard Canon menu system both intuitive and like shooting fish in a barrel to navigate. If you’re brand new to photography, you lot tin plough on the camera’southward GUIDE style, which simplifies things even further.

The autofocus on the Canon EOS M50 Mark II is also easy to use. It’ll tenaciously lock onto subjects without much petty.

As part of the upgrade from the original M50, the Canon M50 Marking II now has eye-detection – along with AF support while recording video.

The body of the Catechism M50 Mark II is relatively minor and lightweight compared to many other mirrorless cameras, making it an easier step upwards from a smartphone than clunkier cameras (especially comparable DSLRs). It definitely beats lugging around a DSLR photographic camera similar the Insubordinate T8i!

If you’re a social media content creator who primarily works in Hard disk drive, y’all’ll love the video on this camera., The 1080p footage is beautiful.

There are also a couple of special features fabricated especially for social media posting:

  • The Vertical Video feature ensures that your clips play properly on smartphones.
  • The movie self-timer allows for more than setup time when you’re working lonely and recording yourself.
  • There’s even the ability to live stream to YouTube (if you accept more than 1,000 subscribers and an account).

If, even so, you lot’re really needing a photographic camera that works well in 4K, you’ll have to move up to something like the Fujifilm 10-T30 Ii.

The 4K/24p video on the Catechism EOS M50 Mark II comes out heavily cropped and y’all can’t use the camera’south dual-pixel autofocus with it (4K video on the M50 Ii is contrast-detection only). This makes it more than challenging to go along fast-moving subjects in focus. It also affects the center-detection.

Overall, the Canon M50 Marker II is perfect for those looking for an entry-level mirrorless camera at an excellent price. It hits the sweet spot betwixt easy handling, high performance, and affordability.

In fact, the price is so depression – nether $700 for the camera torso +
EF-Chiliad fifteen-45mm kit lens – that information technology more than qualifies as a upkeep mirrorless camera as well.

  • User manual

Sony a7IV – For Professionals

Sony-A7IV on rock with 28mm lens

Images: Marc Bergreen for Shotkit


  • Superb image quality
  • Excellent low-low-cal performance
  • Updated AI-powered autofocus.
  • 5-centrality in-torso epitome stabilization
  • Fully articulating rear screen
  • AF tracks subjects at up to 10fps
  • New breathing bounty fashion
  • Eye AF available in video fashion
  • 4K video at 60p with 10-scrap colour sampling
  • Smart subject recognition
  • Live stream capable
  • Full-size HDMI port
  • First-class battery life
  • Extremely customizable
  • Much improved card arrangement
  • Rich lens library


  • Just 6fps at highest quality settings
  • Rolling shutter
  • Heavier than the A7III
  • No Pixel Shift multi-shot manner
  • LCD resolution screen not as stiff as competitors
  • Centre detection not yet 100%
  • Expensive

Full-frame |
33 megapixels |
Viewfinder: 3.69M dots |Monitor:
three-inch fully-articulated touchscreen, i.04M dots |
Autofocus:425 points |
Max frame rate:
10fps |Video:4K at 60p |
Weight: 659g (ane.45 lb)

If y’all’re familiar with the mirrorless photographic camera market at all, and so you’ve probably heard about the excellence of the Sony A7III. At the time it was released, it was at the top of its grade in merely about every department. At present in 2022, we finally accept the next generation: the Sony a7IV.

Like the a7III, the Sony a7IV is a total-frame digital photographic camera favored by professionals who work with a wide range of subjects and genres. It tin do just virtually annihilation, and anything it does information technology tends to do really, actually well.

The new 33MP full-frame sensor is a huge spring upwardly from the 24MP sensor in the a7III. Images come out superbly rich in detail, with true color and plenty of room for highlight and shadow recovery. (Sony finally removed the annoying dark-green cast that plagued the a7III.)

Photographers who work in low-low-cal conditions volition dearest the dynamic range: standard ISO runs from 100-51200 with an extended range of ISO 50-204800. In do, there’s virtually no noise up to 8000 ISO.

Similar to the Sony a7III, the autofocus system on the Sony a7IV is both accurate and reliable. A fundamental deviation, though, is that the a7IV can notice and rails animals even in video way. It tin can even follow subjects it’due south unfamiliar with, using a combination of pattern detection, discipline brightness, and colour to help it stay locked onto the selected discipline.

Advanced users volition love how truly customizable the Sony a7IV’s autofocus organisation is – yous tin set it to exercise just about anything. That being said, just keeping it on simple settings is more enough for most applications.

For those who shoot video, the a7IV comes with 10-bit capture, 4K video upward to 60p, an XAVC HS compression pick, and a new Southward-Cinetone color profile. At that place’s besides the ability to alive stream video over USB.

Other pluses include astounding battery life, 5-centrality in-body epitome stabilization, an improved menu system, and a huge lens assortment.

Every bit with whatsoever camera, there are a few drawbacks to the a7IV. The offset is that its outburst shooting is adequately little slow (6fps) when paradigm quality is set to its highest. This comes from the huge file size that shooting in 33 megapixels yields.

Across this, the rear screen isn’t equally crisp equally its competitors. The Sony a7IV is also considerably more expensive than its predecessor (in the $2500 range).

Otherwise, this is a fantastic hybrid full-frame camera for pros that shoot a wide variety of subjects and genres. It’southward our choice of the best mirrorless full frame camera in 2022, despite trigger-happy competition.

Its fantabulous image quality, infrequent low-light performance, powerful autofocus system and strong video capabilities, combined with its overall dependability make this one of the meridian mid-range mirrorless cameras for professionals and enthusiasts alike.

  • Sony a7IV Review
  • User manual

Fujifilm X-T4 – For Enthusiasts

Fujifilm X-T4 with lens attached

Images: Greg Cromie for Shotkit


  • In-body image stabilization
  • Face and middle detection
  • Fantabulous low-light performance
  • Weatherproof, ergonomic body
  • xv fps burst shooting
  • Incredible video quality
  • Better battery life than its predecessor
  • 2 SD carte slots
  • Fix Movie Crop Magnification


  • No face or heart detection in video manner
  • Autofocus functioning not as stiff every bit some of its rivals
  • Noise after ISO 6400
  • No headphone jack
  • Larger and heavier than the 10-T3
  • Complicated menu system

Sensor: APS-C |Resolution:26.ane megapixels |Viewfinder: iii.69M dots |Monitor:
iii-inch fully-articulated touchscreen, 1.62M dots |
Autofocus:425 points |
Max frame charge per unit:
30fps in crop fashion, 15fps full resolution |
Video:4K at 60p |
Weight: 607g (1.34 lb)

If yous’re someone looking for a solidly-built, unique camera packed with top APS-C mirrorless technology, you’ll likely autumn in honey with the Fujifilm 10-T4.

A favorite with photography enthusiasts, the Fujifilm Ten-T4 features iconic manual dials in a retro design. It looks great, feels fantastic in the paw, and saves you the hassle of continually having to engage the screen functions to change your exposure settings.

The nearly all-metal camera body is solid, weather condition-sealed, and feels dandy in the hand. The real metal dials feel ever so much better than the mushy way buttons that nigh cameras come with.

Similar all Fujifilm cameras, the X-T4 has exquisite colour handling, specially when shooting people. JPG images and video footage is absolutely beautiful straight out of the camera. Raw images are also solid.

Equally far as ISO is concerned , the X-T4 isn’t really much different than the X-T3. However, this isn’t a bad thing: no other ingather sensor mirrorless photographic camera in this course comes close to either of these cameras when it comes to depression-low-cal performance.

Of course, this will depend quite a bit on which lens yous’re using, but in general, you’d be hard-pressed to find a camera that has better performance on an APS-C sensor.

The X-T4’s AF tracking operation is much better than the X-T3’s, especially in terms of field of study recognition (though at that place’s no subject area recognition in video mode). Subject field tracking is nicely “sticky” and performs well in low-light situations. At that place’due south also center and face recognition options.

Mayhap the biggest comeback over the X-T3 is that the X-T4 has in-body image stabilization (IBIS). Information technology’s but the second Fujifilm photographic camera to accept IBIS and will be a huge plus for handheld shooters and videographers alike.

Activity shooters will love the fifteen fps mechanical continuous shooting, also every bit the large buffer, which can handle virtually 100 JPEG shots at a time.

Some other large plus is the much larger battery on the X-T4. It’due south rated at a full 600 shots, well-nigh twice as much as any other Fujifilm camera.

Videographers will dear the extensive video tools. The X-T4 comes with everything from x-bit internal Log capture to peaking and corrected preview for Log shooting. There’s also a beautiful selection of LUTs provided, and if you inquire any of Fujifilm’s many loyal fans, zilch beats Fujifilm’s color when shooting video.

With its infrequent optics, bang-up lens selection, handy screen display, and of course, the unique Fujifilm retro style, the Fujifilm X-T4 is definitely a top choice for amateurs and enthusiasts akin.

  • Fujifilm Ten-T4 review
  • All-time Lenses for Fujifilm X-T4

Sony a6400 – Budget Choice (Nether $1000)

Images: The Starks for Shotkit


  • Fantastic autofocus organization
  • Fantabulous image quality
  • Meaty body
  • Flip-up screen for vlogging
  • Beautiful oversampled 4K footage
  • Wide selection of lenses
  • Practiced battery life
  • Nifty value for the $$


  • Single SD card slot (UHS-I just)
  • No IBIS
  • Limited external controls
  • Circuitous menu system

Sensor: APS-C |Resolution:
24.ii megapixels |
two,359k dots |
iii-inch tilt-angle touchscreen, 921K dots |
Autofocus:425 points |
Max frame rate:
11fps |
Video:4K at 30p |Weight: 403g (.89 lb)

The Sony a6400 gets our vote for the best budget mirrorless photographic camera.
It’s non flashy, nor the latest model in the long line of Sony a6xxx APS-C sensor cameras, just it’s a solid performer, has nifty image quality, and allows you entry into Sony’s well-stocked lens library. It’s also a peachy value for the coin, coming in at less than $900.

1 reason we love our Sonys is because of the fantastic autofocus system. The AF in the Sony a6400 is fast, reliable, and works as well with both stills and movies. The existent-time Eye AF makes it particularly easy to lock on to moving objects and nearly instantaneously adjusts to changes in the distance.

Images from the Sony a6400 come up out nicely rich, with excellent color and contrast. There’southward also plenty of dynamic range to work with, with a native ISO 100-32000 (102400 expanded).

For video shooters, the Sony a6400 offers first-class UHD 4K video quality from oversampled 6K. Frame rates at this resolution go up to 30fps and use the entire sensor area.


And then many smashing Sony APS-C lenses are bachelor for the a6400.

If you desire something beyond 30fps, the 1080p resolution goes up to 120p. Y’all can as well shoot irksome-motion footage straight in SQ way.

Other video features include HLG (Hybrid Log Gamma) and Sony’s S-Log2 and South-Log3 gamma modes. The flip-up screen is also a plus, making selfie limerick and vlogging easy. There’due south besides a total-size HDMI port.

Build-wise, the a6400 is i of the more compact cameras – paired with prime lenses y’all also end up with a fantastically light, portable setup you can take almost anywhere. The bombardment life is besides splendid, with 360 shots via the optical viewfinder and 410 via the rear LCD screen.

While you tin can discover cheaper mirrorless cameras than the Sony a6400, buying into the Sony ecosystem of E-mount lenses puts yous in an excellent position if and when you lot’re ready to upgrade to a full-frame mirrorless camera.

Overall, the Sony a6400 is an excellent APS-C mirrorless camera at a more than reasonable cost.  It doesn’t have built-in image stabilization and is so small the ergonomics won’t work for anybody, but it tin can do just about annihilation the boilerplate shooter needs it to practice.

  • Sony a6400 Review
  • All-time lenses for Sony a6400

Fujifilm Ten-T30 Ii – For Travel

fuji xt30

Image: Greg Cromie for Shotkit


  • Superb out-of-camera Jpegs
  • Excellent autofocus
  • Same sensor equally the Ten-T3
  • Compact body
  • Nifty flare-up charge per unit
  • High-quality 4k video
  • Strong eye/face detection


  • Ergonomics could exist better
  • No IBIS
  • Rear LCD doesn’t articulate
  • Short battery life
  • Unmarried SD card slot (UHS-I only)
  • 4K video only x minutes at a time

26.i megapixels |
2.36M dots |
3.0-inch tilt-angle touchscreen brandish, 1.62M dots |
2.xvi one thousand thousand phase AF pixels |
Max frame rate:
30fps cropped, 8fps full resolution |
4K at 30p |
Weight: 378g (.83 lb)

The next iteration of the hugely popular Fujifilm X-T30, the Fujifilm X-T30 II packs a huge amount of power and performance into a smaller, lighter body, making it the perfect traveller’south photographic camera.

On the outside, the Fujifilm X-T30 Ii features Fujifilm’south traditional retro way, with manual dials controlling the ISO, shutter speed, and exposure bounty. Nether the hood of this diminutive digital camera is Fujifilm’southward latest 26.1-megapixel sensor and X-Processor iv, both of which besides characteristic in the X-T4.

While not quite as advanced as the Sony a6400, the X-T30 II’due south phase-notice autofocus system is quite snappy and nicely covers the full frame. You tin see the face/eye detection in action beneath, courtesy of Fujifilm.

The 8fps continuous shooting at full resolution isn’t the fastest, but you can bump information technology up to 30fps if yous’re ok with a one.25x crop.

The 4K video at 30fps comes out quite pleasing, and if y’all bump down to Total Hard disk drive, yous can shoot at up to 240p for a 6x dull motion event.

There isn’t IBIS, x-bit capture, or any Log modes, and then serious moving picture makers looking for a compact mirrorless might need to look into the Sony a6400.

In fact, Fujifilm X-T30 II and the Sony a6400 are quite similar in cost, but the X-T30 II is a bit smaller and lighter than the Sony a6400 and has Fujifilm’s retro trunk pattern and unique color applied science.

In the end though, if the weight divergence isn’t a huge event, which camera you cull volition probably come up down to which camera ecosystem you’re looking to enter.

  • Product page

Sony a7C – Compact Total-Frame

sony a7c compact mirrorless camera on desk

Prototype: Marc Bergreen for Shotkit


  • Full-frame sensor in compact APS-C-sized body
  • Fantastic autofocus
  • Articulating LCD
  • First-class image quality
  • IBIS
  • Real-time tracking
  • Mic and headphone sockets
  • Best-in-class battery life


  • Ergonomics are but so-so
  • Electronic viewfinder is on the pocket-sized side
  • 4K maxes out at 30fps
  • Uses Sony’s older menu arrangement
  • No congenital-in wink
  • Expensive

Sensor: Full-frame BSI-CMOS|Resolution:
24 megapixels |Viewfinder: 2.36M dots |Monitor:
3-inch, fully articulated touchscreen, 921K dots |Autofocus:693 points |Max frame rate: 10fps |Video: 4K at 30p |Weight: 509 g (ane.ane lb)

Desire the image quality of a full-frame sensor just a camera that won’t counterbalance you downward? Accept a await at the Sony a7C – one of the smallest full-frame mirrorless cameras available.

Characteristic-wise, the Sony a7C packs all the dial of a Sony a7 III, but adds in meliorate autofocus and somehow fits all this high-end functioning into a smaller, lighter torso. Pair it with the retractable 28-60mm F4-5.6 lens and you get a remarkably small footprint, yet fantastic photos.

The autofocus system is simply fantastic in this little photographic camera, with the real-fourth dimension tracking recognizing human being heads, faces, eyes, and animals, and locking onto them with ease.

Image quality is every bit adept as the a7 3 (it’s the aforementioned sensor), there’s burst shooting upwardly to 10fps, and the oversampled 4K video goes up to 30p (including viii-flake S-Log and HLG). It even comes with in-body image stabilization (which is critical in a camera this size).

Of form, you’re going to become some ergonomic tradeoffs once y’all start treatment a body this small: there’s no built-in flash and the congenital-in viewfinder is definitely on the modest side. It’s also not as easy in the paw as a larger camera.

On the plus side, y’all go groovy battery life (740 shots per charge), a fully articulating LCD screen, and mic and headphone jacks.

All-in-all, this lilliputian jewel makes for a stellar travel companion: it’s easy to continue with you and, like the Sony a7 Iv, it will excel in just about any situation.

  • Sony a7C review

Sony a7R Iv – For Outdoor Photography

sony a7 iv zoomed in

Prototype: Sony


  • Stunning image quality
  • Best autofocus functioning in the industry
  • IBIS
  • Large, high-res electronic viewfinder
  • Swell bombardment life
  • Fantabulous customization options
  • Wi-fi + NFC connectivity


  • Slightly noisier files than its predecessor
  • Exposure settings carry over between video and stills
  • eight-chip 4K video files
  • Pixel Shift workflow is cumbersome
  • Expensive

Sensor: Total-frame |Resolution:61 megapixels |Viewfinder: 5,76M dots |
iii-inch tilt-angle touchscreen, one.44M dots |
Autofocus: 567 Phase + 425 Contrast |Max frame rate:10fps with total AF / AE Tracking |
Video: 4K at 30p |Weight: 665 g (ane.47 lb)

The Sony a7r Four is a landscape photographer’s dream. With a whopping 61-megapixel full-frame sensor, the level of detail this camera puts out is second simply to a medium format camera. Images are only eye-popping.

There’southward even a 16-shot loftier-resolution way (as if 61 MP wasn’t high enough) that volition allow you bring your overall resolution to a full 240 megapixels. The subject needs to exist even so for this, but honestly, the results are simply amazing!

Of course, it’s non just landscape photographers that might drool over this powerhouse of a camera.  Photographers who specialize in travel or nature photography will honey the insane epitome quality this camera puts out, as will studio photographers who regularly impress their images.

Unsurprisingly, the dynamic range of this camera is over-the-elevation outstanding. Its Bionz X paradigm processor allows information technology to capture a full stops of light in one frame, almost erasing the demand for graduated neutral density filters.

The Sony a7r IV’s nearly uncanny power to recover item in the shadows is specially noteworthy – yous can literally pull upwards the shadows by up to five stops with no more dissonance than if you’d used that ISO in the first place.

Even with this insane corporeality of resolution, the a7r Iv  has a maximum continuous shooting speed of 10fps (frames per 2nd) – that’south
continuous autofocus and exposure.

There are some trade-offs that come with this kind of resolution, though. The RAW files are understandably huge – brand sure you buy some extra hard drives – and the video specs are a bit lacklustre.

That being said, the autofocus system is grade-leading, the battery life is fantastic (670 shots per charge), and the five.76-million-dot built-in viewfinder is but an absolute pleasure. It’south definitely ane of the all-time mirrorless cameras for loftier-res shooting, hands down.

Unfortunately, though, anyone who’south not a pro will probably detect the price a scrap prohibitive. While the Sony a7r Iv is less expensive than about medium format cameras, it’due south in no way a upkeep mirrorless camera. Expect to trounce out more than $3000, body only – still, information technology’s withal cheaper than the best Sony mirrorless photographic camera if money is no object – the a1.

Panasonic Lumix GH6 – For Video

Panasonic Lumix GH6


  • Ergonomics designed specifically for filmmaking
  • Unrivalled video toolkit
  • Internal ProRes 422 HQ support
  • Best-in-form epitome stabilization
  • Subject area recognition for people and animals
  • Conditions-sealed
  • Active cooling for long-grade recording


  • Just has phase detection autofocus
  • Battery life could be better
  • Excessive racket when lifting shadows in RAW stills
  • Cooling fan is noisy

Alive MOS Micro-Four-Thirds |
25.2 megapixels |
Viewfinder: 3.68M dots |
3-inch gratuitous-angle tilting touchscreen, ane.84M dots |
Autofocus: 315 Contrast |
Max frame rate:14fps |
5.7K at 30p; 4k at 60p |
Weight: 823 k (one.8 lb)

When i thinks of video, i doesn’t commonly think of micro four-thirds cameras, but the Panasonic Lumix DC-GH6 bucks the tendency. Information technology was designed specifically for use as a video camera, both in the build and in feature set, and information technology beats out all other video cameras in its form.

While the all the same image options are just passable (mostly due to the phase detection autofocus and sub-par RAW files), for videographers the GH6 is simply fantastic.

Sure, the micro 4-thirds isn’t the largest sensor size, just the Lumix DC-GH6 manages to agree its own in terms of resolution functioning, especially in its All-I codecs, which superlative out at 10-chip 4K/60p iv:2:ii. It besides produces footage far beyond any of its competitors when shooting at 4K/120p.

Ane would wait the GH6 to perform poorly in low light given its micro four-thirds sensor, but the Lumix GH6 actually rivals the a7S Iii for detail and high ISO noise management (at last up until ISO 12,800).

As mentioned before, the autofocus is just phase detection, only comes with subject recognition (both human being and brute) and works on third-political party micro 4-thirds lenses also.

But information technology’s in the video department that this little micro four-thirds photographic camera excels. The list of recording options is over the moon – at least for a mid-range mirrorless camera.

Headliners include Apple ProRes 422 and ProRes 422 HQ recording (currently on at 5.7K resolution in 24p, 25p or 30p, but shortly also to include 4K video and FullHD via firmware update). At that place’s also the ability to record in full 5-log.

Equally far as physical recording is concerned, the Lumix GH6 has two card slots: ane for UHS-Two SD, and i for the more advanced CFexpress Type B bill of fare.

It can tape Movie theater 4K footage at 60p to both its cards simultaneously, as well equally externally via HDMI to a recorder. A firmware update coming shortly promises to add recording to a solid country drive as well.

Video shooters will also love:

  • the sub-video record button on the front end, as well as on the tiptop plate
  • the defended audio management button in identify of the picture profile button
  • the anti-rotation pinhole in front of the tripod thread
  • the Lumix Luminance Spot Meter, Waveform and VectorScope

Suffice it to say, that even the virtually passionate and unique filmmaker should find what they need in this little photographic camera.

The Lumix GH6 also comes with an splendid 5-axis in-trunk image stabilization system rated at seven.5 stops, eliminating the need for a gimbal in many situations.

Honestly, one would be hard-pressed to find a digital camera with a more comprehensive list of loftier-quality recording options – especially for nether $2000.

For video, it outperforms about other mirrorless cameras, including its main micro four-thirds competitor, the Olympus OM-1. Fifty-fifty full-frame cameras like the Canon EOS R6 can’t really match it in the video department.

That existence said, the Lumix GH6 is a chip lacklustre in the stills department, so if you lot need a true hybrid camera you’d best wait elsewhere. Still, nosotros stand past our decision of information technology beingness the best mirrorless camera for video and think you’ll love as well.

  • User manual

Canon R6 – For Wedding Photography

Canon R6 on table with lens attached

Images: Marc Bergreen for Shotkit


  • First-class ISO range and low-light performance
  • Max burst speed of xx fps
  • 8-stop IBIS
  • Solid build quality
  • ISO range of 100-102400; expandable to 204800.


  • Lacks tactile controls
  • Only 20 MP
  • Expensive

Sensor: Full-frame |Resolution:
20.1 megapixels |
Viewfinder: 3,690K dots |Monitor:
3-inch fully-articulated touchscreen, 1.62M dots |
Autofocus:273-points |Max frame rate:
20 fps electronic/12 fps mechanical|
4K at 60p |
Weight: 680 thou (ane.five lb)

Wedding photographers need a quick, high-chapters camera that can perform across a huge range of photographic challenges, all while cranking out excellent images. The Canon EOS R6 does all of this and more.

For a full-frame photographic camera, the Canon EOS R6 is nicely compact, nevertheless well-counterbalanced. Its solid build tin can hold upwardly to even the rowdiest wedding.

The image quality of the Canon EOS R6 will please even the pickiest of clients, and the superb ergonomics will brand long shooting sessions much easier on the photographer. It feels keen in the hand, primal controls are well-positioned, and the buttons are all customizable.

The R6’due south full-frame sensor is only twenty megapixels, more than than enough for the vast majority of hymeneals photography applications unless you lot’re needing a huge billboard of an image or tend to highly crop your photos.

In fact, the low-megapixel count is really an advantage to many hymeneals photographers, as the pocket-sized file size of the photos makes it much easier to process and store the literally thousands of images you’re likely to end with. (It’south one reason the Canon EOS R6 is ofttimes favored over the Sony a7IV – it’s remarkably easier to chop-chop sort through 20-MP files than 33-MP files.

Likewise, the Canon EOS R6’southward fantastic ISO range and depression-light functioning hands recoup for the low megapixel count. There’s also 8-stops in-trunk epitome stabilization, to assistance with landing those tricky, handheld shots.

Need to become some activity shots of the couple dancing? No trouble! The Canon EOS R6 has burst shooting upwardly to 12 fps with its mechanical shutter and up to xx fps with its electronic (silent) shutter.

The Dual Pixel AF Two autofocus system is a solid performer and comes with auto learning and subject tracking. There’s not much demand for fine-tuning – information technology just works.

On the video side of things, the Canon EOS R6 comes with offers 4K video up 60fps, and 1080p upwardly to 120fps. There’south as well 10-bit 4:2:2 with Canon Log or HDR PQ. Internal recording is available in all formats, and all have autofocus. Hybrid users volition exist pleased to find that switching between video and stills is fairly quick.

There are a couple of caveats, though. Whatsoever camera use tin eat into its 40-infinitesimal limit. In improver, the rolling shutter can sometimes affect the footage.

Still, there’s not much else to mutter near with this excellent little full-frame photographic camera. It can do just near everything the Catechism EOS-1D X Iii tin can do, nonetheless in a meaty, mirrorless body.

Information technology also has a very similar dynamic range to the more expensive EOS R5, which we think is overkill for almost photographers.

The R6 is simply one of the best mirrorless cameras for nuptials photographers, every bit well as anyone else looking for a loftier-performing mid-range mirrorless camera in the RF-lens-mount globe.

Sure, information technology may not be the absolute best Canon mirrorless camera with the formidable R5 taking the meridian spot, but for the money, it can’t exist beaten.

  • Canon R6 review

Nikon Z6 – Budget Full Frame

best mirrorless camera Nikon Z6

Full-frame |
24.5 megapixels |
iii,690K dots |
three.2-inch tilt-angle touchscreen, two,100K dots |
273-points |
Max frame rate:
12fps |
4K at 30p |
Weight: 675 g (1 lb seven.9 oz)


  • Amazing value for money
  • Not bad ergonomics
  • First-class high ISO performance
  • v-axis stabilization
  • 12fs flare-up shooting
  • Super high-res EVF
  • Stunning 4k video


  • Limited buffer
  • Express native lens selection
  • XQD card format is expensive
  • Average battery life

Nikon’south respond to the amazing Sony mirrorless cameras came out a few years ago with the launch of the Nikon Z6 and the 46MP Nikon Z7.

Nikon has since released newer models, just with the significant price increases of the Z6II and Z7II, we’ve called the original Z6 as our best upkeep mirrorless camera of the yr.

While the Z7 series is more of a landscape and portraiture camera, the Z6 is – like the Sony a7 III – an impressive, more affordable all-rounder. In fact, it’s probably Sony’south closest competitor – see our comparison: Nikon Z6 vs Sony a7 III.

The Nikon Z6’southward full-frame 24.v-megapixel sensor ensures high resolution images without going overboard in file size, while the native ISO range of 100 to 51,200 to (expandable 50 to 204,800) gives it a dynamic range that rivals the class-leading mirrorless cameras.

The Z6’south build quality is top of the line, with the ruggedness we’ve come to expect from Nikon bodies. In fact, it’south yet 1 of the all-time-congenital mirrorless full-frame cameras on the market right now, with great ergonomics to match.

Nikon photographic camera owners volition find its controls and menus quite familiar, as they mirror Nikon’s DSLR line. There’south fifty-fifty a peak plate LCD that DSLR shooters will readily capeesh.

One thing that is quite dissimilar, though, is the lens mountain. Nikon ditched the old F-mount in lieu of the new Z-mount, which is designed to permit in more light to the Z-serial sensors.

There still aren’t many native lenses available for either the Z6 or Z7, only luckily nearly F-mount lenses will piece of work just fine with the new FTZ mount adapter, although at around $250 it’s not cheap.

Some other thing that stands out in the build of the Nikon Z6 is the fantastic electronic viewfinder. It’south crisp, articulate and boasts an exceptionally loftier resolution.

The downside of this is that the 60Hz refresh charge per unit is a fleck slow, especially when shooting in outburst mode. The touchscreen is also quite beautiful, only for some reason lacks touchscreen autofocus while you’re looking through the viewfinder.

Speaking of autofocus, the Z6 keeps up with more of the recent mirrorless cameras in most situations, although loses out in low light. It likewise does a reasonably expert job of tracking subjects, both at 5.five fps (with live view) and 9 fps (no alive view).

best mirrorless camera nikon

The tilting LCD screen of the Nikon Z6 makes it easy to etch from in a higher place or below.

Every bit far as flick footage is concerned, no disappointments here. The Z6’south 4k movie footage is simply stunning, with frame speeds upwards to 30p for 4K UHD, besides as Total HD video in 60p and 120p slow-motion in Hard disk.

Every bit expected, the Nikon Z6 as well comes with enough of capture tools, including ten-scrap Log output.

Like the Sony a7 line, the Nikon Z6 comes with effective 5-axis image stabilization, allowing y’all to handhold information technology in depression low-cal and still reach steady shots, even at 0/v~ane second shutter speeds!

One thing of note is that Nikon opted to go with a single XQD carte du jour slot rather than dual carte slots. That’s a bit of a hazard, as at the moment there aren’t a lot of XQD cards available, and not having an immediate carte backup may deter uses for professional photography.

All the same, if you’re a Nikon lover and especially if you’ve already invested in Nikon glass, the Nikon Z6 is a great mirrorless option, and an absolute bargain right now. Information technology keeps upward with the Sony a7 III in many respects and exceeds it in build quality and EVF quality.

The Z6’s autofocus system lags a chip backside the a7 Iii’s and the battery life isn’t quite up in that location, only in general, information technology’s still a solid full-frame mirrorless camera that every Nikon lover should consider, especially at this price indicate.

  • Nikon Z6 review
  • Nikon Z6 Two review
  • Nikon Z7 review
  • Nikon Z7 II review

Why are the Advantages of a Mirrorless Photographic camera?

mirrorless vs dlsr guide by Shotkit

  • Less weight and bulk
    – Mirrorless photographic camera bodies and almost of the lenses made for them are smaller and lighter than respective DSLR cameras. While the difference may not be huge, if you’re someone who travels with a camera, every last ounce tin make a difference after a long 24-hour interval of hauling gear around.
  • Manual focus is much, much easier
    – Because you lot tin can see exactly what y’all’re doing, it’s extremely easy to manually set up an accurate exposure and make certain yous’re prototype is in focus. In that location are likewise tools similar focus peaking and focus bespeak magnification bachelor.
  • Live Histogram
    – With a mirrorless camera, y’all can see the histogram and overall exposure
    before yous take the film.
    While some DSLRs can prove a histogram in Alive Mode, none can show a live histogram in the viewfinder as you’re irresolute the camera settings.
  • Exceptionally High Burst Rate
    – Most mirrorless cameras can leave DSLRs in the grit when information technology comes to outburst rate.
  • Silent Shooting
    – Mirrorless cameras tin can switch to “silent fashion” and use their electronic shutter only. This ways you won’t be interrupting the moment when doing wedding or event photography in a quiet space.
  • Improve Autofocus
    – Well-nigh mirrorless cameras have a loftier number of focus points, with the focus points much more than spread beyond the unabridged frame than what yous’ll discover on an average DSLR.
  • Longer Life Span
    – The life bridge of a DSLR is pretty much tied to the life expectancy of its shutter. With mirrorless cameras, considering in that location’s no mirror to flip up and down, the shutter count does not matter equally much.

Should I switch from DSLR to mirrorless?

Mirrorless camerasare
the wave of the future: almost all of the R&D funding is going in that direction. It’s quite likely that DSLR evolution won’t keep up nor keep much into the time to come.

That being said, if y’all’re happy with your DSLR setup, then in that location’s no reason to switch to a mirrorless camera – at to the lowest degree any time shortly.

Only beware switching over to a mirrorless camera won’t necessarily brand y’all a improve photographer. Sure, it’s much easier to shoot in manual style and become your exposure right, but the elements of creating a skillful photo haven’t changed.

You should also read the results of our survey to find out what cameras photographers use to come across how many employ each main format of camera.

  • DSLR vs mirrorless camera guide

What Should I Look for When Buying a Mirrorless Camera?

Fuji system vs mirrorless

Fujifilm mirrorless cameras

  1. Sensor size
    – Sensor size makes a huge difference to image quality, specially when shooting in low light, but there are some trade-offs. For example, APS-C cameras tend to exist smaller and lighter than full-frame cameras. They’re besides less expensive.
  2. Upkeep
    – At the end of the day, which mirrorless camera you choose will ultimately come down to what you tin can spend on information technology…and on the lenses that yous want to utilize on it. If y’all’re on a budget and tin’t yet buy the camera y’all want, cull a cheaper version with the same lens mount. That way all your lenses tin migrate over to the new photographic camera.
  3. Resolution
    – These days it’s pretty common to find cameras offering 24 megapixels., which is more than than enough for almost applications. Y’all likely won’t need more if yous’re not planning on press out your images. Also, keep in listen that higher resolutions provide meliorate image quality, but also huge files.
  4. Lens Options
    – In many respects, the drinking glass you buy will be more important than the camera – at to the lowest degree if you really desire quality photos. If you lot meet yourself content to shoot with a kit lens for a while, and so buying into any ecosystem will be fine. If, however, you’re excited to invest in corking drinking glass and/or want flexibility in what you can choose, you’ll want to invest in a camera with a lens mount that has a swell lens library (similar the Sony E-mount).
  5. Autofocus
    – The autofocus on mirrorless cameras has really inverse the game, peculiarly when information technology comes to moving subjects. Make sure that the camera you want to buy has face up, middle, and subject detection if you’re planning on doing any activeness or event photography.
  6. Outburst Rate
    – Outburst charge per unit isn’t a big deal if you’re shooting static subjects. If your subject field affair contains a lot of moving subjects, nonetheless, you’ll want at to the lowest degree a 10fps outburst charge per unit.
  7. Video Features
    – If you’re planning on using your new camera for video, take a await at the different recording options offered and make sure they’re the ones you lot’re planning to utilize now AND grow into. (i.e. maybe you haven’t shot a lot of slo-mo even so but might want to get into information technology in the future.) This includes physical features like a full-size HDMI port.

Top Mirrorless Cameras FAQ

Which brand has the best mirrorless camera?

In our stance, Sony consistently makes the best full-frame mirrorless cameras. They have many more years of evolution under their chugalug than Canon or Nikon. For APS-C cameras, Fujifilm makes the best mirrorless cameras.

Why are mirrorless cameras better?

Mirrorless cameras are smaller and lighter, with image quality that’south just as good equally same-class DSLRs. Considering they don’t have a mirror, they take a much fast frames-per-second rate than other cameras and even have a silent shooting mode. That’s something a DSLR camera simply tin’t do, yet is often needed in quiet settings.

Do professionals use mirrorless cameras?

Yes, many professionals prefer using mirrorless cameras over DSLRs.

What are the disadvantages of mirrorless cameras?

The biggest disadvantage is that the sensor on a mirrorless camera is fully exposed when you change lenses. (On a DSLR the mirror partially protects the sensor.) Also, many mirrorless cameras have sub-par battery life when compared to DSLRs.

Is DSLR notwithstanding worth ownership?

DSLRs are still worth ownership if you lot already have a lot of EF and F-mountain lenses or can become them inexpensively. Also, the prices of DSLRs are going down considerably – you can get some amazing deals now that mirrorless cameras are all the rage. Beyond this, they feel ameliorate in the hand (especially if you have large hands).

Is mirrorless the future?

Undoubtedly mirrorless cameras are the face up of things to come. Information technology’s where the major photographic camera manufacturers are putting in the majority of their R&D and also where consumers are putting their dollars, which in turn influences further development.

Final Words

Choosing a mirrorless camera in 2022 isn’t an easy job, but hopefully, our guide has helped you make the right decision based on your needs.

Mirrorless cameras are fun and heady to use, so they encourage you lot to become out and take more than photos.

Feel free to leave a comment below with your questions and recommendations, and I wish you happy shooting!