When it comes to camera and lens choice, wedding photography is a tricky genre, requiring versatility, speed, and epitome quality for successful results. Versatility comes in the form of photo and video capabilities since it’south at present common to deliver content in both mediums. Speed comes in terms of focusing and burst shooting because a nuptials can be a fast-paced event. And prototype quality, naturally, because a wedding is a cute, once-in-a-lifetime experience that deserves to be recorded in the all-time quality. Building a camera kit to fulfill these prerequisites is crucial, and so when considering Sony, here are some ideas of how to build the best one.
It’s hard to contend with the Sony a1 existence the platonic photographic camera for wedding ceremony photography. Information technology’due south one of the highest-resolution models in Sony’southward lineup, one of the fastest cameras around, and has some of the all-time video specs in the Alpha series. It checks off every box for the features you lot’ll demand as a wedding ceremony photographer.
Total-frame 50MP BSI CMOS stacked sensor; high-resolution, fast readout speeds, and excellent dissonance performance when working in low-calorie-free conditions
Hybrid AF is one of the most refined focusing systems around with impressive bailiwick detection and tracking to make sure y’all go on your subjects in precipitous focus
Fast continuous shooting upward to 30 fps; perfect for photographing loftier-energy receptions or just there to make sure you don’t miss the critical moment of the ceremony
8K 30p and 4K 120p video; if video is part of your plan, the a1 doubles equally an incredible capable camera for high-res, wide-gamut video with impressive recording flexibility
5-axis image stabilization means y’all tin can possibly forgo a tripod or monopod for some shots and have an easier fourth dimension getting sharp results in dim lighting
Dual CFexpress Type A/SD UHS Two card slots means an impressive level of flexibility and reliability for file storage—and having two of the same blazon of slot makes information technology a flake easier to continue your cards in order and change on the fly
It’s no surprise that Sony’due south flagship Blastoff camera is likely the best selection for wedding photographers. It’s one of the most well-rounded cameras bachelor and, considering the multimedia requirements of some hymeneals shoots, strong photo and video capabilities make it an easy choice for any working nuptials photographer.
Sony a7 Iv
The a1 is bang-up, sure, but a flagship camera isn’t a requirement for all wedding shoots. Whether it’s budget concerns or but the fact that you don’t need all the tech the a1 has, take a expect at the Sony a7 IV as a shut second selection for the ideal nuptials photographic camera. Like the a1, the a7 4 has an all-around ethos with stiff photo and video capabilities. It shares many of the core technologies and concepts of the flagship model, too, making it a great option for a backup camera or a second camera forth with a higher spec’d a1, a more than cine-specific FX3 or FX6, or fifty-fifty in a pair of a7 IVs for familiarity and consistency.
Full-frame 33MP BSI CMOS sensor; plenty of resolution for well-nigh wedding ceremony applications, including some larger impress sizes, and the BSI design excels in depression-lite atmospheric condition
Like the a1, a similar hybrid AF system has been carried over that’s impressively quick and utilizes AI-based subject detection and tracking for refined accuracy
Upward to x fps shooting with an 828 raw frame buffer should be enough of continuous shooting chapters for wedding applications
Tape videos at up to 4K 60p in x-bit; this is a great format for wedding applications and, with no recording limit, an a7 Four is too a solid option as a remote camera to capture the entire ceremony from a unmarried vantage point
Aforementioned 5-axis epitome stabilization every bit the a1, including Active IS digital stabilization that’s corking for steadying footage
One CFexpress Type A/SD UHS-II slot, and i SD UHS-Ii slot; if working with SD cards, you’ll take ii of the same slot or choose the CFexpress Type A for college bitrate video needs
A strong culling to the flagship, the a7 IV is an impressively well-rounded camera that really punches to a higher place its weight in terms of features and capabilities. Information technology’south a smashing choice for wedding photographers shooting purely stills or for epitome-makers requiring stiff photograph and video capabilities.
Lens choice is a personal matter but it’s no coincidence that most working wedding photographers typically gravitate to the same lenses: a 24-70mm, a seventy-200mm, and maybe an auxiliary fast prime or other unique focal length for a bit of a personal touch. Considering the fast pace and need to exist flexible and adaptable when shooting, the two zooms requite the most versatility possible from a pair of lenses. And then the third, and maybe 4th, optic is the time to add together a flake of your signature to the shoot or make full in for a focal length or discontinuity setting non provided past the zooms.
FE 24-70mm f/2.8 GM II
The workhorse of lenses, the FE 24-70mm f/2.8 GM 2 is about equally versatile and reliable of a lens as you can perchance get. Covering wide-angle to portrait-length fields of view and sporting the all-important f/2.8 constant maximum discontinuity, this standard zoom is the go-to choice when photographing at a relatively close range. Walking the flooring during the reception, photographing from the seats or aisle during the anniversary, and basically any other instance where yous’ll desire to include a bit of context and scenery in your shot, this is the lens.
Vivid f/2.8 design means you can isolate your subjects confronting decorated backgrounds with shallow depth of field and it also excels in low lighting
This version II of the 24-70mm f/ii.8 is 22% lighter and 18% smaller than the previous version, making it easier to carry and use at all-day weddings
Faster AF functioning keeps up with the best AF systems from the a1 or a7 IV, and the linear AF motors keep focusing quiet for video applications, too
Manual discontinuity ring, with de-click switch; ii focus hold buttons; zoom smoothness/torque switch; and a focus mode switch offering a lot of control over exposure and settings directly from the lens
Fe 70-200mm f/ii.8 GM OSS Two
Best buds with the 24-70mm f/2.8, the FE 70-200mm f/2.8 GM OSS 2 is pure telephoto versatility. Whereas the 24-70mm covers everything you demand at relatively close range, the 70-200mm does the same when you’re at a greater altitude—when you lot’re photographing the ceremony from the dorsum of the room or from above, photographing the showtime trip the light fantastic toe from off the dance flooring, or capturing other moments when you lot need to be a fleck further away from the action, the 70-200mm is exactly what you demand. And the f/ii.8 abiding maximum discontinuity, once again, is a key ingredient to getting desirable subject separation and operation in low-light weather condition.
Speedy f/ii.8 pattern is nifty, only the OSS paradigm stabilization is arguably as much of a benefit when working in low lighting with this lens
Equally to a higher place, this version Ii of this lens offers a 29% weight reduction compared to version I, making it much easier to tote all day
Focusing system is iv times faster than the previous gen, too, helping to keep up with any fleeting moments or high-speed continuous shooting situations
Internal zoom pattern keeps the overall length and centre of gravity nigh the same and makes this lens easier to use handheld or fifty-fifty with a gimbal for video applications
It’s hard to fence with 24-70mm and 70-200mm f/2.8 lenses being the foundation of any nuptials lens kit. They cover such a useful range of focal lengths, keep a high caste of speed up between the ii, and tend to have some of the most refined optical and physical designs in a lens lineup, meaning they’ll as well exist some of the best performing lenses available. If you lot’re shooting with two bodies, there’due south a very good take chances these 2 lenses will be in near-abiding use throughout the wedding ceremony day.
Also, it’southward worth mentioning that, while we’re fractional to these f/2.8 G Master versions of the focal lengths, there are also f/4 versions (Vario-Tessar T* FE 24-70mm f/4 ZA OSS and Iron lxx-200mm f/iv Thou OSS) available depending on your budget or demand to cut downwards on weight or size. The slower f/iv lenses lack the obvious depth-of-field and low-light benefits of an f/2.viii pattern, merely they do weigh quite a bit less, for the ultimate portable wedding ceremony kit.
If yous have time to switch upwardly some lenses or value something a flake unlike, then a third or 4th lens offer a unique characteristic could exist a strong nugget to have in your bag. Peculiarly during the formal portrait session or if y’all’re looking to round out your shoot during the reception with some details, look for some of the quirkier or more specialized optics to round out your kit.
FE 100mm f/two.8 STF GM OSS
One of the quirkier lenses in Sony’s lineup, the Iron 100mm f/ii.8 STF GM OSS is a portrait-length prime that’s all nearly the unique apodization filter for smooth bokeh. In the context of hymeneals photography, this lens will excel for your formal portraits taken right after the ceremony, delivering a prissy flattering focal length and smooth, out-of-focus backgrounds that will brand your subjects really popular. The 100mm f/2.8 STF is, admittedly, a slow lens, but it besides does have OSS to help counter camera shake and keep images sharp when shooting indoors or under dim lighting conditions. Even though this focal length and aperture combination is covered with the 70-200mm f/2.8, it’s notwithstanding a unique plenty choice to get some impressive formal, staged portraiture results that would otherwise be difficult to go from the zoom.
FE 50mm f/1.2 GM
The fastest lens in Sony’south lineup, the FE 50mm f/i.2 GM is a swell pick when yous’re looking to bandbox up your wedding portfolio with some immensely shallow-depth-of-field images, every bit well as when you’re looking to photograph handheld in some of the dimmest weather condition. Again, despite it being a focal length covered by the 24-70mm range, the f/1.2 maximum aperture is distinct enough to warrant the addition of a dissever prime to attain the unique selective-focus furnishings. Specific to nuptials photography, this lens would slot in nicely for formal total-length portraits, as well equally for more action-rich scenes of dancing or mingling, where shallow depth of field can be used to creative effect and highlight small-just-important moments.
Atomic number 26 85mm f/1.8
Finally, the FE 85mm f/1.viii is just a solid accommodating lens whose main do good over a 70-200mm f/2.8 is portability and speed. Information technology’s not Sony’s fastest 85, but the 85mm f/one.viii is a potent residuum of a flattering portrait-length field of view, lightweight design, and an appreciably brilliant f/1.viii maximum aperture. For weddings, this combination is great for quick, informal portraits and other mid-range subjects where the 85mm focal length offers a scrap of separation and the f/one.8 pattern is bright enough for working in available lighting conditions. Information technology’due south also a great respite from the heavier zooms, for instances when you want to ready down the 70-200mm for a bit only still be gear up to capture any spontaneous moments.
Versatility is key for wedding photography and mixing a multimedia-capable camera body with a pair of well-rounded zooms will serve whatsoever wedding photographer well. These tools are the ultimate blank canvas for photographing your next hymeneals.
What do y’all look for in a camera and lens setup? Does your wedding camera and lens combination differ from these suggestions? Permit us know in the Comments section, below.