Best Monitor Type For Photo Editing

By | 15/10/2022

When it comes to computer monitors, you’re nil if not spoiled for pick. Screens of all shapes and sizes are available to suit about any budget. If that’s the good news, the problem is knowing how to choose between the various technologies and options. 4K or QHD? IPS and VA. sRGB versus Adobe RGB. Look-up tables, colour channels and GPUs. It tin all be absolutely overwhelming.

Simply what, exactly, makes upwards the best monitor for photo editing? Earlier we dive into our acme choices, here are our answers to the virtually common questions from photographers when it comes to choosing a display for editing images.

Does monitor size matter?

You lot might think a bigger screen is only a better screen. Just that isn’t necessarily and then for paradigm editing. You too want pixels and a lot of them. A large LCD monitor with a depression resolution won’t allow yous to see the full detail of the images you’re processing. On the other hand, a small monitor with a super-high res tin exist suboptimal, too.

We’d recommend either 27 inches and 1440p resolution (2,560 by 1,440 pixels and also known as QHD) or 32 inches at 4K (3,840 by 2,160 pixels). Larger xl-inch-plus 4K monitors are also available and often aren’t expensive. But the larger panel size offers few advantages for image editing. On the contrary, such screens are often based on HDTV panels and while they look large and punchy, they typically aren’t great when information technology comes to colour accuracy.

Do I demand a 4K monitor?

The unproblematic reply is no. But non simply does 4K offer several advantages, information technology’due south no longer terribly costly. The most obvious do good is desktop space. More than pixels make for more working space, though bear in mind 4K on smaller screens below 30 inches may force you lot to increase scaling and lose some of that benefit.

The other obvious upside is the ability to view images at – or at least closer to – their total resolution. Admittedly, everything from an average smartphone to a top-stop DSLR tin far exceed 4K in terms of resolution these days. But you lot’ll go a much more authentic idea of the particular and sharpness of a very loftier resolution photo with a 4K monitor.

Which screen technology: TN, VA or IPS?

TN, VA and IPS are the three most broadly available LCD panel technologies. Each has its own characteristics, strengths and weaknesses. Just simply one is optimal for photo editing. Put but, that’due south IPS. Most significantly, IPS offers the best colour accuracy. IPS besides has ameliorate viewing angles, which in practise means it maintains that accuracy regardless of whether you’re viewing the console dead on. The next best selection for paradigm editing is VA. It’s not quite as accurate as IPS, but does offer better colour fidelity than TN.

sRGB or Adobe RGB?

sRGB or Adobe RGB?

All good screens suitable for image editing will back up both the sRGB and the Adobe RGB colour spaces. In that sense, you don’t have to choose. You’ll accept access to both. But which should you use? Certainly, sRGB is simpler. Information technology’s the default colour infinite for digital devices and makes for a simpler workflow.

Adobe RGB theoretically offers more colours and greater saturation which can be particularly relevant for printing. However, without total end-to-cease back up for Adobe RGB, the result can really be duller colours. Short, respond? If in any doubtfulness, stick with sRGB.

Which graphics card do I need?

Which graphics card practise I need?

Strictly speaking, for full precision image editing with 10 bits color per channel, you’ll need a professional class graphics carte du jour, which ways either Nvidia Quadro or AMD Radeon Pro. In practice, yous’ll also need full cease-to-end 10-flake support, including from your monitor, to achieve that. Thus, for all but the nearly advanced photographers, a non-professional Nvidia GeForce or AMD Radeon board volition be fine.

Every bit for what level of performance you lot need, the likes of Adobe’s Creative Deject suite does utilise some GPU acceleration via the graphics carte. But your mileage volition vary according to the plugins and filters you lot use. Meanwhile, high end graphics cards are very pricey. So for most, the all-time bang-for-cadet is probably in a mid-range board, for instance an Nvidia GeForce GTX 1060 from Nvidia’due south final-gen ‘Pascal’ series of graphics cards.

What is a 10-bit display?

Fleck depth in the context of estimator displays and epitome processing refers, ultimately, to the range or depth of colours on offering, in this instance from each of the primary red, greenish and blue (RGB) colour channels. Put just, the more $.25 per channel, the more colours a screen can brandish. Do the maths, and you stop upwards with only over a billion colours from 10 $.25 per channel. Which is a lot.

In practise, it’south non always that elementary. Many monitors that claim 10-bit color support do not practise so natively. Instead, the utilise a technique known as dithering to increase the native eight-flake capability of the console (or one thousand thousand colours) to simulate 10-bit colour courtesy of introducing noisy transitions between colours. But 10-fleck via dithering does not truly evangelize the full one billion colours of a native ten-flake panel.

What about monitor LUTs?

The term LUT or expect-upwards tabular array in the context of epitome editing and screens tin can exist disruptive. That’southward considering look-up tables are used not only internally in image and video editing software to map colour spaces. Look-up tables also substantially practise the same task in a monitor, mapping the video input signal to the existent-world capabilities of the screen’s LCD panel.

Confusingly, an LUT with greater precision than the panel itself is required. For image editing, a ten-scrap LUT and an eight-scrap panel would be a minimum ideal specification. Simply 12-bit and 14-flake LUTs will requite smoother tonal transitions, especially in depression-light images, even with an 8-chip LCD panel.

What makes up the all-time monitor for photo editing?

A expert reckoner monitor enables you to view your photos in all their glory, and edit them accurately to avoid disappointment when you share or print them. But what makes for a ‘good’ monitor?

Size really is important and our preference is for 27-inch screens. They give generous viewing proportions without existence overly large for the typical distance at which you lot’ll use them.

There’due south a lot to be said for buying a UHD (Ultra High Definition) display. Information technology’ll enable yous to see more of your images when zooming in to bank check details, and to view the 4k movies that tin can be captured with a growing number of cameras as nature (or at to the lowest degree applied science) intended.

All of our top v choices beneath have 10-fleck colour depth, theoretically enabling adept coverage of both the sRGB and extended Adobe RGB colour spaces, when driven from a compatible graphics card.

They’re also all based on IPS (In-Plane Switching) display applied science, which is the best choice for photo editing and viewing, in terms of colour accuracy every bit well as viewing angle width.

Indeed, all of the screens on our all-time monitors list merits 178-degree viewing angle coverage in both vertical and horizontal planes.

The stands supplied with all of our chosen monitors enable tilt, meridian and pin adjustments, supporting both portrait and landscape orientation viewing. Autonomously from the LG monitor, they all enable swivel adjustments too.

The best monitors for photo editing y’all can buy today

BenQ SW270C

BenQ SW270C


  • Screen Size:

  • Max Resolution:

  • Adobe RGB Colour Infinite:

  • Panel Type:


The BenQ SW270C is by no means cheap compared with a run of the mill display, simply when you lot compare the specs and quality against defended photography monitors that are twice the price, you can’t neglect to exist impressed.

Information technology’s a huge leap forward in quality compared with standard monitors enabling you to edit in near total AdobeRGB, P3 or Rec. 709.

When you lot take a monitor of this quality at this price, it does brand you wonder why you’d spend any more on display.

While the brandish, build quality and usability are fantastic, the feature set is reflected in the price. Firstly the resolution while useful doesn’t stretch to 4K, to get that heave on a monitor of this quality you’re going to accept to pay double.

Then there are the color spaces, while sRGB and AdobeRGB are suitable even using the advanced setting it reaches 88% of P3.

However, the quality of the image is not in doubt, and you lot will not be disappointed with this outstanding monitor.

At this cost, few other monitors come up close to the SW270C. Would I buy one to replace the at present-retired Apple 30-inch Cinema display? Do you know I think I will.

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  • Splendid display accuracy
  • Robust and well designed
  • Puck controller


  • Non 4K resolution
  • Yet expensive

Eizo ColorEdge CG319X Monitor

The EIZO CG319X is in a different form of monitor from nigh displays, fifty-fifty those touted for the creative industry.

It’southward a workhorse, i that sits in the studio for years, and despite all of its advanced options and settings, you don’t need to requite it a thought because those features are perfectly integrated.

The monitor will ever display the right colours at the correct luminance due to the built-in monitor calibrator. If you need to view Rec. 2020 so y’all can, Adobe RGB, then no problem.

ColorNavigator 7 Software completes the display package enabling y’all to switch display environments quickly. Information technology is then an easy decision, looking for a monitor for stills and video then you lot really tin’t become incorrect with the CG319.

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Dell UltraSharp 32 Ultra HD 4K UP3216Q



  • Size::

    32 Inch
  • Resolution::

    3840 x 2160
  • Attribute Ratio::

  • Colour Gamut::

    99.5% Adobe RGB, 87% DCI-P3
  • Contrast ratio: :

    1000:ane / 2000000:1 (dynamic)
  • Input connectors::

    HDMI (MHL), DisplayPort, Mini DisplayPort
  • Pixel Density::

    0.182 mm

Some other large scale monitor that’s perfectly suited to the photography market place. What appeals about this engineering science giants offering is the toll and balance of features.

You get 4K resolution and a standard 16:ix resolution which makes it platonic for both video and stills.

Importantly for a photography monitor, it has uncommonly high color gamut with 99.5% AdobeRGB coverage. Information technology also features built-in SD bill of fare reader and plenty of ports for connecting other devices.

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  • Large screen
  • Well Spec’d


  • Standard role monitor looks

EIZO ColorEdge CG318-4k


  • Size: : inch
  • Resolution::

    4096 10 2160
  • Aspect ratio::

  • Color Gamut::

    Adobe RGB: 99%, DCI-P3: 98%
  • Contrast Ratio::

  • Input connectors::

    DisplayPort, HDMI

Featuring a large 31-inch screen with ultra-broad 17:9 attribute ratio, this monitor has plenty of working and palette space when enhancing your images.

This monitor has been designed for the creative professional specialising in stills and video. Featuring HDR gamma support and with the ability to brandish 98% DCI-P3 and 99% of AdobeRGB, you can be assured that your images will be displaying their maximum content.

Knowing that monitors and kit get moved around the studio, two built-in handles have been incorporated into the dorsum of the monitor.

Helping to cut down on time and worry virtually the monitor e’er displaying the right colour, EIZO has incorporated an automatic self-scale sensor into the top frame of the monitor.

The EIZO ColorEdge CG318-4k is a professional level monitor with features and build that will suit a professional studio surround.

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  • High quality screen
  • Exceptional build quality
  • Built-in monitor calibration

Eizo ColorEdge CS2730

Best monitor for photo editing: Eizo ColorEdge CS2730


  • Native resolution::

  • Effulgence::

  • Dissimilarity::

  • Video ports::

  • Color Gamut:

    sRGB: 100% / AdobeRGB: 99%

This Eizo monitor is simply bright for photo editing, delivering highly accurate color and tonal reproduction in its preset sRGB and Adobe RGB modes. Unlike nigh current competitors, it has a 2560×1440 native resolution, rather than the 3840×2160 of ‘4k’ screens, equating to a lower pixel count of three.7Mp compared with the 8.3Mp of a 4k screen.

A plus side, however, is that less upscaling is required to make the text and icons of apps readable, and image quality still looks super-abrupt.

Like another top-terminate photographic monitors, the Eizo comes complete with a shading hood. Smart bundled software includes ColorNavigator for apply with third-party scale hardware, and Quick Colour Match, jointly developed with Adobe, Canon and Epson, to streamline colour matching betwixt the screen and printed output.

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  • Superb image quality and build quality
  • Preset sRGB and Adobe RGB modes


  • Lacks full 4k UHD resolution
  • More expensive than most 4k monitors

BenQ PhotoVue SW271C

BenQ PhotoVue SW271C review


  • Screen Size:

  • Resolution Max:

    3840 x 2160
  • Panel Type:

  • Backlight Engineering science:

  • Brightness:

  • Native Contrast(typ.):

  • Viewing Angle (L/R;U/D) (CR>=10):

    178 / 178
  • Colour Gamut:

    99% AdobeRGB, 90% P3, 100% sRGB
  • Colour modes:

    Adobe RGB / sRGB / Rec.709 / DCI-P3 / Display P3 / Thousand-book / B+W / HDR / Calibration one / Scale ii / Calibration 3 / Custom / Paper Color Sync / DICOM
  • Attribute Ratio:

  • Brandish size:

    596.12 x 335.34mm
  • Pixel pitch:

  • Pixels per inch:

  • Connections:

    2x HDMI, 1x brandish port, 2x downstream USB 3.1 (for connecting devices) 1x upstream USB 3.1, 1x USB-C (PD60W), 1x SD card reader

The BenQ PhotoVue SW271C is a 4K monitor with a 27-inch display aimed at photographers and videographers.

Launched in March 2021, the BenQ PhotoVue SW271C boasts an Adobe 99% RGB color infinite and 100%sRGB color space, promising a greater range of colour reproduction than the average monitor. To better its RGB colour accuracy, the PhotoVue SW271C also offers a sixteen-scrap 3D LUT and the company’s BenQ AQCOLOR technology which is based on ICC and ISO colour standards.

What’south more, the SW271C supports 2 HDR formats (HDR10 and HLG) for more precise colour grading. Videographers tin preview the HDR result of the video content for intelligent effulgence and contrast control.

BenQ’south Paper Color Sync software besides allows photographers who use specific papers with the Canon Pixma Pro-x or Pixma Pro-100 Epson SureColor P600 or SureColor P800 printers to lucifer the preview on their display to the final print.

The SW271C also supports CalMAN and LightSpace video calibration software and contains the latest USB-C port for high-speed video/audio/data transmission.

In employ, the BenQ PhotoVue SW271C gives a great view of your images and video, with plenty of detail visible while colours and tonal transitions wait bang-up.

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  • 27-inch 4K screen
  • Bespoke scale software
  • Adept screen tiptop range


  • sixteen:9 aspect ratio makes the vertical orientation less useful than you lot might promise
  • Calibration hardware not included
  • USB-C computer connection required for the Palette Master Elements scale sofware

Dell UltraSharp U2718Q

Best monitor for photo editing: Dell UltraSharp U2718Q


  • Native resolution::

  • Brightness::

  • Contrast::

  • Video ports::

    DP, mDP, HDMI
  • sRGB gamut (claimed)::

  • HDR mode::


Massively undercutting monitors from the likes of BenQ and Eizo for price, the Dell however delivers a full 4k UHD native resolution and has a form-leading maximum contrast ratio of 1300:1, instead of the more usual 1,000:1.

That’s of little benefit for full general photo viewing and editing simply, like but the BenQ monitor in this group, the Dell has a specialist HDR fashion. It’s not yet particularly well supported by the Windows operating system but adds an extra layer of future-proofing.

The screen image certainly looks sharp with excellent fine particular and tonal range, simply colour accuracy is a little disappointing, on a par with the NEC.

Worse news is that accuracy across the sRGB and Adobe RGB colour spaces doesn’t improve much even after calibration with a Spyder or like tool. Ultimately, epitome quality looks very pleasing, if not clinically authentic.

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  • Relatively cheap for a 4k monitor
  • Ultra-sparse bezel


  • No preset Adobe RGB mode
  • Colour accuracy could exist better

NEC MultiSync EA275UHD

Best monitor for photo editing: NEC MultiSync EA275UHD


  • Native resolution:

  • Brightness:

  • Contrast:

  • Video ports:

  • sRGB gamut (claimed):


Pop with the corporate market, NEC devices typically enable eco-friendly and price-saving modes that tin exist controlled from a central location. This monitor is no exception and fifty-fifty has an option whereby information technology tin can sense a user’southward presence and turn itself on or off accordingly.

Various viewing modes include standard, photo, text, gaming, movie and dynamic but there’due south no Adobe RGB preset. Colour accurateness is actually quite poor straight out of the box, our review sample giving a noticeable cherry cast in its standard and photograph modes.

Calibrating the monitor with a tool similar a Spyder increases accuracy greatly for the sRGB colour space, but the gamut of the monitor is however a little limited for Adobe RGB. Born speakers are a unique feature in this group of 5 monitors simply audio quality isn’t exactly ‘hi-fi’.

All the same, the speakers tin exist useful when driving the display from devices other than figurer, via the DisplayPort or HDMI port.

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  • Adept eco-friendly options
  • Built-in speakers


  • Inaccurate colour in preset modes
  • No Adobe RGB color space preset