Best Sony Camera For Video

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The best 4K camera for filmmaking in 2022 for photographers & videographers



(Prototype credit: @Sirisvisual for Unsplash)

Before you invest in the best 4K camera for video, you’ll demand to retrieve near what type of content you lot desire to shoot. Whether y’all’re looking for a camera that shoots high-quality stills and 4K video or you’re a filmmaker looking for a video focussed camera, our list includes the best of both worlds.

Nosotros’ve updated this buying guide to include two of import new cameras. The Panasonic GH5 II is an update to Panasonic’s top-selling GH5, with numerous important and worthwhile improvements – though we suspect the Panasonic GH6
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, now expected in 2022 due to delays, will quickly steal the limelight.

In this guide we concentrate on regular interchangeable lens cameras with stiff 4K video capture. These are ideal for photographers moving into video, or for filmmakers who don’t want or demand dedicated movie theatre cameras, and all the expense and technical complexity that goes into them.

The world of video is now incredibly various, of class. If you think this guide doesn’t quite draw you, and so possibly you might want to take a await at these:



Best movie theater cameras

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:
for professional filmmakers and studios


Best vlogging cameras

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:
for independent content creators


Best camera for film students

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:
powerful and affordable cameras to outset with

All-time DSLR for video

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: traditional interchangeable lens cameras for video & stills


All-time action cameras

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:
for filming adventures and activity


Best 360 cameras

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:
for cutting edge filming and VR techniques


Best drones

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:
for aerial photography specialists

This guide concentrates on the rapidly growing list of hybrid stills/video cameras that can handle all types of content cosmos. This is where all the action is happening at the moment, equally mirrorless cameras motility upmarket and start to eat into the territory of professional movie theater cameras – just at a fraction of the toll.

These days, mirrorless cameras have such astonishing 4K capabilities they actually claiming professional movie house cameras. The powerful Panasonic S1H and the remarkable Panasonic S5 are two cameras paving the fashion for 4K-set mirrorless cameras. If you desire even more resolution, the Catechism EOS R5 and the Sony A1 are now capable of shooting in 8K which while it sounds great on paper, is probably a flake overkill for most vloggers, commercial photographers and filmmakers. For most scenarios, a photographic camera that shoots decent 4K video is more than important than one that shoots at higher resolutions due to massive file sizes and processing power needed to edit them. Non to mention how long these videos accept to transfer and share!

The Sony A7S III offers incredible 4K footage but as it only shoots 12MP stills, the file sizes are comparatively modest. This is the contrary of the Catechism in terms of specs but many would consider it to be the best mirrorless 4K photographic camera on the market though information technology’s certainly non cheap!

Don’t know bitrates from framerates?:

Video jargon explained

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The best 4K cameras for video in 2022

Stills and video

In this department we listing the best ‘hybrid’ cameras – fully functional stills cameras that can also capture 4K video at a professional person level. These are cameras that are split 50:50 betwixt stills and video (all correct, some may be threescore:forty!) for photographers, videographers and content creators who demand to capture both.

(Paradigm credit: Adam Duckworth)


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If you’re on a upkeep and need something that takes excellent stills and video, the S5 in a winner

Specifications

Type:

Mirrorless

Sensor:

Full frame

Sensor resolution:

24.2MP

Lens mount:

50-mount

4K frame rates:

sixty, l, 30, 25, 24p

4K sensor crop factor:

1x

Standard ISO range:

Dual Native ISO, 100-51,200

Retentiveness cards:

2x SD/SDHC/SDXC (one UHS Two, 1UHS I)

Reasons to buy


+

Best in-course video performance



+

Meaty full-frame quality



+

Magnesium frame and vari-angle screen



+

Dual SD card slots

Reasons to avert


But Dissimilarity AF

The Panasonic S5 comes a very very close 2d to the Fujifilm X-T4 with its impressive video and photo capabilities. In fact, as far as full-frame cameras go, this is probably the all-time value you can get. Information technology benefits from a smaller build than the Panasonic S1 simply uses the aforementioned 24-megapixel CMOS sensor. It’southward autofocus has been improved, it features a tough, weather-resistant body and has vi.5 stops of in-torso stabilization and then that even handheld video is smooth. It’s capable of recording 4K vieo at 60p, 4:2:0 x-bit internally with an APS-C crop or 4K at 30p 4:2:2 using the unabridged sensor.

For stills photographers, it offers a high-resolution shooting mode that combines 8 shots into a 96MP epitome resulting in raw files that are 165Mb in size. The Lumic S1 and the Lumix S1H might’ve been Panasonic’s first jump into full-frame mirrorless cameras but nosotros think the Lumix S5 is much more than heady – especially for the cost. The one downside is that information technology uses contrast-observe AF rather than phase-find AF which is what the Sony A7 Three and Catechism EOS R6 utilise but there are lots of features that brand it a peachy choice for shooting 4K video.

(Image credit: Rod Lawton/Digital Camera Globe)

1 of the best APS-C cameras on the market proves y’all don’t need to shoot total-frame

Specifications

Blazon:

Mirrorless

Sensor:

APS-C

Megapixels:

26.1MP

Lens mount:

Fujifilm X

Screen:

3in articulating touchscreen, ane,620k dots

Viewfinder:

EVF, 3.69 million dots

Max continuous shooting speed:

30/15fps

Max video resolution:

4K

User level:

Expert/professional person

Reasons to buy


+

6.5-stop in-trunk stabilisation



+

4K video at up to 60/50p



+

High-speed shooting

Reasons to avoid


New and expensive



Autofocus can be twitchy

As far every bit APS-C sensor cameras go, the Fujifilm X-T4 is up there with the best. Information technology offers advanced video capabilities such as 4K at up to 60P which will give y’all a smooth, 2x slow-motion upshot. Information technology can besides capture ten-bit video internally whereas virtually 4K cameras just capture eight bit. If you connect it to an external monitor, the Fujifilm Ten-T4 is also capable of saving video at 10-bit 4:2:2 which means it can observe style more replicate colors more accurately than when shooting at 4:2:0. The Fujifilm X-T4 is the start camera in Fujifilm’s X series to do good from in-torso stabilization which non only reduces or eliminates the need for a gimbal, information technology means you tin can shoot at a much slower shutter speed when in low calorie-free environments. Its fully articulated screen makes it perfect for shooting from the hip or shooting overhead and when you’re not using it, it tin can be flipped in on itself so that the screen is protected. Even though the 10-T4 uses a stage-detect auto focus system, it has been known to ‘hunt’ occasionally only we still think this is a neat value, all-rounder camera.



Best video editing sofware

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for vloggers and filmmakers

(Image credit: Rod Lawton/Digital Photographic camera Earth)

Aimed specifically at vloggers, the ZV-E10 is compact and affordable

Specifications

Blazon:

Mirrorless

Sensor:

APS-C CMOS

Megapixels:

24.2MP

Lens mount:

Sony E

Screen:

7.5cm TFT screen

Weight :

346g

Max continuous shooting speed:

11fps

Max video resolution:

4K

Reasons to buy


+

Compact size



+

Fully articulated screen



+

Affordable

Reasons to avoid


No viewfinder



No in-body stabilization



No mode dial

The Sony ZV-E10 is Sony’southward latest APS-C camera release, offering 4K video, a 24.2MP sensor and 11fps in continuous burst mode. Information technology’s more compact than the A6000 range and unlike the Sony ZV-1, it has an interchangeable lens mount with more than sixty lenses to choose from. It’s the first Sony APS-C camera with a fully adjustable variety-angle screen which is a big advantage for filmmakers. It features a three-capsule direction mic on height of the camera, which you can attach a clip-on air current muffler to ut also has an external mic port. If you’re a stills photographer the lack of a viewfinder might be a drawback but for anyone who wants to primarily vlog or shoot video, it shouldn’t exist an effect.

(Epitome credit: James Artaius / Digital Camera Earth)

Forget 4K, the Canon EOS R5 outputs amazing 8K and the stills are beautiful

Specifications

Type:

Mirrorless

Sensor:

Full frame

Megapixels:

45

Lens mount:

Canon RF

Monitor:

3.xv-inch vari-angle touchscreen, 2,100k dots

Viewfinder:

OLED EVF, 5,690k dots, 100% coverage, 0.76x magnification

Max continuous shooting speed:

12fps mechanical shutter, 20fps electronic

Max video resolution:

8K

User level:

Professional person

Reasons to buy


+

All-time AF on the market place



+

All-time full-frame IBIS



+

8K video is phenomenal

Reasons to avoid


Video recording limitations



Standard 4K is just okay

When Canon released the Canon EOS R5, it paved the style for the future of mirrorless cameras. With a 45MP sensor, 20fps flare-up shooting and super-fast autofocus, as far every bit a stills camera goes it’southward hard to beat. Then we become to its video capabilities which again are pretty impressive. Despite the bad rep information technology has received for overheating when recording 8K video the Canon EOS R5 is even so a landmark camera. Canon has since released firmware updates that assist with the overheating result but haven’t solved it completely. It’s also worth noting that the photographic camera will but overheat when recording continuously for more than 20 – 25 minutes. If y’all’re recording lots of brusk clips you lot shouldn’t experience overheating bug. If it wasn’t for the high toll point, the Canon EOS R5 would’ve taken the top spot on our list. When you as well factor in how expensive some of the best Canon RF lenses
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you’re looking at spending thousands to get a complete video set upwardly.


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Now with ii carte du jour slots, the Z6 2 delivers uncropped 4K 30p video and fast AF

Specifications

Type:

Mirrorless

Sensor:

Full frame CMOS

Megapixels:

24.5MP

Monitor:

3.ii-inch tilting touchscreen, 2100k dots

Continuous shooting speed:

14fps

Viewfinder:

EVF, 3,690k dots, 100% coverage

Max video resolution:

4K UHD at 30p (60p via update)

User level:

Enthusiast/Professional

Reasons to buy


+

Ii retentiveness card slots



+

Improved flare-up shooting



+

Superior AF operation

Reasons to avoid


No articulating screen



4K 60p will exist cropped

The Nikon Z6 II is a light refresh of the original Z6, with a 2nd retention carte and processor bringing a bump to burst shooting, now up to 14fps, and the hope of 4K 60p video via an update. However, 60p video is cropped and the camera all the same lacks an articulating screen, limiting its appeal for video and vlogging. Existing Z6 owners won’t see a demand to upgrade, only new buyers will get a very capable camera at a pretty good price. The dual card slots are a definite plus signal, Nikon’s in-torso stabilization is very good, and the best Nikon Z lenses
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are some of the best on the market correct now.

(Paradigm credit: Jon Devo)


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6. Panasonic Lumix GH6

The long-awaited GH6 offers staggering video specifications but tin shoot pretty great stills also

Specifications

Blazon:

CSC

Sensor:

Micro Four Thirds

Megapixels:

25.2MP

Screen:

iii-inch vari-angle touchscreen, 1.84m dots

Viewfinder:

three.86m dot OLED, 100% coverage

Lens:

Micro Iv Thirds

Continuous shooting speed:

14fps with AFS, 8fps with AFC + Live View

Max video resolution:

5.7K

User level:

Professional

Reasons to buy


+

Shoots 5.7K at 60p



+

Impressive choice of codecs



+

25MP stills

Reasons to avoid


No Raw video internally



Quite mesomorphic for a MFT system

Good things come to those who wait is the phrase that comes to listen when I think of the Panasonic GH6. Information technology had pretty big boots to make full following the popular Panasonic GH5

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which however is regarded as one of the all-time value options for shooting video. Still, the GH6 is an comeback in but almost every style. Information technology has a brand new 25.2MP sensor, it tin can shoot 4K at 120p or a staggering 5.7K at 60p. There was hope it would be able to shoot in-photographic camera RAW thanks to the brand new stacked MFT sensor and CFExpress Type B storage but sadly it’southward not the example.

For those looking to shoot stills, Panasonic decided to stick with its DFD (Depth From Defocus) contrast AF arrangement which is super fast and effective. From what we’ve soon and so far, the image quality is very good, it tin shoot upward to 75fps in burse mode (when using the electronic shutter and AFS) although this is reduced to 8fps when shooting with continuous AF. The body is very big for a Micro 4 Thirds camera – it’southward even bigger than some of the Sony A7 bodies however, the lenses are still much more compact and there’southward loads to choose from. All in all, the GH6 is incredibly impressive and while the starting cost point is pretty high only it’southward nonetheless cheaper than the Sony A7S 3 and information technology has 5.7K capture and 25MP stills.

Read more: Panasonic GH6 initial review

(Paradigm credit: Rod Lawton/Digital Camera Globe)

A compact full-frame camera with excellent AF and 4K 30p video

Specifications

Type:

Mirrorless

Sensor:

Full Frame

Megapixels:

24.2MP

Lens:

Sony Eastward mount

LCD:

3-inch vari-angle touchscreen, 921k dots

Viewfinder:

EVF, 2,359k dots

Maximum continuous shooting speed:

10fps, 115 raw, 223 JPEG

Max video resolution:

4K 30p

User level:

Enthusiast

Reasons to buy


+

Small(ish) trunk



+

Side-hinged vari-angle screen

Reasons to avert


Unambitious video specs



Unappealing silver and black finish



Not especially cheap

The Sony A7C’s specifications are unambitious to say the to the lowest degree, especially in terms of its video capabilities, only its practical performance, from its handy vari-angle screen to its splendid AF organization, make very effective. But why take we included this and not the mighty Sony A1? Considering the A7C does the right job at the right cost, where the A1 is overkill for most users. We volition leave information technology to y’all to decide if the silver  A7C’southward ii-tone design is appealing, but for united states it does not take the quality ‘feel’ of the other A7 models. With that new 28-60mm retracting lens, the A7C is also meaty. The master affair for video shooters is the very useful vari-angle screen, the in-trunk stabilization and Sony’s superb autofocus system.

Read more:
Sony A7C review
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Video starting time

This department contains cameras that are designed for video first and stills second (or, in the case of the EOS C70, video simply). The Sony A7S Three is a classic case; a stellar 4K camera that tin also capture 12MP stills. The Lumix S1H is another; a big, heavy beast that does have a 24MP sensor but leans so far towards video that the stills capability is more of a bonus. The Catechism EOS C70 looks like a mirrorless photographic camera, but it’southward really a picture palace photographic camera. We include it equally an case of one of the best cinema cameras for handheld video, vlogging and one-person filming.

(Image credit: Adam Duckworth)

If you’re later a photographic camera strictly for video, the A7S Three is astonishingly skilful – simply information technology’s rubbish for photos!

Specifications

Type:

Mirrorless

Sensor:

Full frame

Megapixels:

12.1

Lens mountain:

Sony FE

Monitor:

iii-inch vari-angle touchscreen, Fully articulating 3-inch touchscreen i,440K dots

Viewfinder:

OLED EVF, nine,437K dots

Max continuous shooting speed:

10fps

Max video resolution:

4K

User level:

Professional person

Reasons to buy


+

Incredible low calorie-free performance



+

Stunning AF, even for video

Reasons to avoid


No 6K or 8K video



Still images simply 12MP

It took Sony v years to upgrade the video-centric A7S Two to a Mark Three, only the wait has been worth it for keen enthusiast and professional person moviemakers. Information technology might not boast 6K or 8K video resolution of some of its rivals, and with only 12.1MP it’s not a powerhouse super-stills car either. But apart from a large and expensive cinema camera, it’southward the just photographic camera that can shoot 4K at 60p total frame with no crop, recorded internally, in x-flake four:2:two with no limitations on recording fourth dimension and with all the avant-garde AF functions still working. The 12MP resolution means the A7S III is pretty poor every bit a stills camera, but an absolute natural at 4K, and so information technology is tilted more than towards video than stills. Nonetheless, sports fans should annotation it tin can shoot stills at 10fps and has an incredible 1,000-shot raw buffer (using new CFexpress Type A cards).

(Image credit: Digital Photographic camera World)


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Platonic for anyone wanting to shoot with professional codecs such as ProRes and Raw

Specifications

Sensor:

Micro Four Thirds

Dynamic Range:

13 Stops

Lens Mount:

Micro Four Thirds

Monitor:

5-inch LCD touchscreen

Max video resolution:

4K

Standard ISO range :

Dual native ISO 400 and 3200

Reasons to buy


+

Excellent range of ports



+

5-inch LCD screen



+

Shoots RAW video



+

Micro 4 Thirds lens mount

Reasons to avoid


No flip-out screen



No built in ND filter



No Continuos AF

If you’re primarily a filmmaker or videographer and looking for a photographic camera strictly for video, the Blackmagic Pocket Cinema 4K
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is a cine photographic camera without the high price tag. Even though information technology was launched back in 2018, it’s yet a popular choice among filmmakers who demand Pro-Res and Raw recording. It has a Micro Four Thirds sensor which ways at that place are a huge number of Olympus, Panasonic and third-party lenses available both brand new and secondhand. It can shoot upward to 4K 60p with no crop factor and has 13 stops of dynamic range. With a Catechism LP-E6 battery, you could debate it’s a bit of a mix-match of a camera and although it only has lx minutes of bombardment life you can plug information technology into the mains for continuous recording. It features one SDXC card deadening and one CFast 2.0 slot which supports 4K Raw. The one downside to the photographic camera is it doesn’t have a flip-out screen but if you’re a serious filmmaker you’d probably want to invest in one of the all-time on-camera monitors
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anyway.

(Image credit: James Artaius / Digital Camera World)

Canon’south first video-centric RF mountain photographic camera boasts an incredible sixteen stops of dynamic range

Specifications

Sensor size:

26.ii x xiii.8 mm (Super35)

Sensor resolution:

4096 10 2160 (8.85 MP)

Card slots:

SDXC x 2

Lens mount:

RF

Max shooting resolution:

4K

Display size:

3.5-inch

EVF:

No

Reasons to buy


+

4K up to 120fps, 2K up to 180fps



+

Dual Gain with xvi stops dynamic range

Reasons to avoid


No RAW output



Cannot employ PL lenses

The Canon EOS C70 is Canon’s starting time RF mount cinema camera offering powerful video capabilities. It features Catechism’s Super35 sensor, Dual Gain Output, a massive 16 stops of dynamic range and 4K 120fps / 2k 180fps. Information technology also includes a game-changing touchscreen which makes accurately focusing quicker and easier. The C70 bosts the deep learning iTR AFX system from the Canon EOS-1D X Marker Ii which offers head detection and extremely accurate autofocus. If you don’t desire to invest in expensive RF lenses, you can utilise an adapter to mount EF lenses onto it. Canon’south new speed booster will also enable yous to utilize them with an actress f-stop and a total-frame angle of view. Where the C70 falls downwardly is that it doesn’t record RAW and yous can’t use PL drinking glass on it – for that, you’ll accept to step upwards to the Canon C300 Mark Iii.

(Prototype credit: Digital Camera World/Rod Lawton)


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Capture high quality stills and impressive 6K video

Specifications

Blazon:

Mirrorless

Sensor:

Full frame

Sensor resolution:

24.2MP

Lens mountain:

L-mount

4K frame rates:

sixty, fifty, xxx, 25, 24p

4K sensor crop factor:

1x

Standard ISO range:

Dual Native ISO, 100-51,200

Memory cards:

2x SD/SDHC/SDXC (UHS Two)

Reasons to purchase


+

6K video capture



+

Effective as a stills photographic camera too



+

Five-Log, LUTs and cinema features

Reasons to avoid


No raw video capture



Continuous AF not that reliable

With the Lumix S1H, Panasonic has used its considerable video experience to bring many of its high-end VariCam features to the Lumix Southward range. The controls, the interface and certainly the hardware have been build for video and cinematography, and the fact it’due south likewise a very serviceable 24MP stills camera is a bonus. It’south a truly compelling ‘bridge’ between conventional system cameras and higher end cine gear, specially for existing Panasonic videographers. Information technology’south expensive, though, and specialized too, and so not necessarily the showtime option if y’all need to keep the price down – though it does make the ‘regular’ S1 seem like second all-time at present. Its official Netflix accreditation is a major plus betoken, but its continuous AF proved pretty patchy in our tests and so that, combined with this camera’s considerable size and weight, rules it out for vlogger style run-and-gun style videography. Notwithstanding, a recent upgrade to offer ProRes RAW output via HDMI to Atomos Ninja Five devices adds to the credentials of the S1H as a picture palace photographic camera offering at a regular camera toll point.

How nosotros test cameras

We examination DSLR and mirrorless cameras both in real-world shooting scenarios and in advisedly controlled lab weather. Our lab tests measure resolution, dynamic range and signal to noise ratio. Resolution is measured using ISO resolution charts, dynamic range is measured using DxO Analyzer test equipment and DxO Analyzer is also used for noise assay across the camera’s ISO range. We apply both real-earth testing and lab results to inform our comments in ownership guides.

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Hannah Rooke

Having studied Journalism and Public Relations at the University of the West of England Hannah adult a dearest for photography through a module on photojournalism. She specializes in Portrait, Fashion and lifestyle photography but has more recently branched out in the world of stylized production photography. For the final iii years Hannah has worked at Wex Photograph Video as a Senior Sales Banana using her feel and noesis of cameras to aid people buy the equipment that is correct for them. With 5 years experience working with studio lighting, Hannah has run many successful workshops education people how to apply unlike lighting setups.

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Source: https://www.digitalcameraworld.com/buying-guides/the-best-4k-camera-for-filmmaking