Based on our research and combined 14+ years of shooting with Sony Alpha mirrorless cameras, these are the best Sony lenses for your coin in 2022.
For professionals or those who demand the best performance, Sony’southward flagship Thou-Master lenses are still unbeatable, just there are too plenty of third-party lenses for Sony cameras that offering amazing bang for your buck.
Sigma lenses for Sony e-mount (APS-C and total frame) are popular, as are Tamron eastward-mount lenses and Samyang too – I employ several of them in favour of Sony Iron lenses on my full frame Alpha cameras.
Sony Fe 50mm f/1.8
The best Sony lens for everyday photography on a budget. Great paradigm quality and classic focal length (Also peachy equally an 85mm lens on APS-C).
As for ingather sensor APS-C Sony due east-mount lenses, I’ve tested the latest options with a range of a6000-series compacts, sharing my superlative choices below.
Bated from stills photography, more and more video shooters are choosing Sony cameras, so nosotros’ve got some recommendations on the best Sony lens for video work too.
Sony mirrorless lenses and the differences between the FE and regular e-mount can exist disruptive. Did you know you tin can even attach a Sony lens to a Nikon or Canon camera?
Don’t worry, though – we’ll explain all the options and answer all the almost common questions in this guide.
First, though, permit’s detect out which Sony e-mountain lens you should buy for your new Blastoff camera.
What Sony Lenses Should You Buy First in 2022?
Sony 50mm f/1.8
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Sigma 24-70mm f/2.8
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Sony 70-200mm f/4
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Sony 24-105mm f/4
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Sigma 35mm f/ane.4
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Sony 35mm f/1.8
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Sigma 30mm f/1.4
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Tamron 17-70mm f/two.8
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Sigma 16mm f/1.4
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Tamron xi-20mm f/ii.8
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Why Trust Us?
Our experience with lenses for Sony Alpha cameras and how we tested
Your writer Mark has been shooting weddings professionally with Sony cameras for several years, using many unlike Sony prime and zoom lenses, equally well as tertiary party eastward-mount options.
Co-author Usnea has been using Sony cameras for 6 years, shooting landscape, nature, action, and travel photography using primarily native Sony lenses.
For testing, Mark used the latest Sony a7IV full-frame mirrorless camera to evaluate a selection of Sony FE-mountain lenses and a Sony a6100 for lenses designed for the APS-C format.
The recommended lenses in this guide were called based on Mark & Usnea’s own personal experience, results of lens reviews past our various Shotkit authors (also professional photographers), and over 120 hours of combined research and analysis.
We are not sponsored past any of the brands that announced here, and our opinions are completely unbiased – in short, you tin can trust what we say!
What are the all-time Sony due east-mount lenses for a1, a7 & a9 Series Total Frame cameras?
If you’re reading this first section of our guide, you’re either a professional photographer or someone who understands why investing in the best Sony lenses volition get the nearly out of a total-frame Alpha photographic camera.
All the lenses below work on the a1, a7, and a9 series of Sony mirrorless cameras – they likewise work fine on Sony APS-C cameras, should you lot own one of those too.
(Encounter further down our guide to see the lenses recommended for APS-C ‘crop-sensor’ Sony cameras.)
Let’s take a look at the top recommendations so you tin can choose the best Sony lens for your total-frame Sony Alpha photographic camera.
Sony FE 50mm f/1.8 | Budget Starter Lens
- Fast f/ane.8 aperture
- Beautiful images
- Fantastic value
- Autofocus could be better
- Feels inexpensive (because it is!)
When I was just getting my Sony a7III, I opted out of the kit lenses and merely shot with this nifty-fifty until I could afford some real glass. I wasn’t expecting much from a $250 lens, just boy, was I wrong!
For the price, the image quality of this lens is amazing. Photos come out startlingly sharp, nicely contrasty, and with great color. The bokeh is overnice and creamy, and there’s cipher distracting in the out-of-focus areas.
The but real downside of this lens is its autofocus. It definitely hunts a bit if y’all’re too close to your subject area or in super depression light. It’s also not the quietest. Still, it functions great most of the time.
Otherwise, this is an excellent 50mm at an admittedly fantastic toll. It’southward the showtime of all the Sony lenses we recommend for Sony e-mount total-frame mirrorless cameras if you’re on a tight upkeep.
- Sony 50mm f/1.eight Review
Tamron FE 28-75mm f/2.8 Di Three VXD G2 | Best Value Zoom
- Constant f/2.8 aperture
- Much lighter and more meaty than its rivals
- Fantastic optics
- Professional-level sharpness
- Good build quality
- Weather condition-sealing
- Excellent close-focus distance
- USB port for firmware updates
- No optical stabilization
- Vignetting & Distortion heavily corrected (hidden)
- No external AF/MF switch
A good mid-range zoom is a must for almost every kit, simply finding 1 of the best Sony lenses for less than $grand isn’t so piece of cake….that is, until Tamron came out with the 28-75mm f/two.8 Di III VXD G2.
Light, compact, and bachelor for nether $700, it’d be easy to assume that this was just a mediocre lens. In reality, however, the Tamron 28-75mm f/2.viii tin can more than than pull its weight in both epitome quality and performance.
On top of that, it’south much lighter and literally costs less than one-half equally much as the Sony 24-70mm f/two.8 GM. (The Sony 24-70 f/two,8 weighs nigh a full kilogram!)
The only real reason not to purchase this lens is if you really need that actress 2mm on the broad end.
Otherwise, this lens is an incredible value and should be at the top of the list for any full-frame Sony shooter looking for an exceptional mid-range zoom.
- Tamron 28-75mm review
Sigma FE 24-70mm f/2.8
DG DN Art
| All-time All Round Fast Zoom
- Professional-quality optics
- Outstanding colour rendition
- Extremely sharp
- Fast, authentic, and completely silent autofocus
- Prototype stabilization
- Neat macro abilities
- Beautiful bokeh
- Weather sealed
- MF/AF switch and autofocus lock push button
- Fantastic value
- Less than stellar flare resistance
- 82mm thread makes filters expensive
If the Tamron 28-75mm f/2.8 isn’t wide enough for y’all, your adjacent all-time bet in the mid-range zoom category is the Sigma 24-70mm f/ii.eight
DG DN Art lens.
The about popular focal range in all of the photography, the 24-70mm zoom is i of the most versatile in the industry. The wider end (24mm) is suitable for both landscapes and interiors. The longer end (70mm) allows for nice portraiture.
But there are many more reasons to buy this lens: the autofocus performs perfectly, the optics are fantastic, it has a brilliant, constant f/2.8 aperture, and it comes weather-sealed.
It’southward besides an incredible value, coming in at just over half the price of the Sony FE 24-70mm f/ii.eight Yard Master, all without sacrificing prototype quality or performance. (Information technology’s besides a tad smaller and lighter.)
Definitely worth a look if y’all’re in the marketplace for a smashing 24-70mm f/2.8 zoom.
- Sigma 24-70mm f/2.viii review
Sony Fe 24-105mm f/4 Thou OSS | All-time for Travel, About Versatile
- Nice color rendition
- Good flare resistance
- Quick, quiet, and accurate focus
- Fantabulous build
- Paradigm stabilization
- AF/MF and SteadyShot switches
- Weather sealed
- No smaller than comparative DSLR lenses
- No zoom lock switch
Looking for a lens that can practice it all? Have a look at the Sony Atomic number 26 24-105mm f/4 G OSS.
It’s broad enough for landscapes, cityscapes, and compages while covering a fair bit of the near-telephoto range as well. That’s what makes information technology a great travel lens: it volition handle just about any shooting situation you might detect yourself in.
A pro-level lens with splendid optical performance throughout its entire focal range, the Sony Iron 24-105mm is also the lightest lens in its class, which makes it an excellent zoom for conveying around.
If you need something less expensive and can handle the added weight, the Sigma 24-105 ART costs considerably less and performs almost too.
If, however, you want native glass and one of the best Sony lenses at this focal range (and tin can fork out the actress dough), this is the one to get for a ane-in-all travel lens.
- Sony 24-105mm f/4 review
Sony FE 70-200mm f/4 G OSS | Best Sony Telephoto Lens
- Fantastic image quality
- Useful focal range
- Durable and rugged
- AF/MF switch
- Tripod neckband included
- Great price point
- Some corner softness
Of all the telephoto lenses offered in the Sony lineup, the Sony FE 70-200mm f/4 Chiliad OSS is past far our favorite mid-range telephoto lens.
The focal range is useful for everything from sports and wildlife to studio photography. It’due south also a fantastic portrait photography lens, equally the classic 85-135mm portrait sweet spot is nestled correct in the middle.
The constant f/4 aperture isn’t the fastest, only it makes the Sony Atomic number 26 70-200mm f/iv Chiliad considerably smaller and lighter than its much more than expensive cousin, the f/two.eight GM.
With a small(er) footprint combined with a fantastic price point (under $1500), the just reason to crash-land up to the f/2.8 GM is if you really need that extra finish of low-cal. (But keep in listen, yous’ll be paying an extra $1400 for it!)
- Sony 70-200mm f/iv review
Sony FE 85mm f/1.viii | All-time Value Portrait Prime
- Fantastic autofocus
- Stiff eyes
- Compact and lightweight
- Nicely built
- AF/MF switch and AF Concord button
- Splendid price-to-operation ratio
- Atmospheric condition-sealed
- Bokeh not as smooth as it could be
- Strong vignette at wider f-stops
If you’re looking for a good portrait photography prime number lens simply find yourself on a tight budget, the Sony FE 85mm f/1.8 might merely exist the lens for you.
Images come out crisp and clear, the autofocus works like a charm, the aperture is fast enough for well-nigh applications, and the size and weight sit nicely on all Sony full-frame cameras.
Of course, there are plenty of other options out there, but none with so much bang for the buck.
At nether $600, the Sony FE 85mm f/1.8 beats out the Zeiss Batis 85mm F1.eight by more $600 and the G Master f/1.iv past a full $1200! (The Yard Master also happens to exist much heavier.)
- Sony 85mm f/1.8 review
Sigma Atomic number 26 35mm f/1.4 DG HSM | Best All Round 35mm
- Fast and quiet autofocus
- Fantastic sharpness
- Superb color rendition
- Immaculate build quality
- Nice bokeh
- Larger and heavier than the GM lens
Pocket-sized on toll, yet big on both blueprint and functioning, the Sigma 35mm f/1.four DG HSM is easily the best 35mm for Sony A7 cameras in terms of operation plus value.
The build on this beauty comes with all the features you lot’d expect from a much more expensive lens: conditions sealing, a focus concord button, and aperture command.
The autofocus is fast, placidity, and precise. Images come out fantastically sharp, with beautiful bokeh.
A simply under $800, the Sigma 35mm f/1.4 DG HSM hits the sweet spot betwixt first-class optics and a reasonable price.
Its main competitor, the Sony 35mm f/one.eight is virtually $350 cheaper merely too slower. The Sony 35mm f/ane.4 GM is a somewhat ameliorate lens optically, merely a full $600 more.
If y’all demand a 35mm with a fast aperture, this Sigma is definitely the best blindside for your buck and one of the best Sony lenses for all-around apply.
Sony FE 35mm f/2.8 ZA | Best Pancake (Lightest/Nigh Compact)
- Extremely meaty and lightweight
- Super sharp
- Fun to utilise
- Pairs well with any Sony body
- Expensive for an f/ii.viii
One of the lightest full-frame compatible lenses made for the Sony E-mount, the Sony 35mm f/2.8 ZA may not exist officially a pancake lens, but information technology’south so tiny and light information technology literally feels like a lens cap!
Yet, the amazing manufacturers at Zeiss still managed to identify loftier-quality optics in this lilliputian beauty. It has all the beautiful image rendering of an excellent Zeiss lens, not to mention the wonderful one-of-a-kind Zeiss color rendering.
At f/2.8, it’s not particularly fast, but what information technology loses in speed it makes upwards for in its particularly modest size. (A faster lens would plainly exist larger and heavier.)
What’s non pocket-sized on this lens, however, is the price. Still, you won’t find anything better at this size and weight!
- Sony 35mm lenses compared
Sony Fe xvi-35mm f/ii.8 GM | Best Wide Bending Zoom
- Abiding f/two.viii aperture
- Quick car-focus
- Decent shut-upward performance
- Focus-concord button
- Atmospheric condition sealing
- Bokeh could be meliorate
- No paradigm stabilization
1 of Sony’south flagship 1000 Master lenses, the Sony FE 16-35mm f/ii.8 GM is the wide-bending zoom of pick for professional photographers and those looking for exceptional paradigm quality out of their landscape, cityscape, and architecture shots.
It’s not easy to build a high-performing wide-angle zoom – especially at f/2.8, but Sony managed it here. The 16-35mm f/2.8 GM delivers strong resolution broad open and is simply stunning once y’all bump upwardly to f/4.
At only around $ii,200, information technology’due south non a cheap lens, simply it’due south worth the price if you’re looking for the best Sony wide-angle zoom available.
(If you tin can’t beget the f/2.8 GM and f/four will work for y’all, take a look at the Zeiss xvi-35mm F4 and/or the Fe 12-24mm F4 G.)
- Sony xvi-35mm f/ii.8 review
Sony 50mm f/1.2 GM | Fastest (Best in Low Light)
- Exceptional optics
- Incredible bokeh
- Amazing in depression low-cal
- Very sharp
- Weather sealing
- Dual function buttons
- Excellent close-up functioning
- Somewhat smaller than its competitors
- Some focus breathing
Incredible in simply nigh every aspect, the Sony FE 50mm F/ane.2 GM is the great-fifty to go if y’all’re looking for literal top-of-the-line optics and performance.
In that location are, of class, plenty of other 50mm lenses bachelor for the Sony Atomic number 26-mountain, but the F/one.2 GM stands out not only for its relatively compact size and infrequent optical functioning but also for beingness Sony’due south only f/1.2 lens.
Smaller and lighter than both the Nikon and Canon versions, the Sony Fe 50mm F/1.two GM does pretty much everything the F/i.4 ZA tin exercise, but only a tad better. You get a bit more discontinuity, a closer focus, and stellar AF functioning, all in nearly the aforementioned-size parcel.
Should you purchase it? Well, yes – if you desire the best and fastest 50mm available for Sony cameras. You definitely won’t regret it.
Sigma 85mm f/1.4 DG DN| Best Value Fast Portrait
- Beautiful color rendition
- Excellent build
- Compact for an f/one.4
- Fantastic bokeh
- Atmospheric condition sealing
- Half the price of its GM counterpart
- Strong pin cushion distortion
- AF sometimes struggles with fast moving objects
- Heavy vignette at times
If the Sony FE 85mm f/i.8 is too slow for y’all and you have a bit more to spend, have a expect at this beautiful 85mm f/1.4 Art lens by Sigma.
You lot’ll love the images that come up out of this beauty – super sharp, with cracking color, plenty of contrast, and immensely pleasing bokeh.
The Sigma 85mm f/1.4 Art lens as well happens to be lighter, sharper, and quicker focusing than Sony’southward GM version, all while costing a full $700 less. Many feel that its image quality also matches the GM, just that might be more than a thing of gustatory modality.
Either way, if you’re looking for a fast portrait lens at a great price, this one should definitely be on your curt list.
- Sigma 85m f/one.4 review
Sony Atomic number 26 20mm f/1.viii G | Corking for Astrophotography
- Astonishing image quality
- Well-built and compact
- Excellent flare resistance
- Fast, quiet autofocus
- Good close-focus abilities
- Reasonably priced
- A fair amount of focus breathing
- No focus lock
The best lenses for astrophotography are fast, wide, and capable of producing hit images of the night sky…a recipe that just so happens to fit the Sony FE 20mm f/1.8 K.
Its fast f/1.8 discontinuity lets in plenty of light. The 20mm wide bending can capture long, sweeping views of both land and sky. (It’south great for landscapes too.) The images it produces come out wonderfully sharp across the whole frame and with plenty of dial.
At just under $900 information technology’s not cheap, but given that it’s $500 less than the Sony 24mm F/1.4 GM and performs almost every bit well, the 20mm f/1.8 G is definitely a meliorate buy.
- Sony 20mm f/1.8 review
Tamron Fe lxx-300mm f/4.five-6.3 | Great Value Long Range Zoom
- Practiced epitome quality throughout the zoom range
- Excellent autofocus
- Lightest and smallest 300mm zoom
- Conditions sealing
- Fantabulous value
- Fantastic warranty
- No image stabilization
- No external switches
- Not swell for shut-up shots
Need a longish telephoto that still covers the portrait range? Take a wait at the Tamron FE lxx-300mm f/4.5-6.3.
Literally, the globe’south smallest and lightest 300mm-capable total-frame mirrorless telephoto zoom, this Tamron 70-300mm retails for less than one-half its Sony sibling while offering skilful eyes and fantabulous autofocus performance.
There isn’t any image stabilization – Tamron leaves that upwardly to the camera – simply otherwise, this is a seriously fantastic lens for its under $550 price tag.
Add to that Tamron USA’s half dozen-year warranty, and y’all’ve got a medium telephoto lens worthy of some serious consideration.
Sony FE 24mm f/1.four GM | Best Broad Angle Prime
- Fantastic eyes
- First-class wide open operation
- AF is fast, shine, and quiet
- Beautiful bokeh
- Low vignette and baloney
- Nicely-damped manual focus ring
- Smooth focus pulling
- Fairly expensive
- Some coma
- Occasional focus pulsing when backlit
If you’re in the market for an Due east-mountain 24mm prime and want the best epitome quality out there, this is the one to go, hands down.
One of the best Sony prime number lenses to date, the Sony FE 24mm f/1.four GM is the perfect investment for wedding and effect photographers who demand a wider bending of view.
It’s super sharp on high-megapixel cameras similar the a7RIII, while providing first-class optics on older models likewise…all in a reasonably compact, well-built body.
The Tamron Fe 24mm F/2.8 is much, much cheaper (nether $350), but is a total stop slower and isn’t anywhere nearly the same form when it comes to performance.
- Sony 24mm f/1.4 review
Sony Zeiss 55mm f/1.eight Sonar T*| Sharpest Sony FE Lens
- Razor abrupt, esp. stopped down
- Beautiful Zeiss eyes
- Fast, accurate, and completely silent autofocus
- Fantastic build (includes weather condition sealing)
- No outside controls
- Expensive for an f/1.viii
- Busy bokeh
- Some focus animate
The Sony Zeiss 55mm f/1.eight Sonnar T* lens is a huge favorite among many, many Sony shooters. Its excellent optics, potent autofocus operation, and compact size make information technology more worth its toll (which admittedly is a bit steep for an f/one.eight).
As one would expect, this lens is razor-sharp in the centre at all apertures and sharp in the corners past f/4.
For some, the bokeh might exist a little decorated. For many others, though, the uniqueness of the bokeh combined with the Zeiss color rendition creates a “undercover sauce” effect.
You tin, of course, find much cheaper 50mm or 55mm lenses for your Sony, but if you’re looking for one that’due south top quality, the Sony Zeiss 55mm f/one.eight Sonnar T* should definitely be on your shortlist.
Sigma 70mm f/2.eight | Best Value Macro
- Stunning images
- Extremely precipitous at all focal lengths
- Lightweight, yet solid build
- Precise focusing control
- Some weather condition sealing
- Nifty value
- No image stabilization
- External focusing
- Tiresome autofocus
With some of the best optics available for macro photography on Sony cameras, the Sigma Iron 70mm f/2.viii Fine art lens marries truly infrequent optics with a fantastically reasonable toll.
Sigma chose to eschew some of the “normal” conventions (i.eastward. external focusing, no IBIS, etc.) with this lens to focus purely on the optics…and it shows.
The images are merely fantastic.
It may accept a while to master focusing on this lens, but once you do, you’ll absolutely fall in honey with what it tin do. (The cardinal is to sympathise that it was congenital for Macro photography, not and then much as a multi-purpose lens.)
Only love it or hate information technology, one affair that tin can’t exist argued with is the infrequent value of this lens: you lot can now find information technology for under $500! What an absolute steal!
- Sigma 70mm f/2.8 review
What are the all-time Sony due east-mount lenses for NEX & a6000 series APS-C Cameras?
These are the height lenses that are optimized for Sony Alpha APS-C sensor cameras, likewise known as having a ‘crop-sensor.’ They work on both older models from the Sony NEX range, also as anything from the a6xxx range (due east.g. a6100, a6400, etc.).
After in this guide, we’ll talk well-nigh Sony ‘FE’ lenses which take been designed for the more expensive range of full-frame Alpha cameras.
FE lenses can be fastened to APS-C cameras, too – this makes sense if you plan to upgrade to a Sony full-frame photographic camera in the time to come or if you already own both types and want to apply the Iron lenses interchangeably.
However, Sony e-mount lenses specifically designed for the APS-C sensor are cheaper and lighter, so let’s see the recommendations.
Sony 35mm f/ane.8 OSS | Best for everyday photography
- Compact and solid build
- Good paradigm quality
- 3-end optical stabilization
- Fast and quiet autofocus
- Good sharpness wide open
- Minimal distortion
- No weather sealing
- Some chromatic aberration
- Can exist prone to ghosting and flares
A shut equivalent to the “smashing l” on a full-frame camera, the Sony 35mm f/one.8 OSS has a focal length perfect for everything from street photography to lifestyle portraits and makes a great everyday carry.
Build-wise, information technology’s then tiny and light that you lot’ll barely find it when attached to your camera.
The f/1.8 aperture is perfect for capturing scenes with a shallow depth of field. Images come up out sharp, nicely contrasty, and with very little distortion.
For those shooting on cameras without IBIS, the 3-stop optical stabilization volition be a bully assist for mitt-held shooting in low-lite situations.
Similar most wide-bending lenses, the corners can exist a lilliputian soft when the lens is broad open up, but otherwise, this lens is a strong optical performer and our pick as the best everyday lens for a Sony a6000 serial camera.
Sigma 16mm f/1.4 DC DN| Amazing Wide Angle Prime (Peachy for Video too)
- Superb lowlight performance
- Weather sealed
- Smooth, quiet autofocus
- Compatible with all Sony AF functions
- First-class resistance to flares
- Fantastic cost
- A bit larger and heavier than other prime lenses
- Some distortion remains after correction
- Less than optimal coma performance
If yous’re looking for a fast broad-angle prime that won’t pause the banking concern, the Sigma 16mm f/1.iv DC DN Contemporary should be right down your alley.
Equivalent to a 24mm lens on a total-frame camera, 16mm on an APS-C camera is perfect for videography, selfie blogging, mural photography, and event photography. Video users will as well appreciate its nigh silent autofocus.
While it comes with first-class build quality and quick, authentic autofocus, the real reason to buy this lens is for its speed and superb lowlight functioning. Its f/one.four maximum aperture is merely about as fast every bit yous can purchase.
Why is f/1.4 so skilful? When fully open, this lens will give y’all loads of light and a newspaper-thin focal airplane with succulent bokeh.
At less than $400, it’s unlikely that you’ll find any other broad-angle prime number matching the performance
price of this sweetness niggling lens. Its principal competitors are nigh twice the cost.
Sigma 30mm f/1.4 DC DN | Fastest All-Rounder (Great in Low Light)
- Natural color and contrast
- Smooth bokeh
- Fast f/1.4 aperture
- First-class close-up range
- Fast, accurate autofocus
- Groovy price
- No optical stabilization
- Chromatic abnormality not well-controlled when shooting wide open up
- Noisy for video recording in C-AF
The Sigma 30mm F1.4 Gimmicky DC DN hits the sweet spot betwixt price and functioning, all at a focal range nearing the “nifty l.”
With a maximum aperture of f/i.4, this Sigma 30mm is some other ane of the fastest lines in this list, with plenty of light, a razor-sparse focus aeroplane, and creamy bokeh.
In fact, the focal length (45mm equivalent on a full-frame) combined with the bright f/1.iv discontinuity makes this an ideal everyday-carry prime lens.
The fast aperture will let y’all shoot both indoors and outdoors in bright or low light. The focal length is neither too broad nor too narrow. Followers of the “Middle Way” would be proud.
The sharpness of this lens is superb, peculiarly when stopped downward to f/5.6. It also works superbly with Sony’southward autofocus system.
Of grade, no lens at this low price signal is perfect by any ways, but virtually of its issues tin be fixed in post.
Definitely a fantastic lens at a fantastic price and another keen all-rounder for your a6000 series Sony camera.
Tamron 17-70mm f/2.8 | Best All Round Zoom
- Extremely versatile focus range
- Fantastic optical performance
- Vibration Compensation
- AI Vibration Compensation in video mode
- Groovy shut focus range
- Works well with Sony AF
- Weather sealing
- Great flare resistance
- No physical controls
- Onion bokeh
- Somewhat expensive
- Some chromatic aberration and distortion
- Larger than its peers
17-70mm f/two.8 APS-C zoom really hits the ball out of the park.
Non only is it the first high-speed standard zoom designed explicitly for APS-C cameras, but its focal range is also one of the nigh versatile available, and the eyes are the all-time you’ll detect in this kind of zoom.
Equivalent to 25-105mm on a full-frame camera, the zoom range covers everything from wide-angle landscapes to close-in telephoto activity.
The f/2.8 abiding maximum aperture gathers in enough of light and offers plenty of control over the depth of field.
Images come out highly detailed, with great color and contrast. In fact, few zooms at this price betoken tin lucifer the fine detail rendering (i.e., acuity) of this lens.
The Tamron 17-70mm
also comes with vibration command, something that owners of the NEX range and older a6xxx cameras will certainly appreciate. I
The clincher? You can purchase information technology for less than $750. What a bargain!
Sony 18-135mm f/3.5-v.6 OSS | Sharpest Zoom
- Extensive focal length range
- Optical stabilization
- Compact and Lightweight for its zoom range
- Very abrupt at all focal ranges
- AF/MF switch
- Best-priced quality zoom
- Fairly slow discontinuity
- Heavy vignetting in the corners when shooting in RAW
- Some purple fringing in harsh lighting
- No weather sealing
With a focal range roughly equivalent to 27-202mm on a full-frame camera, the Sony 18-135mm f/3.5-5.6 OSS is a perfect all-in-1 lens for APS-C shooters who don’t do a lot of low-light photography or shots needing a shallow depth of field.
It’south non nearly as fast as the Tamron 17-70mm, only what information technology lacks in speed, information technology gains in sharpness. It’due south f/3.five-5.6 is solidly sharp from the center to the edges throughout all its focal range.
Overall, the two principal reasons to go with the Sony 18-135mm f/3.v-5.6 rather than the Tamron 17-70mm f/ii.viii are the increased focal range and first-class sharpness throughout the zoom range.
At under $650, the Sony eighteen-135mm is also the least expensive Sony zoom in this category.
If, however, you need weather sealing and/or a lens that will perform improve in low light, you’d be better off sticking with the Tamron 17-70mm higher up.
Tamron xi-20mm f/2.8 | Best Wide-Angle Zoom
- Abiding f/ii.eight aperture
- Fantastic depression-light performance
- Compact and lightweight
- Versatile broad-angle focal range
- First-class close-focus range
- Fast, quiet, and authentic AF
- Fully compatible with Sony cameras
- No external switches
- No optical stabilization
- Flare resistance could be better
In that location aren’t a lot of high-performing wide-angle lenses made specifically for the Sony APS-C E-mount, just luckily Tamron has stepped into the void with this excellent11-20mm f/2.8.
Information technology’south actually the get-go e’er compact, lightweight F2.8 ultra wide-angle zoom lens fabricated for Sony E-mount APS-C mirrorless cameras.
Tamron’due south excellent Rapid-actress-silent stepping Drive (RXD) works seamlessly with Sony’due south native autofocus organization, both with still and video shooting. When filming, focus changes from close to distant happen almost instantaneously.
The build of the Tamron xi-20mm isn’t exactly tiny but is decidedly meaty for its aperture and focal range – almost unbelievably so. It’s also relatively lightweight and handles beautifully on an a6xxx body.
Even now, in 2022, there’southward picayune competition for this zoom. The slower Sony E 10-18mm F4 OSS is priced similarly and has optical stabilization, just the Tamron 11-20mm has that brilliant f/2 constant aperture, better optical operation, and comes with weather sealing.
If you shoot landscapes, architecture, astrophotography, or travel photography, you won’t want to miss out on this lens. It’due south more than worth the toll.
Samyang 12mm f/2 | Great for Astrophotography
- Very sharp
- Compact and lightweight
- Fast, accurate AF
- Well-controlled distortion
- Good flare resistance
- Weather sealed
- Extremely affordable
- No external switches
- Non-reversible lens hood
- Will demand to right CA in mail
- No EXIF information recorded
If you need a fast wide-bending lens and the Tamron xi-20mm f/two.8 is out of your price range, check out the Samyang 12mm f/2.
Slightly faster than the Tamron zoom and currently the widest autofocusing prime lens for Sony APS-C, the Samyang 12mm f/2 comes in at one-half the cost.
The focal length is equivalent to 18mm on a total frame, making for beautiful, wide-angle shots of either heaven or state. Epitome-wise, photos come out quite sharp in the center, with pleasing colors and enough of contrast.
Build-wise, the Samyang 12mm f/ii is nicely lightweight and compact. It also comes with weather sealing, a lens hood, and a case.
All-in-all, you’re not likely to find annihilation at this focal length fifty-fifty remotely comparable to this little lens…at least for under $400.
The combination of a fast f/2 discontinuity, relatively stiff eyes, quality autofocus, and atmospheric condition sealing brand this picayune precious stone a fantastic selection for anyone shooting the sky, landscapes, cityscapes, or architecture.
- Samyang 12mm f/2 review
Sony x-18mm f/4 OSS | Great for Video
- Ultra-broad bending of view
- Good overall image quality
- Lightweight and compact
- Constant f/four aperture
- iii-cease image stabilization
- Shine focus and zoom
- Front end filter support
- Relatively slow aperture
- No manual switches
- No conditions sealing
One of the widest lenses you can buy for the Sony Due east-mount, the Sony 10-18mm f/four OSS provides Sony APS-C shooters an ultra-wide angle field of view with optical stabilization.
At f/4, it’s not equally fast equally the Tamron 11-20mm f/2, but it’due south a pilus wider, and the OSS allows for more opportunities to shoot video without a gimbal if you’re using an older Sony APS-C camera.
The stepping motor autofocus organization works chop-chop and accurately with both stills and video. Information technology’s especially good for videographers needing quiet AF, and smooth video pulls.
If you also accept a Sony total-frame camera, you’ll be delighted to know that this particular lens works fantastically on total-frame cameras. Yous’ll merely get 12-18mm, but yous’ll love the effect.
One of the principal downsides to this lens has historically been its cost, merely that’s changed. Y’all tin can now find it for less than $700, making it a reasonable add-on to whatsoever vlogger’due south kit.
Sony 30mm f/three.5 Macro | Best APS-C Macro Lens
- one:1 macro capture
- No distortion
- Light & compact
- Swell value for the coin
- AF sometimes hunts in depression-lite
- No paradigm stabilization
- Small minimum focusing distance
Ready to graduate to a dedicated Macro lens but don’t desire to pause the bank? The Sony 30mm f/iii.5 Macro might but be the lens for you.
The simply Sony macro lens designed for APS-C cameras, the Sony 30mm f/3.v Macro brings life-size magnification to your fingertips for under $350.
There isn’t whatever image stabilization, and the autofocus sometimes hunts in depression calorie-free, but it’s a great learning lens if you haven’t shot Macro before.
If you’re looking for more of a bargain and are comfortable with a manual-focus-merely APS-C lens, you could always opt for either the 7Artisan 60mm f/ii.viii Macro MK II (nether $200) or the TTArtisan 40mm f/2.eight Macro (under $100).
Otherwise, the Eastward 30mm F3.five is a good choice for both casual Macro shooters and beginners.
(Dedicated Macro shooters should bump up to the Sigma FE 70mm F2.8 DG Macro Art or the Sony FE 50mm f/two.8 Macro.)
How practice I cull a lens for a Sony e-mount camera?
1. Lens Mounts
Sony has two main lens mount styles for its cameras: the A-mount and the E-mountain. The A-mountain is for its DSLRs (cameras with a mirror). The E-mount is for its mirrorless line – both APS-C and full-frame.
When looking for the right lens to buy – peculiarly from third parties – you’ll need to make doubly sure that yous’re ownership an E-mount lens for your Sony mirrorless photographic camera. (Many third-political party developers similar Tamron and Sigma make the aforementioned lens for a diverseness of different cameras.)
Beyond this, you’ll need to know whether you’re buying a lens for an APS-C sensor camera (like the a6xxx serial) or for a full-frame camera (like the Sony A7 and A9 lines).
The difference betwixt the ii lies in the size of the epitome circle.
APS-C cameras have smaller sensors. Lenses made for them will have an image circle that only covers the size of the APS-C sensor, non more. Placed on a total-frame camera, it will come up short.
And so so, what happens when you have an APS-C lens and place it on a full-frame camera?
Until recently, you lot’d get a pretty heavy vignette, equally the crop-sensor lens doesn’t let in enough calorie-free to attain the entire full-frame sensor.
Now, however, more current Sony mirrorless cameras tin detect the APS-C lens and movement into “crop mode,” automatically cropping out the vignette that would normally announced in the areas the lens doesn’t comprehend. Alternatively, yous can manually fix your photographic camera to “crop-sensor” mode.
(For older cameras, you’ll have to crop the vignette out of the photo afterward in postal service-production, i.e. while editing the image.)
In some cases, this tin be really useful since it can brand a shorter lens act like a telephoto lens.
Lenses made for full-frame cameras, on the other manus, have an image circle that’south larger than the APS-C sensor. As a result, full-frame (FE) lenses work just fine on an Eastward-mount APS-C camera, though images will be considerably “zoomed in.” The photographic camera volition only show yous the part of the prototype that the lens covers.
2. Focal Length
The focal length of a lens determines its angle of view or how wide the image will be. A shorter focal length yields a wider image; a longer focal length allows you to zoom in on a distant subject.
Broad and ultra-broad angle lenses (14mm to 35mm on a full-frame) have a short focal length, allowing y’all to capture much more of a scene than a standard lens can.
Standard lenses (40mm to 70mm on a total frame) capture a scene at pretty much the same bending of view a human centre would.
Telephoto lenses (85mm to 300mm on a total-frame) have a very shallow angle of view, allowing y’all to zoom in closely.
Super telephoto lenses (anything beyond 300mm) are for photographing subjects that are quite far away.
I affair to keep in mind is that a lens with any given focal length will produce dissimilar results on an APS-C camera than on a full-frame camera.
For example, attaching a 50mm full-frame lens to an APS-C camera volition brand the lens act more like a 75mm or 80mm lens. (The focal length of the lens itself doesn’t modify.) This tin can be super useful if you lot want more of a super telephoto issue but don’t want to pay for something that expensive.
- What does focal length mean?
The maximum size of the discontinuity of a lens – or f/number – determines how “fast” a lens is. Faster lenses let in more than light, allowing you more wiggle room when working handheld in darker environments. They also allow you to photograph a narrower focus plane, putting your subject in focus while blurring everything in front and/or behind information technology.
Faster lenses (i.e. f/1.four, f/1.eight, f/ii) are mostly bigger and more expensive than slower lenses. They’re especially helpful if you have an APS-C camera, every bit the sensor is smaller and can utilise all the light it can get.
With zoom lenses, at that place’s also some other affair to proceed in consideration: whether the discontinuity is variable or constant.
variable aperture lens
automatically adjusts the minimum aperture available to your focal length. For case, on a 70-300mm F/4.5-5.half-dozen zoom, your lens will be as fast as f/iv.5 at 70mm but will subtract the farther out you go. You’ll simply have f/5.vi available by the fourth dimension you attain 300mm.
Variable aperture lenses tend to be lighter and more than affordable than fixed aperture lenses, but you definitely go less lite bachelor at the farther finish.
fixed or constant aperture zoom lens, the aperture stays the same throughout all of the focal lengths. That means that no matter where you are in zoom, you’ll always accept the same amount of low-cal available.
For instance, a 24-70mm f/ii.eight zoom will accept f/ii.eight available at 24mm, 70mm, and everywhere in between.
Obviously, constant apertures are ideal, merely they tend to exist heavier, larger, and much more expensive.
- What is aperture?
4. 3rd Party Lenses
Third-party lenses – lenses made by manufacturers other than Sony – oft come with a much lower price tag than native lenses.
Sometimes this is considering they are lower quality, but not e’er. Both Sigma and Tamron make some excellent E-mount lenses, many of which piece of work just likewise – if non better – than lenses made past Sony.
The advantage you go when using commencement-political party lenses is that yous know that the lens is fully uniform with your Sony camera. In some cases – similar with GM lenses – you’re likely to be getting superior quality as well.
The advantage of third-party lenses is most e’er their comparatively lower prices.
How do I attach Nikon and Canon lenses to a Sony photographic camera?
If you want to use a Nikon or Canon lens on your Sony, never fearfulness – in most cases, you’ll just demand a lens mount adaptor.
You might not become all the features of the lens or of the camera, but depending on the lens and the adaptor, you might still get much of its original functionality.
For example, some adaptors will work neat with both AF-S and AF-C. Others volition but have AF-Southward. If you lot adopt to shoot manually and don’t need IBIS, you lot’re gilded!
Why use a Nikon or Canon lens on your Sony? One reason is you might exist coming from one of these systems and already have a lot of great glass you love.
Another is that there are a lot of high-quality Canon and Nikon vintage lenses bachelor at deal prices – you can save a lot of money.
Hither are some of the more popular adaptors:
Nikon F-mountain lens to Sony E-mount photographic camera
- Monster Adapter LA-FE1
- Vello Select Nikon F Lens to Sony E-Mount Camera Machine Lens Adapter (Firmware Ver.eight)
- FotodioX Mount Adapter for Nikon F-Mount Lens to Sony Due east-Mountain Camera
Canon EF-mount lens to Sony E-mount camera
- Vello Catechism EF/EF-South Lens to Sony E-Mount Camera Automobile Lens Adapter
- Metabones Catechism EF/EF-S Lens to Sony Eastward Mount T Smart Adapter (5th Generation)
What do the letters on a Sony Lens hateful?
- C – Cinema lens with geared focus and aperture ring.
- E – E-mount lens for APS-C and Super 35 cameras.
- ECF – E-Mount Converter Fisheye.
- ECU – E-Mount Converter Ultra-wide.
- FE – Full-frame E-Mount lens.
– Gold Series lens. Sony’s second-highest lens tier.
– Gilt Master, more than commonly “G-Primary” lens. Sony’s highest-tier lens.
- LE – Low-cal Edition. Only e’er used in one case in 2012 to designate a particularly lightweight lens design.
- OSS – Optical SteadyShot is Sony’due south proper noun for in-lens image stabilization.
– Ability Zoom lens with motorized zoom control.
- SEL – Only used in official production codes, continuing for Sony E-Mount Lens.
– Super Sonic Motor
- T* – A lens equipped with Zeiss’ optical T blanket.
- TC – Teleconverter.
- ZA – Zeiss approved “Zeiss Blastoff” lenses built past Sony in Japan.
- Other Sony abbreviations you lot might run across in the lens description include:
Anti-Cogitating; the lens contains Sony’s nano-coating technology. All G and GM lenses accept this.
- DDSM –Straight Drive SuperSonic Motor; Designed for moving large, heavy focus groups in some Sony lenses.
- ED –Extra-low Dispersion glass
- PZ –Power Zoom; a built-in electronic zoom motor used for controlling optical zoom on the lens.
SuperSonic Motor; An extremely fast, quiet and authentic autofocus motor used on many Sony G and GM lenses.
Polish Autofocus Motor; A cheaper AF motor used primarily on Sony’s kit lenses.
- XA –Extreme Aspherical; the lens contains Sony’s top-of-the-line aspherical element that produces extremely loftier resolution with cute out-of-focus areas. Reserved for Sony GM lenses.
What are other common questions about Sony e-mount lenses?
- What does FE hateful on a Sony lens?
The Sony “Fe” means that the lens is designed for full-frame Sony Alpha mirrorless cameras.
- What does E mean on a Sony lens?
An “Due east” without the “F” means the lens was designed specifically for a Sony APS-C camera (i.e. the a6xxx line). It will take a smaller image circle than that of a lens designed for a total-frame sensor.
- What is a Sony G Master lens?
GM, or Gold Chief lenses are Sony’s premium, acme-of-the-line lenses. They’re designed to fulfill all professional requirements, from infrequent image quality and performance to weatherproofing and a superior pattern build. They are designated on the lens with a white G on an orangish square.
- What’s the difference between a Sony GM Lens and a Carl Zeiss lens?
A Sony GM lens is designed solely by Sony and uses the Sony quality standard. They focus on providing high-resolution and perfect bokeh.
A Carl Zeiss lens is a lens made past Sony using Zeiss design and technology. Information technology uses the Zeiss quality standard, which focuses on resolution and dissimilarity. (Sony partnered with Zeiss for ii decades before making their kickoff GM lens in 2016.)
- How do I know if my Sony lens is full frame?
A full-frame lens volition be marked with an FE on the barrel.
- What does OSS mean on a Sony lens?
OSS on a Sony lens stands for Optical Steady Shot, Sony’due south in-lens image stabilization system.
- What do the names on the Zeiss lenses mean?
There are three different types of Zeiss design that Sony uses: Sonnar, Planar, and Distagon.
– Sonnar Zeiss lenses use the Zeiss classic “Sonnar” design invented by Dr. Ludwig Bertele in the belatedly 1920s. They feature a fast aperture, lightweight design, and fantastic contrast – all with a minimum of flare.
– Designed in the late 1890s, planar lenses take a symmetrical blueprint, with the aperture placed in the eye of the elements. This allows the lens to stay sharp from centre to corner at wide apertures, all with little chromatic aberration. Almost every 50mm lens has some chemical element of Planar design in information technology
– A pattern system Zeiss uses for its wide and ultra-wide angle, retrofocal lenses. These lenses are often heavy, as they are pretty circuitous. The Sony Zeiss Distagon T* Iron 35mm F1.4 ZA is the just Distagon lens available for Sony Eastward-mounts.
- How practice I update the firmware on my Sony lens?
- Attach the lens to the camera. (Make sure that your camera is off before attaching/changing the lens.)
- Check the version of the photographic camera lens system software by going to
Menu →Setup → Version.
- Set the USB Connection to Mass Storage.
- Using a computer, download the update that corresponds to your lens model.
- Run the update on your computer.
- Follow the screen instructions.
- When directed, connect a USB cable to your camera, so plug information technology into your computer. (If your photographic camera has both a Micro USB and USB C port, you can utilize either.)
- Go along post-obit the screen instructions.
- In one case the update procedure is consummate, click the “End” button on your calculator screen. (Practice Not DISCONNECT THE USB Cable until your photographic camera’s LCD screen says “Camera Update Consummate.”)
- Follow the instructions on your camera’s LCD screen (which will probably include turning the camera off and and then on again).
- Re-check the firmware version of the lens to make sure the update was successful. (Once again,
Menu →Setup → Version).
IMPORTANT: Brand sure your photographic camera’south battery is fully charged earlier starting the update process. If the battery dies during the firmware update, your camera may be seriously impacted.
Also, do not turn off the camera or disconnect the USB cable until the update process is entirely consummate.
- What lens mount does Sony use?
Sony cameras use either an A-mount or an Due east/FE-mount. A-mount lenses work with Sony DSLRs. Sony’s mirrorless cameras use the Eastward-mount and/or Atomic number 26-mount.
- What’s the divergence between Sony E-mount and FE?
The Sony Due east-mount (without the F) is a lens made for Sony APS-C mirrorless cameras.
The Fe-mountain signifies a lens fabricated for Son’y full-frame mirrorless cameras.
- Can a Canon lens be used on a Sony body?
Yes, if you lot use an adaptor.
- How tin I connect my Canon lens to my Sony body?
You tin connect a Canon lens to a Sony mirrorless camera body by using a Sony East-mount adapter. For more than information, see the section above.
- Can a Nikon lens be used on a Sony body?
Aye, y’all can connect a Nikon lens to a Sony mirrorless camera torso. Yous only need a Sony E-mount adapter. For more information, run into the department above.
- How tin I connect my Nikon lens to my Sony body?
You can connect a Nikon lens to a Sony mirrorless camera trunk by using a Sony Due east-mount adaptor.
- How do I mount my Sony lens to my Catechism body?
You can connect a Sony lens to a Canon camera via the use of a Canon EF-mount adaptor
- How practise I mount my Sony lens to my Nikon trunk?
You lot tin connect a Sony lens to a Canon photographic camera via the use of a Nikon F-mount adaptor
Complete Sony Lens List
Total Frame FE Zoom Lenses
12-24mm f/2.8 GM
12-24mm f/four G
xvi-35mm F4 ZA OSS
xvi-35mm f/4 1000
16-35mm T3.ane G
sixteen-35mm f/2.eight GM
24-70mm f/iv ZA OSS
24-70mm f/two.8 GM
24-70mm f/two.8 GM II
24-105mm f/iv Yard OSS
24-240mm f/iii.five-half-dozen.3 OSS
28-70mm f/3.5–5.6 OSS
28-135mm f/4 One thousand OSS
seventy-200mm f/4 G OSS
lxx-200mm f/2.8 GM OSS
seventy-200mm f/2.eight GM II OSS
70-300mm f/4.five-five.6 Yard OSS
100-400mm f/4.v-5.half dozen GM OSS
200-600mm f/v.6-6.3 G OSS
Full Frame Iron Prime Lenses
14mm f/1.viii GM
20mm f/one.8 G
24mm f/two.8 Grand
24mm f/1.4 GM
35mm f/i.four ZA
35mm f/ane.4 GM
40mm f/2.5 M
50mm f/2.viii Macro
50mm f/ii.5 Grand
50mm f/1.4 ZA
50mm f/1.2 GM
85mm f/one.four GM
90mm f/two.viii G Macro
100mm f/2.8 STF GM
135mm f/1.viii GM
400mm f/ii.8 GM OSS
600mm f/4 GM OSS
APS-C Due east-Mountain Lenses
10-18mm f/4 OSS
sixteen-50mm f/3.five-5.6 OSS
xvi-55mm f/2.8 Thousand
sixteen-70mm f/4 ZA OSS
18–105mm f/iv G OSS
18–110mm f/4 Yard OSS
eighteen-135mm f/3.five-v.6 OSS
18–200mm f/3.5-half-dozen.3 OSS
xviii–200mm f/three.v–6.iii OSS LE
18–200mm f/three.5-half-dozen.3 OSS
55–210mm f/iv.5-six.three Os
70–350mm f/4.5–6.3 Thousand OSS
APS-C Eastward-Mountain Prime number Lenses
24mm f/i.eight ZA
30mm f/3.5 Macro
35mm f/ane.8 OSS
50mm f/1.viii OSS
Nosotros hope you lot found this enormous guide useful! Information technology was definitely a claiming to put together, but we think information technology was worth information technology 🙂
Shooting with a Sony mirrorless camera is certainly a fun and rewarding experience, so it’southward great that there are so many excellent ain-brand and 3rd-party lenses available for the Sony e-mount here in 2022.
If you have whatsoever questions or comments regarding any of the lenses mentioned here (or accept some recommendations of your own), we’d love to hear them below.
Sony FE 50mm f/one.8
The all-time Sony lens for everyday photography on a upkeep. Swell image quality and archetype focal length (Too great equally an 85mm lens on APS-C).