Canon 180mm F3 5 L Macro

By | 06/11/2022

Canon EF 180mm f/3.5L USM Macro Lens Review

Canon EF 180mm f/3.5L USM Macro Lens

The Catechism EF 180mm f/three.5L USM Macro Lens is Canon’s
longest macro lens. This lens offers the
longest 1:1 macro working distance
of any Canon lens and produces a
beautifully smooth out of focus background. Another stardom the 180 L has is that it is currently the Canon’s longest and heaviest black lens. This is an L lens, then addictingly excellent build quality comes forth with this weight.

Model Weight Dimensions due west/o Hood Filter
Canon EF-S 60mm f/2.eight Macro USM Lens eleven.eight oz (335g) ii.nine x 2.7″ (73.0 x seventy.0mm) 52mm
Tamron SP 90mm f/2.8 Di Macro Lens xiv.3 oz (405g) ii.8 x 3.8″ (71.0 x 97.0mm) 55mm
Canon EF 100mm f/2.eight USM Macro Lens 21.ane oz (600g) 3.1 x 4.7″ (79.0 10 119.0mm) 58mm
Catechism EF 100mm f/ii.8L IS USM Macro Lens 22.one oz (625g) 3.one 10 4.8″ (77.vii x 123mm) 67mm
Sigma 105mm f/2.8 EX DG Macro Lens 15.8 oz (450g) 2.ix x 3.7″ (74.0 x 95.0mm) 58mm
Sigma 150mm f/2.eight EX DG HSM Macro Lens 32.0 oz (895g) 3.1 x 5.four” (80.0 10 137.0mm) 72mm
Canon EF 180mm f/3.5L USM Macro Lens 38.4 oz (1090g) iii.2 x seven.3″ (82.5 x 186.6mm) 72mm
Sigma 180mm f/iii.v EX DG APO HSM Macro Lens 33.vi oz (965g) three.2 x 7.ane” (lxxx.0 x 182.0mm) 72mm
Tamron SP 180mm f/3.5 Di LD Macro Lens 32.0 oz (921g) 3.3 x half dozen.five” (84.0 x 165.0mm) 72mm

Canon Macro Lenses Size Comparison

Pictured higher up from left to right are the Canon EF-S 60mm f/two.viii Macro USM lens, Canon EF 100mm f/2.eight Macro USM lens and Canon EF 180mm f/3.5L USM lens. The 180 is shown with its included tripod ring and an optional Wimberley P20 Lens Plate.

Canon (as of this writing) states “Avant-garde USM for high-speed, tranquility AF” on their website description of this lens. The person who wrote this never used this lens. There are
few (if any) Canon lenses
that
focus slower
than this 1. Though it has Band USM (Ultrasonic Motor) and focuses quietly, the 180 L’ AF is anything but loftier speed. Fast AF is generally non of import for a macro lens existence used for macro purposes (MF is frequently used), just this lens tin very easily exist used as a normal 180mm telephoto lens. And for this purpose, fast AF could be very useful. A focus limiter switch enables the minimum focus distance to be restricted to 1.5m or full range (.48m to infinity). You will likely desire to apply this switch if your subject field is not shut. Every bit slow as AF is on this lens, information technology seldom bothers me during utilize.

The frequently-used-for-macro-photography manual focus ring is nicely-sized, smooth rotating and well damped. FTM (Full Fourth dimension Manual) focusing is enabled. This is an internally focusing lens – when the subjects are close, it is very helpful to have a lens that maintains a constant length equally this one does.

I really like the image quality this lens delivers. Colors and contrast are very nice. Very slight pincushion baloney volition non be noticed in almost pics. Minor light fall-off is apparent wide open up (f/3.v), just it is mostly a not-factor afterward that. An 8-blade discontinuity helps the 180mm focal length to create a beautifully-blurred background – especially with macro-distance subjects.

Canon’s macro lenses are all
very abrupt
– and the Canon EF 180mm f/three.5L USM Macro Lens is no exception. The 180 L is sharp broad open, from center to full frame corners, with little improvement when stopped down. Since DOF (Depth of Field) is so shallow at nigh-life-size (1:1) magnifications, very narrow apertures are ofttimes used to keep as much of the discipline in focus equally possible. And since diffraction begins to reduce image sharpness at and beyond the camera’s DLA (Diffraction Express Aperture), the aperture chosen for the best results often ends up being a compromise betwixt necessary DOF and desired image sharpness.

Because narrow apertures are often used in macro photography, lite becomes an issue. This outcome is generally resolved with longer shutter speeds or added lite. Longer shutter speeds require a tripod (as well a motionless subject), and the added light is usually in the grade of a flash (or studio lights). The 180 L’s included tripod ring can be a great asset for both – it makes tripod use much easier and readily accepts sure macro flash brackets. Flash every bit the principal light is the solution that will terminate both field of study motion and camera shake equally the flash of light happens extremely fast. Of grade, using a tripod and a flash is oftentimes the all-time solution.

Model MFD MWD MM 12mm ET 25mm ET 1.4x 2x
Catechism EF-S 60mm f/two.viii Macro USM Lens 7.9″ (200mm) 3.five” (90mm) 1x 1.28x 1.61x N North
Tamron SP 90mm f/2.8 Di Macro Lens 11.4″ (290mm) 3.9″ (99mm) 1x Y Y
Canon EF 100mm f/ii.8 USM Macro Lens 12.0″ (300mm) 6.0″ (150mm) 1x 1.19x 1.39x N N
Canon EF 100mm f/2.8L IS USM Macro Lens 11.8″ (300mm) 5.9″ (146mm) 1x 1.17x i.37x N Northward
Sigma 105mm f/2.8 EX DG Macro Lens 12.2″ (310m) four.8″ (122mm) 1x Northward Due north
Sigma 150mm f/2.8 EX DG HSM Macro Lens 15.0″ (380mm) 7.half-dozen” (194mm) 1x Y Y
Canon EF 180mm f/3.5L USM Macro Lens nineteen.ii” (480mm) 9.5″ (240mm) 1x 1.09x 1.21x Y Y
Sigma 180mm f/three.5 EX DG APO HSM Macro Lens xviii.0″ (460mm) 1x Y Y
Tamron SP 180mm f/3.five Di LD Macro Lens 18.5″ (470mm) 1x Y Y

I mentioned early on in this review that the Canon EF 180mm f/3.5L USM Macro Lens has the
longest 1:ane macro working altitude
of whatsoever Canon lens. A minimum focus altitude of i.six’ (0.48m) (measured from the sensor) is necessary to attain the 1x maximum magnification. At this distance, the subject is imaged life size on the sensor – which makes the subject much larger than life size on even a small 4×6 print. Calculation 12mm and 25mm Extension Tubes yields a ten% and 20% maximum magnification proceeds respectively to 1.09x and 1.21x. Infinity focus is lost when extension tubes are used – not a significant issue when shooting at macro distances.

A much greater magnification gain can be accomplished with extenders. The 180 L is compatible with the Catechism EF i.4x Extender II and the Canon EF 2x Extender II – increasing the magnification (to 1.4x and 2x) and increasing the usefulness of this lens for a relatively small boosted amount of money. The 1.4x adds barrel distortion, adds CA and reduces image sharpness slightly. Stopped down to typical narrow macro apertures, the 180 + one.4x combo works quite well. I am non as happy with the results from the 180 + 2x philharmonic as sharpness takes another hitting. The 180 + ane.4x will AF on 1-Series bodies only and the 180 + 2x will non autofocus even on a 1-Series torso.

The 180 L comes packaged with a Catechism ET-78II Lens Hood and a nice padded Canon LZ1324 Case. Like many of Catechism’s other L primes, this lens takes 72mm filters.

Canon Telephoto L Lens Comparison

In the above comparison picture from left to right are the Catechism 24-70mm f/two.8L USM Lens, Canon EF 180mm f/iii.5L USM Lens, Canon EF seventy-200mm f/ii.8L IS USM Lens and the Canon EF 300mm f/four.0L IS USM Lens.

If you practise not need a macro lens, I suggest you consider the Canon EF 200mm f/2.8L USM Lens. It is smaller, faster (both AF and aperture), less expensive and delivers image quality that is at least as good. But,
macro photography can exist actually fun
and impressive results are hands achieved. There are always interesting macro subjects crawling around – or at the local flower shop.

So, which macro lens should you choose? Good question.

Choosing the right focal length is probably the first criteria. Longer focal length macro lenses mostly give yous more distance-to-subject working space for the same subject framing. Insects will often be frightened abroad at the Catechism EF-Southward 60mm f/2.8 Macro lens’ 3.5″ or so (9cm) ane:1 working altitude. The Canon EF 100mm f/2.8 Macro lens allows well-nigh half dozen” (15cm) and the Canon EF 180mm f/3.5L USM Macro Lens allows about ix.5″ (24cm) of working distance at 1:ane magnification.

The focal length also affects other macro photography aspects. Longer focal lengths require more distance to larn the same subject framing. The event is a alter of perspective – the telephotos compress/flatten the subject field features more than short focal lengths. The wider angle of view of the brusk focal length macro lenses mean that more of the background will exist in the picture – and that the background will be less-diffusely blurred. Film what I am talking nigh …

Focal Length Background Blur Comparison

The pictures in a higher place were taken with 3 macro lenses (180mm 50, 100mm and 60mm). They are identically framed using the aforementioned aperture setting (f/16) and have identical subject to background distances. DOF (Depth of Field) is not unlike (aforementioned framing, same aperture = same DOF until closer to the hyper-focal distance), but perspective/pinch and bending of view are very different. The 180mm lens shows only a small physical surface area of background field of study that is compressed/enlarged to magnify the blur. Background subjects in the 60mm picture show announced to be more than in focus. They are not – they are just well-nigh as blurred, but they announced much smaller in the picture – and at that place are more of them because of the 60mm’south angle of view. This gives a less diffuse looking background blur. If you lot are using a backdrop (such as rolled paper), the background mistiness aspect might not be important to you. Information technology is easier to find a pleasing background for a 180mm macro picture because there is less groundwork in an identically-framed shot.

If your goal is the
ultimate nature macro photos, there is probably not a better option than the Canon EF 180mm f/3.5L USM Macro Lens.

If you are looking for a great general purpose lens that also does i:1 macro, consider the much less expensive Canon EF 100mm f/2.8 Macro lens. Information technology focuses much faster, has similar prototype sharpness and comes in a ameliorate portrait and general employ focal length. The 100mm macro is handholdable at lower shutter speeds than the 180 (about 1 stop lower at comparable apertures) when wink is non used as the chief light. It offers excellent optical functioning and eye of the road focal length, working altitude and size/weight. The 100mm macro is deal-priced while the 180 50 is
priced in the serious-photographer-only range. The 100mm focal length makes a decent medium-to-tight portrait lens equally well.

Canon EF 180mm f/3.5L USM Macro Lens Compared to Canon Macro Lenses

Three cracking macro lenses. Shown above from left to correct are the Canon EF 100mm f/2.viii Macro USM Lens, Sigma 150mm f/2.8 EX DG HSM Macro Lens and Canon EF 180mm f/iii.5L Macro USM Lens. Use the mouse-over text links under the prototype to see the lenses with their hoods in identify. The much less expensive but virtually as long Sigma 150mm f/ii.eight EX DG HSM Macro Lens is worth consideration.

Although the newer Catechism EF 100mm f/2.8L IS USM Macro Lens has a identify in my center, the Canon EF 180mm f/3.5L USM Macro Lens is my primary macro lens. All of the images in the Lens Specifications and Measurements Tool are shot with a semi-permanently locked-down 180 L. I use my second 180 L for
product images, flower and insect closeup pictures
and various other tasks. It
performs excellently
for me.

Bringing you this site is my full-time job (typically lx-80 hours per calendar week). Thus, I depend solely on the commissions received from y’all using the links on this site to brand any buy. I am grateful for your support! – Bryan

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Source: https://www.the-digital-picture.com/Reviews/Canon-EF-180mm-f-3.5-L-USM-Macro-Lens-Review.aspx