Canon 5d Mark Iv Video Tutorial

By | 20/11/2022

(Pocket-lint) – Canon has stepped things up a gear in recent years past leading with higher-resolution DSLR cameras. It had long been said that the 24-megapixel mark would exist the company’due south limit until lenses could make the all-time of the capture resolution – a concept that was non just slightly but entirely demolished past the company’s 50.6-megapixel EOS 5DS (and R) DSLRs.

Enter the brand new Canon EOS 5D Marking 4 and that resolution trait has, in function, influenced its choice of sensor. For the 5D Mark IV dons an all-new 30-megapixel full-framer, making it a notable step-upwards over the previous Marker Three’s 22.3-megapixel offering, which, at the time, was perceived as a limited jump over to the Mark Ii model.

The EOS 5D range has long been known as
enthusiast DSLR – but never as a Nikon D810 competitor, which is approaching where the 5D Mark Iv is now pitched. What it offers above and beyond its near competition, however, is staggering performance across the board.

Is the 5D 4 the ultimate do-information technology-all full-frame DSLR of choice?

Our quick accept

Information technology’s been four years since the 5D Mk Iii striking the market, so has the Mark Iv version been worth the expect? Absolutely.

That bump in resolution to 30-megapixels won’t adapt all, though, while the £iii,630 torso-just toll tag is a whole lot of greenbacks. But in that location’s not a slap-up deal missing for this level: we’d only like to see a tilt- or vari-angle LCD screen to the rear, some light-upward buttons for working in the night and a further push in 4K video capture to appeal to a wider audience.

The 5D Iv is a deft rest betwixt resolution, image quality, autofocus ability and command, seeing information technology stand up caput and shoulders to a higher place its predecessor and, right now, the competition besides. With Nikon’s electric current absenteeism in the market, perhaps merely the near-priced Sony A99 II would be an culling option – but probably non if yous’re already invested into the far-reaching set of excellent Catechism optics. And there’south not a mirrorless model to compete at this level simply however, even if Fujifilm if knocking on the door with its X-T2.

Overall, as full-frame all-rounders become the 5D Mark IV is hard to beat. Fifty-fifty in the wake of the top-stop 1D 10 II, the 5D makes waves big enough to be in contention for camera of the year.

Canon EOS 5D Mark IV review: The 30-megapixel monster

Catechism EOS 5D Marker Iv

stars – Pocket-lint editors pick


  • Autofocus organization rarely bettered in viewfinder or screen-based utilise
  • Prototype quality is solid
  • Clever Dual Pixel RAW re-focus
  • Touchscreen works well


  • No vari-angle LCD screen
  • No light-up buttons
  • The 30MP sensor might be too loftier-res for some
  • 4K video has limited file types
  • Expensive


Canon EOS 5D Mark Four review: What’due south new?

Information technology’s non just the sensor that’s new, though, with the 5D Mk IV embodying a number of other upgrades over 2012’south Mk III model.


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Here’s the skinny: in that location’south touchscreen control, Dual Pixel AF for better live preview and video focusing, 4K video capture, seven frames per second (7fps) burst shooting at full resolution, and a 61-point autofocus system – the terminal which is more-or-less ripped from the acme-end EOS 1DX II. Oh, and there’s likewise congenital-in GPS for geo-tagging images within camera.

Catechism EOS 5D Marking IV review: Screen enhancements

The get-go thing that nosotros’ll come up to is the touchscreen; a feature nosotros didn’t use much at showtime but, over time, take got into the habit of using.

It’southward Catechism’s almost thorough touchscreen to appointment, surpassing that even of the meridian-end 1D X Ii because you lot can pollex through the menus with fingers, select options, swipe through images and fifty-fifty compression-to-enlarge – which is something you probably do all the time on your smartphone.


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Sadly, though, the screen isn’t mounted on a tilt-angle bracket. Nosotros can’t say we had anticipated one, but with competitors such as the Pentax Chiliad-1 showcasing a fully adjustable screen, nosotros would like to encounter the majors follow suit. And as nosotros use a Panasonic GH4 virtually days as our go-to work photographic camera, we’ve really missed this feature for floor-level work, or just when positioning the camera body lower than we otherwise would.

In terms of resolution this three.2-inch panel benefits from a 1,620k-dot density – another spring alee compared to the 1,044k-dot console in the earlier Mk III model.

Information technology’s tricky to truly notice, given how low-resolution DSLR screens are compared to phones and other devices. As a “dot” is comprised of three colours (RGB), its true pixel count is a tertiary of the quoted dots – so hither it’s around 500k-pixels, which amounts to roughly half that of 720p (a chip more than an one-time SVGA monitor). Still, information technology’s higher resolution than most of its competitors, then is a positive in the club of things.


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Joining the screen is a born 0.71x magnification viewfinder with a what-you-see-is-what-you-get 100 per cent field of view. It’s large to the center, which is great, merely it’southward the LCD overlay within that’s about handy.

This overlay shows off the active autofocus indicate grid, with the in-focus betoken illuminating cherry-red when in low-light conditions. It’southward possible to add an auto level and grid as well, if you want. There are even options to display warnings to the side of the finder for things like when white rest has been adapted on camera – but in example you forget to switch dorsum.

Canon EOS 5D Marker IV review: 61-signal autofocus ace

Now, the autofocus organization in the 5D Mk IV isn’t
the same as the 1D X II, every bit information technology has a lower resolution metering sensor and, therefore, cannot equally accurately predict tracking movement. Merely that’s the only real divergence, otherwise the full-on 61-point assortment is still accessible and just equally customisable.

All the aforementioned scenarios built into the photographic camera as well – there are half dozen Cases to cater for varying tracking sensitivity, subject area speed/direction and AF signal auto-switching – so you tin adjust how the 5D will respond to subjects moving through the frame, towards or away from the camera, and how chop-chop new subjects within a given field volition touch on focus adjustment.


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In terms of sensitivity the 5D 4 is just as high-cease as the 1DX II, with 41-points cross-type designated for equal sensitivity in both portrait and landscape orientation. A full 20 of those points remain sensitive to f/4.0, which is useful when using a tele-extender and limited aperture selection. Even 5 of them are dual-cantankerous for heightened sensitivity across the axes, not just portrait or landscape.

We’ve not been out and about shooting motocross or anything during our test period with this photographic camera, just the occasional bother splashing about in a pond (they move pretty quick when there’s nutrient involved) or railroad train passing through a crossing. Each and every fourth dimension the 5D IV seems spot on with tracking; information technology’s downward to you to select the correct settings, in detail shutter speed, for such scenarios and how much off-signal blur y’all’re looking to accomplish.


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Given the ascent in resolution, the 5D MkIV’s 7fps burst mode is impressive, trumping the previous MkIII model past one frame per second. With JPEG and raw shooting activated the buffer maxes out at 21 sequent images captured – which is virtually 50 per cent greater than what y’all’d get from the previous 5D (it’s a lot more data considering the bump in resolution).

Canon EOS 5D Marker Iv review: Dual Pixel focus smarts

The 5D Four isn’t just gear up for use through its viewfinder; DSLRs are evolving. Every bit the new sensor sports what’south known equally Dual Pixel AF there’southward a 2nd layer of pixels on its surface, the data from which is used to get-go against the standard focus information to evangelize faster and more than precise focusing in live preview.


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In short information technology’s Canon’s fastest screen-based autofocus bachelor right now. Actually, it’due south the fastest we’ve used in any DSLR photographic camera (not faster than all compact organisation cameras, though, but not miles backside).

Or flick the switch on the rear of the photographic camera to place the 5D IV into its video manner, which responds but like the alive view mode with the ability to capture up to 4K resolution at 24/25/30fps (a 1.7x crop/magnification applies, then keep that in mind when thinking most your lenses: a 100mm macro would equate to a 170mm equivalent for 4K capture).

However, 4K is only available in the Movement-JPEG (M-JPEG) format, which is similar a series of eight-megapixel stills – a decision nosotros think is purposeful to continue the company’s summit-stop cameras (C-range video-focused cameras and the like) at an arm’s length from ane another.


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For 1080p capture the total 24/25/thirty/50/60fps rates are available in ALL-I and IPB compression, or via a clean HDMI out to capture. This, realistically, is the manner to piece of work with if y’all’re looking for the highest possible corporeality of information at capture.

Just back to these two layers of pixels for a moment. Canon has washed something very clever with what they can do – and information technology’southward called Dual Pixel RAW (DPRS). Think of it like a double-layered raw file, with two layers of information that means focus can be micro-adjusted in post-production to get the crispest, most in-focus shot possible. You’ll need to enable Dual Pixel RAW from inside the settings (it’s either on or off), which makes those raw files roughly double the size of a normal i.

What is the Pocket-lint daily and how do you get it for free?

For some, however, DPRS and the added size on card will be well worth it. Now don’t go thinking the new 5D is like a Lytro light-field photographic camera, because information technology’due south non – it tin only make marginal adjustments, but such adjustments in postal service might be the divergence between a proficient shot and a slap-up one.


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Nosotros were in a Catechism session and saw a shot of a tape-measure, placed at 45-degrees, that could adjust effectually 2cms of focus depth via this method (at a 135mm focal length, that equates to around 1cm front-to-back). It’southward a pocket-size aligning, certain, but let’s say yous’re a portrait pro and the camera has focused on an eyelash rather than an heart – this feature means you can conform for that.

The just problem (if information technology can be called that) with DPRS is that you’ll take to use Canon’s own software, Digital Photo Professional, which is clunky and dull to use in our prior feel. We’re merely as well used to Photoshop (which, at the time of writing, isn’t compatible with the 5D Four’s CR2 raw files, but will exist later down the line – and then long as you accept the very latest version of the Adobe software).

Canon EOS 5D Marking IV review: Avant-garde controls

Nearly DSLR cameras don’t intend to reinvent the cycle, with the 5D Marking IV adopting the familiar makeup of the EOS serial. It looks very similar to the 5D Iii before it.


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At that place is one entirely new control, though: an “AF Area choice button”. This piffling nub, positioned offset merely below the rear joystick command, can exist used to make quick adjustments between the given AF Area. So if you want to change between 61-points to a square of 9-points, for instance, first tap the focus area button, then hit this selection button to cycle through the options. It can be used to automobile-centre the focus bespeak too, with a second press reverting back to the previous option should you have the need to toggle betwixt two commonly used areas inside the frame. Information technology’s a highly constructive new feature.

Otherwise nosotros tin can’t really criticise the 5D 4’s layout. The but addition that springs to mind, having used the photographic camera pre-sunrise in downtown Seattle, is that the lack of back-lit or glow-in-the-dark buttons – as constitute on something like the Nikon D500 – tin can make low-light conditions less than platonic. There is an illuminating elevation panel, though.


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Card slots consist of one SD and 1 CF. At that place’s no C-FAST, XQD or other options available for this 5D – presumably considering there’s no need given the 4K Yard-JPEG cap and overall buffer/outburst charge per unit. Withal, 30MP files are large – as our MacBook Air has found afterward opening dozens of the files in one become.

At that place’southward also Wi-Fi and NFC for contact-based connections, to sync with the Canon Photographic camera app to share images and/or control the camera.

Canon EOS 5D Mark Iv review: Paradigm quality

The large kahuna: image quality. And we’ve been fairly diddled away by the 5D Mk IV’s capabilities across the board. From low-light scenarios, to mixed lighting, indoors and out, through to bright sunlight – it’due south clever enough to judge exposure and color well, without losing clarity or being overrun with image noise.


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Saying that, the Mk IV’s higher resolution proffer is something you lot’ll want to contemplate carefully. At that place’due south a phenomenon that can render moving subjects less precipitous than if shot with equivalent lower resolution cameras. It’s considering at whatever 1 point that bailiwick volition be motioning between more than “pixels” on the sensor, which volition influence what the camera sees at the moment the shutter is fired. Go with a shutter speed likewise tiresome and y’all’ll suffer the consequences. In brusk, you lot’ll need to employ a faster shutter speed if yous’re moving up the resolution range. And that, typically, means using a higher ISO sensitivity.

Fortunately, the 5D Mark IV knows how to handle itself when information technology comes to paradigm processing. It’s got dual processors on board – a Digic six and Digic 6+ (no Digic 7 like the EOS M5) – to crunch through those pixels and maintain sharpness while reducing the presence of image noise.


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Sensitivity ranges from ISO 100 – 32,000 (expandable to 102,400), which is plenty of telescopic to shoot in all kinds of conditions handheld. Colour noise is absent to ISO 800, whereafter the subtlest amounts tin can exist defenseless in the mid-grey areas – as witnessed in the panels backside our model elephant shot, for example. Because Canon utilises a selective noise reduction procedure, such presence tin only be spotted in certain areas – in an ISO 2500 shot of an oscilloscope, for example, the presence is negligible to none.

At the other end of the spectrum – although, generally speaking, nosotros’ve rarely shot at ISO 100, adamant as nosotros have been to maintain that high shutter speed dominion – and there’southward bags of colour and detail on display. Be it the differentiation of bricks in a edifice, or the textured side of a macaron (Le Panier’s “Passion” in Seattle a detail favourite and worth its $2 cover price, thanks) there’s enough of seize with teeth in the JPEG files. Go raw and you’ll become an even deeper power – although, at the time of writing, these particular CR2 raw files can’t be opened in Photoshop.


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On balance, if you’re going to exist shooting ultra-low-calorie-free handheld, such as at gigs, then a lower resolution camera, such as the higher-positioned (and pricier) 1D X Two, is probably better placed. Same goes for sports photography. What the 5D IV is aiming at is the be the best all-rounder that it can be – a goal at which it ultimately succeeds with image quality to match.


To recap

Overall, as full-frame all-rounders get the 5D Mark 4 is difficult to beat out. It’s a deft balance betwixt resolution, autofocus ability and control, seeing it stand head and shoulders above its predecessor and, right now, the contest besides. Even in the wake of the top-end 1D Ten Two, the 5D nonetheless makes enough waves to exist in contention for camera of the twelvemonth.

Writing past Mike Lowe.