Does Sony A7s Have Image Stabilization

By | 06/11/2022
An underappreciated characteristic of the new Sony a7S III is its internal gyro information. Hither’s how to utilize it.

Sony has gotten a ton of attention for its new a7S Three. Past sticking with 4K resolution, they’re able to up their maximum frame rate and refine its color scientific discipline while improving noise in low light conditions and autofocus to create a camera that’s mighty temptingeven for those of us who take long held out confronting Sony’southward telephone call.

1 feature that didn’t go nearly enough attention, however, is the inclusion of an internal gyro stabilization sensor. Filmmaker Brandon Li took a deep dive into the feature and walked away feeling similar, for certain situations, it’southward a major feature.

Of grade, it’s not the outset Sony camera to have this. The ZV-i, FX9, and RXO II have it, but information technology’s the first Alpha camera from Sony to have information technology. The FX9 is wonderful, but information technology’s a pro-level torso that’s as likely to stop up on a tripod, dolly, or in a full-sized Ronin 2, so the gyro stabilization feature, while overnice, may not exist necessary. The a7S Three, however, is in the hands of many indie filmmakers and sports video creators which makes it a fascinating characteristic.

It works by recording move information every bit the photographic camera moves about in the real world. This doesn’t affect the shot being recorded, simply in post-processing in Sony’southward proprietary app, Catalyst, you can see shots that had the data recorded and apply stabilization to them to take advantage of all the data recorded in the camera. This is cool since post stabilization unremarkably has to guess about photographic camera movement based on data in the epitome, and can sometimes be wrong. Recording the data in the photographic camera is far more useful and will make for a faster, more than accurate post track.

Shot using the Sony a7S III

Shot using the Sony a7S Iii

Of course, to do this, yous’ll need to crop in on the shot a bit, and while the 4K resolution of the a7S Three is probably enough sharp enough to handle it, it is something to be aware of. On top of that, it works best when you’ve turned the shutter speed to a very loftier setting so you lot have well-baked, clean images with little motility blur. The interaction of heavy motion blur and stabilization can look odd. While needing to turn up the shutter speed might not be the respond filmmakers are looking for when it comes to stabilizing footage, at least this adds another option. The process besides only works if y’all plough off the internal image stabilization in the camera.

The results Li got are impressive, and in some ways, definitely seem to make some wonder if, in the future, gimbals will go optional. There are still times it’south the correct tool in the toolkit, but it may not exist nearly as necessary every bit earlier. His tests are thoroughand masked and socially distancedand we become to run across some nice attempts at combining a gimbal with the Sony stabilization for particularly hard shots.

Bluntly, this is the kind of feature every single camera manufacturer should integrate. It’s non tremendously expensive to add, and with integration into post platforms like Resolve and Premiere, it could be a seamless function of the workflow that could smooth out a surprisingly broad array of bumpy footage.

What do you retrieve? Let united states know in the comments below.