E Mount Lenses For Sony A6400

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Welcome to my lens guide for the Sony a6400 mirrorless camera.

The Sony a6400 has an APS-C sized sensor and uses the Sony E-mount system. This means that it’s compatible with whatsoever of Sony’due south Due east-mount lenses or even third-party E-mount lenses similar Sigma or Rokinon.


Although this guide is specifically for the Sony a6400, these lenses are also supported with all of Sony’southward Due east-mount mirrorless APS-C cameras and as well their full-frame a7 / a9 mirrorless cameras when used in APS-C style.

Sony a6400 Forum & Facebook Group

If y’all are looking for farther assistance and communication on the a6400 or would just similar to share your photos and videos, then please head over to our friendly Sony a6400 Forum. If yous prefer Facebook so I likewise run the Sony a6400 Shooters Group.

Quick Navigation

  1. Acme 10 Lenses
  2. All-in-1 Lenses
  3. Broad-Bending Lenses
  4. Portrait Lenses
  5. Macro Lenses
  6. Telephoto Lenses
  7. Pancake Lenses
  8. Budget Lenses
  9. FAQ’s
  10. Lens Firmware Updates
  11. Helpful Resource

**Please Note:
Unless otherwise mentioned no post processing has been applied to the image samples in this guide except for cropping. Total resolution SOOC JPEG images are available to download. RAW files are besides available but countersign protected to help keep my hosting costs sensible. Yet, I do provide the username/password to all members of our customs forum.
All images are copyright protected and may be used for personal employ only.

Superlative 10 Sony a6400 Lenses

Here are my top 10 recommended lenses for the Sony a6400 mirrorless camera.

  1. Sony E 10-18mm F4 OSS
  2. Rokinon / Samyang 12mm f/2.0 NCS CS
  3. Sigma 16mm f/one.iv DC DN
  4. Sony East PZ eighteen-105mm F4 G OSS
  5. Sony E 18-135mm F3.5-5.6 OSS
  6. Sony East xvi-55mm F2.8 G
  7. Sigma 30mm f/ane.4 DC DN
  8. Sigma 56mm f/1.4 DC DN
  9. Sony FE 85mm F1.8
  10. Sony Fe 90mm F2.8 Macro G OSS

All-in-I Lenses

An all-in-one lens typically covers a broad focal range and allows you to shoot anything from a moderate broad-angle landscape scene, a portrait shot or even a small telephoto shot. All-in-one lenses brand great walk-around and travel lenses for when you want to keep your gear as light as possible.

Sony E 16-55mm F2.8 G (SEL1655G)

Sony E 16-55mm F2.8 G (SEL1655G)

The Sony E 16-55mm F2.8 G lens is a loftier quality standard zoom lens with a fast f/2.8 aperture for low light shooting and creamy bokeh.

The lens body is well built and weighs only 494g (17.five oz). The lens is weather sealed to help prevent grit and moisture ingress and both the zoom and focus rings are silky smooth. There is no focus breathing when yous zoom in and out and the autofocus motor is both fast and quiet making it a not bad lens for video work.

Wide-open at f/2.eight and 16mm the centre of the frame is very sharp as are the corners, things go a fiddling sharper at f/iv and f/5.6 simply diffraction kicks in around f/16 and you’ll beginning to lose sharpness. At 55mm the middle of the frame is razor sharp but the corners are just a piddling softer, step downwards to f/4 and now even the corners are sharp. Diffraction will kick in around f/eleven at 55mm.

If you shoot RAW and so you’ll find some barrel distortion at 16mm when shooting at f/ii.viii merely this is gone by around 30mm. If you shoot in JPEG then in-camera corrections take care of the distortion for you.

Flaring is well controlled just there is a little colour fringing when shooting wide-open, just this clears up at around f/v.6.

Sadly Sony decided non to include stabilization in this lens, and so it’due south definitely beneficial to pair it with a camera like the a6600 which includes in-trunk-stabilization (IBIS), specially for shooting videos or at nighttime. That said, providing you are using a fast enough shutter speed this lens volition withal be fantastic on the a6400 which doesn’t accept IBIS. Of grade, you tin also use a gimbal if y’all want really smooth video.

Overall this is an excellent lens, although it should be because information technology’south likewise one of Sony’s nigh expensive APS-C lenses.

Pros:
Well congenital, fast f/2.viii aperture, bokeh, razor abrupt, flare command, quiet autofocus motor
Cons:
No stabilization
Recommended Reviews:
Christopher Frost (YouTube) | Arthur R (YouTube) | Jason Vong (YouTube)
Sample Photos:
Sony Gallery | Flickr
Format:

APS-C
Lens Construction:
12 groups, 17 elements
Angle of View:
83°-29°
Discontinuity Blades:
9 rounded
Minimum Aperture:
f/22
Maximum Aperture:
f/2.8
Minimum Focusing Distance:
1.09 ft (0.33 1000)
Maximum Magnification Ratio:
0.66
Auto Focus:
Yes
Stabilization:
No
Filter Thread Size:
67mm
Length:
100mm
Diameter:
73mm
Weight:
494g / 17.5 oz




Toll
Cheque & Buyer Reviews for

Sony E 16-55mm F2.8 Chiliad


At: Amazon | B&H Photo

Sony E 18-135mm F3.five-5.six OSS (SEL18135)

Sony E 18-135mm F3.5-5.6 OSS a6400

The Sony Eastward eighteen-135mm F3.5-5.6 OSS is an APS-C lens that does everything actually well. It’s small and lightweight and is definitely my ain personal favourite travel lens for when I want to travel as light as possible. It covers a wide focal range from 18mm all the way upwards to 135mm and has a variable aperture of f/3.five up to f/5.6.

Primal sharpness at 18mm is very good merely does improve from f/5.vi all the mode up to f/eleven. At f/sixteen diffraction kicks in and things start to get merely a little softer. At 35mm sharpness is fantabulous from f/3.v upwards to f/11 then starts to drop at f/xvi. At 70mm and 135mm central sharpness is excellent from f/5.half dozen to f/eleven, but starts to drop at f/sixteen. The edges are a little soft when using the longer focal lengths, but the center always remains abrupt.

In that location is strong vignetting at 18mm if you are shooting in raw or with in-camera corrections turned off, this doesn’t improve if y’all pace downwardly either. In order to keep this lens compact Sony are relying more heavily on in-photographic camera corrections.

CA (Chromatic Aberration) centrally at 18mm is very well controlled, however the edges do show signs of fringing. This improves up to 70mm, merely and then at 135mm things become worse. Fortunately in-camera corrections take care of this, so if y’all are shooting in JPEG you don’t need to worry almost it. Flare control is excellent and the bokeh is very smooth.

The Sony E 18-135mm F3.5-five.6 OSS lens also includes the inbuilt OSS (Optical Steady Shot) organisation which helps to stabilize photographic camera shake on cameras that practice non take IBIS congenital-in (like the Sony a6400). The autofocus motor is both fast and silent, and the lens feels well congenital. Sadly information technology is not weather sealed, then you demand to exist a little more careful with this lens when the heavens open.

I ain this lens myself and have no regrets buying it. If you want an all-in-one travel lens that tin exercise everything well and not weigh you lot down, then this is it. Here are just a couple of shots I’ve taken with information technology on my Sony a6400.

Sony a6400 with 18-135mm Lens Flower

Sony Due east 18-135mm (Shot on a6400) @ 125mm | 1/1000 | f/vi.3 | ISO 200 | ** Full Resolution SOOC Download: JPEG | RAW

Sony a6400 with 18-135mm Lens Dunster Castle Gate

Sony E 18-135mm (Shot on a6400) @ 120mm | 1/200 | f/viii | ISO 200 | ** Total Resolution SOOC Download: JPEG | RAW

sony a6400 18-135 lens heron in london

Sony E xviii-135mm (Shot on a6400) @ 135mm | 1/1000 | f/v.half dozen | ISO 3200 | ** Full Resolution SOOC Download: JPEG | RAW

Pros:
Lightweight, well built, bokeh, primal sharpness, fast AF
Cons:
No weather sealing, vignetting at 18mm, poor edge sharpness at 135mm
Recommended Reviews:
Technology Mafia (YouTube) | SonyAlphaLab (YouTube) | Christopher Burress (YouTube) | ePhonezine
Sample Photos:
My Sample Photos | Flickr
Minimum Focusing Distance:
0.45 m (1.48 ft)
Minimum Aperture:
f/22-36
Maximum Aperture:
f/3.5-5.half-dozen
Aperture Blades:
7
Auto Focus:
Yes
Stabilization:
Yes
Filter Thread Size:
55mm
Length:
88mm (3-1/ii in.)
Diameter:
67.2mm (2-3/4 in.)
Weight:
325 g (11.5 oz.)




Cost
Check & Buyer Reviews for

Sony East 18-135mm F3.5-5.6 OSS


At: Amazon | B&H Photograph

Sony Eastward PZ 18-105mm F4 Thousand OSS (SELP18105G)

Sony E PZ 18-105mm F4 G OSS a6400

The Sony E PZ 18-105mm F4 Thou OSS lens is possibly 1 of the most popular short zoom APS-C lens that Sony makes. The xviii-105 features a constant aperture of f/4 and a motorized internal zoom and so the lens body itself does not extend, this makes balancing information technology on a gimbal for video work then much easier. Sony characterization this as a G lens, so both the build and optical quality are a step above their non G lenses. At 427g this lens is a good 100g heavier than the 18-135mm and it’s also longer and wider as well.

The lens has optical image stabilization congenital in and the autofocus is both fast and accurate. The motorized zoom is controlled by a rocker switch on the lens which is great for video shooters but for stills I’d much rather accept a non-motorized zoom.

At 18mm and the maximum aperture of f/4 central frame sharpness is fantabulous and the corners are just a picayune softer. Stopping downwardly to f/five.6 improves the key sharpness even further and the corners are now likewise nice and precipitous. At 45mm sharpness is even amend and at 105mm sharpness is withal first-class. Sadly, at 105mm edge sharpness does take a plow for the worse.

At the edges of the frame you will see some chromatic aberrations are prevalent towards the edges of the frame and there is also some vignetting at 18mm and f/4. Step-down to f/5.6 and the vignetting is gone. Distortion unfortunately it non then well controlled with both barrel and pincushion baloney visible. In-camera corrections will take intendance of this baloney when shooting in JPEG mode, only central sharpness can endure as a upshot. Flare control is very expert even when shooting direct into brilliant light sources.

I own this lens myself only since purchasing the 18-135mm lens information technology has just bene collecting dust. The xviii-135mm is smaller, lighter, sharper in the center, and despite the variable discontinuity is definitely my preferred lens to take with me when I’m travelling light. Notwithstanding, video shooters might adopt the abiding f/4 discontinuity, motorized zoom, and stock-still length over the variable aperture and manual zoom of the xviii-135mm, and the border sharpness will probably be of less business concern.

sony a6400 sample image selp18105g german shepard dog

Sony E PZ 18-105mm (Shot on a6400) @ 105mm | 1/1250 | f/four.v | ISO 250 | Total Resolution SOOC Download: JPEG

sony a6400 sample image gsd dog

Sony E PZ 18-105mm (Shot on a6400) @ 105mm | 1/1600 | f/4 | ISO 500 | ** Full Resolution SOOC Download: JPEG | RAW

Pros:
Build quality, heart sharpness, image stabilization, constant aperture
Cons:
Border sharpness at f/4 not groovy, CA, baloney at 105mm
Recommended Reviews:
Jordan Steele | Christopher Frost (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.45 (Broad)-0.95m (Tele) (1.48 (Wide)-3.12ft (Tele))
Minimum Aperture:
f/22
Maximum Aperture:
f/4
Aperture Blades:
7
Automobile Focus:
Yes
Stabilization:
Yeah
Filter Thread Size:
72mm
Length:
110mm (four-3/8in.)
Diameter:
78mm (iii-1/8 in.)
Weight:
427g (15.1oz.)




Toll
Check & Heir-apparent Reviews for

Sony E 18-105mm F4 G OSS


At: Amazon | B&H Photo

Sony East 18–200mm F3.5–6.3 OSS LE (SEL18200LE)

Sony E 18–200mm F3.5–6.3 OSS LE a6400

If the Sony E 18-135mm lens is too short at the long-end of the zoom range for yous, then the Sony Due east 18–200mm F3.five–half-dozen.iii OSS LE lens might exist worth investing in. This APS-C lens covers a very useful focal length from 18mm all the mode up to 200mm with a variable aperture of f/three.5 to f/6.3.

The lens is well built and has optical image stabilization (OSS) built in that helps to limit camera milkshake allowing you lot to shoot handheld at much lower shutters speeds. The autofocus is quick, accurate and quiet.

The Sony E xviii-200mm f/3.5-six.3 EL offers very expert results for sharpness betwixt 50mm and 100mm, at 200mm sharpness isn’t equally great, only volition still be acceptable to most. At its widest bending of 18mm the lens produces reasonably sharp images even at its widest aperture of f/3.5. Stopping down doesn’t offer whatsoever comeback for sharpness and diffraction takes hold at f/viii-f/11, simply there’s no noticeable sharpness drop-off until f/16.

The lens does evidence some signs of chromatic aberration at the broad and tele-ends, merely the a6400 will employ corrections for CA when shooting in JPEG mode. Vignetting is visible at 18mm and f/3.5, just stop down to f/5.6 and you lot won’t see information technology. At 200mm vignetting at f/half-dozen.3 is once more visible, simply stop downwards to f/8 and information technology’s gone.

Baloney tin exist found throughout the unabridged focal length simply the a6400 will use in-camera correction to fix this for you lot, at least if y’all are shooting in JPEG mode. The SEL18200LE handles flare pretty well fifty-fifty when shooting directly into vivid sunlight.

Pros:
Wide focal range, build quality, key sharpness, flare control
Cons:
Vignetting broad-open, distortion, price
Recommended Reviews:
James Tan | John Sison (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.5m (ane.64ft)
Minimum Discontinuity:
f/22-forty
Maximum Aperture:
f/three.5-6.3
Aperture Blades:
vii
Car Focus:
Yes
Stabilization:
Yes
Filter Thread Size:
62mm
Length:
97.1mm (3-seven/eight in.)
Diameter:
68mm (two-3/4 in.)
Weight:
460g (xvi.3oz.)




Price
Cheque & Buyer Reviews for

Sony E 18-200mm F3.v-six.3 OSS LE


At: Amazon | B&H Photograph

Dorsum to Contents Menu

Wide-Angle Lenses

A wide-angle lens allows more than of the scene to be included in the frame. Both wide-angle and ultra-wide-angle lenses are popular choices with landscape, architectural and interior photographers.

Sony E 10-18mm F4 OSS (SEL1018) APS-C Lens

sony 10-18mm f4 wide-angle lens a6400

The Sony E ten-18mm F4 OSS is an APS-C lens and also the widest that Sony offers with a focal range of between 10-18mm. With a maximum constant aperture of f/4, autofocus and optical image stabilization all packed into a loftier quality metal housing, this is really a pretty nice lens and besides 1 that I own myself.

At 10mm the lens is already sharp at f/4 in the eye of the frame, just things do get a fiddling softer towards the edge. Withal, end down to f/v.6 and the edges soon get squeamish and sharp and at f/8 the sharpness is extremely good across the frame. For ix/x of my landscape shots I’one thousand typically using this lens at f/eight, and then don’t worry about the softer corners when wide-open up at f/4. At fourteen-18mm sharpness drops off a little at f/4, but stopping downwardly to f/8 presently sharpens things up again.

Chromatic aberrations are reasonably well controlled but some majestic fringing is visible in high dissimilarity shots. However, with lens corrections turned on in the a6400 this will always exist corrected with JPEG images and if you shoot raw then y’all can easily fix this in post.

Wide-angle lenses ofttimes suffer from vignetting in the corners and the ten-18mm is no different. At 10mm and f/4 vignetting is credible and it’s non even gone completely at f/11. Thankfully in-camera corrections also take intendance of this for JPEG images. In that location is only a small amount of distortion visible just over again this volition be corrected in-photographic camera for JPEGS.

At merely 225g this is a very light lens and is often my first choice when I’m travelling light or hiking in the mountains.

sony a6400 10-18 lens tower bridge

Sony E 10-18mm (Shot on a6400) @ 18mm | 30sec| f/22 | ISO 100 | Cropped | ** Total Resolution SOOC Download: JPEG | RAW

sony 10-18mm lens sample image

Below is a shot of Mont Blanc that I took with the 10-18mm on my Sony a6500, I only admired this mountain from afar!

Sony E x-18mm (Shot on a6500) @ 10mm | 1/400 | f/7.1 | ISO 100 | Handheld | ** Total Resolution SOOC Download: JPEG | RAW

Pros:
Build quality, low weight, sharpness, distortion, serenity AF motor
Cons:
Vignetting, expensive
Recommended Reviews:
Drew Robinson | John Sison (YouTube) | Stuck in Community | SonyAlphaLab
Sample Photos:
Flickr
Minimum Focusing Altitude:
0.25m (0.82ft)
Minimum Aperture:
f/22
Maximum Aperture:
f/four
Discontinuity Blades:
7
Automobile Focus:
Yes
Stabilization:
Yeah
Filter Thread Size:
62mm
Length:
63.5mm (2-i/2 in.)
Diameter:
70.0mm (2-7/viii in.)
Weight:
225g (8oz.)




Toll
Check & Buyer Reviews for

Sony E 10-18mm F4 OSS


At: Amazon | B&H Photo

Laowa 9mm f/ii.8 Zero-D

laowa 9mm f2.8 zero d lens a6400

The Laowa 9mm f/2.8 Nothing-D is the widest wide-bending lens that you can currently buy for Sony APS-C E-mount cameras similar the a6400. It is transmission focus merely, just if don’t mind this then this lens is definitely a not bad 1 to have in your gear pocketbook.

Wide-open at f/two.8 central sharpness is first-class, and it becomes even ameliorate at f/4 and f/five.half-dozen. Edge sharpness isn’t quite and so practiced wide-open, but it’s very skillful when you hit f/five.half-dozen through to f/11. Diffraction will start to kick in if you stop down past f/11. CA (Chromatic Abnormality) is very well controlled. Vignetting broad-open at f/two.8 is very noticeable, and it remains fifty-fifty if yous step-down to f/eleven.

Despite the Nil-D in the name which stands for “Zero Distortion”, there is very minimal baloney but it’s really nothing to worry about and can easily exist corrected in post. Flare control could be better and yous volition go some flare when pointing this lens towards strong light sources, even with the lens hood on.

The Laowa manages blackout very well making the Laowa 9mm an pick for astrophotographers, although the vignetting could exist cause for concern.

The Laowa 9mm f/2.8 Zero-D is very well congenital and weighs in at only 215g, so yous will barely notice this lens on your Sony a6400. If money were no object I’d guild one today.

Pros:
Very sharp, low CA, low distortion, meaty
Cons:
Manual focus only, flare control, vignetting, toll
Recommended Reviews:
Christopher Frost (YouTube) | Technology Mafia (YouTube) | ePhotoZine
Sample Photos:
FlickR
Minimum Focusing Altitude:
0.12m (0.39ft)
Minimum Discontinuity:
f/22
Maximum Aperture:
f/2.eight
Aperture Blades:
7
Car Focus:
No, transmission focus only
Stabilization:
No.
Filter Thread Size:
49mm
Length:
53mm (two.one in.)
Diameter:
60mm (2.36 in.)
Weight:
215g (seven.58oz.)

Rokinon / Samyang 12mm f/2.0 NCS CS

Rokinon 12mm f/2.0 NCS CS Lens a6400

The Rokinon 12mm f/two.0 NCS CS equally it’s known in the Us, or the Samyang 12mm f/ii.0 NCS CS as information technology’s known in Europe are both identical APS-C lenses from the same company, but for their own branding reasons employ the proper name Rokinon in the United states of america and Samyang in Europe. I’g just going to call information technology Rokinon here to brand life easier for me. So now that’s cleared upward is the lens any proficient?

Optically, the Rokinon 12mm f/2.0 NCS CS is a very good lens. Information technology’s precipitous wide-open at f/two in the center of the frame and the edges merely drop off a trivial. Sharpness improves even more at f/ii.8 and f/four and the edges are prissy and precipitous as well by f5/6. In that location is mild barrel distortion and some vignetting wide-open up at f/2 but this improves past f/4.

For astrophotographers this lens has excellent coma operation, combined with its fast f/2 aperture and an ultra-wide field of view make it a superb lens for shooting the nighttime sky.

The build quality of this lens is excellent and information technology feels solid, despite weighing simply 245g. The only downside to this lens is that both the aperture control and focusing are completely manual, as the lens has no electronic contacts with the photographic camera.

If you don’t listen manually focusing then for the price this lens is actually hard if not incommunicable to shell correct now, that’s providing that you are happy with the 12mm focal length. If you lot need wider, so your all-time bet is the Sony E x-18mm F4 or the Laowa 9mm f/2.8 Zero-D.

Pros:
Sharpness, build quality, low CA, low coma, cost
Cons:
Manual focus only
Recommended Reviews:
Ian Norman | Jordan Steele | Drew Robinson | Technology Mafia (Youtube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.2m (0.66ft)
Minimum Aperture:
f/22
Maximum Discontinuity:
f/2
Discontinuity Blades:
6
Auto Focus:
No, manual focus only
Stabilization:
No
Filter Thread Size:
67mm
Length:
59mm (two.32 in.)
Diameter:
72.5mm (2.85 in.)
Weight:
245g (8.64oz.)




Price
Bank check & Heir-apparent Reviews for

Rokinon 12mm f/2.0 NCS CS


At: Amazon | B&H Photo

Sigma 16mm f/one.4 DC DN

Sigma 16mm f/1.4 DC DN Sony E-mount a6400

If y’all are looking for one of the sharpest wide-bending APS-C lenses with autofocus, so the Sigma 16mm f/1.4 DC DN is certainly a lens that you will want to take a closer wait at.

With a maximum discontinuity of f/ane.4 this is a very fast lens. Fundamental sharpness is very good at f/i.four and f/two, and it becomes fifty-fifty sharper at f/two.8 through to f/8. Diffraction does first to kick in from around f/11 simply sharpness still remains good.

At that place are signs of CA (Chromatic Aberration) both centrally and at the edges of the frame, merely this is very depression and tin easily exist corrected in-camera if you are shooting JPEGS and in post if you are shooting raw. Barrel distortion is practically nonexistent and certainly nothing to worry about.

Flare resistance is extremely good and even when shooting direct into the sunday it’s very difficult to induce any flare at all. The nine bladed aperture also produces very pleasing sunstars when you step the aperture down.

The focus ring is buttery polish and the lens itself is well built and weather sealed, the only existent downside to this lens is that the AF motor is non the quietest.

For astrophotography shooters this lens does unfortunately exhibit some coma. Stars are nice and circular in the center of the frame, but closer to the edges they exercise start to stretch a little. Just that certainly doesn’t stop this existence one of the all-time APS-C lenses for astrophotography, here’s a YouTube Review worth watching if y’all shoot astro, and also a Sigma 16mm F1.four vs Rokinon 12mm F2.0 Comparison for astro.

Pros:
Sharpness, cost, depression CA, build quality, flare resistance
Cons:
AF motor noise
Recommended Reviews:
Dustin Abbott | Technology Mafia (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.25m (2.07ft)
Minimum Aperture:
f/xvi
Maximum Aperture:
f/1.4
Aperture Blades:
ix
Machine Focus:
Yep
Stabilization:
No
Filter Thread Size:
67mm
Length:
92.3mm (3.half dozen in.)
Diameter:
72.2mm (2.8 in.)
Weight:
405g (14.3oz)




Price
Check & Buyer Reviews for

Sigma 16mm F1.iv DC DN


At: Amazon | B&H Photo

Dorsum to Contents Menu

Portrait Lenses

Portrait lenses are oftentimes very subjective, as you lot tin can more or less use whatsoever lens that you like to shoot portraits with. Ultimately the conclusion is probable to come up down to your own personal way of photography and the perspective that you are looking for.

Sony E 35mm F1.viii OSS (SEL35F18)

Sony E 35mm F1.8 OSS

With a focal length of 35mm on an APS-C camera like the Sony a6400, the Sony Due east 35mm F1.viii OSS lens offers an equivalent focal length on a full-frame photographic camera of around 52mm. For portrait photography this is a little wider than the often preferred 85mm focal length for portrait shooters, but it’s a still works a care for and likewise allows y’all to include more of the environment in your paradigm.

At f/i.eight sharpness in the center of the frame is very good, the edges are a piffling softer and you will demand to terminate downwardly to around f/four to sharpen these up. Chromatic aberrations are very well controlled, merely there is a small corporeality of imperial fringing when shooting high contrast subjects broad-open, stepping downward corrects this as does turning on in-camera corrections if you are shooting JPEG. In that location is a fiddling vignetting wide-open at f/i.eight, but stepping down to f//iv soon clears this upwardly.

At that place is little in the way or baloney to worry about and the coating on the lens does a very expert task of resisting flare. The OSS does a good job of stabilizing the lens for shooting manus-held, and the autofocus motor is reasonably fast and very quiet.

This lens was one of the commencement APS-C lenses that I bought and I still own it today. I’ve non shot whatever people portraits myself with this lens, but here’s a couple of shots of my dog Frank at 5 months and xiii weeks of age and shot on my Sony a6400 and a6500.

sony a6400 35mm f1.8 lens gsd

Sony E 35mm F1.8 (Shot on a6400) @ 35mm | 1/4000 | f/2.8 | ISO 320 | Cropped + Shadows Recovered in LR | ** Total Resolution SOOC Download: JPEG | RAW

sony sel35f18 gsd puppy a6400

Sony E 35mm F1.8 (Shot on a6500) @ 35mm | one/1250 | f/1.8 | ISO 320 | ** Full Resolution SOOC Download: JPEG | RAW

Pros:
Build quality, size, maximum aperture of f/1.8, silent AF, pleasing bokeh, price
Cons:
Slow AF performance, chromatic aberrations
Recommended Reviews:
Matthew Durr | Christopher Frost (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.3m (0.99ft)
Minimum Aperture:
f/22
Maximum Discontinuity:
f/1.8
Aperture Blades:
7
Auto Focus:
Aye
Stabilization:
Aye
Filter Thread Size:
49mm
Length:
45mm (1-13/xvi in.)
Diameter:
63mm (ii-ane/ii in.)
Weight:
154g (5.5oz.)




Price
Bank check & Heir-apparent Reviews for

Sony E 35mm F1.eight OSS


At: Amazon | B&H Photograph

Sigma 30mm f/1.4 DC DN Contemporary

Sigma 30mm f/1.4 DC DN Sony E-mount

The Sigma 30mm F1.four DC DN Contemporary lens is ane of the sharpest lenses available for Sony E-mountain and their APS-C range of cameras. It’due south even sharper and offers better contrast than the more expensive Sony E 35 F1.eight lens above. A new firmware update has also addressed before autofocus issues, although the Sony East 35mm F1.8 is still slightly faster and more accurate when it comes to focusing.

Equally to be expected with such a wide lens, there is some vignetting when shooting wide-open up, with around one 1/three stops calorie-free lost in the extreme corners. Still, stop down to f/i.eight and you’ll already see a big improvement here. At that place is some lateral CA but this is hands removed in post or corrected in camera with JPEGS. Barrel baloney is definitely present but once again this tin can be corrected in camera or in post.

When shooting wide-open at f/1.4 the fundamental sharpness from this lens needs to be seen to be believed every bit does the flossy smooth bokeh, y’all’ll need to step downwardly to f/two.eight to achieve the same levels of sharpness with the Sony Eastward 35mm F1.8.

There’s no doubt that this is a brilliant lens and information technology’due south one that I’ve now added to my ain gear bag.

sony a6400 sample tawny owl sigma 30mm

Sigma 30mm F1.four DC DN (Shot on a6400) @ f/1.four | ane/400 | ISO 160 | Full Resolution SOOC Download: JPEG | RAW **

Pros:
Sharpness, size, toll, bokeh
Cons:
Vignetting, baloney
Recommended Reviews:
Lavikka Photography (YouTube) | DPReview
Sample Photos:
Flickr
Lens Construction:
9 elements in seven groups
Minimum Focusing Altitude:
30cm / 11.8in.
Minimum Aperture:
f/xvi
Maximum Aperture:
f/1.4
Aperture Blades:
nine rounded
Motorcar Focus:
Yes
Stabilization:
No
Filter Thread Size:
52mm
Length:
73.3㎜ / two.9in
Diameter:
64.eight㎜ / 2.55in.
Weight:
265g/ ix.3oz.




Price
Cheque & Heir-apparent Reviews for

Sigma 30mm F1.four DC DN


At: Amazon | B&H Photograph

Sony E 50mm F1.8 OSS (SEL50F18)

Sony E 50mm F1.8 OSS a6400

The Sony 50mm f/1.eight OSS lens is one of the best lenses for shooting portraits on the Sony a6400. It’due south an APS-C lens which provides a full-frame equivalent focal length of 75mm, putting it very close to 85mm which many shooters prefer for portraits.

Thanks to its wide discontinuity of f/1.eight this lens is capable of producing some very nice bokeh. The lens is likewise very precipitous fifty-fifty at f/ane.8 in both the heart of the frame and the corners, and this simply gets better all the way down to f/11 when diffraction starts to kick in. There is a lilliputian imperial fringing wide-open just nil to worry nearly and this is also corrected if you are shooting in JPEG mode with in-photographic camera corrections turned on.

There is a fiddling vignetting at f/1.eight just step downwards to f/2.8 and it’s gone, distortion is besides well controlled. There is some flare when shooting directly into bright low-cal sources but zilch farthermost that you volition demand to worry about.

Pros:
Sharpness beyond the frame, build quality, price, bokeh, lightweight
Cons:
Slow autofocus in depression light
Recommended Reviews:
Christopher Frost (YouTube)
Sample Photos:
Flickr
Minimum Focusing Altitude:
0.39m (1.28ft)
Minimum Discontinuity:
f/22
Maximum Aperture:
f/1.eight
Aperture Blades:
seven
Auto Focus:
Yes
Stabilization:
Yeah
Filter Thread Size:
49mm
Length:
62 mm (2-i/2 in.)
Bore:
62 mm (2-1/2 in.)
Weight:
202g (7.2oz.)




Toll
Bank check & Buyer Reviews for

Sony E 50mm F1.8 OSS


At: Amazon | B&H Photo

Sigma 56mm f/one.4 DC DN Contemporary

Sigma 56mm f/1.4 DC DN Sony E-mount

Only like both the Sigma 16mm and the 30mm, the Sigma 56mm f/1.4 DC DN Contemporary lens delivers level of sharpness that need to be seen to be believed. Key sharpness is splendid from f/i.4 right through to f/11, and information technology is even so very good even at f/16. The extreme edges are very skilful from f/1.4 to f/2.viii and splendid from f/four to f/11. When compared to the Sony Eastward 50mm F1.8, the Sigma is significantly sharper.

Focusing is both fast and quiet, flare well controlled and the build quality is very high. The bokeh is is very smooth making this an excellent choice for a portrait lens. Chromatic aberration, mild vignetting and distortion is present, but in-camera corrections help to address these and if you shoot raw yous can besides correct in post.

With a 35mm equivalent focal length of 84mm this lens is ideal for portrait photography. If coin were no object I’d certainly similar to own 1.

Pros:
Very sharp, price, build quality, bokeh
Cons:
Vignetting, CA
Recommended Reviews:
Applied science Mafia (YouTube) | Camera Labs
Sample Photos:
Flickr
Lens Structure:
10 elements in 6 groups
Minimum Focusing Distance:
50cm / 19.7in.
Minimum Aperture:
f/sixteen
Maximum Aperture:
f/1.4
Aperture Blades:
ix rounded
Auto Focus:
Yeah
Stabilization:
No
Filter Thread Size:
55mm
Length:
59.5mm / 2.3in
Diameter:
66.5mm / ii.6in.
Weight:
280g / ix.9oz.




Price
Check & Buyer Reviews for

Sigma 56mm F1.4 DC DN


At: Amazon | B&H Photograph

Sony Fe 85mm F1.8 (SEL85F18)

Sony FE 85mm F1.8 Portrait Lens

The Sony Iron 85mm F1.8 is a full-frame lens but it all the same works perfectly on the Sony a6400. Because information technology’s a full-frame lens if y’all mount this to the Sony a6400 or another APS-C sensor camera then it volition work more like a 130mm lens which will put you lot pretty shut to your subject. This lens does non have OSS built-in, but thank you to the wide f/1.8 aperture you tin can shoot at higher shutter speeds to eliminate any movement.

This lens is non as big, heavy or as ridiculously sharp every bit its larger FE 85mm K Master blood brother, just information technology certainly does not disappoint for the toll. What is surprising about this lens is that the autofocus is actually faster than the GM version. The bokeh isn’t quite as shine as the GM but information technology certainly comes very close. I own this lens myself and certainly have no plans to sell it anytime soon.

This lens is also perfect for pet portraits. Here’s a shot of my domestic dog Frank at 9 weeks of age and a shot from a portrait workshop that I did.

sony sel85f18 gsd puppy

Sony FE 85mm F1.8 (Shot on a7III) @ 85mm | one/1000 | f/1.8 | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW

Female portrait shot with the Sony FE 85mm F1.8 lens

a7R Iii + Iron 85mm F1.8 | @ ane/400 | f/1.8 | ISO 100 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW

Pros:
Build quality, sharpness, bokeh, distortion, price
Cons:
Regal fringing at large apertures, flare resistance
Recommended Reviews:
Jannik Peters | Christopher Frost (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
0.8 1000 (2.63 ft)
Minimum Aperture:
f/22
Maximum Aperture:
f/1.8
Aperture Blades:
9 circular
Auto Focus:
Yes
Stabilization:
No
Filter Thread Size:
67 mm
Length:
82 mm
Bore:
78 mm
Weight:
371 yard (0.82 lbs)

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Macro Lenses

Macro lenses are often used to have photos of things close upwardly like bugs, food, or generally anything that you would like to blow upwardly really large to see as much item as possible.

A macro lens should have the ability to focus from infinity to 1:i magnification at the closest focusing altitude, this means that the size of the epitome in real life is the aforementioned size as it is reproduced on the sensor of your camera.

I’ve created a guide for Sony E-mount macro lenses where you’ll detect boosted buying advice along with all of the macro lenses available for Sony E-mount.

These are some of the near popular macro lenses for the Sony a6400:

Sony E 30mm F3.five Macro (SEL30M35)

Sony E 30mm F3.5 Macro

The Sony E 30mm F3.5 Macro APS-C lens is the most affordable E-mount macro lens available right now with a i:1 magnification ratio. This lens is well built, compact and light in weight just unfortunately it does not have optical epitome stabilization (OSS) built in, so you lot will need to use a college shutter speed to compensate for camera milk shake if yous are shooting manus-held.

30mm is really quite a brusque focal length for a macro lens, and with a minimum focusing distance of only 9.5cm from the camera’south sensor you lot will need to be very close to your bailiwick to get 1:1 magnification. This should be no trouble if your field of study is non living, but for bugs it might exist a challenge. You will as well starting time to block the lite from reaching your subject when you are and then close and too gamble casting a shadow.

Cardinal sharpness is very expert at f/3.v and improves down to f/viii, whereas the edges are a petty softer only for macro piece of work where your subject is unremarkably in the heart of your frame this will probably be of no concern. CA is well controlled in the center of the frame, but could be ameliorate towards the edges where yous will detect some color fringing in high contrast scenes. Flare is well controlled.

The autofocus is fast and quiet, which is definitely of import if you don’t want to scare off your subject. Personally I prefer to employ focus peaking and focus manually when shooting macro, equally with the autofocus it’s always very difficult to nail focus on the eyes when shooting very pocket-sized creatures like butterflies.

Unless your budget stretches to ane of the 2 macro lenses that I’grand about to talk about below, so this really is your best choice for a macro lens on the Sony a6400. That is unless you lot don’t like the silver colour, equally unfortunately this lens is non available in blackness which I find to be an odd omission by Sony.

Pros:
Build quality, size, sharpness, 1:1 magnification, toll
Cons:
Border sharpness, small working distance
Recommended Reviews:
Technology Mafia (YouTube) | ePhotozine
Sample Photos:
Flickr
Maximum Magnification Ration:
1:1
Minimum Focusing Distance:
0.095m (0.32ft)
Minimum Discontinuity:
f/22
Maximum Aperture:
f/three.5
Aperture Blades:
7
Motorcar Focus:
Yep
Stabilization:
No
Filter Thread Size:
49mm
Length:
55.5 mm (ii-1/4in.)
Diameter:
62.0 mm (two-1/2in.)
Weight:
138g (4-vii/8oz.)




Cost
Check & Heir-apparent Reviews for

Sony Due east 30mm F3.five Macro


At: Amazon | B&H Photo

7Artisans 60mm Macro Lens

7Artisans 60mm macro lens

This transmission focus 60mm F2.eight APS-C macro lens has been designed exclusively for mirrorless cameras.

It features a minimum 26cm (10in) focusing distance, F2.8 to F16 aperture, viii elements in seven groups, a 39mm filter size, de-clicked aperture ring, and 550g (nineteen.4oz) weight.

The lens is fabricated from aluminum alloy and supports extension attachments for shooting two:1 and iii:ane macro images.

This is one of the most affordable macro lenses for the Sony a6400 and normally sells for around $160.

Recommended Reviews:
Micael Widell (YouTube)
Sample Photos:
7Artisans | Flickr
Maximum Magnification Ration:
1:i
Minimum Focusing Altitude:
0.26m (0.85ft)
Minimum Aperture:
f/sixteen
Maximum Aperture:
f/2.8
Aperture Blades:
n/a
Machine Focus:
no, manual focus only
Stabilization:
no
Filter Thread Size:
39mm
Length:
n/a
Diameter:
due north/a
Weight:
550g (19.4oz.)




Price
Check & Buyer Reviews for

7Artisans 60mm Macro


At: Amazon | B&H Photo

Laowa 65mm f/2.8 2x Ultra Macro APO

Laowa 65mm F2.8 2x Macro APO lens for Sony E-mount

This is the first macro lens that Venus Optics has designed specifically for APS-C mirrorless cameras and information technology is the merely macro lens on the market that is capable of producing 2X life-size images.

Yous won’t observe an autofocus motor in this lens, both the focusing and aperture control is manual only. Just with the assistance of Sony’s focus peaking you shouldn’t have any trouble nailing the focus on your subject.

The lens has fantabulous build quality and is very sharp broad-open up at f/2.viii in the center fifty-fifty at 2x. The corners are a trivial softer wide-open but before long sharpen up at f/4. At 2x magnification the lens does start to get softer at f/five.6.

Chromatic abnormality, distortion and vignetting are very well controlled even at f/2.viii although the lens is prone to flaring.

Recommended Reviews:
Christopher Frost (YouTube) | Dustin Abbott
Sample Photos:
Venus Lens
Maximum Magnification Ration:
ii:ane
Minimum Focusing Distance:
17cm / 6.69 in. (2X)
Minimum Aperture:
f/22
Maximum Aperture:
f/ii.8
Aperture Blades:
9
Auto Focus:
No, transmission focus just
Stabilization:
No
Filter Thread Size:
52mm
Length:
100mm
Bore:
57mm
Weight:
335g / xi.81oz

Sony FE 90mm F2.8 Macro Grand OSS (SEL90M28G)

Sony FE 90mm F2.8 Macro G OSS a6400

The Sony FE 90mm f/2.8 Macro K OSS lens is a full-frame lens and one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring college marks than both the Catechism and Nikon equivalents.

Mounted to an APS-C camera similar the Sony a6400 and you volition have an equivalent total-frame focal length of 135mm which gets you lot very shut to your subject whilst maintaining a comfy working altitude.

It is very hard to observe fault with this lens but if I’chiliad beingness very picky then AF performance could be faster and the manual focus band adjustments could be finer for more than precision. That said, for macro work I’ll normally conform the focus past moving the photographic camera back and forth and whilst making use of focus peaking to let me know when the focus is where I’d similar it to exist. This lens besides has optical stabilization congenital in, making it even easier to get tack precipitous images with slower shutter speeds.

If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no farther than the 90mm F2.8 Macro G OSS lens. I own this lens myself and have no plans to permit it go someday before long.

sony a6400 sample tawny owl 90mm macro

Sony FE 90mm F2.8 Macro (Shot on a6400) @ 1/250 | f/2.8 | ISO 400 | ** Full Resolution SOOC Download: JPEG | RAW

sony a6400 lenses 90mm macro portrait woman

Sony Atomic number 26 90mm F2.8 Macro (Shot on a6400) @ 1/250 | f/two.8 | ISO 1250 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW

sony sel90m28g dandylion

Sony FE 90mm F2.8 Macro (Shot on a7R III) @ 1/500 | f/2.8 | ISO 320 | Cropped | ** Total Resolution SOOC Download: JPEG | RAW

Pros:
Incredible sharpness at all apertures, excellent color rendition, CA is well controlled, very well built, cost
Cons:
Autofocus isn’t the fastest, manual focus could allow for finer adjustments
Recommended Reviews:
Jordan Steele | DxOMark | Philip Reeve
Sample Photos:
Flickr
Maximum Magnification Ration:
1:i
Minimum Focusing Distance:
0.28 m (0.92 ft)
Minimum Aperture:
f/22
Maximum Aperture:
f/ii.viii
Aperture Blades:
9 circular
Auto Focus:
Yes
Stabilization:
Yes
Filter Thread Size:
62 mm
Length:
130.5 mm
Diameter:
79 mm
Weight:
602g (i.33 lbs)

Price


Check & Heir-apparent Reviews for Sony Atomic number 26 90mm F2.8 Macro G OSS

At: Amazon | B&H Photo

Sigma 70mm F2.8 DG Macro Art

Sigma 70mm F2.8 DG Macro Art

The Sigma 70mm F2.8 DG Macro lens for Sony Eastward-mountain (full-frame) is the first macro lens from Sigma that has been adjusted to Sony E-mountain. However, the discussion adapted here is very important since the Eastward-mountain version of this lens has been adapted from their Canon and Sigma versions that were originally designed for SLR cameras and not mirrorless. The additional adapter that is built onto the back of the lens trunk for the Eastward-mount does add extra weight and length to the lens over its SLR equivalents.

Nevertheless, despite this lens being adapted from their SLR versions, it is a beautiful lens that costs almost half the price of the Sony Fe 90mm F2.viii Thousand OSS macro lens. The images that it produces are razor abrupt across the frame, chromatic abnormality is well controlled as is distortion. The bokeh is silky smoothen and the lens feels similar all Sigma Fine art lenses do, extremely well built!

Mounted to an APS-C photographic camera like the Sony a6400 and y’all volition have an equivalent total-frame focal length of 105mm which gets you very close to your bailiwick. Here’s a shot of a butterfly I took with this lens mounted to my Sony a6500.

common blue sigma 70mm macro

Sigma 70mm F2.8 Macro (Shot on a6500) @ 1/250 | f/8 | ISO 160 | Cropped | ** Total Resolution SOOC Download: JPEG | RAW

sony a6400 sample image flower

Sony a6400 + Sigma 70mm F2.8 DG Macro Fine art @ 1/4000 | f/2.8 | ISO 125 | Full Resolution SOOC Download: JPEG | RAW **

Autofocus on this lens is not the fastest, y’all certainly won’t be nailing sharp images of any bugs in flight. Notwithstanding, for macro piece of work I’one thousand using this lens in transmission mode 99% of the time so I’m not worried about AF performance. The large focusing ring is extremely polish and gives you a lot of precision when manually focusing, yet this precision comes at a price, as the focus ring requires around 10 twists of the wrist to get from minimum to maximum distance.

Unlike the Sony 90mm Macro, the Sigma does extend when you focus. All the same, it never extends further than the lens hood and has never been an issue for me personally. Every bit it’due south a 70mm lens with a minimum focusing distance of 0.25m, you will need to get very close to your subject for 1:1 images, so there is always a risk of casting a shadow or scaring off your subject. I own this lens myself and for the price you really can’t go incorrect with it.

Pros:
Extremely precipitous, color rendition, chromatic aberration, build quality, price
Cons:
Autofocus, manual focus ring
Recommended Reviews:
My Review
Sample Photos:
My Review
Maximum Magnification Ratio:
1:1
Minimum Focusing Distance:
0.25m (0.82ft)
Minimum Discontinuity:
f/22
Maximum Aperture:
f/2.viii
Aperture Blades:
9 circular
Automobile Focus:
Yes
Stabilization:
No
Filter Thread Size:
49 mm
Length:
130 mm (min) 181 mm (max)
Diameter:
70.viii mm
Weight:
622 g (1.37 lbs) with lens hood




Price
Check & Buyer Reviews for

Sigma 70mm F2.8



DG Macro Art

At: Amazon | B&H Photo

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Telephoto Lenses

If you are looking for a lens with a piffling more achieve perhaps for shooting wildlife or sports then you will want to consider a telephoto lens.

Currently the longest APS-C telephoto lens goes upward to 350mm, if you want a longer focal length than this then y’all’ll need to look at full-frame telephoto lenses which become upward to 600mm.

Sony Eastward 55-210mm F4.5-vi.3 OSS (SEL55210)

Sony E 55-210mm F4.5-6.3 OSS a6400

The Sony E 55-210mm F4.5-half-dozen.3 OSS lens covers a very useful focal range. Sure it’south non every bit broad equally the eighteen-200mm, but information technology does offer comparable image quality and at much more pocket friendly price also.

Build quality is very adept and the autofocus is fast, accurate and most silent. Optical image stabilization is also very useful when shooting handheld, especially at the longer end of the zoom range.

From 55mm to 120mm the lens is very sharp in the eye of the frame when shooting wide-open up, the corners are a lilliputian softer but stepping downward one stop soon improves them. At 210mm the center is a footling softer but is still perfectly sharp, at least it is to my own eyes. There are signs of both vignetting and chromatic aberration, but the in-camera corrections will accept care of this for JPEG shooters. If you shoot raw then you can make use of LR profiles to correct this.

I exercise own this lens myself and it is my preferred selection of lens if the 18-135mm is not quite long plenty for my needs. It’s a super little all-round lens that can shoot pretty much anything that you can throw at it. Hither are a couple of shots that I have taken with it mounted to my a6400 and a6500.

Sony a6400 with 55-210mm Lens Goat

Sony Due east 55-210mm (Shot on a6400) @ 210mm | 1/thousand | f/6.three | ISO grand | Handheld | ** Full Resolution SOOC Download: JPEG | RAW

Sony a6400 with 55-210mm Lens Exmoor Pony

Sony E 55-210mm (Shot on a6400) @ 150mm | one/640 | f/v.6 | ISO 400 | Handheld | ** Full Resolution SOOC Download: JPEG | RAW

sony sel55210 superbike

Sony E 55-210mm (Shot on a6500) @ 210mm | one/250 | f/half dozen.3 | ISO 200 | Handheld (I don’t provide full res images for superbike shots I’m afraid)

Pros:
Toll, central sharpness, weight, autofocus functioning
Cons:
CA, vignetting
Recommended Reviews:
Jay SonyAlphaLab | Engineering Mafia (YouTube) | John Sison (YouTube)
Sample Photos:
Flickr
Minimum Focusing Distance:
1m (3.28ft)
Minimum Aperture:
f/22-32
Maximum Discontinuity:
f/4.5-half-dozen.3
Aperture Blades:
vii
Car Focus:
Yes
Stabilization:
Yes
Filter Thread Size:
49mm
Length:
108mm (four-3/8 in.)
Diameter:
63.8mm (2-5/8 in.)
Weight:
345g (12.2oz.)




Price
Check & Buyer Reviews for

Sony E 55-210mm F4.5-six.3 OSS


At: Amazon | B&H Photo

Sony E 70-350mm F4.5-6.3 Thou OSS (SEL70350G)

Sony E 70-350mm F4.5-6.3 G OSS (SEL70350G)

The Sony E seventy-350mm F4.5-6.3 Yard OSS is currently the longest APS-C zoom lens that you can purchase for the Sony a6400, if you want longer so yous’ll need to look at the full-frame options.

I’ve not owned this lens for very long but I take been impressed by its compact size, weight and autofocus operation. Information technology is a variable discontinuity lens and the maximum aperture at 350mm is f/6.3.

I accept to admit to beingness a petty disappointed that Sony decided non to include a focus limiter switch that you practice detect on the Sony FE 70-300 full-frame lens, just it’s not a major issue unless you make utilize of this ofttimes.

I decided to compare the autofocus performance of this lens with the Sony FE seventy-300 and found they both offer like levels of performance.

Hither are a couple of sample photos that I’ve shot with this lens and the Sony a6400:

Sony 70-350 Sample Image German Shepard

Sony a6400 + Due east seventy-350 @ 350mm | 1/2000 | f/six.3 | ISO 500 | Full Resolution SOOC Download: JPEG | RAW **

Sony 70-350 Sample Image German Shepard

Sony a6400 + E 70-350 @ 350mm | 1/2000 | f/6.3 | ISO 640 | Total Resolution SOOC Download: JPEG | RAW **

Sony 70-350 Sample Image Boston Terrier

Sony a6400 + E lxx-350 @ 210mm | ane/2000 | f/6.iii | ISO thou | Cropped | Total Resolution SOOC Download: JPEG | RAW **

Sony 70-350 Sample Image Boston Terrier

Sony a6400 + Due east 70-350 @ 160mm | i/2000 | f/5.6 | ISO 1000 | Cropped | Full Resolution SOOC Download: JPEG | RAW **

And here’s one I shot with this lens on my a7R IV in ingather way:

Sony a7RIV Sample Image German Shepard Splashing in Sea

Sony Due east seventy-350 G @ 350mm | 1/2000 | f/6.3 | ISO grand | Full Resolution SOOC Download: JPEG | RAW **

If you lot are looking for a high quality zoom lens for the a6400 and so y’all don’t need to await any further than the East 70-350.

Pros:
Very fast and repose autofocus, lightweight and compact, sharpness
Cons:
No focus limiter or panning modes
Recommended Reviews:
Christopher Frost (Youtube) | Arthur R (YouTube)
Sample Photos:
Sony Gallery
Format:
APS-C
Lens Construction:
13 groups, xix elements
Angle of View:
22°-4°40′
Aperture Blades:
7 circular
Minimum Aperture:
f/iv.5-6.iii
Maximum Aperture:
f/22-32
Minimum Focusing Distance:
3.61–iv.93 ft (i.1–1.v m)
Maximum Magnification Ratio:
0.75
Auto Focus:
Yes
Stabilization:
Yeah
Filter Thread Size:
67mm
Length:
142mm
Diameter:
77mm
Weight:
625g / 22.ane oz




Cost
Check & Heir-apparent Reviews for

Sony E 70-350mm F4.5-half dozen.3 Chiliad OSS


At: Amazon | B&H Photo

Sony FE F4.v-5.vi 100-400mm G Master (SEL100400GM)

Sony FE F4.5-5.6 100-400mm G Master

If you are looking for the best native 100-400mm zoom lens for shooting wildlife, sports and action, then look no further than the Sony FE 100-400mm f/iv.v-5.6 GM OSS lens. I’ve owned this lens since it was released and information technology has rarely been off my camera since.

The Sony Iron F4.5-5.six 100-400mm G Master lens is a full frame lens that will requite an equivalent full-frame focal length on an APS-C camera similar the a6400 of 150-600mm. The lens has a variable discontinuity of F4.5-5.6, an extremely fast and silent autofocus motor, and great build quality. The lens is also weather sealed confronting dust and moisture so you won’t demand to pull out your plastic bag when the rain comes downward.

Sharpness across the frame needs to exist seen to be believed and DxOMark rate this equally the sharpest lens in the 100-400mm focal range.

The lens is as well compatible with the Sony FE i.4x and 2.0x teleconverters, helping to extend its reach up to 560mm with the 1.4x and upwardly to 800mm with the 2x (full-frame equivalent of 840mm for the one.4x and 1200mm for the 2x). However, I’d recommend only using it with the 1.4x since with the 2x your aperture is pushed to f/11 and y’all’ll also find that the images produced are a little on the softer side.

Hither are a few shots that I have taken with information technology:

Honda Superbike Shot with the Sony SEL100400GM lens

a6500 + 100-400 GM @ 345mm | 1/250 | f/5.six | ISO 400 (I don’t provide total res images for superbike shots I’yard agape)

Red Kite shot with the Sony SEL100400GM lens

a9 + 100-400 GM @ 400mm | 1/1600 | f/5.6 | ISO 200 | Cropped | *Total Resolution Download: JPEG | RAW

sony a6400 sample image red fox

Sony a6400 + 100-400mm GM @ 400mm | 1/1250 | f/five.6 | ISO 800 | Full Resolution SOOC Download: JPEG

Pros:
Fast autofocus, very sharp across the frame, colour rendition, bokeh, build quality
Cons:
Price
Recommended Reviews:
My Review | DxOMark
Sample Photos:
My Review Samples
Minimum Focusing Distance:
0.98 m (iii.22 ft)
Minimum Discontinuity:
f/32-40
Maximum Aperture:
f/four.5-v.six
Discontinuity Blades:
ix circular
Auto Focus:
Yes
Stabilization:
Yep
Filter Thread Size:
77 mm
Length:
205 mm
Diameter:
93.9 mm
Weight:
1395 g (3.1 lbs) without tripod mountain



Check Price & Heir-apparent Reviews for Sony Iron 100-400 F4.5-5.6 GM OSS

At: Amazon | B&H Photograph

Sony Atomic number 26 200-600mm F5.six-vi.3 Thousand OSS (SEL200600G) Lens

Sony FE 200-600mm F5.6-6.3 G

The Sony Iron 200-600mm F5.6-vi.three G OSS lens has not been out for very long but it’s already proving itself to exist an exceptional telephoto lens for wildlife photographers.

Since I savor shooting wild animals myself I ordered this lens as soon as information technology was announced and I’m currently working on a 200-600 vs 100-400 comparison.

With a focal range of 200-600mm and a maximum aperture of f/half dozen.iii at 600mm this lens will help you to become closer to wild fauna than always before. If 600mm is not long plenty then yous can too add the 1.4x or two.0x teleconverters.

This is a big lens and it weighs 2115g without tripod mount and is 318mm in length. Information technology’due south besides an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a breeze. Because it doesn’t extend it besides balances very well on a gimbal.

At 600mm this lens is sharper than the Sony FE 100-400 + one.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a One thousand lens and not a GM lens is really quite something.

laysan duck shot with Sony FE 200-600

Sony a7 Three + 200-600 @ 600mm | 1/1000 | f/6.3 | ISO 640 | Total Resolution SOOC Download: JPEG | RAW **

red kite shot with Sony FE 200-600

Sony a7III + 200-600 @ 600mm | 1/2000 | f/6.3 | ISO 640 | Cropped | Full Resolution SOOC Download: JPEG

red kite shot with Sony FE 200-600

Sony a7III + 200-600 @ 600mm | 1/2000 | f/6.3 | ISO 800 | Cropped | Full Resolution SOOC Download: JPEG | RAW **

Pros:
Internal zoom, sharpness, ane.4x & 2.0x teleconverter compatibility
Cons:
Size, weight
Recommended Reviews:
Marking Smith (YouTube)
Sample Photos:
My Sample Gallery
Minimum Focusing Distance:
2.4m (seven.88 ft)
Minimum Aperture:
32-36
Maximum Discontinuity:
5.6-half-dozen.3
Aperture Blades:
eleven round
Auto Focus:
Yeah
Stabilization:
Yes
Filter Thread Size:
95mm
Length:
318 mm (12 five/8 in.)
Diameter:
111.5 mm (4 1/ii in.)
Weight:
2115g without tripod mountain




Price
Cheque & Buyer Reviews for

Sony Atomic number 26 200-600mm F5.6-6.3 One thousand OSS


At: Amazon | B&H Photo

Sigma 100-400mm F5-6.3 DG DN Os

Sigma 100-400mm F5-6.3 DG DN for Sony E-mount

The Sigma 100-400mm F5-half-dozen.3 DG DN OS has not long been released, equally before long as reliable information is known about this lens this section volition exist updated.

I take purchased this lens myself and the epitome quality is very good and extremely close to the Sony FE 100-400 lens.

Unfortunately the autofocus performance is non on par with the Sony. Information technology misses more than shots and if you are shooting bursts with AF-C priority ready to balanced emphasis it struggles sometimes to lock-on and fire the shutter.

I will exist doing a total review and comparison with the Sony Atomic number 26 100-400 GM lens very soon.

Until then this get-go expect video from Gordon Laing is worth watching:

Pros:

Cons:

Recommended Reviews:

Sample Photos:
Sigma Gallery
Lens Construction:
22 elements in 16 groups
Angle of View (35mm):
24.4° – 6.ii°
Aperture Blades:
9 rounded
Minimum Aperture:
f/22-29
Maximum Discontinuity:
f/v
Minimum Focusing Distance:
112 (Broad) – 160cm (Tele) / 44.one – 63in.
Maximum Magnification Ratio:
1:four.1 (400mm)
Auto Focus:
Yes
Stabilization:
Yep
Filter Thread Size:
67mm
Length:
199.2mm / 7.8in.
Diameter:
86mm / three.4in.
Weight:
1,140g / forty.2oz.
Website:
Sigma 100-400mm F5-6.3 DG DN Os




Toll
Check & Buyer Reviews for

Sigma 100-400mm F5-6.iii DG DN OS


At: Amazon | B&H Photo

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Pancake Lenses

A pancake lens is typically a apartment, thin lens and will commonly take a wide focal length. If yous are looking for a small discrete lens for street photography then pancake lenses can make a great choice.

Sony E 20mm F2.8 (SEL20F28)

SEL20F28

If you are looking for a discrete lens then they don’t go much smaller than the Sony E 20mm F2.8 lens that weighs only 69 grams (2.4oz) and is twenty.4mm in length.

Autofocus is pretty fast and the minimum focus distance is just 20cm.

Sharpness in the middle of the frame is good when shooting at the maximum discontinuity of f/2.viii and the edges are not much further behind. The lens is sharpest when stopped down to f/v.6.

Chromatic aberrations are fairly prevalent towards the frame edges when shooting wide open up as is vignetting. At f/2.8 the corners are 2.48 stops darker than the heart and this doesn’t balance out until you lot reach f/8.

At that place is some butt distortion visible when shooting in RAW simply for JPEG shooters this is corrected in-camera. The contrast is very good even when shooting direct into the sun and flare is also very well controlled.

Pros:
Size, weight, central sharpness wide-open up
Cons:
Chromatic aberrations, vignetting, distortion
Recommended Reviews:

Sample Photos:
Flickr
Minimum Focusing Distance:
0.66 ft (0.ii grand)
Minimum Aperture:
f/16
Maximum Aperture:
f/2.8
Aperture Blades:
vii rounded
Auto Focus:
Yes
Stabilization:
No
Filter Thread Size:
49mm
Length:
xiii/sixteen″ (twenty.four mm)
Diameter:
2-one/2 (62.6 mm)
Weight:
two.4 oz (69 g)

Budget Lenses

If you are on a upkeep and so have a closer wait at some of these lenses from 7Artisans:

  • 7Artisans vii.5mm f/two.8
  • 7Artisans 12mm f/ii.eight
  • 7Artisans 25mm f/i.8
  • 7Artisans 35mm f/1.2
  • 7Artisans 35mm f/2.0
  • 7Artisans 50mm f/i.8
  • 7Artisans 55mm f/i.4
  • 7Artisans 60mm f/2.8 Macro

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Sony a6400 FAQs

These questions come upward quite often and so here are my answers.

What lenses are compatible with the Sony a6400?

The Sony a6400 has an APS-C sized sensor and uses the Sony East-mount system. This means that it’s uniform with any of Sony’s Due east-mountain lenses or fifty-fifty third-party E-mount lenses like Sigma or Rokinon.

Which is the best travel lens for the Sony a6400?

In my opinion one of the best travel lenses for the Sony a6400 is the Sony E 18-135mm F3.5-5.6 OSS lens. Its compact and lightweight body ways yous’ll barely find information technology on the a6400. It covers a very wide focal range from 18mm all the style to 135mm and also has optical stabilization built in. I’ve already covered this lens in this guide, y’all can click here to bound to it and view my sample photos.

Which is the best pancake lens for the Sony a6400?

The Sony E 20mm F2.8 is i of the best pancake lenses available for the Sony a6400.

Which is the best lens for astrophotography?

Information technology’s difficult to go wrong with the Rokinon / Samyang 12mm f/two.0 NCS CS.

Can I employ full-frame (Fe) lenses on the a6400?

Yep you tin can use total-Frame E-mount lenses on the Sony a6400, they are fully supported.

Sony E xviii-105mm VS Sony E xviii-135mm lens, which lens is best?

If you shoot mainly still images or stills and just a little video so I’d recommend the eighteen-135. It’s lighter, sharper, has a smaller minimum focus distance so is swell for macro shots and you tin can zoom in and out much faster with the manual zoom. If yous shoot more video and so the 18-105 is the improve option since you get a constant f/4 aperture, power zoom, and it’southward much easier to balance on a gimbal because it’southward an internal zoom which does not extend.

Which is the best prime lens for the a6400?

There are many smashing prime number lenses covered in this guide, but my personal 3 favorite primes are the three excellent Sigma’due south – the 16mm F1.4, 30mm F1.4 and the 56mm F1.iv.

Which battery does the Sony a6400 use?

The Sony a6400 uses the Sony FP-FW50 W-serial rechargeable battery.


Which third-political party batteries do y’all recommend for the Sony a6400?

I’ve personally been using the RavPower NP-FW50 batteries for a number of years and never had whatever issues with them.

Is the Sony a6400 a Total-Frame camera?

No. It uses an APS-C sensor which has a 1.5x crop factor vs full-frame.

Is the Sony a6400 Weather Sealed?

Sony claims that the a6400 is dust and moisture resistant. This is Sony’due south way of saying that’s it’s non 100% guaranteed to exist protected if you go information technology very moisture. Resistant generally means it volition withstand some moisture like a short shower. I’ve got my own a6400 wet and had no problems, but I’ll e’er dry out it off quickly and use a protective cover if shooting for longer periods in the pelting.

Where tin can I go aid and ask questions on the Sony a6400?

The all-time place to ask questions is in our Sony a6400 Shooters Group on Facebook. If you lot are non on Facebook then drib a comment below and I’ll practice my all-time to help.

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Lens Firmware Updates

Whichever lens you get for I’d recommend updating both the lens and camera to the latest firmware version, as new firmware releases often address compatibility issues and can amend autofocus performance with some lenses. Yous can detect the latest firmware for the Sony a6400 here.

Additional Lens Guides

Sony a6400 Resources

Sony a6400 Forum & Facebook Group

If you are looking for farther help and advice on the a6400 or would just like to share your photos and videos, then please head over to our friendly Sony a6400 Forum. If you prefer Facebook then I too run the Sony a6400 Shooters Group.

Source: https://www.alphashooters.com/cameras/a6400/lenses/