Fujinon Lens 5x Wide Optical Zoom

By | 05/11/2022

Hither at B&H Photo Video, we are pleased to share Fujinon’s introduction of a new pair of cine-style zoom lenses—the 18-55mm T2.9 and the l-135mm T2.ix. Whether your productions are feature or short films, dramatic television series or commercials, the MK lens series provides both the superior await and professional person performance required for your movie house-manner projects. Standing the Fujinon legacy of well-baked, sharp eyes and high build quality, the MK serial zooms feature high-quality optics, low distortion, and colors standardized to align with Fujinon HK, ZK, and XK serial lenses. This pair of 18-55mm and 50-135mm zooms features a fast, consistent T2.9 maximum iris speed while bringing cine-style specific features to the table.

Certain elements of traditional DSLR lens blueprint leave something to be desired; the MK zooms have been expressly designed to resolve those issues. Unlike traditional all the same photography DSLR zooms, the MKs are parfocal lenses, holding their focus after the focal length is changed by zooming in or out on your subject field. Another nonetheless lens caveat is lens “breathing.” If yous’ve ever noticed that your angle of view has changed after focusing on your target (almost every bit if yous were zooming) y’all’ve seen an example of the lens animate that tin can occur when using conventional still lenses. The MK series’ internal front focus blueprint minimizes any breathing.



Fujinon MK18-55mm T2.9

Shallow depth of field is one of the hallmarks of the “cinema look.” Every bit beautiful equally these images may be to gaze upon, disquisitional focus is difficult for a photographic camera banana or operator to maintain, especially in minimal light situations. The MK series features lens barrels with 200˚ of rotation, providing additional room for precise marks to help the focus puller. A boon for shooters accustomed to using ENG-blazon zooms is the MK series’ fully transmission focus, iris, and zoom lens rings. Whether you lot’re using a manual follow focus machinery, adjusting the lens with your manus on the barrel, or employing a motorized, wireless FIZ control, fine adjustments can exist made instantaneously, without the lag inherent in some ENG-type controls. The MK lens rings all accept an industry-standard 0.8M gear pitch and these zooms’ iris rings are “click-less” for polish, precise adjustments.



Fujinon MK50-135mm T2.9

When camera assistants prep their equipment package earlier a shoot, one thing they look for when testing the lenses is whether the epitome stays centered in the lens after zooming. The tendency of still lenses to skew away from the center is called optical centrality shift. The MK series zooms are assembled with proven Fujinon techniques and then that optical shift is eliminated, enabling you to capture a zoom shot simply as you envisioned.

The MK18-55mm and 50-135mm T2.9 zooms sport articulate, easy-to-read focus, iris, and zoom marks. The focal-length range is engraved horizontally in big type on each lens barrel, making it easier to quickly select your called lens when setting upwards. Compatible with Super 35mm sensors, these E-mount zooms are compact and lightweight, suiting them for handheld work and quick setups. Rounding out the MK series’ cine-manner features are adaptable flange depth, a macro function, and an 85mm front end diameter for compatibility with virtually matte boxes.

Source: https://www.bhphotovideo.com/explora/video/news/unveiled-fujinon-mk-zoom-cine-lenses