Creating Your High-Contrast Black and White Wait
Getting a consequent wait from Adobe Photoshop Lightroom can be a bit catchy. Unless you’re 100% sure where you want to become with an prototype before you kickoff—and who ever is?—yous’ll spend a lot of time playing with sliders.
What I like to exercise instead is work from loftier quality presets. With a skillful preset you can quickly get an image to a potent starting place and work from there. Presets work using Lightroom’southward tools so everything is completely tweak-able.
Some of the all-time presets are produced by Lookfilter, and in this tutorial I use i of their filters to quickly create a high-dissimilarity black and white conversion. Doing this from scratch in Lightroom or Photoshop would have taken me far longer to reach the aforementioned quality results.
Lookfilter has three major packs of presets: Limited Editions Volume 1, Black and White Book one and Vintage Volume i. The Black and White, and Vintage packs are available together in the Complete Drove. At that place are 12 presets in the Limited Editions, 20 the Blackness and White, and xx in the Vintage.
In that location are great presets in every pack only for this tutorial I’grand just going to focus in on the Blackness and White presets.
Working From a Lookfilter Preset
The image I’m working on is from a shoot with one of my favourite models, Ali Clarke. It was made in an alley at night, and lit by a street lamp. This scenario created some problems: the prototype is underexposed and is much too orange.
Footstep 1: Assess the Image and Previsualise
Remember almost the picture yous are working on. What does it need? What do you want to add together emphasis to in the paradigm, and what do yous remove accent from? What would you like the terminal image to communicate?
Though it has some issues, this picture however lends itself well to a dramatic, high-contrast wait. The night setting is a good starting bespeak: the light is was already moody and very contrasty. Ali’south await is total of drama too. I’d like to emphasise these things.
The exposure is dark, but fixable. At this level of underexposure I won’t be able to pull as well much detail out of the shadows, merely that’southward alright. The important part of the picture is intact: Ali’due south face. The color situation is less skilful. There is very little I tin practice, even with a RAW image, to neutralise the strong colour bandage on her skin.
Pace 2: Basic Corrections
Before applying a preset, ingather the image if desired and utilize any lens corrections.
Step 3: Previews
In one case y’all’ve made your basic corrections, hover your cursor over the installed presets. In the
console you volition encounter a preview of what the image will await like with each preset applied.
I considered all the presets—many of them would take worked well—earlier settling on Number 6. I like the level of contrast and as well the slight sepia toning. I hadn’t had any plans to tone the image only working with presets allows for some keen moments of serendipity like this.
Step 4: Utilize the Preset
Click the preset to apply it to the image.
With the preset applied the paradigm looks keen. While I could tweak the exposure or dissimilarity I don’t feel there’s whatever need to. The only thing left to do is to fix some of the local issues with the image.
Step five: Local Adjustments
Working from the Lookfilter preset, we get a bang-up starting point with a single click.
In that location are just three things left that I want to gear up with our instance image. First, Ali’southward eyes are likewise dark and covered in shadows. Second, I desire to keep the detail in her jumper. Third, there are a few small blemishes that need to retouched out.
For her eyes, I used Lightroom’s brush tool three times. First on her eyes and the surrounding area, and so but on her eyes earlier finally focussing on her irises. For the eyes and surrounding surface area I used a brush that increased shadow recovery by 100% and exposure past around half a stop. For the irises I increased exposure by approximately a quarter of a cease and added in some clarity.
For the jumper, I used the castor tool once again and increased the exposure by a tenth of a finish and clarity by around a third.
Finally, I used the healing tool to pigment away the few small blemishes.
The Final Image
With the local adjustments washed we’re left with a great last image. The preset is doing 90% of the work. The local adjustments merely push it over the edge. With a more than neutral in-camera epitome they might not fifty-fifty exist needed!
If yous’re interested in using the preset I used in this tutorial, or whatsoever of Lookfilter’s other presets, y’all tin can download them from their website. If you’re more of a Photoshop fan, you’re covered too: Lookfilter also makes Photoshop actions that tin create the same effects.