How To Create Fine Art Photography In Photoshop

By | 07/08/2022

Follow along with this tutorial to discover how to transform lifeless colour photographs into black and white fine art photos in merely nine simple steps with Photoshop CC.

In this tutorial, I’ll prove you how to transform a color photo taken with a relatively short shutter speed into a art black and white photo that looks like it’south been taken with an extremely long exposure. In nine steps I’ll evidence you how to alter exposure, catechumen to black and white, create dramatic motility blur in h2o and even replace the sky to enhance the frame. I’ll be using a combination of both Lightroom Classic to make basic adjustments and Photoshop CC for more intricate layer-based edits. If y’all’d prefer to do bones edits in Photoshop that’s absolutely fine every bit well, Adobe Camera Raw would piece of work but as well for this. If your epitome isn’t raw you tin can open up a JPEG or similar file and head to Filter>Camera Raw Filter.

I’ll also demonstrate how using two different types of move blur we can achieve realistic-looking long exposure effects that mimic real-life atmospheric condition patterns and physical movements. To keep things accurate I’ll also be masking each section so that the mistiness only controls one portion of my frame at a time.

1. Make Initial Edits in Color

My workflow is to work on bones edits in Lightroom Classic first and then consign them for editing in Photoshop CC. I like to brand my initial edits in colour for which at that place are two reasons. First up, I’chiliad lucky plenty to see the world in color and and then this is how I naturally perceive the globe. It’s much easier for me to understand darks and lights and gradations of tone in between when things are in color considering I can pick up on subtle visual cues. Second, I like to see how any edits I brand are affecting the balance of tones, since they directly chronicle to my photograph whether in black and white or not. That is, if I make blues brighter while keeping yellows dark I will produce a different wait than if I didn’t.

In this image I made two adjustments, I boosted the exposure slider to 1.fifty in guild to burnish the image a little and I too boosted the whites slider to 31 in guild to create a wider dynamic range between black shadows and white highlights.

2. Convert to Black and White

There are many ways to catechumen images to blackness and white, but my favorite method in Lightroom Classic is to caput to the Black & White tab in the basic panel in the develop module. From here I can brand farther adjustments to the image earlier exporting to Photoshop if I need to. Alternatively, you can click on the Profile drib-down and select Adobe Monochrome. In one case done, right-click on the image and select Edit in>Edit in Photoshop CC. The image volition at present automatically open up Photoshop CC if you don’t already take information technology open and volition display the image loaded in the window. From here, I recommend shutting down Lightroom Classic in guild to preserve RAM and CPU power for the edits ahead.

3. Mistiness the Water

At present in Photoshop CC I like to duplicate the layer (Ctrl+ J) before masking the showtime section. With the Quick Mask tool (West) I selected the watery portion of the embankment at the bottom of the frame and clicked on the Add layer mask push button in the lesser of the layers palette. The mask now applied I selected the thumbnail of the layer and so headed to Filter>Blur>Motion Blur.

In the window that appeared, I adjusted the bending to -3 to give a slight slope downwardly towards the right-hand side of the frame, mimicking the natural curves on the sand. I then set the Distance slider to 1725 which is quite farthermost, just what I’m trying to do here is replicate an extremely long exposure in the scene. I then clicked OK to apply the blur.

iv. Supersede the Sky

There’south lilliputian detail in the sky, which is a rare thing when shooting in the UK, unfortunately, this isn’t what I want for this mode of photo. I clicked on the original background layer and went to Edit>Sky Replacement. The Sky Replacement tool gives multiple options for choosing a type of heaven and decision-making its appearance. I recommend choosing a sky with lots of puffy, broken cumulus such every bit in this example every bit this will give nice streaking effects when we come to blur information technology shortly.

v. Refine the Sky Mask

Depending on the photo the Heaven Replacement tool may or may not practise a good job at masking the new sky replacement in the photo. Unfortunately, mine was a picayune out so I had to zoom in and brush in specific sections with the brush tool (B). I selected the mask thumbnail on the sky replacement layer and then pressed D and so X on the keyboard to select white as my foreground colour. I then proceeded to paint in the sky around the cliffs. Use black as your foreground color (press X again) if you wish to pigment over the foreground instead.

half dozen. Add a Levels Adjustment Layer

At the bottom of the Layers palette, I created a new adjustment layer and chose a levels adjustment. To have the layer affect the layer beneath it, hold Alt on the keyboard and hover the cursor between the layers in the layers palette. The cursor will alter to a bent arrow and box, left-click and the adjustment layer volition now simply control the layer beneath information technology.

I brought the shadows up to 62 so that the sky became much darker. In an try to go along highlights bright I also dragged the highlights command indicate downwardly to 233. This increased contrast was essential to create a dramatic effect in the following step.

7. Catechumen Heaven to Black and White

The adjacent stride is to add a farther adjustment layer to convert the image to black and white. Once applied y’all may wish you arrange the intensity of colors with the sliders in the Backdrop window that appears. This can help lucifer the tone to the original image. It was largely fine for my purposes though every bit I’grand going to add a blazon of motion blur before finishing the edit.

8. Check the Horizon

Before finalizing the edit with the last motion blur I always similar to double-check the mask on the sky layer. By pressing Alt and clicking on the eye icon in the layers palette I tin can isolate the layer I want to wait at. I noticed here that there was some fading in the mask downward towards the horizon in the bottom-left of the sky. To remedy this I used the brush tool (B) and painted white over the affected areas.

9. Employ the Path Blur Tool

A really useful tool for addition motion mistiness with management is the Path Blur tool. Information technology doesn’t appear under the regular blurs in the filters menu, instead, you can find information technology at Filter>Blur Gallery>Path Blur. From here a new window volition appear. The Path Blur tool is quite power intensive, and then closing down other windows/programs might exist appropriate before you lot get to this indicate (especially Lightroom which may pinch some of the RAM or graphics power from Photoshop).

In the Path Blur window, you can click to create a custom path for the mistiness to bear on. I make three arrows on the paradigm to produce a consequent bottom-right to tiptop-left motion mistiness but that also radiated out across the top-left of the frame. Notice how the clouds mistiness and give a curved consequence? That’southward exactly what I wanted here, as if to mimic fluctuations in air current direction. This can assist things look more than realistic. Alter the speed slider to modify the mistiness intensity (I chose 373%) and if you lot need to refine the blur further experiment with the other sliders. I felt information technology was proficient enough equally is so I left the other settings at default. Click OK and the image is now done.

Past converting to black and white and using motion mistiness I was able to create this long exposure fine art photograph from a scene I’d already taken with a fast shutter speed and in colour. I used the replace sky part to add together interest to the upper 3rd of the frame earlier blurring it to mimic the texture i would associate with a long exposure. Call back to alter the direction of the movement mistiness in your photograph and so that it mimics the natural management in which the water or clouds menses relative to your scene.


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Originally posted 2022-02-12 12:13:21.