Tips for Using D5600
Time-lapse Movies: A Definite Must Try!
From the e’er irresolute sky to the abiding flow of people at a busy traffic intersection, time-lapse movies are a style of compressing a long lapse of time into a short video form. In this article, I will be explaining the recommended camera settings besides as sharing tips and tricks to produce a expert time-lapse moving picture. (Report by Noboru Sonehara)
Time-lapse movies: the upward-and-coming global photography tendency
Time-lapse movies are videos created by piecing together many all the same images shot at a fixed interval over a period of time. As such, you are able to prove events that usually take place over a long menstruum of time within a short fourth dimension frame.
There are probably many people out there who have seen time-lapse videos uploaded to video sharing services, such equally constantly appearing and flowing clouds, and things like the blooming of flowers.
The D5600: Making shooting time-lapse movies easy for everyone
The fourth dimension-lapse video capabilities of the D5600
- The user only needs to fix the interval and shooting time, after which the camera automatically takes the photos!
- The time-lapse video is completed at the same time as shooting finishes; the video will be generated in-camera automatically!
Hearing the words “time-lapse motion picture” might be a little nerve-racking for some, since doing so would previously have required special equipment to first take the photos, followed by uploading them to a PC and doing editing, which is difficult for many people. Fortunately, the D5600 has both an interval shooting role as well as a congenital-in time-lapse movie part which can automatically create time-lapse movies in-camera. The lensman just has to set the interval and shooting time, and the camera will exercise the residuum. With the D5600 in hand, you will be able to create beautiful time-lapse movies easily.
Tips and tricks for time-lapse movies ane: choose subjects in motion
When talking about subjects in motion, it does not necessarily mean fast moving subjects such every bit sports or animals. The main kind of movement you should be looking for is gradual movement over a long flow of time. Things like the blooming of a flower from a bud, or things like the movement of people at a busy traffic intersection, to things like the slow movement of clouds or the movement of the lord’s day, just to proper noun a few examples.
As time-lapse movies portray the menstruum of fourth dimension differently from what we are normally used to, you might exist lost on how to shoot a nice scene at start, but y’all might exist surprised that even the well-nigh normal of scenes can be constructive equally time-lapse subjects. Slowly larn to get used to looking for potential subjects which might be good for time-lapses videos.
Tips and tricks for time-lapse movies two: decide your composition based on the estimated motility
We should first decide how to compose the photo while keeping in heed how much the discipline will accept changed by the terminate of the shoot. For example, if y’all are shooting a scene of a sunset where the sun is sinking slowly beneath the horizon, you have to take into account the fact that while you have light when you start the interval shooting, the light will slowly disappear equally the sun sets. Some other example would be when shooting time-lapses of blooming flower buds, where you take to accept precautions that the blooming flower petals exercise non extend across the borders of your screen.
I will try to explain what I mean using a time-lapse movie that I shot as an example. The scene is showing the gradual change of the sunday during a sunset. Firstly, I had to determine on a composition such that the position of the lord’s day setting (B) does not extend outside the correct edge of the frame. Adjacent, I anticipated that the span on the left of the frame (A) would be lit up as the sunday set, turning information technology into a highlight. Hence, I placed it on the left side of the composition as an accent. Lastly, as the strong winds on the twenty-four hours of the shoot gave rise to rather dynamic cloud movements (C), I predicted that the heaven would modify speedily and adjusted my shot to include as much of the heaven as possible in my composition. By doing so, you lot will be able to include the changes that happen from showtime to cease all within the frame of the fourth dimension-lapse without leaving out whatsoever of import aspects.
Tips and tricks for time-lapse movies three: Shoot in Aperture-priority Auto (A) style
When doing continuous shooting for extended periods of fourth dimension, there is a possibility that the lighting of the subject will change gradually over time. As such, it is better to shoot in an automatic exposure mode. In particular, shooting in Discontinuity-priority Auto (A) way is recommended as information technology allows you to easily adjust your desired depth of field in order to achieve the scene y’all want. In addition, turning on the [Exposure smoothing] function enables the camera to boilerplate the effulgence and contrast of the previous and preceding shots with the current one, giving ascension to a smooth transition of brightness in your time-lapse movies.
After selecting Aperture-priority Car manner, side by side society of things would exist to make up one’s mind on your aperture. In order to prevent cases where the subject field is out of focus, we should use a long depth of field. In the case of the D5600, an discontinuity of f/eight and above is a good judge.
While in normal daylight, an ISO range of 100-200 will usually suffice. But if y’all are aiming to shoot a fourth dimension-lapse of a dusk, in club to prevent the shutter from getting too slow as the sky becomes darker, an ISO setting of 400-800 would be meliorate. Furthermore, turning on the [Motorcar ISO sensitivity control] office in the [ISO sensitivity settings] menu may help in dealing with more drastic changes in exposure.
In lodge to shoot for longer periods of time, a tripod is an essential item. As the fourth dimension-lapse can be ruined if the composition shifts even a little during shooting, y’all should use a tripod to stabilize the limerick first earlier starting.
How to calculate fourth dimension-lapse elapsing properly
Before going to shoot a fourth dimension-lapse flick, in that location are 3 principal settings that you should take note of: [Shooting time], [Interval], and [Frame charge per unit].
The meaning and setting guidelines of each will be explained in the diagram beneath. A point to take note, however: the [Interval] timing has to be a longer duration than the shutter speed that yous are using. As shutter speeds during dark shooting can easily go upwards of tens of seconds, do take notation that your interval is longer than the slowest anticipated shutter speed.
*Important Keywords for time-lapse moving-picture show shooting settings:
| Keyword | Significant | Setting Guidelines |
|---|---|---|
| Shooting time | Determines the total duration of the time-lapse. | Taking the movement of the subject into consideration, endeavour to estimate when to starting time and end the time-lapse. |
| Interval | Determines the time in betwixt shots. | For city fourth dimension-lapses, i 2d intervals can be used, and 2 2d intervals for natural scenery. If recording the growth of plants xxx 2d intervals might exist optimal instead. |
| Frame charge per unit | In video, this refers to the number of frames played each second. 30fps (frames per second) is the normal charge per unit for near videos today. | Cinematic videos are usually 24fps, and smoother videos are usually played at 60fps. |
*Determining the concluding video duration
Every bit seen higher up, [Shooting time], [Interval], and [Frame rate], are the 3 chief factors in calculating the final playback duration of the time-lapse video.
For example, if shooting a irresolute subject over a duration of 1 hour (3600 seconds), and you wish to create a i minute (lx seconds) long moving picture with the [Frame charge per unit] existence the standard 30fps, the [Interval] will have to be fix at 2 seconds. If you wish so halve the playback elapsing of the final video to thirty seconds, you can either increment the [Frame rate] to 60fps, or set the [Interval] to four seconds instead.
You should decide on a shooting fourth dimension start while taking the movement of your subject into consideration.
Putting what we have learnt into exercise
After starting the fourth dimension-lapse, the camera will repeatedly take pictures according to the prepare [Interval], for the set [Shooting fourth dimension] of the time-lapse. In this way, the photographic camera might have a few hours continuously taking thousands of photos. Hence, to prevent any disruptions halfway through, when setting upwardly your camera at the beginning, delight accept extra precautions before starting.
Firstly, to preclude the battery from going flat halfway through the shoot, remember to fully charge your bombardment beforehand. Next, during the time-lapse, do not bear on your tripod to ensure that information technology does not move. Besides, while waiting for your fourth dimension-lapse to finish, there might be occasional potent gusts of air current or changes in weather which volition create bug, so you might want to wait somewhere near where yous placed your camera. Also, take intendance not to motility the focus ring on your lens while shooting is underway.
Furthermore, if you wish to end the fourth dimension-lapse prematurely, you can simply press the OK button. By doing and so, the time-lapse picture recorded up until that point in time will be saved to your SD carte, and the camera will resume its normal part.
Camera Settings 1
Firstly, select the [Time-lapse movie] setting from the [Shooting bill of fare].
Photographic camera Settings two
[Interval] and [Shooting time] settings tin can be adjusted here. Don’t forget to plow on the [Exposure smoothing] option as well.
The settings for [Frame charge per unit] are not found in this menu, simply instead can be located in the [Frame size/frame rate] card under [Picture show settings].
Camera Settings iii
After the settings take been adapted, select [Starting time], and press the OK button, or just touch [Kickoff] on the LCD monitor. At this point, the LCD monitor volition display a message proverb “Preparing”, and subsequently about 3 seconds or so the time-lapse will kickoff.
Viewing the completed video
After the shooting is finished, the time-lapse video volition be consummate. Conventional ways of doing interval timer shooting would ordinarily mean amassing huge amounts of still images and uploading them to a PC for further editing. The automated cosmos of the time-lapse movie directly later the shooting is done is one of the key features of the D5600. This ways that the lensman can instantly view the concluding video on the LCD screen, and can also transfer the file to a PC and enjoy the video on a larger display device.
Furthermore, if you employ the complimentary Nikon ViewNX-i software, you lot will be able to easily make edits to your video. Equally such, as you lot become more used to shooting fourth dimension-lapses, you lot will exist able to make edits and cut out portions of video that you need from longer time-lapses.
Through the ViewNX-i software, you will be able to view/edit the videos that you captured using the D5600. The easy-to-apply interface means that y’all will be able to easily cut out parts of the time-lapse that you lot need for your fourth dimension-lapse movie, so you can give video post-processing a get.
In summary: just have fun with time-lapse movies!
Fourth dimension-lapse movies have been gaining massive popularity in recent years, with more than and more than people getting to know about it. While at that place are applications on smartphones which tin can create similar looking time-lapse videos, there is a meaning deviation in the image quality. The D5600 is able to accurately capture the beauty of the scene even in the harshest of shooting conditions, such as the bright sun or dark starry skies. Vastly different from smartphones, another primary depict of the D5600 it the plethora of different functions and settings it offers, such as the [Exposure smoothing] characteristic that tin be freely used in any situation.
The result of spending long hours to shoot a time-lapse video? The sweet feeling of completion when y’all finally encounter the finished product. Permit’s try to capture the passing of fourth dimension, which cannot be captured by human senses, using the various subjects around us. The D5600 can also use Nikon’s SnapBridge software to make information technology like shooting fish in a barrel to upload your videos to video sharing websites.
Noboru Sonehara
Born in 1971. Later completing postgraduate studies at Shinshu Academy, he worked at a video production company and and so went freelance equally a lensman. He mainly shoots for various magazines, and likewise writes for camera data magazines. His photo exhibitions include “Inside the Walls of Istanbul”.
Source: https://www.nikon-asia.com/d5600/en/tips3.html
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