I ofttimes get behind the scenes video when I’thousand out on a shoot. I have a couple of DSLRs packed in the handbag but for this purpose. 1 usually gets locked off on a tripod covering a wide shot. The other goes handheld. But getting smooth handheld footage tin can be a pain. A gimbal or steadicam would exist fantastic, but frequently overkill. And it’s a lot more weight for me to carry out into the wilderness. Fortunately, there are other options.
In this video, lensman Peter McKinnon shows u.s. some of the methods he uses to get stable handheld footage. I regularly employ a few of these techniques myself. But there’s definitely some new ones hither I hadn’t thought of that I’ll exist trying in the future.
Nosotros brought yous a few stabilisation tips a few days agone. Peter’s video builds on that with a few more than techniques and things to think well-nigh while shooting.
- Utilise 2 hands to hold your photographic camera
- Hold the camera close to your torso
- Movement with your body, non only your easily
- Have three points of contact on the camera
- Use a cervix strap to add tension
- Shoot with a stabilised lens or camera
- Employ the Warp Stabilizer in Premiere Pro
These are the practical tips for doing bones handheld shots. Other than the neck strap I pretty much follow all of these whenever I shoot handheld video. I’d go a step further on the starting time tip, and actually become a pistol grip to screw into the tripod socket. Or a modest tripod you can easily handhold similar the Manfrotto Pixi. Holding that with my left mitt, and then the camera body with the right lets me go pretty stable handheld footage.
Stabilised lenses are absolutely invaluable, too. You nevertheless go that handheld feel, just without all of the tiny little vibrations you lot otherwise might meet. Stabilised lenses likewise hateful spending less time with the warp stabiliser in postal service. That’south a lot of hours saved if yous’ve shot a ton of footage.
Peter likewise offers up some tips for getting handheld movement shots that mimic devices like sliders and dollies. The flim-flam is to fall without falling over. Essentially, you concord your camera steady, and then fall forwards or backwards, stopping yourself from hitting the basis at the final moment.
I’ve done this kind of technique earlier from a monopod. Pulling information technology backwards or letting it lean forwards to simulate a dolly move and it works rather well. Information technology can be fifty-fifty more effective if you’re shooting at a fast framerate. 120fps makes it super smooth when played dorsum at 24.
Motion is a good thing to get in handheld shots, as Peter explains. Motion hides camera shake. So moving forrard, backwards, side to side, will help to even out the bumps if you’re careful.
Shooting wide lenses will also reduce camera shake. It’south for the aforementioned reason that shooting with wide lenses lets you get slower shutter speeds for stills. The wider field of view just makes those movements less noticeable.
Do you employ these methods, or others that Peter didn’t embrace?