Is Image Stabilization Lens Needed For Landscape Photography

By | 12/09/2022

What’s the best lens for landscape photography?

i. The most common types of lenses for mural photography

Equally I said in the introduction, of class you can shoot landscape with a wide angle, a macro lens, standard or telephoto lens. No matter what focal length you utilize, this type of photography is always possible in theory. However, I would limit myself to three types of lenses for landscape photography.

Generally speaking, anybody agrees that landscape photography very often rhymes with
wide bending and ultra-wide-angle lenses. A lot of pictures you volition meet are taken with this type of lens that allows a wide angle of view during the shooting and gives an effect of immensity to the scene. Looking for a complete guide on broad-angle lenses?

To a certain extent, you lot’ll run across other photographers taking pictures with
trans-standard lenses
(medium focal length), often with zooms that allow a certain flexibility in framing without having to move around too much…

landscape photography best lenses
A beautiful and vivid trans-standard lens, the Tamron 28-75mm f/2.8 (for Sony mirrorless camera) – Click for more details

lenses to shoot landscape photography
The Catechism 10-22mm wide-angle lens, a classic at low price – Click to acquire more

what lenses to buy to shoot landscape photography
You can likewise shoot mural photography with a telephoto lens, here the Sony seventy-200mm f/two.eight – Click to acquire more than

Finally, telephoto lenses are as well amid the types of lenses used in landscape photography. I frequently use them anyway. They are sometimes used when the scenery is “too broad” and you desire to isolate a precise item from it. I likewise often use it to isolate a afar subject and when the foreground is not that interesting (the latter being evidently visible with a wide angle lens). People also say that the telephoto lens “compresses perspectives”. Although purists will find the term incorrect, using a telephoto lens in landscape photography can give the impression of closeness between foreground and background elements, as if they were very close together, when they may be several kilometers apart. Furthermore, a telephoto lens likewise makes information technology easier to reduce the depth of field, allowing a foreground or groundwork to exist blurred more than easily. Well handled, this gives very aesthetic effects.

2. Choosing your lens for landscape photography

When it comes to camera equipment, of grade, there are ever different criteria to take into account. I won’t repeat everything I wrote in my article on how to choose a camera lens, but here are in my opinion the essential points to remember before making your choice. You idea information technology was easy to observe a lens!?

a. The focal length

This was discussed in the previous paragraph, and it is the most decisive cistron. You volition have to choose betwixt a very wide field of view (broad angle), medium (transtandard) or narrow (telephoto). Y’all will probably not exist only using your lens for landscape photography anyway.

The focal range of a broad-angle lens will also be adapted for street photography, architectural photography, market shots, etc. Trans-standard lenses tin be used in a multitude of situations, except for wildlife and sports, for case. Telephoto lenses are perfect for distant subjects (wildlife and sports photography). Y’all rarely buy a 300mm lens for landscape photography just for another specific need.

Of course, you lot will take to pay special attention to the focal length depending on the type of sensor y’all have (known as ingather cistron). A 24-70mm lens on a full frame sensor will stand for to a standard lens while yous will have to choose a 12-35mm lens on a Micro 4/3 mirrorless sensor (multiplying coefficient x2). A bit of math for fun: 12-35mm 10 2 = 24-70mm.

On this article, i won’t talk nigh Fisheye lenses as these are special lenses with lot of distortion and not  optimized for this type of photography.

wide angle lens for shooting landscape photography

Example of a motion-picture show taken with my Canon 16-35mm f/4 during a westward-due east on the atoll of Mataiva (French Polynesia)

b. Maximum aperture

It is hard to accept a position on this subject regarding mural photography. Under normal conditions, with daylight, you won’t need to cull a large aperture for your lens since you will frequently shoot betwixt f/8 and f/16 and rarely broad open for a mural.

However, in low light, having a large aperture may allow you to reduce the exposure time of your movie. Although in theory, during those moments, any expert mural photographer will use a tripod to utilise the optimal settings (ISO at the lowest and large depth of field with f/8 – f/16).

Merely, as mentioned earlier about focal length, there is a good chance that you volition purchase a lens that you will use for other specific situations. If you use your wide-angle lens for night photography, northern lights or concert photography, having a wide discontinuity will definitely be a must. The same goes for a telephoto lens where yous often want to isolate the subject from the background (creating a nice bokeh/background blur) and have enough shutter speed to avoid blur. Owning a wide aperture volition too help you in both cases. And then, in general, I would say that if you can beget information technology, choose a lens with a large aperture rather than a medium one. If for some special shots, you want to get a shallow depth of field, yous volition be able to get it and then !

c. Stabilization

Another interesting bespeak to have into account is the image stabilization of your lens. Information technology will be less of import in general for short focal lengths (you will need less shutter speed to limit blurring). On the other hand, as soon as the lite decreases and/or you use long focal lengths, having a stabilized lens can save you a lot of bug or allow you lot to get certain effects that are difficult to obtain without a tripod (one/2 or even 1s handheld exposure to do some long exposure or blur the passers-past in a street, for example).

d. Your camera trunk

A few quick words on the torso of your camera. Remember that some lenses (for DSLR or mirrorless cameras) are only compatible with a certain type of sensor. For case, there are Canon APS-C wide-angle lenses for APS-C sensors that you tin can’t mountain on a Full Frame sensor. So be careful when making your choice.

e. Fixed (prime) or zoom lenses

This is very ofttimes a big debate where nobody actually agrees. For a landscape photography lens, I would say information technology’southward a matter of choice, again. Primes lenses will generally exist brighter (for the aforementioned price), more economic, but requires moving around to get the desired framing. A zoom lens, on the other hand, is more versatile and gives yous more framing possibilities without moving. It’southward a matter of sense of taste. Here is my complete commodity on the choice of a stock-still focal length or a zoom.

f. Construction and concrete data

Of course, there are other of import aspects to look at, such as the weight and dimensions of your lens. Each brand also offers dissimilar models of cameras with varying quality, from entry-level to high-cease. Undoubtedly, constructions will exist meliorate in high-finish lenses. For telephoto lenses, pay attention to the weight, which can be actually of import when you choose for a stabilized telephoto and/or with a large discontinuity.

what lenses for landscape photography
The Canon RF 15-35mm f/two.viii, a brilliant wide-angle lens for Canon Total Frame mirrorless camera – Click to learn more

lenses canon for landscape photography
An entry-level broad-bending lens with a “more than plastic” quality, the Catechism x-18mm (see in detail by clicking)

grand. Shooting condition

Indeed, depending on the weather in which you are going to most often capture your subjects (nighttime, twenty-four hours, sunset, etc.), information technology may be useful to focus on specific lenses. Generally speaking, I would say “who tin do more can exercise less”. I’m not telling yous to buy a f/2.eight stabilized lens if yous don’t need information technology for your practice, but if the departure in toll and physical characteristics, such every bit weight, are manageable on your side and you are hesitating between two models, I would suggest you to take the i that will offer you the most possibilities in the almost situations.

h. The price

Fifty-fifty if it is non strictly speaking a technical point, for many of you lot it remains the decisive element. This is why I accept decided to get-go my nomenclature while keeping budget in mind…

i. The possibilities with filters

Although some will say that this is only a detail, non all lenses are equal on this point. Very oftentimes, landscape photographers use filters to capture the scenes in forepart of them. Personally, I had a difficult fourth dimension choosing my final wide-angle lens considering I didn’t want to change my unabridged filter system. I’1000 telling yous this because some lenses have a curved/bulbous front lens, which makes it incommunicable to use a classic spiral filter organisation (of course) just also the classic filter 100mm filter holder system. Information technology will then be necessary to switch to fifty-fifty a more expensive organization… Then be careful!

iii. Which lens for landscape photography, then?

Hither is a summary of the
lenses I recommend for landscape photography, classified past budget, blazon of sensor and brand. As mentioned in the introduction, the vast majority of people will use wide-angle and ultra-broad-bending lenses for landscape photography, to a lesser extent transtandard and telephoto lenses. So, I will voluntarily not detail all the possibilities for transtandard and telephoto lenses for mural photography. There are besides many of them and in most cases, yous volition utilise this lens for other types of subjects. At the cease of the article, I give you lot some recommendations for standard lenses and some thoughts for telephoto lenses. Information technology is up to yous to estimate if our interested in sticking to a native brand (Canon/Nikon) or to choose a third-party make. More and more third-political party brands are offer very proficient value for coin lenses, especially Sigma and Tamron. You tin can have a more detailed look at the Dxo website which tests and reviews all the lenses. For Canon users, I propose yous to bank check out the complete guide I wrote on the best Canon wide-angle lenses!

For each category, I provide a summary tabular array of the unlike lenses mentioned in this text, allowing you to compare and sort co-ordinate to your desires/needs.

example of seascape photography with wide angle lens

Pic taken with my wide angle lens (yet in French Polynesia !)

a. Wide-angle lenses for landscape photography at less than 500$

For data, all the lenses nether $500 mentioned in the paragraphs that follow are summarized in the tabular array beneath. This will help you to compare the chief features of the lenses.

a.1. For APS-C DSLR cameras

  • At Catechism: for a “low cost” wide-angle choice, I specially recommend the EF-Due south x-22 mm f/3.5-4.v USM and the EF-S 10-18 mm F/4.5-five.six IS STM.
  • At Nikon: Nikon’s AF-P DX Nikkor 10-20mm f/4.5-5.6G VR is yet a reference in this price range.
  • Amidst the third political party brands, I recommend that you take a special look at three alternative models that exist in the mounts of both Nikon/Catechism brands, the Sigma ten-20mm F3.5 EX DC HSM, the Tokina eleven-16mm f/2.8, my first high quality APS-C broad bending lens with a nice aperture at f/2.8 and the Tamron ten-24mm f/3.5-iv.5Di VC (in my opinion, the best lens for landscape photography for an APS-C sensor)

a.2. For Total Frame DSLR cameras

If you own a full frame trunk (24×36), the option of a wide-angle lens at this toll is more than than restricted since to my cognition, merely Tokina offers a lens: 17-35mm f/4 (in that location is indeed the 16-28mm f/2.8 just it is slightly more expensive, I talk about it below). Both lenses have a very skilful reputation and for the price, I recall they are two expert choices. Among native brands, the upkeep for a wide-angle lens jumps immediately over 500$ unless yous await at the 2d hand market. At the limit of the 500$ (but often above it), in that location is the Tamron 17-35mm f/ii.8-4 which I’ll talk about later.

I almost forgot, for people with a smaller budget and who are not afraid of manual lenses, Samyang/Rokinon offers an excellent and very well-known 14mm f/2.eight MF (Canon / Nikon). The lens is nether 350$ new and it’s conspicuously a mode to start landscape photography without breaking the bank.

a.3. For mirrorless mFT cameras

For owners of a Panasonic/Olympus mirrorless photographic camera looking for a wide-angle lens, in this price range y’all have lilliputian choice. Only the Olympus 9-18mm f/4-5.half dozen is available with a relatively minor and glace aperture. There is nothing improve at that toll with an autofocus. For those with a small budget and for whom manual focusing does non bother, Samyang/Rokinon offers very good value for coin: a 10mm and a 12mm that opens at f/2.8.

nikon lens for landscape photography
Hither is the Nikon 10-20mm for APS-C DSLR, an affordable wide-bending lens – Click for more details

lenses for landscape photography rokinon
An example of a well known transmission focus broad-angle lens for mirrorless photographic camera (mFT), the Samyang 12mm f/two – Learn more than by clicking here

how to choose a lens for landscape photography
A nice alternative to the classic native brands, the Sigma 10-20mm f/3.5, Click for details

a.4. For APS-C mirrorless photographic camera

The only wide-bending for APS-C mirrorless camera to my knowledge is the Canon EF-M 11-22mm f/4-5.six IS STM. In that location is no lens in this price range bachelor from Fuji and Sony, except the Samyang with transmission focus 10mm f/ii.8 (Fuji / Sony) and 12mm f/ii (Fuji / Sony).

a.5. For total-frame mirrorless cameras

In this price range, currently, the simply broad-angle lenses for full-frame mirrorless cameras would exist the Samyang 14mm f/two.8 AF and MF, and the 12mm f/2 (MF) for Sony FE cameras, all with transmission focus. Additionally, There is a Samyang 18mm (AF) and a 20mm (MF) for Sony FE. For Nikon Z, at that place is also the Samyang 14mm f/2.viii with manual focus. (Check table below)

The table below summarizes all the
wide-angle lenses for mural photography for less than 500$
mentioned above. You tin classify the table beneath by clicking on the column title.

b. Broad angle lens for landscape photography between 500 and m$

Here is a price category for landscape photography lenses that allows more room for your pick. Here the summary table of all these lenses bellow.

b.1. For APS-C DSLR cameras

For APS-C Catechism cameras, you won’t get better than the two lenses mentioned in the 0-500$ range. At Nikon, we more often than not find one lens, the 10-24mm f/3.five-4.v. At that place is the (old) 12-24mm/f4.0 AF-S DX G IF ED simply compared to the Nikon 10-24mm, I’thousand not sure I would really recommend information technology, because the cost. In this price range, you won’t get annihilation better from third political party brands than the 11-16mm f/two.eight (Tokina) or the ten-20mm f/three.5 (Sigma).

b.2. For Total Frame DSLR cameras

For full-frame DSLR cameras, if you accept a larger budget (between 500/chiliad$), you at present accept the choice to savor yourself with several lenses. If you prefer the native brands, y’all can’t benefit from a wide aperture at f/two.8 again at this price unfortunately. At Canon, I would especially mention ii models, the (sometime merely however good) 17-40mm f/4 L, a practiced compromise at a however adequate price and, at the limit of this range, the sixteen-35mm f/iv, which is the lens I but bought this summer of 2022. I’m more than happy with information technology from what I’ve tested!

As for Nikon, a very skilful compromise is the 18-35mm f/3.5-4.5G ED (with a medium and sliding discontinuity). The 16-35mm f/four VR too has an splendid reputation and can accommodate 77mm filters.

From third-party brands and this toll range, you tin can get the Tokina 16-28mm f/2.8 and the 2 Tamron lenses, the 17-35mm F/2.8-4 Di OSD and the xv-30mm f/two.viii G1 (there is the G2 only information technology’s a bit more expensive overall). To be considered anyway if you are considering ownership this 15-30mm. Finally, Samyang also offers a very nice wide-angle lens with a large aperture, the AF 14mm f/ii.8 (Catechism / Nikon). For about 650$, information technology’southward a very dainty lens to consider.

A very nice wide bending reference for mFT mirrorless camera, the Panasonic vii-14mm f/4 – Click for more information

best wide angle lens for landscape photography
A renowned Tamron wide-angle lens (for Sony FE), the 17-28mm f/ii.8 – Click for more than details

b.3. For mFT mirrorless camera

b.4. For APS-C mirrorless cameras

Whether from Fuji or Sony (E-mount), you will find several references, including:

  • The Sony ten-18mm f/4, a very renowned wide-angle lens around 900/1000$,
  • The Fuji 10-24mm f/4 R OIS, the first “affordable” broad-angle lens. The 8-16mm f/2.8 costs much more. For fans of beautiful lenses, Zeiss likewise offers a 12mm f/2.8, the Zeiss Touit, apparently a real treasure.

b.5. For Total Frame mirrorless cameras

At the top limit of this price, for a total frame Sony camera (Fe mount), there is the Tamron 17-28 mm F2.8 Di Iii RXD. We discover besides the excellent Sigma 20mm f/one.4, a squeamish bright lens betwixt 800 and 900€.

Here is the summarized list of
wide-bending lenses for landscape photography mentioned above between 500 and 1000€. As to a higher place, y’all can sort the tabular array by clicking on the cavalcade y’all are interested in.

c. Wide-angle lens for landscapes photography over grand$

With this kind of budget, there is plenty to please ourselves. I have summarized all of the lenses in this range in the table below.

c.i. For APS-C DSLR cameras

I recommend nothing more than than the lenses of the previous range of price, between 500-1000€.

c.2. For Full frame DSLR cameras

If you own a full frame body and are looking for a wide-bending lens, y’all’ve got plenty to look forward to. At Canon, the zoom references are however the 16-35mm f/ii.8L III and the xi-24mm f/4L. For fixed focal length, you as well have the 14mm f/2.8L 2. At Nikon, you can consider the fourteen-24mm f/2.8G (very expensive and with a curved forepart element).

If you are considering going for third-political party brands, you tin find the very good Sigma 14-24mm f/2.viii art (I would have chosen it this summer if I could easily add together filters on it) or the 12-24mm f/4 art. At Sigma, we also find the excellent 14mm f/1.eight, the wide angle with the largest aperture e’er built! You also have the Tamron 15-xxx f/2.eight Di VC G2 (y’all can add rear filter at the back of the lens on the Catechism version).

c.3. For mirrorless mFT cameras

To my knowledge, merely one very expensive lens is bachelor for a wide bending from Panasonic, the 10-25mm f/ane.7, a very overnice lens with a very large fixed discontinuity at f/1.7.

c.4. For APS-C mirrorless cameras

nikon z for landscape photography
Here is the Nikon Z 14-30mm f/4, a quality broad-angle lens to fit on a total-frame Nikon mirrorless camera – Click for more details

what lenses for landscape photography
The Canon RF fifteen-35mm f/two.8, a bright wide-angle lens for Canon Full Frame mirrorless camera – Click to learn more

best wide angle for doing landscape photography
The Sony 12-24mm f/4, an ultra-wide-angle lens for Sony full-frame camera – More details by clicking

c.v. For Full Frame mirrorless cameras

Finally, yous volition find below the listing of
broad-angle lenses >1000€ for mural photography.

d. A few tips for standard lenses for landscape photography

As mentioned in a higher place, your choice will substantially depend on the type of camera yous own (DSLR/mirrorless), the size of your sensor (mFT, APS-C or full frame) and very often your upkeep.

d.1. For DSLR cameras

If you have a limited budget and for
APS-C DSLR cameras, I would particularly recommend the Canon EF-S 15-85mm f/iii.5-v.6 IS or the Nikon 18-105mm f/iii.five-five.half-dozen VR. The 17-50mm f/two.8 EX or the 17-70mm f/2.eight-iv DC, both from Sigma could also exist very nice and affordable alternatives. For those who have a larger budget, I recommend the two first-class Catechism 17-55mm f/ii.eight and Nikon’s sixteen-eighty f/2.8-4 VR. They accept wider apertures, which give y’all more possibilities in case of low lite situations.

For those who own a
Full Frame DSLR camera body, there is the Canon 24-105mm EF f/ STM and the 24-85mm f/3.five-four.5G VR from Nikon. These are the cheapest and at this price, no big aperture. There is a nice culling from Sigma that I recommend for those looking for a “low cost full frame” standard lens, the excellent Sigma 24-105mm f/4 art, which is really far better than the other two mentioned. For those who tin afford it and desire to buy a nice transtandard lens for mural photography just also for other subjects, you will exist able to go for the archetype 24-70mm f/2.8 (stabilized or not sometimes), whether from Nikon, Canon, Sigma or Tamron. Prices are ascension very rapidly and it’s up to yous to judge the involvement of paying twice as much for a native make than for a very good Sigma/Tamron.

what lens to buy landscape photography

what lenses choose for landscape photography

d.2. For mirrorless cameras

For those who accept migrated to mirrorless cameras, things are not so straightforward, given the number of models that exist. At that place are three sensor sizes for mirrorless cameras (mFT, APS-C and Full Frame). Obviously, the angle of view of a trans-standard lens will vary depending on the size of the sensor. The gauge focal lengths are 12-35mm in mFT, 16-50mm in APS-C and 24-70mm in full frame.

For those who own an Olympus/Panasonic mirrorless (thus mFT most of the time) and want to upgrade to a meliorate quality transtandard lens than the kit lens, I peculiarly recommend the 12-60mm f/2.8-4 (Panasonic) or the 12-100mm f/4 (Olympus). If you have the budget and desire to invest in a dainty standard wide aperture fixed transtandard lens, the 12-35mm f/2.8 2 (Panasonic) and the 12-40mm f/2.8 (Olympus) are ii great references.

For the APS-C mirrorless camera Sony enthusiasts looking for ameliorate quality standard lenses, 2 references stand out, the 16-70mm f/four (cheaper merely with a smaller discontinuity) and the sixteen-55mm f/2.8 Chiliad (for larger budgets). Amidst the Fuji mirrorless lenses (APS-C), we find more or less the same references with the 16-80mm f/4 OIS (medium budget) and the excellent xvi-55mm f/two.8 R LM WR (more than expensive simply with a nice constant aperture at f/2.8).

Every bit far as full-frame mirrorless lenses are concerned, I only give a few recommendations from Sony who has the almost choice. Similar to DSLRs, at that place are a 24-105mm f/four (low budget) and a 24-70mm f/2.8 which are still proficient standard references that can be adapted co-ordinate to your budget. The Tamron 28-75mm f/2.viii is also a good alternative, cheaper and lighter.

e. What virtually a telephoto lens for landscape photography and so?

As I said in the introduction, it is of course possible to have landscape pictures with a telephoto lens. All the same, information technology is nonetheless more rare and I won’t listing here all the possibilities of telephoto lenses. Remember the following things. Telephoto lenses are often expensive, heavy and large when they take a big discontinuity (eastward.g. f/2.viii). Fortunately, in mural photography, minor apertures are oftentimes used (you “close the diaphragm”). Then, to avoid breaking the bank, y’all tin can limit yourself to choosing telephoto lenses with maximum apertures of f/four or f/v.half dozen. Of course, if you want to use your telephoto lens for portrait, wildlife or sports photography, it’s all-time to utilize a telephoto lens with a large aperture. By the way, speaking of wildlife photography, I invite you to read my article on safari photography equipment.

That’south it, I’ve come to the end of this article on lenses for landscape photography. Every bit usual, I will endeavor to keep this commodity upward to date with the arrival of the new lenses. Anyhow, I hope that this commodity will be useful for you lot to choose your next lens to shoot your landscapes! Maybe you are looking for another lens for your mirrorless camera? Here is my complete guide!

See you presently,



Posted by:

Originally posted 2022-02-12 16:06:41.