Mavic Air 2 Slow Motion Settings

By | 21/10/2022

There’southward no doubt that figuring our the best video settings for your Mavic 2 Pro is an important task. Withal, as regular followers of Drone Film Guide volition know, once you have the correct settings dialled in we tin can focus on the far more than important, filmmaking elements of neat aerial footage.

Not once accept I said to Alina, “that was a smashing shot because of those great settings!”. Information technology’s only something you have to get right.

This article volition clarify once and for all the best Mavic two Pro video settings for any given situation.

All that being said, there is an enormous amount of confusion apropos the all-time Mavic 2 Pro video settings in item and then let’southward give yous all the answers y’all need at present!

mavic 2 pro best settings video



  • Codec: H.265 (10-bit)
  • Color: DLog-M
  • Video Size: 4K @ 24/25 fps
  • Video Format: MOV or MP4
  • White Balance: Sunny or Cloudy
  • Style: None (0,0,0)
  • Manual Exposure
    • 📸 ISO 100
    • 📸 Discontinuity f.five.6 – 8.0
    • 📸 Shutter 1/50
    • 📸 Neutral Density (ND) Filter xvi


  • Codec: H.264 (8-scrap)
  • Color: Normal
  • Video Size: 4K @ 24/25 fps
  • Video Format: MOV or MP4
  • White Balance: Sunny or Cloudy
  • Style: None (0,0,0)
  • Transmission Exposure
    • 📸 ISO 100
    • 📸 Aperture f.five.6 – 8.0
    • 📸 Shutter as required to achieve correct exposure without ND filters.

In summary, to become the best video out of the Mavic ii Pro, you really need to exist filming in x-bit with the H.265 codec and the DLog-1000 colour profile.  As we hash out at length in our Mavic 2 Pro Long Term Review, to flick in any other style actually defeats the purpose of buying this ‘pro’ drone.

Unfortunately, the only viii-bit H.264 option available to us is Normal – there is no D-Cinelike!  By all ways, utilise this way if you desire to reduce the post-production workflow.Irrespective of whether you shoot DLog-M or Normal, the other recommended settings are the aforementioned every bit you can encounter higher up.



Allow’s keep this simple –
more resolution is better
for 2 reasons (a) images are sharper, and (b) you have the selection of zooming and repositioning in post if you programme to consign at full HD 1080p.  This is a tremendously useful tactic for tweaking compositions in your editing software.  Equally such, when possible, nosotros shoot in 4K.

FRAME RATES (24/25/30 fps)

In that location is no such thing equally a better frame rate – just different frame rates for unlike purposes.  Assuming you lot desire to shoot maximum resolution in 4K, the Mavic ii Pro allows you to shoot 24, 25 or 30 fps.

25 fps is the existent-time frame charge per unit for PAL regions like Europe – simple – if you’re in an NTSC region like America, requite information technology a miss.  Unlike Europe, NTSC regions have two frame rates for real-time footage – 24 and 30 fps.  There’s a lot of history behind these ii frame rates that we discuss in THIS YouTube video only in summary, 24 fps is the cinema standard and thirty fps is the television receiver broadcast standard.

Choose the right frame rate for your intended distribution.  Personally, I adopt the expect of 24 fps and would recommend you go with that.

HIGH FRAME RATES (48/50/60 fps)

A frame rate higher than 24/25/xxx fps is not ameliorate, it but serves a different purpose.
High frame rates are used for ho-hum movement.
For case, video shot at 50 fps can be halved in speed in a 25 fps timeline and the result is buttery smooth slow motion because there are no dropped frames.  By contrast, slow down a 25 fps clip and there are no actress frames to make full the gaps.  This results in unattractive jumpy footage which is non recommended.

Since capturing higher frame rates is more demanding for the photographic camera, resolution is sacrificed.  The Mavic two Pro offers 48/50/threescore fps at two.7K.  We’ve rarely used these options as typically with our drone footage we are trying to enhance motion for dramatic consequence rather than wearisome it down.  That being said, when shooting people for case, slow motion looks neat.

Nosotros do not recommend filming at 48/50/sixty fps if the intended effect is real-time footage.  In our stance (and that of the entire motion-picture show and Goggle box industry) the resulting, ‘polish’ footage devoid of motion blur is non pleasing on the eye.  In December 2012 Peter Jackson released
The Hobbit
in 48 fps, revolutionising the cinematic experience – he hoped.  The experiment was universally panned by critics every bit they felt they were watching a news report or a sports broadcast rather than picture at the cinema.


As nosotros discuss in our Mavic ii Pro Long Term Review, this drone offers 2, fixed focal lengths.  In add-on to the standard broad-angle field-of-view (FOV) of 77° (35mm format equivalent of 28mm), the Mavic 2 Pro introduces a so-called HQ FOV (or what I would call “narrower FOV”) of 55° (35mm format equivalent of effectually 40mm).

With no perceptible difference in quality between the ii (despite DJI’due south decision to use the term HQ FOV),
it’due south a question of creative selection as to which yous cull.  Full FOV is perfect for big landscape shots where the desire is to capture every bit much of the scene as possible.  By dissimilarity, HQ FOV is an excellent addition that enables us to go closer to a bailiwick without necessarily flying closer.  Perfect for filming people.


Employ Manual EXPOSURE

Much like white balance, you don’t desire your exposure to change during filming and so in this respect, 99.nine% of the time you will want to
set your exposure to manual

Manual exposure is controlled three ways:

  1. ISO:
    Sensitivity of the sensor to light.
  2. Aperture:
    The iris in the lens that physically controls the amount of low-cal hitting the sensor.
  3. Shutter speed:
    The length of time the shutter stays open, thereby controlling the corporeality of light hitting the sensor.

Let’s expect at them in individually, specifically with reference to the Mavic 2 Pro.


ISO, aperture and shutter speed each accept a secondary effect on your image you need to be enlightened of.  Increasing the ISO increases the noise in the image.  Particularly visible in the shadows, nosotros want to keep the noise to a minimum.
If possible, shoot on 100 ISO to go on the noise to a minimum.
In fact, because of the small sensors on these DJI drones, to date, our advice has been ONLY shoot at 100 ISO.

That existence said, we’ve done the tests and concluded that thanks to the fantastic light-gathering capability of the 1 inch sensor on the Mavic 2 Pro, the resulting low-racket image means it is possible to creepo the ISO upwardly to 800 if required.  Refer to our Mavic ii Pro Long Term Review if you want to come across a video comparing of various DJI drones at 800 ISO.


The secondary result of changing aperture is depth-of-field (DoF), i.due east. the amount of the image that is in focus.  In reality, given the wide bending field-of-view, shallow depth-of-field (typically when the groundwork behind a subject is blurry) is non something we have to worry well-nigh here.

Like the Phantom 4 Pro, the Mavic 2 Pro has a variable aperture ranging from f/2.8 to f/11.  Nosotros did some tests to see if the Mavic 2 Pro’s image quality is affected by changing the aperture and for the pixel peepers amongst us, it could only exist argued that at f/xi there is a modest driblet off but certainly not something that would stop u.s. from using f/11.

Since aperture is non a ways of influencing depth-of-field with the Mavic 2 Pro, what is the point of it?  Well, where we’ve found it particularly useful is adjusting exposure while flying if we are using neutral density (ND) filters and lighting atmospheric condition change mid-air.  Nosotros’ll get to that in the adjacent paragraph just for at present, prepare aperture somewhere in the middle – f/5.half dozen to eight.0.


The secondary effect of changing shutter speed on your Mavic 2 Pro is motion blur.  Unlike photography, in videography, we want a niggling movement blur on each of the frames that make upward your moving prototype.  Picture a car zooming past you in the street – can yous read the number plate?  No you can’t – there is blur.
Since we are trying to simulate real life in our filming, nosotros want our video footage to accept some motion blur.

The 180 degree rule convention dictates that in gild to achieve motion blur the center is accustomed to we should ‘double’ the frame rate.  As such, 24/25 fps real-time footage volition take a one/50th shutter.  If y’all’ve tried filming on a sunny day nonetheless you’ll know that with ISO 100 and aperture at f/5.6, you demand a shutter of around one/500th to achieve a balanced exposure.  Fix the shutter at 1/50th in the pursuit of the correct motion blur and you lot have a completely overexposed image.

The solution to this problem is neutral density (ND) filters.  This partially opaque piece of glass cuts down the corporeality of calorie-free hitting the sensor, assuasive you to maintain a ane/50th shutter for that realistic motion blur.
For our Mavic two Pro, 99% of the time we film with an ND16 attached to the camera.  This cuts out just the right amount of light so that with ISO at 100 and aperture around f/5.half-dozen – 8, nosotros can set a i/50th shutter.

If lighting changes when you are flying, simply adjust the aperture!  Information technology all comes together beautifully for setting a manual exposure on the Mavic 2 Pro.  By contrast, when flying a stock-still aperture drone like the Mavic Air, if the light changes significantly when flying then the but option is to land the drone and change the ND filter.