Nikon Z Mount Wide Angle Lens

By | 21/10/2022

The all-time Nikon wide-bending zoom lenses in 2022: top DSLR and Z-mountain options

best Nikon wide-angle zooms



(Paradigm credit: Getty Images)

The best Nikon wide-angle zoom lenses come in 3 types. Nikon DX lenses are made for Nikon’south APS-C (DX) format cameras, Nikon FX lenses are for Nikon’s total frame DSLRs, and there’south a third category of Nikkor Z lenses for Nikon’southward latest mirrorless cameras. We’ve created dissever sections for each below.

Pairing a wide-angle zoom lens with your Nikon camera allows you to fill the frame with your bailiwick. You tin produce a broad perspective that’southward perfect for landscapes, cityscapes and architecture. Wide-angle lenses
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are as well frequently dainty and small, making them ideal for travel and for shooting situations where infinite is limited. For instance if you’re shooting indoors and constrained by walls and other obstacles, a wide-angle zoom can be a massive help.

Get close to your subjects and you can exaggerate perspective, or back out to cram in as much context as possible. A broad-angle zoom gives you the best of both worlds, and if you’re all the same edifice your lens collection information technology’south one of the all-time Nikon lenses
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you lot can get. Even so, whatever kind of lens you’re buying, it always pays to buy a practiced ane. The good news is that yous don’t have to pay over the odds, and many great lenses are available for knock-downward prices.

1 thing to bear in heed, however, is that a lens’south focal length does depend on the camera you pair it with. FX-format (i.e. full frame) lenses tin be paired with Nikon cameras with total-frame or APS-C sensors (known as FX and DX cameras), however, the smaller APS-C DX sensor will modify the angle of light entering the camera and extend its focal length. So, a lens that’s wide on a full-frame FX photographic camera won’t exist as wide on a DX-format camera. Always bank check what kind of photographic camera you’re using and make your option accordingly.

In this guide we’ve included defended FX-format lenses, every bit well as DX-format lenses designed specifically for APS-C cameras. Nosotros’ve also added a section for the Nikon mirrorless
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Z-mountain system.

Here’south our guide to the best-purchase wide-angle zooms for Nikon on the market.

Nikon DX wide-angles

The best Nikon wide-angle zoom lenses for Nikon DX DSLRs, such every bit the

Nikon D3500

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,

Nikon D5600

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or

D7500

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and

Nikon D500

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.


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Small-scale, simple and low-cal, this makes an ideal ultra-wide travel lens

Specifications

Mountain:

Nikon F DX

Full-frame compatible:

No

Autofocus type:

Stepping Motor

Stabilizer:

Yes

Minimum focus distance:

0.22m

Filter thread:

72mm

Dimensions (WxL):

77x73mm

Weight:

230g

Reasons to purchase


+

Meaty and lightweight design



+

Includes Vibration Reduction

Reasons to avert


Plastic mounting plate



No focus distance calibration

This wide-angle zoom is refreshingly small and lightweight. To put it into context, both the competing Sigma DX format lenses are more than twice equally heavy as the Nikon. There’s a grab though, in that the mounting plate is plastic rather than metal, and the overall build feels much less robust, but that’s the price you pay for improved portability.

Different Nikon’s older DX format wide-angle zooms, this one adds VR (Vibration Reduction), with a 3.5-stop effectiveness in beating camera milk shake. There’s as well a well-nigh silent AF-P stepping motor autofocus system, which works well for stills and pic capture alike. Still, this does brand both autofocus and manual focusing impossible with a number of older DSLRs, and there’s no focus distance scale.

Sharpness is very practiced at the middle of the frame just drops off noticeably towards the corners. Functioning could exist amend in terms of distortion and colour fringing but, overall, it’s a neat and very travel-friendly lightweight zoom.

Meet our full

Nikon AF-P DX 10-20mm f/4.5-five.6G VR review

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A long-running favorite, but information technology’s getting harder to find

Specifications

Mount:

Nikon F DX

Full-frame compatible:

No

Autofocus blazon:

Ultrasonic (ring-blazon)

Stabilizer:

No

Minimum focus distance:

0.24m

Filter thread:

82mm

Dimensions (WxL):

87x88mm

Weight:

520g

Reasons to purchase


+

Loftier-performance autofocus organisation



+

Abiding f/iii.5 discontinuity

Reasons to avoid


Filter thread is big at 82mm



It’s not weather sealed

In the past this has been our go-to DX format ultrawide zoom, just it’s at present been officially discontinued is therefore getting harder to find. The second of Sigma’southward DX format x-20mm zooms, this lens is larger than the original, but has a constant rather than variable aperture rating. In this respect, it’due south like to the Tokina 11-20mm lens (below), although the Sigma is two-thirds of an f/stop slower.

Premium glass includes two ELD (Boggling Low Dispersion) elements plus an SLD (Special Low Dispersion) element. Despite costing about the same as Nikon’s budget 10-20mm lens, this Sigma feels much more solid and sturdy. It has a fast and whisper-quiet band-blazon ultrasonic autofocus system and, unlike Sigma’s viii-16mm lens, it has a filter zipper thread and removable hood.

Sharpness is impressive, especially in the central region of the frame, while color fringing and distortions are peculiarly minimal. For a loftier-performance, tiptop-value DX format lens, information technology can’t be browbeaten, IF you tin however find one!

Run into our full

Sigma x-20mm f/iii.5 EX DC HSM review

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(Image credit: Fotomazin.de)

Nifty prototype quality and a abiding f/2.8 maximum aperture

Specifications

Mount:

Nikon F DX

Full-frame compatible:

No

Autofocus type:

Electric motor

Stabilizer:

No

Minimum focus altitude:

0.3m

Filter thread:

82mm

Dimensions (WxL):

84x89mm

Weight:

555g

Reasons to purchase


+

Good image quality and fast f/2.8 discontinuity



+

Stock-still physical length during focus and zoom

Reasons to avoid


Relatively limited zoom range



Not everyone’southward a fan of push-pull focus rings

The original edition of Tokina’s ATX 11-16mm was one of the start ultra-wide zooms for DX format Nikon DSLRs. The Mark 2 edition added an internal autofocus motor, enabling autofocus on entry-level bodies like the D40 and later D3000 and D5000 series cameras, which lack in-trunk AF drive. This most recent version is from Tokina’s ‘atx-i’ stable, ‘i’ standing for ‘interactive’ mutual advice between photographer and lens. It’s redesigned with a more streamlined, upwardly-to-date look and feel but retains the original lens’due south high standard of build quality. Further similarities include a fast and constant f/two.8 discontinuity rating, and Tokina’s trademark ‘One-touch Focus Clutch’ machinery, which enables switching betwixt autofocus and manual focus with a push-pull activeness of the focus ring. The optical path includes exotic, high-tech elements that assistance to deliver very good image quality.

See our total

Tokina ATX-i 11-16mm f/2.8 CF review

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Another great choice for DX Nikons – buy it while you lot even so can

Specifications

Mount:

Nikon F DX

Full-frame compatible:

No

Autofocus type:

High/Low Torque Drive

Stabilizer:

Yes

Minimum focus distance:

0.24m

Filter thread:

77mm

Dimensions:

(WxL): 84x85mm

Weight:

440g

Reasons to purchase


+

Impressive autofocus and stabilization



+

Generous zoom range



+

Good build quality with atmospheric condition seals

Reasons to avert


Pricier than the original edition

With the rise of mirrorless cameras, we’ve seen the likes of Sigma and Tamron quietly discontinue many of their APS-C (DX) format DSLR lenses, and this lens is sadly no more. You can yet detect it at some retailers though, and it could be well worth hunting down.

It boasts improved optical performance over its predecessor, plus a revolutionary HLD (High/Low toque-modulated Bulldoze) autofocus organisation. Autofocus is faster, quieter and more than authentic than before. Handling is improved because the focus band no longer rotates during autofocus, while also enabling full-time transmission override.

The lens too features VC (Vibration Compensation), whereas optical stabilization was defective in the original lens. Electromagnetic aperture command improves exposure consistency in rapid-fire continuous shooting, although it makes the lens incompatible with some older Nikon DSLRs. Build quality enhancements include a full prepare of conditions seals, plus a fluorine blanket on the front element to repel moisture and grease.

In our tests, the Tamron trounce many of its rivals in terms of sharpness beyond the whole image frame, and produced less colour fringing and distortion.

See our total

Tamron x-24mm f/iii.v-iv.5 Di II VC HLD review

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This lens delivers spectacularly wide viewing angles, if you can observe one

Specifications

Mountain:

Nikon F DX

Full-frame compatible:

No

Autofocus type:

Ultrasonic (ring-type)

Stabilizer:

No

Minimum focus distance:

0.24m

Filter thread:

None

Dimensions (WxL):

75x106mm

Weight:

555g

Reasons to buy


+

Supreme viewing angle for DX cameras



+

Upmarket build quality and performance

Reasons to avert


Quite expensive



Front mounting filters is tricky

Hither’s another example of an onetime lens that’due south in the process of being phased out. Only with no direct replacement, if you want the widest of ultrawide rectilinear zooms for your DX Nikon, you’ve got little choice only to track downwardly this lens.

Even with just a 2mm advantage over its 10-20mm rivals, the Sigma 8-16mm f/4.v-5.half dozen DC HSM can suck much more into the prototype frame. The difference is immediately obvious, and somewhat center-popping as you look through the viewfinder.

The high-spec optical path includes iv top-quality FLD (Fluorite-course Low Dispersion) elements and Sigma’s Super Multi-Layer Coatings to guard against ghosting and flare. Further defence is offered by the built-in lens hood, just a downside of this is that you tin only attach filters to the 2-part lens cap, rather than to the lens itself. Try this at anything other than the longest zoom setting and you’ll get farthermost clipping of the image corners.

Despite the enormous maximum viewing bending, sharpness is very good across the whole epitome frame, and both colour fringing and distortions are well controlled. If you want truly epic viewing angles on your DX format DSLR, this Sigma is the lens to buy, while you lot still can!

Run into our total

Sigma 8-16mm f/iv.5-v.6 DC HSM review

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Nikon FX wide-angles

The best Nikon broad-angle zoom lenses for Nikon full-frame FX DSLRs, such as the

Nikon D850

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or the

Nikon D780

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.


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A very practiced ultra-wide zoom range and with optical stabilization likewise

Specifications

Mount:

Nikon F

Full-frame uniform:

Yes

Autofocus blazon:

Ultrasonic (ring-type)

Stabilizer:

Yes

Minimum focus distance:

0.28m

Filter thread:

None

Dimensions (WxL):

85x145mm

Weight:

i,100g

Reasons to buy


+

High-performance autofocus and stabilization



+

Fast and constant f/2.8 aperture

Reasons to avert


The G2 is currently 33 per cent pricier than the original



Equally usual, there’s no filter attachment thread

The original edition of Tamron’s 15-30mm very nearly matched Nikon’s mighty 14-24mm lens for maximum viewing angle, had the same fast and constant f/2.8 discontinuity rating, simply also added optical stabilization. Further attractions included a full set of weather seals and a fluorine coating on the forepart element. It as well massively undercut the Nikon lens for price.

The new G2 (Generation 2) edition represents a major upgrade. The autofocus organisation is faster and more than precise, and the effectiveness of the optical stabilizer increases from 2.5 stops to 4.v stops. A new high-tech coating is added to the existing nano-construction and conventional coatings, and even the muck-resistant fluorine coating on the forepart element is improved.

Overall, the G2 lens is better in pretty much every expanse. It’south a third more expensive to buy than the original lens, but is still very good value for money.

See our full

Tamron SP 15-30mm f/ii.8 Di VC USD G2 lens review

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Nikon’southward widest full-frame rectilinear zoom lens

Specifications

Mountain:

Nikon F

Full-frame compatible:

Yes

Autofocus type:

Ultrasonic (band-blazon)

Stabilizer:

No

Minimum focus distance:

0.28m

Filter thread:

None

Dimensions (WxL):

96x132mm

Weight:

i,000g

Reasons to buy


+

Extreme viewing angle



+

Fast, abiding aperture



+

Solid build quality

Reasons to avoid


Performance could be meliorate



Expensive to buy



No filter attachment thread

Weighing in at 1kg, the Nikon AF-South fourteen-24mm packs a mighty maximum viewing angle of 114 degrees. Build quality is of a fully professional person standard, consummate with conditions-seals. The zoom and focus rings are large and take a smooth action, only the relatively brusque rotational travel of the focus ring makes manual focusing a bit fiddly for applications like astrophotography.

Ring-type ultrasonic autofocus is fast and whisper-quiet, and comes with an ‘M/A’ way that gives priority to manual focusing while in autofocus mode. It’s an reward in that you don’t need to expect for autofocus to exist achieved before applying transmission override. High-grade optics include two ED (Extra-low Dispersion) elements, three aspherical elements, plus nano-structure coatings.

Own-brand lenses from Nikon are oft expensive when compared to thrid-party equivalents. It is solidly built and delivers good all-round performance.

Run into our total

Nikon AF-Southward 14-24mm f/2.8G ED review

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Relatively compact and calorie-free, this is a handy, practical ultra-broad zoom

Specifications

Mount:

Nikon F

Full-frame compatible:

Aye

Autofocus type:

Ultrasonic (ring-type)

Stabilizer:

Aye

Minimum focus altitude:

0.2-0.29m

Filter thread:

77mm

Dimensions (WxL):

83x125mm

Weight:

680g

Reasons to buy


+

Accepts filters on the front end



+

VR Vibration Reduction built in

Reasons to avoid


Not quite the widest



‘Simply’ f/iv maximum aperture

Noticeably smaller than almost other FX format lenses, this Nikon AF-S 16-35mm f/4G ED VR is niggling more than than half the weight of some competitors, thanks to the combination of a relatively modest maximum viewing angle and an f/4 rather than f/two.8 aperture rating. This is also the only FX format lens in the group to feature a filter attachment thread and removable hood.

Two ED (Extra-low Dispersion) elements in the optical path help to optimize image quality, and a Nano Crystal glaze minimizes ghosting and flare. Build quality feels very solid, consummate with a weather-sealed mounting plate.

Epitome quality is particularly skillful at the short end of the zoom range, although sharpness drops off at scrap at the long finish. The ‘VR’ optical stabilizer is nice to have, especially for shooting in cathedrals, museums and other locations where you might not exist immune to use a tripod. However, information technology only has a 2.five-cease effectiveness, and is outclassed past the 4.5-finish stabilizer in Tamron’s newer 15-30mm G2 lens.

Meet our full

Nikon AF-Southward 16-35mm f/4G ED VR review

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Excellent epitome quality, no distortion – it’due south the all-time FX ultra-wide lens

Specifications

Mount:

Nikon F

Full-frame compatible:

Yes

Autofocus type:

Ultrasonic (ring-type)

Stabilizer:

No

Minimum focus distance:

0.26m

Filter thread:

None

Dimensions (WxL):

96x135mm

Weight:

1,150g

Reasons to buy


+

Fabulous image quality and all-round performance



+

It’south virtually a distortion-costless lens

Reasons to avoid


Typically large, heavyweight build



Built-in hood so in that location’due south no filter thread

Compared with Sigma’s slightly older 12-24mm Art lens, the

Sigma 14-24mm f/2.eight DG HSM | A

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has a more small maximum viewing angle only a faster aperture rating. The net outcome is that both lenses have a practically identical size and weight. The starring optical allure is an ultra-high-precision moulded drinking glass aspherical front chemical element, which represents a considerable manufacturing claiming. Further optical highlights include 3 FLD (Fluorite-grade Depression Dispersion) and three SLD (Special Low Dispersion) elements.

The consummately pro-grade build has a loftier-precision yet very robust feel throughout. In that location’s a total prepare of weather condition seals, plus a go along-clean fluorine coatings on the front and rear elements.

Contrast and sharpness are marvellous, the latter existence maintained very well out to the corners of the frame, even when shooting broad-open at f/two.8. Even more impressively, colour fringing and distortions are absolutely negligible. Overall prototype quality beats that of Nikon’s pricier 14-24mm lens, making the Sigma an absolute bargain.


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Non quite the best optically, but an incredible angle of view

Specifications

Mount:

Nikon F

Full-frame compatible:

Yep

Autofocus type:

Ultrasonic (ring-type)

Stabilizer:

No

Minimum focus distance:

0.24m

Filter thread:

None

Dimensions (WxL):

102x132mm

Weight:

ane,150g

Reasons to buy


+

Incredible viewing angle for a non-fisheye lens



+

Great operation, minimal distortion

Reasons to avoid


Bigger and heavier than the previous Mk 2 edition



Merely the mounting plate is conditions sealed

We were always fond of Sigma’s 12-24mm Mark II lens, which delivered a monstrous maximum viewing angle along with adept overall paradigm quality and performance. The
newer ‘Fine art’ edition
from Sigma’s Global Vision range ups the stakes, with a constant rather than variable aperture rating.

The optical path is refined and incorporates an actress-large bore aspherical element, along with five top-course FLD (Fluorite-grade Low Dispersion) elements. The mounting plate gains a atmospheric condition seal and fluorine coatings have been added to the front and rear elements. The new lens retains a ring-type ultrasonic autofocus system, but it has extra torque for improved performance. Another notable upgrade is that the Art lens is compatible with Sigma’south optional USB Dock for applying firmware updates and fine-tuning. The only downside is that information technology’s rather bigger and heavier than the previous edition.

Image quality is excellent, despite the extravagant maximum viewing angle, and there’southward much less baloney than from the previous Mk II lens, although it’southward non as ‘distortion-gratis’ as Sigma’s newer 14-24mm Fine art lens. Even so, this is the lens to become for ultra-wide-angle coverage.

Nikkor Z wide-angles

The all-time Nikon wide-angle zoom lens for Nikon Z mountain mirrorless cameras, such as the

Nikon Z fifty

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,

Z six

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,

Z 7

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,

Z6 2

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,
Z7 Ii

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, and

Z9

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.

(Epitome credit: Nikon)


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It’southward ‘just’ an f/iv, just image quality is not bad and it’s really compact

Specifications

Mount:

Nikon Z

Full-frame compatible:

Yes

Autofocus blazon:

Stepping motor

Stabilizer:

No

Minimum focus distance:

0.28m

Weight:

485g

Reasons to buy


+

Outstanding image quality



+

Lightweight

Reasons to avoid


Just f/iv maximum aperture



No stabilizer

This broad-angle is designed specifically for the Nikon Z series of total-frame mirrorless cameras, and although it has a slightly disappointing maximum aperture of f/iv, information technology does have internal optics that ensure pin-precipitous image quality. It has 14 elements in total, divide into 11 groups, and the control ring can be assigned to the user’south preferred functions such equally focus, ISO, exposure compensation, etc.

The stepping motor autofocus system is fast, accurate and practically silent, meaning the lens is a solid choice for videos as well as stills. The lens is as well nice and lightweight, suiting the Z-mountain mirrorless cameras perfectly, and if you’re a user of Nikon DSLRs and would similar to give it a effort, yous can pick up the

FTZ mount adapter

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.

Providing superb sharpness and excellent operability, the Nikon Nikkor Z fourteen-30mm f/4 South is an extremely solid lens all-around, as long equally you can live with that f/4 maximum aperture.

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This is Nikon’southward pro ultra-wide zoom for its full frame Nikon Z cameras

Specifications

Mount:

Z FX

Autofocus:

Pulse (stepping motor)

Stabilizer:

None

Min focus altitude:

0.28m

Max magnification:

0.13x

Filter thread:

112mm (plus rear filter slot)

Dimensions (WxL):

88×124.5mm

Weight:

650g

Reasons to buy


+

Uncompromising optics and coatings



+

Fast constant aperture



+

Fully weather sealed

Reasons to avoid


Twice the price of Z 14-30mm f/4 S…



… and significantly heavier and longer



No VR

The Nikkor Z 14-24mm f/2.8 Due south is Nikon’due south latest try to attract pros to the Z mountain organization. Completing the holy trinity of fast f/2.8 Southward-line zooms, it slots in neatly next to the Nikkor Z 24-70mm f/2.8 S and promises uncompromising broad-angle epitome quality. The sixteen-element optical stack includes 3 aspherical elements, along with Nikon’due south Nano Crystal and ARNEO Coat for reducing ghosting and flare. The front element gets a smear-resistant flourine blanket, and the lens is fully weather sealed. Add the included HB-98 lens hood and huge 112mm filters can be used – Nikon offers Neutral Colour and Circular Polarizer options.

Read more:
Nikkor Z fourteen-24mm f/2.8 S review
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(Prototype credit: Nikon)


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Remarkably small, this is the best wide-bending zoom for Z50

Specifications

Mount:

Z DX

Autofocus:

Pulse (stepping motor)

Stabilizer:

4.5-cease

Min focus distance:

0.25-0.3m

Max magnification:

0.2x

Filter thread:

46mm

Dimensions (WxL):

70x32mm

Weight:

135g

Reasons to buy


+

iv.5-stop optical VR



+

Multi-role command ring



+

A silver version matches the Nikon  Z fc

Reasons to avoid


‘Slow’ f/six.3 long-zoom discontinuity



Feels a bit plasticky

Tipping the scales at but 135g, this DX (APS-C) format standard zoom for the Z50, Z30 and Z fc pretty much qualifies as a ‘pancake lens’, measuring a mere 32mm in length when retracted. The flip-side is that, compared with weightier FX (full-frame format) Z-mount lenses, information technology feels a flake less solid and has a plastic rather than metal mounting plate. Notwithstanding, information technology’s certainly robust enough for daily shooting. Like virtually similarly priced APS-C format cameras, the Z50 and Z30 lack IBIS (In Torso Image Stabilization) but the lens comes to the rescue with 4.five-terminate optical VR (Vibration Reduction). Although minor in size, the petty Nikkor punches above its weight, delivering great sharpness and contrast fifty-fifty when shooting wide-open, which is just as well considering that the widest available discontinuity shrinks to f/6.3 at the long finish of the zoom range. A silverish version of this lens is now available, to match the retro styling of the Nikon Z fc.

How nosotros test lenses

Nosotros test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled atmospheric condition using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture show tiptop, a measurement widely used in lens and camera testing. We find the combination of lab and real-give-and-take testing works all-time, every bit each reveals different qualities and characteristics.

Read more:

• The best Nikon lenses
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• The best fisheye lenses
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• The best wideangle lenses
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• Best lens for street photography: best 35mm lenses
(opens in new tab)


• ten tips on getting the best out of your Nikon camera
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• The best Nikon camera bag
(opens in new tab)


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For nearly two decades Sebastian’south work has been published internationally. Originally specialising in Equestrianism, his visuals have been used past the leading names in the equestrian manufacture such equally The Fédération Equestre Internationale (FEI), The Jockey Gild, Horse & Hound and many more for various advertising campaigns, books and pre/post-result highlights.

He is a Fellow of The Royal Gild of Arts, holds a Foundation Degree in Equitation Science and is a Main of Arts in Publishing.  He is member of Nikon NPS and has been a Nikon user since the flick days using a Nikon F5 and saw the digital transition with Nikon’south D series cameras and is nonetheless to this solar day the youngest fellow member to be elected in to BEWA, The British Equestrian Writers’ Association.

He is familiar with and shows great interest in medium and large format photography with products by Stage Ane, Hasselblad, Alpa and Sinar and has used many cinema cameras from the likes of Sony, RED, ARRI and everything in between. His work covers the genres of Equestrian, Landscape, Abstract or Nature and combines nearly 2 decades of experience to offer sectional limited-edition prints to the international stage from his film & digital photography.

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Source: https://www.digitalcameraworld.com/buying-guides/the-best-wide-angle-lenses-for-nikon-cameras