Photoshop Refine Edge Tool Not Working

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In this do, you’ll learn how to silhouette hair in a quick and easy way. The paradigm we’ll first with has a lot of contrast between the hair and the background, so it’s a proficient candidate for learning how to utilize the
Refine Border
selection method.

Photograph courtesy of istockphoto, LL28, Image #23058113

Notation:
Photoshop CC 2015.5 replaced the
Refine Edge
feature with an “upgraded” version called
Select and Mask. The new version doesn’t add together features we need for this technique, and removed a useful characteristic we want to use. Luckily at that place’south a hidden trick that lets us however utilize
Refine Edge
in CC 2015.5 or 2017.

Putting Our Paradigm onto the New Backgrounds

i. Launch
Photoshop.

Notation:
This book has been tested with
Photoshop CC 2017
but should work similarly in contempo versions of Photoshop.

ii. Get to
File > Open up
and:

  • Navigate into
    Desktop > Course Files > Hair the Seminar.
  • Open
    Hair1_backgrounds.tif.

iii. In the
Layers
console (Window > Layers) find there are a few layers. We’ll exist trying out our person on these backgrounds. Let’s bring our person into this file.

4. Make sure the elevation layer (Bricks) is selected. Nosotros do this considering when nosotros import the photo of our person, it will be placed on top of the currently selected layer.

5. Go to
File > Open
and:

  • Navigate into
    Desktop > Form Files > Pilus the Seminar.
  • Open
    dark_curly_iStock_000023058113_LL28.jpg.

6. In that location’s simply i layer (the Groundwork layer) in this file, and then choose
Layer > Indistinguishable Layer.

7. From the
Document
carte du jour choose
Hair1_backgrounds.tif.

eight. Click
OK.

9. Close this file (dark_curly_iStock_000023058113_LL28.jpg).

x. Yous should at present be back in
Hair1_backgrounds.tif.

11. In the
Layers
panel the top layer should be the adult female’s photograph.
Background
is no longer an appropriate name, and so double–click the proper noun and rename it original.

Creating the Selection

Because the pilus and background have high contrast (dark hair and light background), Photoshop’due south
Refine Edge
will likely work pretty well. As nosotros mentioned earlier,
Refine Edge
has been replaced past
Select and Mask. While we could use Select and Mask, it isn’t quite as nice as Refine Edge for this type of work. We’ll bear witness you a subconscious fob to access
Refine Edge
in CC 2015.5 or 2017!

Outset, we must create a crude selection, and and so
Refine Edge
will assist fix it. This initial option will not be perfect, and that’s fine.
Refine Border
does what it says; it refines the edge of a selection (so y’all don’t take to piece of work equally difficult).

1. Choose the
Quick Selection
tool. If you don’t see information technology, click and hold the
Magic Wand
tool, then select information technology.

two. This tool works like a brush that paints a choice. Each elevate will select more (adding to the selection). Dragging over role of an image volition select information technology. Then dragging over another part volition add together to the selection without y’all having to agree any keys. Drag over the woman to select her
body,
face, and most of her
hair. Do non worry about being perfect around the edge of the pilus. You lot won’t be able to get all the hair or exclude all the background; that will exist fixed in a moment.

Be sure not to miss any parts of her shirt, especially effectually the edges. Pocket-size portions of stripes may be left unselected. Become back and drag over any missing spots!

Tips for using the Quick Pick tool:

  • To
    subtract
    from a option, hold
    Option
    (Mac) or
    Alt
    (Windows) while dragging (the cursor in the center of the circle will change to a minus).
  • If you accidentally select something you don’t want, you can undo your mistake by hitting
    Cmd–Z
    (Mac) or
    Ctrl–Z
    (Windows).

three. To access the older
Refine Edge, concord
Shift
and cull
Select > Select and Mask. (If you lot’re using an older version of Photoshop and see
Refine Edge
in the
Select
card, you do not accept to concur Shift.)

4. Information technology’s a skillful idea to work on a copy of the original, so at the bottom of the window get into the
Output To
menu and cull
New Layer with Layer Mask. (Do Not click OK until nosotros tell you! We’re going to practise quite a bit with this dialog open.)

5. At the elevation of the dialog, click on the thumbnail to the right of
View.

6. In the menu that appears double–click on the
On White (W)
pick to cull it. (As we piece of work it will be easier to see the hair on white than on a more complex background like the bricks in our file.)

Some features of
Refine Edge
are non very intuitive to figure out on your ain, but information technology’s like shooting fish in a barrel to use once you lot know how. Nosotros’ll tweak the settings in the dialog later. The outset thing nosotros need to practise is tell Photoshop the transition area (radius) betwixt the hair and groundwork, so it can analyze it and refine it. It will essentially make the pilus choice for us.

7. In the Options bar at the top of the screen, set the Brush
Size
to near
125.

8. If the
Refine Edge
dialog is blocking the image, move information technology to the side so y’all can see the entire selection. It must stay open up every bit nosotros work.

9. The current view shows usa the electric current selection. Here we tin’t even run across the parts of the pilus that didn’t get selected. Printing
10
on your keyboard to disable this view.

10. You lot should now see the unabridged original photo. Paint over the edges of the hair. As you elevate you’ll meet a light-green highlight. You want that green highlight to cover some of the background and some of the hair. This green area volition ascertain where Photoshop looks to figure out what should be selected (the hair) and what shouldn’t be (the background). When you finish brushing, the green highlight will go abroad and you won’t run across annihilation change. Printing
10
to switch back to the selection preview. That is where you can see what happened (on the white preview background).

11. To go along working, press
Ten
again (so you run into the original photo with its yellowish groundwork) and paint more light-green highlight over the hair edges. Continue going back and forth betwixt edge highlighting and the choice preview (press
10
to switch back and forth) until you’ve highlighted all the hair edges. We will nevertheless exist able to better the quality past tweaking the settings, just first nosotros want to make sure the border highlighting is washed earlier looking at those settings. Things to keep in heed:

  • Be sure to pigment edge highlights over the yellow parts inside her hair to help eliminate them. Some of them are farther inside, not merely at the edge.
  • Don’t miss the pilus around the mentum.
  • In the
    Refine Edge
    dialog you lot may desire to bank check on
    Show Radius
    and then you tin can meet all the areas yous have painted. Make certain this covers the unabridged hair edge and that you didn’t miss whatever parts. Then uncheck
    Bear witness Radius
    before proceeding.

12. In the
Refine Edge
dialog try adjusting the
Radius. Equally y’all increase it, give Photoshop a moment to process the results. You probably won’t see a change in the hair because you defined that radius with the brush, but watch the shirt and arms because you did not brush there.

Larger values mean Photoshop will look for edges to refine within a larger area away from the option. Smaller values keep
Refine Edge‘s changes more localized and closer to the original selection.

Be careful of setting this also high because Photoshop will start going too far away from real pick edges and start making mistakes past thinking about edges it shouldn’t. Information technology’south better to continue this fairly small and paint effectually edges that are larger (like we did for the hair).

thirteen. Set the
Radius
to
3px, which we remember works well for this image.

14. Check on
Smart Radius, which in this image should always so slightly improve the edge detection.

fifteen. Permit’south endeavour a different preview to see the quality of our selection. At the acme of the
Refine Edge
dialog, click on the thumbnail to the correct of
View.

xvi. In the menu that appears, double–click on the
On Layers (L)
pick to cull information technology.

17. Allow’s see this at 100% zoom so we can truly judge the quality. Go into the
View
menu (at the top of the screen) and choose
100%
(or
Actual Pixels).

18. If you tin’t see the hair, hold the
Spacebar
and drag on the prototype to scroll to it.

nineteen. The edge tin clearly employ some improvement. There’s mode as well much yellow. Start by increasing the
Contrast
to
fifteen%. This should sharpen upwardly the selection and eliminate some xanthous. (NOTE: Specific amounts volition vary across photos, so we’ll recommend amounts nosotros think work for this photo.)

xx. To pull the selection in (and remove more yellow) set
Shift Edge
to
–25%.

21. The edge could use a little softening, and then set
Plume
to
1px.

22. You lot should now accept the following settings:

23. This is every bit skilful as we’re going to get with
Refine Border. Nosotros’ll gear up the remaining issues a different way. Click
OK.

NOTE: You may exist wondering why we’re not using the
Decontaminate Colors
option. While this may work on some images, we plant that it doesn’t on this epitome. We’ll show you another technique that offers more command (and tin can work when this option doesn’t).

24. In the
Layers
panel you should now accept a new layer named
original copy. Double–click the name and rename it
silo.

Filling in Missing Spots in the Layer Mask

i. Let’south take a closer expect at our mask. In the
Layers
panel, hold down
Option
(Mac) or
Alt
(Windows) and click on the silo’south black and white
layer mask
thumbnail.

two. In the document window you should now see a full-sized black-and-white version of the mask, which lets u.s. see the mask details more than clearly. If your mask has any black or gray spots in the eye of the face or the interior of the pilus, the following steps will explain how to fill in those gaps. Depending on how you made the pick, the mask may non need to be modified.

  • Select the
    Brush
    tool.
  • Press
    D
    to set the
    Foreground color
    to
    White. (When you’re working with masks, white areas reveal the layer and black areas hide it.)
  • Adjust the brush size and hardness equally necessary. TIP: Press the
    right bracket ]
    key to increase brush size. Printing the
    left bracket [
    to decrease size. To conform softness, hold
    Shift
    while pressing the
    left
    or
    right bracket
    keys.
  • Paint over any black spots that you lot think shouldn’t be there.

three. One time you’re washed, click on the
silo
layer’s
thumbnail
(not the mask thumbnail) to view the regular epitome again.

Removing the Yellow Colour Cast

Let’s remove the leftover yellow color fringing.

ane. Zoom to 100% so that yous can see the item of the pilus more easily.

two. Make sure the
silo layer thumbnail
is selected (NOT the mask thumbnail).

iii. Select the
Castor
tool.

4. In the Options bar, set the
Mode
menu to
Color.

v. Also in the Options bar, set the
Opacity
to
35%.

6. Choose a soft brush and set its size to about
125.

7. Hold
Option
(Mac) or
Alt
(Windows) and click on a black function of the pilus (that doesn’t accept a yellow bandage) to sample that color.

8. Paint in the fringe parts of the pilus that have yellow. With each brushstroke, it will remove a little more than yellow. Some parts volition look good with a single brush over, and others will need a few swipes.

Annotation: You may wonder why nosotros didn’t just use 100% to remove all the yellow. In retouching, we endeavor to remain true to the original photo, keeping as much of the original as possible. Using a lower opacity allows us to have more control and make subtle changes, which is especially important when there are color variations in the hair.

9. Brush over the remaining edges of the hair, adjusting the castor size as needed (like when you lot become near the mentum).

x. We want to remove any colour bandage on the skin as well. Find the xanthous highlights on her olfactory organ, lips, neck, and arm. Reduce the castor size to something more than appropriate for these areas. Call up that
left bracket [ reduces the castor size and
correct bracket ]
enlarges the brush size.

eleven. We desire to sample some of her skin colour to brand it look more than natural. While property downwards
Selection
(Mac) or
Alt
(Windows), click on an expanse of the skin that does not have the yellow color cast (we suggest a normal part of the nose for the yellow cast border of the olfactory organ, neck for neck, etc.).

12. Paint onto the yellow bandage areas:

  • nose
  • lips
  • cervix
  • arm

thirteen. In one case you’re done removing the yellow, it’s a skillful idea to gear up the Brush fashion dorsum to normal (so the next time you use the tool, it will be set properly). In the Options bar, prepare the
Mode
carte du jour to
Normal.

Concluding Refinement of the Hair Mask

If you expect closely, at that place’s still a light halo effectually the hair. Let’s acuminate the edges of the hair a little more than by using Curves on the layer mask.

1. Click on the
silo
layer’s
mask
thumbnail.

2. Hitting
Cmd–M
(Mac) or
Ctrl–M
(Windows) to apply a
Curves
adjustment (this is the keystroke for
Image > Adjustments > Curves).

3. Darkening up the mask will hide more of the photo. Conform the blackness point and darken the mask with a curve adjustment as shown below:

four. Uncheck and re-cheque
Preview
to see the improvement. Detect that the grayness halo is reduced around the edges of the pilus.

5. Click
OK.

half dozen. Let’s see how the
silo
layer looks on the beach. In the
Layers
panel, hibernate the
Bricks
layer by clicking the
center.

7. This is looking pretty good. Here are some other things you may want to do:

  • Selectively remove unwanted flyaway hairs. (Select the
    silo layer mask
    and paint
    black
    over them.)
  • Fade out the edges of the hair to make them partially transparent. This depends on the look y’all’re going for, so it’s optional. If you want, choose a
    large soft castor
    with a
    low opacity
    (around 10%). Choose
    black
    and paint around the edges of the pilus, to make them appear more transparent. Yous could also use the
    Blur
    tool to soften the edges of the hair mask.

viii. Lastly, we desire her to face up the other style, so go to
Edit > Transform > Flip Horizontal.

9. Choose
View > Fit on Screen
to see the whole prototype. Nice!

Final Thought: Keep in mind that
Refine Border
works improve on some images than others. Information technology’s pretty quick and like shooting fish in a barrel then it’due south good to know, but it’southward non always perfect. It may be practiced enough for a specific image and background, just may non exist skilful plenty to create a silo that works on any groundwork. For example, this image is fine on these brick and beach backgrounds, but non good on a black background. At that place are many techniques to select pilus because at that place are so many variables. Y’all’ll explore other techniques in the next ii exercises.

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Source: https://www.nobledesktop.com/learn/photoshop/refine-edge-hair