Sony A6500 Weight With Kit Lens

By | 23/11/2022

A6500 Summary

What a photographic camera! The Sony A6500 takes the best of the fantabulous A6300 which launched but 8 months earlier, and adds several very important new features. Sports shooters in particular will dearest its much more than generous buffer depth, and its new hybrid epitome stabilization organisation and impact-screen display functionality will exist of benefit to all. But tin they justify its significantly higher pricetag, or would you be better off with the A6300? Detect out now in our in-depth Sony A6500 review!


Comfortable, premium body with skilful controls; Impact-screen for discipline pick; Hybrid image stabilization organisation; First-class epitome quality; Better loftier ISO JPEGs than the A6300; Extremely fast eleven.ane fps burst capture; Very deep buffers for raw and JPEG alike; 4K video capture with no pixel binning


Pricey for an APS-C camera; JPEG colors aren’t the most accurate; Very deadening buffer immigration; Laggy impact-pad AF function; Poorly-placed movie button; No headphone jack; Mediocre battery life

Toll and availability

The Sony A6500 started shipping in November 2016 with a suggested retail price of around US$1,400. As of June 2017, information technology currently lists for US$1,300 and is officially sold body-only, though some retailers are bundling it with various lenses and accessories.

Imaging Resource rating

out of v.0

Sony A6500 Review

by Mike Tomkins, Jeremy Gray, Zig Weidelich and Dave Pardue

Preview posted: 10/06/2016
Concluding Updated:

11/19/2016: Initial Gallery Images posted!
11/27/2016: Field Exam Part I posted!
12/06/2016: First Shots posted!
12/20/2016: Performance page posted!
02/05/2017: Field Exam Part 2 posted!
05/xix/2017: Image Quality Comparing and Impress Quality posted!
06/07/2017: Conclusion posted!

Sony’s APS-C photographic camera lineup has a new flagship model, the A6500. While information technology shares the same 4D Focus autofocus organisation as the before A6300, the A6500 features vastly improved continuous shooting capabilities cheers to an expanded buffer and a new front-end LSI chip. The sensor within may offer the same 24.ii-megapixels of resolving ability, merely it is now accompanied by in-trunk 5-axis image stabilization, a first for a Sony APS-C camera.

Other updates in the A6500 include a touch on-screen display that allows for intuitive subject selection fifty-fifty when shooting through the viewfinder, a subtly restyled body for better treatment, a revamped and more than logical menu system and better loftier-sensitivity noise performance when shooting in JPEG mode.

Same smashing 24-megapixel APS-C sensor as the A6300

The A6500 features a 24.2-megapixel APS-C Exmor CMOS sensor. The sensor, like the 1 found in the A6300, includes a variety of interesting technologies to help provide superior operation. The sensor combines a large photodiode substrate and a specially thin wiring layer (compared to previous sensors from Sony) which allows the sensor to collect light more efficiently. Additionally, the sensor utilizes quick-transmission copper wiring that aids the A6500 in capturing ultra-high definition 4K and loftier-speed Total HD video.

The 3:two ratio sensor records vi,000 x 4,000 pixel images in JPEG and raw file formats, with the latter format being 14-bit raw (although non uncompressed). Files can exist recorded in sRGB and Adobe RGB color spaces, and the camera includes 13 types of Moving-picture show Effects (including Posterization, Pop Colour, High Contrast Monochrome and more). Creative Styles such as Standard, Bright and Sunset, all with contrast, saturation and sharpness adjustments are likewise available.

Not everything is the aforementioned equally it was in the A6300, all the same, as Sony has made advancements to its BIONZ X image processing engine. A newly-adult forepart-end large calibration integration (LSI) scrap and an optimized image processing algorithm contributes to improved texture reproduction and image quality. In addition to ameliorate image quality, the A6500 is said to offer less dissonance, peculiarly in the mid-to-high ISO sensitivity range. The A6500’southward native ISO range is 100-25,600, but it can exist expanded to upward to ISO 51,200.

A6500 adds in-torso 5-axis image stabilization and more than

The A6500 can compensate for five types of photographic camera milkshake with its new in-body 5-axis image stabilization arrangement, which is a kickoff for an APS-C photographic camera from Sony. The camera uses a high-accurateness gyro sensor to provide stabilization equivalent to 5 stops co-ordinate to CIPA testing standards. By pressing the shutter release halfway, you lot can monitor the epitome stabilization effect through the viewfinder or on the rear LCD, which allows you to ensure authentic framing and focus. When using an Eastward-mount lens that has built-in optical epitome stabilization, the camera body handles horizontal, vertical and roll axis compensation while the lens compensates for pitch and yaw.

Despite this addition, thanks to reorganizing the camera’due south internal components, Sony was able to keep the A6500 body roughly the same size as the A6300. With a battery and Retentivity Stick Pro Duo bill of fare included, the A6500 weighs approximately a pound (453 grams) and has 4.75 10 two.75 x ii.xiii-inch dimensions (120 ten 66.9 x 53.three millimeters). That’s only 1.vii ounces (49g) heavier and 0.18 inches (4.5mm) thicker than the A6300; the other dimensions are identical.

Synthetic from magnesium alloy, the torso is designed to be durable and reliable. It isn’t simply the body that’south been crafted for durability, withal, as the shutter mechanism has likewise been tested up to 200,000 release cycles. Speaking of the shutter, Sony has added braking mechanisms and elastic material that are said to reduce vibration during shutter release. Unfortunately, summit shutter speed is still 1/4000s, fifty-fifty with the electronic shutter.

To help you shoot in adverse conditions, the A6500 as well includes grit and wet resistance, including sealing effectually buttons and dials and a double-layered structure that creates tight locks between various components and panels. Borrowing from the A7 Ii serial, the A6500 also includes a more than robust lens mount.

Two of the A6500’due south well-nigh notable body features relate to its displays. The iii-inch TFT LCD monitor on the rear of the camera now has a affect panel overlay. Sony shooters have been clamoring for better touchscreen integration in Sony’s diverse camera lineup and the A6500 answers the phone call. The tilting display can angle up approximately 90 degrees and down roughly 45. When shooting through the photographic camera’south new electronic viewfinder (more on that in a moment), you can use the rear display to select a focus indicate using touch. The Touch Pad function allows the user to swipe a finger across the display and change the focus point.

Speaking of the electronic viewfinder, the A6500 includes an XGA OLED Tru-Finder. The high-contrast, loftier-resolution XGA OLED viewfinder is said to better reproduce darkness, color and fine details. It tin can exist used with either 120 or sixty frames per 2nd NTSC frame rates (100 or 50 for the PAL standard) and has approximately 2.36-million dots. The 0.39″-type electronic viewfinder offers a 35mm equivalent magnification of 0.70x and 100% field coverage.

Also the new internal features, addition of touchscreen functionality and an improved electronic viewfinder, you couldn’t be faulted for not seeing much departure between the A6300 and A6500 bodies. On the back of the photographic camera, the button layout is identical, save for a button condign a C3 push instead of a C2 push button. This modify is due to Sony adding an additional C button on the top deck of the camera (which is otherwise unchanged in layout and functionality from the A6300). While the photographic camera looks basically the same, the feel of it is stated to accept been improved. The forepart grip is further recessed for improved comfort and the release button is larger. The experience of the mode and command dials and the rear face buttons has been enhanced and the viewfinder’s eyepiece cup is now softer.

The A6500 withal includes a born pop-upwards wink which has a guide number of six meters at ISO 100 ( feet) and offers a claimed flash coverage of 16mm. Upward to +/-iii EVs of wink bounty is bachelor and you can utilize flash bracketing. The wink recycles in approximately 4 seconds. The photographic camera has the same ane/160s 10-sync as its predecessor, which is somewhat disappointing.

Sony A6500 uses same AF organization institute in the A6300 (and that’s non a bad thing)

When the A6300 was released last spring, we plant its new 4D Focus autofocus system to exist i of its strongest features, offer up a massive array of both phase detect and contrast observe autofocus points and corking speed. The A6500 uses this same organization which has 425 phase detection points and 169 contrast observe AF points. The hybrid AF system can acquire focus in as piffling as 0.05 2nd and has a sensitivity range of -1 to 20 EV.

To help with continuous autofocus, the high-density focus system includes sophisticated tracking applied science (which worked very well in the A6300). Additional focus features include Heart AF (which is uniform with AF-C), Lock-on AF (in which the camera automatically tracks a selected subject field through the frame) and autofocus capabilities when using Focus Magnifier.

New menu interface is improved merely however not perfect

Here at Imaging Resources, we have consistently remarked when reviewing Sony cameras that the menu system needed work. The A6500’south revamped menu arrangement isn’t perfect, but it’s a definite improvement. The refined user interface has a new categorization scheme, which displays group names and colored tabs, however while bill of fare items at present appear to exist grouped more than logically, the colors don’t seem to have whatsoever real meaning to them. And there can exist a lot of pages — literally dozens of them — under each tab. Regarding file naming, the A6500 allows for customized file names so yous don’t have to utilise the standard DSC prefix.

The A6500 utilizes a 1200-zone evaluative metering system and Exmor CMOS metering sensor. Its sensitivity is -2 to 20 EV and it offers evaluative, center-weighted and spot metering. You lot can link the metering spot location to the focus area when using flexible spot or expand flexible spot autofocus areas. There are 2 new metering modes: “highlight” and “unabridged screen boilerplate.” The onetime meters exposure while focused on the brightest part of the frame and the latter maintains an average for the entire prototype.

Your standard assortment of shooting modes are all present (programme, aperture priority, shutter speed priority and manual), merely the A6500 also includes creative modes, such as sweep panorama and scene selection. The A6500 besides has a silent shooting style which allows for shooting at up to 3fps with full AF/AE tracking without the racket of faster continuous shooting modes, ideal for situations where silence is a necessity.

Remote control shooting has been improved as well. The A6500 includes both Wi-Fi and NFC connectivity, and so it is fully compatible with Sony’s suite of PlayMemories Camera Apps, including Smart Remote Control, but you tin can as well control the A6500 via a connected computer. You lot tin can command the camera’s settings from the computer and even tape images to both the camera and computer. The A6500 besides adds Bluetooth 4.1 and can geotag images with GPS location info from your smartphone.

Demo of A6500 JPEG buffer performance in 11fps Hullo+ way

A6500 can shoot up to 307 consecutive frames at high speeds

The same improved LSI scrap that contributes to improved high ISO image performance is also responsible for the A6500’s vastly-expanded buffer depth. Naturally, how big the buffer depth is in the A6500 depends on image quality, simply when you are shooting in the Hello Continuous drive fashion and recording “Fine” JPEG images, Sony claims that the A6500 can record upwardly to 307 images over a duration of 35 seconds.

The camera can shoot even faster than that, however, when recording in the Hello+ continuous shooting fashion which provides 11fps shooting versus the 8fps shooting bachelor in Hi. When shooting at 11fps, JPEG buffer depth decreases to 200 frames, which still eclipses the 47 Fine (44 Extra Fine) JPEG frames that the A6300 could consecutively capture. When recording RAW images, the A6500 is rated by Sony to capture upwards to 107 frames (100 when recording RAW + JPEG) when shooting in the Hi+ drive mode (11fps). And impressively, the A6500 managed slightly
numbers in the lab, with an impressive 88-frame improvement in RAW file buffer depth.

Demo of A6500 RAW buffer functioning in 11fps How-do-you-do+ mode

A6500 includes same impressive 4K capabilities, adds Tedious and Quick Motion mode

Similar the A6300, the A6500 offers internal 4K recording. Shooting 3840 x 2160 resolution video in Super 35mm format — which utilizes the image sensor’south entire width — the A6500 has full pixel readout capabilities and doesn’t bin pixels. This results in the photographic camera collecting 6K of information, thus oversampling it to produce 4K footage. 4K footage can be recorded upwards to 30 frames per 2d and 4K video is recorded at a 100 Mbps bit charge per unit in the XAV S codec. Full HD video tin be recorded at up to 120fps.

When recording 4K or Full HD video, users tin can select Southward-Log gamma recording which offers approximately 14 stops of exposure latitude in the S-Log3 setting. This is platonic for users who will be doing extensive mail-production on video files equally it provides expanded flexibility. The A6500’s gamma display assist allows you to view video recording in S-Log gamma settings with more than natural-looking dissimilarity and exposure.

The new Boring and Quick manner supports both slow motion and quick move. Information technology does this by allowing selection of eight dissimilar frame rates ranging from 1 to 120fps. The stop result is up to 60x quick motion and 5x ho-hum motion video recording. The captured footage can exist previewed correct on your camera without the need to view it on a computer.

If you desire to take full advantage of the camera’south 4K video recording for still images, you can do that at present too. The A6500 allows you lot to extract 8-megapixel stills from 4K video and two-megapixel stills from Full HD video.

Sony A6500 bombardment life, ports and connections

The A6500 uses the same rechargeable NP-FW50 lithium-ion bombardment pack as the A6300, which allows for upward to 310 shots when using the electronic viewfinder and 350 shots when using the LCD monitor according to CIPA battery life figures. Unsurprisingly given the A6500’s higher functioning and built-in epitome stabilization, that’s down from 350 and 400 shots per charge respectively for the A6300. Like the A6300, the A6500 supports internal battery charging via USB.

Wired connectivity includes a Multi Micro USB 2.0 last, a Micro HDMI (Blazon-D) connector, Multi Interface hot shoe and a 3.5mm external mic jack (the A6500 includes a born stereo microphone). The Multi USB last as well supports an optional RM-VPR1 wired remote control and tethered remote shooting from a Windows or Mac computer running Sony’southward Remote Camera Control utility. The A6500 doesn’t include a headphone jack nor a vertical grip connector.

Too like the A6300, the A6500 records to Retentivity Stick Duo and SD retentiveness cards and supports UHS-I, only not UHS-II, which is a bit surprising given the A6500’s accent on continuous shooting performance. As mentioned above, the A6500 includes Wi-Fi and NFC compatibility every bit well every bit QR functionality.

Comparing the Sony A6500 to the A6300

With the A6300 released in March 2016, information technology might seem surprising that the A6500 was announced in early October of the same yr, merely the Sony A6300 volition continue to be sold alongside the new model. While the 2 APS-C cameras look similar, there’s no mistaking the A6500’s identify as the new flagship camera in Sony’southward mirrorless APS-C lineup. The sensor and autofocus systems are shared, but the vast increase in continuous shooting buffer makes the A6500 much more suited for high-speed shooting situations. Not only that, simply the touchscreen functionality, enhanced electronic viewfinder, in-torso image stabilization and redesigned menu organisation make the A6500 a much friendlier camera to use and all of these improvements address issues we had with the otherwise excellent A6300 photographic camera.

Earlier this yr, my colleague Jeremy Grayness published his review of the Sony A6300, a followup to 2014’due south amazingly popular A6000. Now in double-quick time that camera, too, has a successor in the form of the A6500. Recently, I was fortunate to shoot with the A6500 on a printing experiential in Austin, Texas.

In all, I had three cameras on manus to shoot with during the week: The aforementioned A6500, the Translucent Mirror-based Sony A99 II and the pocket-friendly Sony RX100 V meaty. With the A99 Ii in short supply, though, and the RX100 V perhaps not the most ideally-suited to the subjects on hand thanks to a relatively brusk lens, information technology was the A6500 with which I did the most shooting.

Read more in Part I of my Field Test!

Late concluding yr, I started my review of the A6500 mirrorless photographic camera with my first Field Examination, packed with great activeness shots from a press experiential in Austin, Texas. The 2nd role of my written report has been a little while coming thank you to the holiday flavor, flu bugs, tradeshows and more, but the good news is that information technology’s here now!

In this Field Test, I’ll exist looking at two main areas for which I didn’t have enough content from the press experiential: Low-low-cal shooting, and video capture. First of all, a quick epitomize of my before Field Exam would probably exist helpful for those of you who’ve non already read it, or who read it at the time but don’t remember all of the details. (If you lot’ve not read information technology withal, though, I highly recommend going back and starting from the start.)

Read Sony A6500 Field Test Part II

Here we present crops from our laboratory Withal Life target comparing the A6500’s paradigm quality to that of its predecessor’s, the A6500, as well every bit against several enthusiast or premium ILC models at similar price points and/or resolutions: the Canon M5, Fuji X-T2, Nikon D7200 and Olympus PEN-F.

Note: These images are from all-time quality JPEGs straight out of the camera, at default settings including noise reduction and using the camera’s bodily base ISO (not extended ISO settings). All cameras in this comparison were shot with our very precipitous reference lenses. Clicking any ingather will take yous to a carrier page where you lot can click one time again to admission the full resolution prototype as delivered straight from the camera. For those interested in working with the RAW files involved, click these links to visit each photographic camera’s respective sample prototype thumbnail page…

See our Sony A6500 Image Quality Comparison

Sony surprised us with its quick double-whammy of the A6300 and A6500

When Sony first told us of the A6500 belatedly final year, nosotros must admit we felt a mixture of surprise and cliffhanger. Following very closely in the footsteps of the A6300, the A6500 was in many respects extremely similar to that photographic camera — much more so than we’d have expected given that the duo launched just eight months autonomously. The A6500 is based around the same 24.ii-megapixel, APS-C sized image sensor as previously featured in the A6300, and also retains its indicate-dense AF system, tilting LCD monitor, flash setup, storage, battery and wired / wireless connectivity options.

The A6500’south much larger buffer makes sports shooting far more satisfying

But our confusion rapidly evaporated once nosotros learned that the A6500 wasn’t a replacement for the A6300, and that both cameras would sit down side-past-side together at retail for the foreseeable hereafter. And so what differentiates the pair? Well there are several significant difference, merely for my coin, the really big deal hither is an extremely worthwhile increment in buffer capacity.

Read our Sony A6500 Conclusion!

In the Box

The Sony A6500 retail kit package (as reviewed) contains the following items:

  • Sony Alpha ILCE-6500 photographic camera body
  • NP-FW50 rechargeable Li-ion battery
  • Shoulder strap
  • Micro USB cablevision
  • Accessory Shoe cap
  • Trunk cap
  • Eyepiece cup

Recommended Accessories

  • Large capacity SDHC/SDXC memory card. 32GB Course x should be a minimum; UHS Speed Course U3 designation is required for recording video bitrates of 100Mbps or more.
  • Spare NP-FW50 battery pack (~The states$fifty)
  • BC-TRW Dedicated Bombardment Charger (~Us$35)
  • HVL-F60M External Flash/Video Low-cal (~United states$450)
  • Lenses

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