Sony A7r Iii Lens For Video

By | 14/10/2022

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There are many types of lenses uniform with Sony A7 III. However, deciding the correct type depends a lot on the type of photography you’re involved in. For example, if you take a lot of portrait pictures, you lot should go a telephoto lens. Similarly, for video recording, and then you should consider getting a video-focused lens.

When buying a lens for the A7 Iii, endeavor and stick to FE lenses. These are designed specifically for that full-frame sensor and will evangelize the best quality images. For expert bokeh and portraits, target a fast prime. For versatile travel lenses, a good, wide-angle, or tele zoom would be the ideal pick.

Additionally, if yous’re looking at shooting video, whether for vlogs, documentary piece of work, or Youtube, wait for fast lenses with linear motors. A hefty focus ring will as well assist when you need some transmission focus. Weather and dust resistance are also slap-up features to have if you’re going to exist traveling while shooting.


  • Best Lenses for Sony A7 Three in 2022
    • 1. Best Sony A7 III: Sony FE 12-24mm F4 Yard
    • ii. Best For Close-up Portraits: Sony Fe 135mm F1.8 GM
    • 3. Best For Mural Photography: Sony Atomic number 26 24mm F1.4 GM
    • 4. Best For Architectures: Sony E 18-200 F3.5-6.iii OSS LE
    • 5. Best Wide-bending For Nighttime: Sigma 16mm F1.iv DC DN C
    • 6. Best Long-range Telephoto: Tamron 70-300 F4.5-6.3 Di 3 RXD
    • 7. Best For Low-light Portraits: Sigma 30mm F1.four DC DN
    • 8. Best Affordable Telephoto: Sony Eastward 55-210 F4.5-6.3 OSS
    • 9. Best Affordable Wide-angle: Sony E PZ 16-50mm F3.5-5.six OSS
  • Often Asked Questions
  • Verdict

All-time Lenses for Sony A7 Three in 2022

I’ve covered everything from Sony’s best G Chief lens to clay-cheap zooms here to ensure that regardless of skill or budget, you have a lens option for your A7 3. I’d recommend sticking to Atomic number 26 lenses for stills and video, just if you’re on a budget, E mountain lenses will suffice.

Sony FE 12-24mm F4 G

  • Type: Zoom
  • Focal range: 12-24mm
  • Aperture: f/4
  • Weight: 1.25 lbs

Good ultra-broad zooms are difficult to master just very rewarding when used correctly. They’re also expensive and good ones are hard to notice. With
Sony’south Iron 12-24mm F4 1000, this is exactly what you’re getting. Existence a G series lens, yous can rest assured of its build and epitome quality.

Design, Build, Compatibility

This FE series lens from Sony is a full-frame lens that goes from an ultra-wide to a wide-angle focal length. The body is generally made of plastic, but that’southward what keeps it from being likewise heavy. Rubberized grips for the focus and zoom rings help with ergonomics, and a metal lens mount ensures a sturdy and stable connection.

Focusing Technology

Sony’southward cameras have superb autofocus systems, and a good lens like the Iron 12-24mm is a perfect pairing. The lens uses Sony’s Direct Drive SSM motor which uses a piezo-electric element that expands and contracts when charged, pushing the lens elements dorsum and forth. The consequence is shine and virtually silent AF operation.

Lens Elements

The lens comprises four aspherical elements, a single super ED element, and iii ED elements. ED and Super ED glass are expensive to blueprint and manufacture simply essential for reducing chromatic aberration and other unavoidable spectrum artifacts resulting from the physics of lens design.

Capability Specifics

While this lens has a relatively modest F4 aperture, which negatively impacts low-calorie-free operation, the F4 aperture is maintained throughout its zoom range. This is especially useful when shooting video as white residual and exposure can be locked with little to no effect on epitome quality.

Who should consider this lens?

This 12-24mm lens is rectilinear, i.e. it’s an ultra-wide zoom that isn’t distorted similar a fish-center. This feature, which results in a depression barrel or pin-cushion distorted at the ultra-broad and broad ends, makes for a very capable if expensive zoom that’s neat for landscape and video shooters alike.

  • 12mm ultra-wide
  • Rectilinear image output
  • F4 throughout the zoom range
  • Lightweight body
  • Metal lens-mount
  • Very expensive
  • Low calorie-free operation hampered by F4 aperture

Sony FE 135mm F1.8 GM

  • Type: Telephoto
  • Focal range: 135mm
  • Aperture: f/one.8
  • Weight: 2.08 lb

FE 135mm F1.8 GM
Main from Sony is a dream lens for portrait photographers. The focal length is a not bad focal length for capturing portraits, and that massive F1.8 aperture will take care of whatsoever background blurring needs you might have. This is an expensive lens, simply a worthy investment for the serious photographer.

Design, Build, Compatibility

The lens uses an FE mount and is thus uniform with Sony’s full-frame and APS-C cameras. The body is made of plastic, but practiced quality plastic, which also ends upward keeping the weight down. The lens features an aperture ring toggle that makes the ring clicky or smooth, depending on whether you’re shooting stills or video.

Focusing Technology

Sony employs four loftier-quality XD Linear Motors to enable fast, precise, and serenity autofocus. Paired with Sony’s incredible face and eye-observe AF, you’ll never miss a shot. There is a ton of focus-breathing, nonetheless, which tin be distracting when shooting video. For a stills lens, 1 couldn’t ask for a meliorate system.

Lens Elements

The lens is configured with 13 elements, virtually of which are designed to cut down on distortion. This includes an extreme aspherical (XA lens) as well as the obligatory ED and Super ED elements for cutting down on chromatic aberration. The XA lens and general design issue in little to no spherical aberration.

Capability Specifics

Being an expensive GM series lens, the 135mm FE is one of the fastest, sharpest portraits y’all can buy for the Sony mirrorless system. As expected from a pro lens, information technology’due south besides conditions sealed. Photographers dear its handling characteristics, and the creamy bokeh yous go from an F1.viii discontinuity on a telephoto just can’t be matched.

Who should consider this lens?

Given the toll of the Fe 135 GM, this is a good telephoto lens for Sony A7 III that pros or serious hobbyists can rely on. Image quality is impeccable and treatment is superb, and the F1.8 aperture is only the icing on the proverbial cake. Y’all could get a cheaper Sigma 135 F1.8 for much less coin, but you’ll exist sacrificing a lot in terms of treatment.

  • Images are sharp even wide open
  • Fantabulous bokeh from F1.8 aperture
  • 135mm presents expert compression
  • Superb handling characteristics
  • Weather-sealed torso
  • Very expensive
  • Severe focus animate that’s bad for video

Sony FE 24mm F1.4 GM

  • Type: Broad-angle
  • Focal range: 24mm
  • Aperture: f/1.iv
  • Weight: 0.98 lbs

On full-frame cameras like the A7 Three, 24mm is the perfect focal length for travel photography and video, and I’m glad Sony acknowledged that and created a GM variant in that focal length. The
FE 24mm F1.iv GM
lens comes with a wide F1.4 discontinuity and several video-focused features that will really help travel vloggers become that perfect shot.

Design, Build, Compatibility

This 24mm GM lens is 1 of the smallest and lightest lenses in its class. It’s a premium lens, though, and comes with a atmospheric condition-sealed torso, Sony’southward all-time drinking glass, and compatibility with Sony’s range of E-mount cameras. It’southward missing IS (paradigm stabilization), but if the trade-off is the compact size, it’s worth it.

Focusing Applied science

Focusing occurs via DDSSM piezo-electric motors that are fast and virtually silent. The silent motor is especially good for video since motor noise is not picked up by on-camera or mounted mics. Focus breathing is nearly non-existent too, further adding to the lens’south video capabilities.

Lens Elements

The lens features three actress-low dispersion elements and two XA elements. The former dramatically reduces chromatic aberrations, while the latter takes care of any spherical abnormality. The result is images that are very sharp all the fashion from F1.4 to F16. A nano AR coating improves contrast and colour accuracy.

Capability Specifics

This meaty, lightweight lens is the perfect travel lens. It’s a great all-rounder with particular emphasis on video. The focus band, for example, has a linear response to ensure that focus pulls happen smoothly, reliably, and in a repeatable way. The only thing y’all need to lookout out for is stiff flaring in some situations.

Who should consider this lens?

If there’s only one lens you lot cull to have in your kit, information technology should be this 24mm F1.4 GM. Information technology’s a fast, light, compact lens that volition evangelize cracking shots in any situation and in any lighting. Whether you shoot stills or videos, this is the all-time wide-angle lens for Sony A7 Three. And with its impeccable epitome quality, you’ll not be left wanting.

  • Meaty, lightweight lens
  • Excellent sharpness
  • F1.iv is perfect for depression light and bokeh
  • Circular bokeh assurance
  • Piffling to no focus animate
  • No image stabilisation
  • Strong flaring when shooting into light

Sony E 18-200 F3.5-6.3 OSS LE

  • Blazon: Zoom
  • Focal range: 18-200mm
  • Aperture: f/3.5-6.iii
  • Weight: one.02 lb

Kit zooms like the
Sony E xviii-200 F3.v-6.3
E-mount here are unexciting considering they don’t offer crazy bokeh or fancy features. However, these lenses are a great budget pick for those intending to explore their skills and discover their shooting style. They may non be heady, but they’re versatile and powerful. A great learning tool.

Design, Build, Compatibility

The price is a fleck high for what is an APS-C zoom, but Sony’s made sure you’re getting your money’s worth. This is a well-congenital lens with dust and moisture resistance and the focus and zoom rings are rubberized. This is, again, an APS-C lens so you lot’ll demand to crop in when shooting on an A7 3.

Focusing Technology

Loftier-quality linear motors ensure fast, nearly silent focus with whatsoever of Sony’s powerful East-mount APS-C and full-frame cameras. Information technology’south fully compatible with Sony’south confront and centre AF systems merely the camera is geared more than towards stills than video. The focus ring is not mechanically coupled with the lens and is very smooth in apply.

Lens Elements

A couple of extra-low dispersion elements are responsible for mitigating issues like color fringing and chromatic abnormality. Four aspherical elements deal with astigmatism, curvature, coma, and other optical aberrations. In any example, these elements combine to give clean, precipitous, punchy images in practiced lighting atmospheric condition.

Adequacy Specifics

This 18-200mm LE lens is designed for APS-C cameras only is compatible with Sony’s total-frame A7 III. The zoom range lends a great deal of versatility to the lens, but the small aperture will require the use of high ISOs when shooting in the dark. Sony’south OSS implementation should mitigate some of these problems.

Who should consider this lens?

This is a practiced travel lens and a great kit for learning on. The 11x zoom range is versatile, merely this is an E-mount lens and will not use the entire frame of your A7 Three. If you’re a hobbyist who’south learning the ropes or a photographer who just wants a single lens in their kit, this 18-200 LE lens is worth checking out, though.

  • Broad zoom range
  • Linear motors for fast, smooth focus
  • Great build quality
  • Circular aperture blades
  • Optical image stabilisation
  • Small-scale discontinuity is bad for low lite
  • Due east-mount forces an APS-C crop on the A7 Iii

Sigma 16mm F1.4 DC DN C

  • Type: Prime
  • Focal range: 16mm
  • Aperture: f/1.four
  • Weight: 0.89 lbs

A good, fast, wide-angle lens is necessary in whatever lensman’s toolkit, and a skilful identify to showtime is this
Sigma 16mm F1.4
for Sony’s E mount. You’ll be forced to shoot in an APS-C crop mode on an A7 III of class, but the lens’s low price compared to similarly specced wide-angle total-frames gives it an border.

Design, Build, Compatibility

This is a solid, weighty lens with the excellent build quality and a massive focus ring. In that location’south no paradigm stabilization, limiting its utilise for video. Rubber gaskets give the lens dust and splash resistance, just don’t go taking it underwater or in stormy weather. A hefty brass lens mountain ensures a solid, reliable fit with your camera.

Focusing Technology

Sigma uses a stepping motor for moving the focus element group and is very smoothen. It’southward non the fastest arrangement around, simply it’due south fast enough for stills and video. There is some slight racket from the motor and a bit of focus hunting that you need to watch out for, but information technology’south only noticeable when shooting quiet moments.

Lens Elements

The lens features 16 lens elements in 13 groups. Three FLD elements – the highest quality low-dispersion drinking glass that Sigma offers – help with light transmission. SLD or Spherical Low Dispersion elements handle spherical aberrations. All these elements are necessary to ensure that the lens is sharply broad open at F1.4.

Capability Specifics

The lens is sharp at F1.4 but you’ll need to cease down to F2 or lower for optimal sharpness and for reducing aberrations in the corners. Since it’s an APS-C lens, the strong vignetting wide open can’t exist helped. Macro shots do prove some colour fringing and in that location’south a lot of lens flare when shooting into light sources.

Who should consider this lens?

The USP of this lens is that it’s fast and cheap. The APS-C crop will limit the capabilities of your A7 III, only you become a fast discontinuity and a focal length that’s ideal for everyday use, and at a expert toll at that. It’s not the best lens for Sony A7 III, merely it’s a fun one with great dissimilarity and fantastic build quality. Practice you actually demand more from a lens?

  • F1.4 is adept for depression calorie-free
  • Excellent build quality
  • Good contrast
  • Smoothen focus motor
  • Good value
  • Due east mount will require an APS-C crop
  • Strong vignetting at f/one.four

Tamron 70-300 F4.5-6.3 Di III RXD

  • Type: Zoom
  • Focal range: lxx-300mm
  • Discontinuity: f/four.v-6.3
  • Weight: 1.2 lbs

A seventy-300 lens is every budding lensman’s secondary lens. It’southward a dandy zoom range for when you demand reach, and while budget lenses like the Tamron aren’t fast, you do go to experiment with compression and bokeh. The
Tamron 70-300 F4.five-vi.3 Di 3 RXD
also happens to exist one of the smallest and lightest lenses in its class.

Pattern, Build, Compatibility

Tamron’due south 70-300 Di III is generally made of plastic but quality control is good and the lens is sturdy. At five.viii-inches in length when complanate, this is a compact lens that’ll easily fit into a photographer’s bag. It’due south designed equally an Fe lens for Sony’south full-frame cameras and is a skilful pairing for the A7 III.

Focusing Engineering

The lens uses Tamron’s RXD (Rapid eXtra-silent stepping Bulldoze) motors that are silent and smooth, simply not as fast as linear motors. The system is of course compatible with Sony’due south hybrid face and eye AF organisation, but the motor won’t be able to proceed up with rapidly moving subjects. It’southward more suited for cinematic subject transitions and the similar.

Lens Elements

15 lens elements are sorted into 10 groups and the choice of elements puts accent on resolving power. This isn’t a fast lens then dealing with chromatic abnormality and the similar is much easier and doesn’t crave too many expensive lens elements. Images are sharp throughout most of the zoom range.

Capability Specifics

The Tamron 70-300 is a upkeep travel zoom, and you can tell. It’s missing the large apertures and fast focus motors of more expensive lenses and will require to bump up ISO significantly indoors and in low light. It’s groovy for video, though, and for the price, prototype quality and performance is very good.

Who should consider this lens?

Tamron’s lxx-300 is a cracking secondary lens to shoot on if you’re a photographer on a upkeep. It’due south built to a price and is thus unsuitable for professional person piece of work. For hobbyists and the like, however, information technology’s a great choice. The small size and depression weight brand it comfortable and piece of cake to bear around too.

  • Value for money
  • Bang-up zoom range
  • AF performance is good for video
  • Well congenital for the cost
  • Depression weight for the focal range on offer
  • Meaning baloney at 300mm
  • Pocket-size aperture

Sigma 30mm F1.4 DC DN

  • Type: Prime
  • Focal range: 30mm
  • Aperture: f/1.4
  • Weight: 0.58 lbs

Sigma 30mm F1.iv DC DN
is i of the most popular and highest-rated lenses for Sony’s Due east mountain organization. A feat that’s understandable given the lens’south excellent features and superb pricing. Additionally, you get a fast F1.4 discontinuity and 45mm equivalent focal length, which is ideal for portraits and street photography

Blueprint, Build, Compatibility

The lens is made of a Thermally Stable Blended (TSC) material that feels metallic. It’s likewise a meaty lens so it feels dumbo and solid. A large focus ring is the but control dial you get, and there’s a contumely E mountain ring at the rear. On an A7 Three, y’all’ll need to shoot in the APS-C ingather style.

Focusing Technology

Sigma’southward used a fast stepper motor hither, and while I usually recommend linear motors, this one’s fast and reliable. Focus is snappy with very piddling hunting, which is great for both stills and video. Manual focus happens by wire and some users have complained that the ring is too shine, though.

Lens Elements

With nine lens elements in seven groups and one loftier-refractive alphabetize, loftier-dispersion glass element with high anomalous partial dispersion, images are tack sharp in the center. The pattern also incorporates aspherical and double aspherical lens elements to control chromatic aberrations.

Capability Specifics

While a fast lens, the APS-C design results in strong vignetting, imperial fringing and coma, and longitudinal chromatic aberrations wide open. You’ll demand to cease it down to F4 for the cleanest image. The size and weight of the lens and stiff AF operation brand information technology platonic for utilise on gimbals.

Who should consider this lens?

As an affordable and fast prime, the Sigma 30mm F1.4 is a corking upgrade from a kit lens for portraiture and street photography. Information technology’s an Due east-mount lens and you lot’ll take to utilize it in a crop manner on your A7 Iii, simply paradigm quality is not bad and the aperture is fast enough to deliver images with something close to full-frame bokeh.

  • Inexpensive
  • Pocket-size and light
  • Lightning fast AF
  • Large, smooth focus ring
  • Great on gimbals
  • No image stabilisation
  • Stiff purple fringing wide open

Sony E 55-210 F4.5-6.3 OSS

  • Type: Zoom
  • Focal range: 55-210mm
  • Aperture: f/4.five-six.iii
  • Weight: 0.76 lbs

This lens is so inexpensive that in that location’southward hardly whatever reason not to own one. The
Sony E 55-210 F4.v-6.3 OSS
is not fast or contrasty only it is precipitous and of exceptional value. If you’re buying any Due east-mount Sony camera, and not just the Sony A7 III, this is a camera you’ll probably pick up by default. Better yet, you tin pick up 1 of these second-manus for a fraction of its retail price.

Design, Build, Compatibility

Build quality is very adept for a upkeep lens. While most cheap lenses are made of plastic, this one uses aluminum blend. Two rings are present, one each for zoom and focus, and they’re made of plastic. This is an E-mountain lens and will require a severe crop for use on the A7-III.

Focusing Technology

Focusing happens internally and so the lens elements don’t move. This is good, but the focus is also not fast or accurate. Information technology’s expert plenty for stills with stationary subjects, but it struggles to track moving objects, especially minor ones like birds. The focus motors are nearly silent, which is good for video.

Lens Elements

Thirteen lens elements are set in nine groups, and you get the obligatory aspherical and depression dispersion elements for controlling aberrations. As with about budget lenses, the tiny aperture takes intendance of the most common aberrations and artefacts, greatly reducing the toll of the lens and simplifying the design.

Capability Specifics

This is a slow, budget zoom that yous’ll usually observe bundled with your Sony camera purchase. It’s corking for stills but the slow AF and even slower aperture will hamper attempts at sports or wildlife photography, especially in poor lighting. In this budget, yet, you’re not likely to get a like focal range and degree of sharpness.

Who should consider this lens?

Kit lenses usually max out at 55mm, and when you need to shoot something beyond that, and on a tight budget at that, a lens like this 55-210mm is perfect. Its APS-C ingather and modest aperture are not ideal for the A7 III, but the ridiculously low price of the lens will attract a lot of users who’re not looking to stretch their budgets.

  • Aluminium alloy body
  • Good zoom range
  • Superb value
  • A great pairing with well-nigh kits
  • Silent AF motor
  • AF tracking
  • Low lite operation

Sony E PZ 16-50mm F3.5-5.6 OSS

  • Type: Zoom
  • Focal range: xvi-50mm
  • Discontinuity: f/3.5-5.6
  • Weight: 0.26 lbs

A lens that costs nothing and weighs nil is impressive regardless of its optical characteristics, and the
Sony East PZ sixteen-50mm F3.5-5.6 OSS
is the perfect case of this. More impressive than the price, however, is the fact that Sony has managed to pack and then many features, including OSS, into a lens this pocket-size.

Blueprint, Build, Compatibility

With a metallic build and metallic lens mount, nobody will call this lens flimsy. When non in use, it’s so small that information technology tin can exist mistaken for a pancake lens, and it weighs so little that you won’t even discover it on a total-frame camera like the A7 Three. This lens is primarily designed as a kit for Due east mount APS-C cameras.

Focusing Engineering

The lens uses piezoelectric motors for focus and these are completely silent and surprisingly fast. Focus is likewise accurate and tin can be used to runway some wearisome-moving subjects. This is quite impressive for its size, peculiarly given that some larger, more expensive lens systems will struggle to go along upwardly with.

Lens Elements

The E PZ 16-50 is one of the cheapest lenses y’all tin can get and as such, uses very few lens elements. In that location are 9 elements in 8 groups, but few high-quality elements to handle aberrations and distortion. This lens relies instead on in-photographic camera corrections to ready issues like astringent barrel distortion and vignetting.

Adequacy Specifics

This 16-50mm lens is meant to be bundled as a kit with Sony’due south cheaper APS-C cameras. It’s a irksome and meaty ability zoom with few standout features other than its price. A good lensman can have dandy stills and video from any lens, but they volition really accept to push button to extract the most from this lens.

Who should consider this lens?

Sony only bundles this lens every bit a kit with its cheaper APS-C camera. If you need a throwaway lens for risky shoots or if y’all’ve blown all your money on your A7 III, that’s when you consider a lens equally limited as the E PZ 16-50mm. If you do option i up, it’southward really not that bad, provided you shoot in the APS-C crop manner.

  • Clay inexpensive
  • Image stabilisation
  • Good AF system for the price
  • Tiny and lightweight
  • Ability zoom tin can be controller remotely
  • Ridiculous level of barrel distortion
  • Very soft in the corners

Oft Asked Questions

What type of lenses are uniform with the Sony A7 3?

Y’all’ll need to get FE-mount lenses to excerpt the virtually out of the A7 III, just y’all can get cheaper E mount lenses also, provided you’re comfortable with a astringent ingather when shooting stills or video.

What lenses are the best for shooting YouTube videos on the Sony A7 III?

That depends entirely on what you’re shooting. For vlogs, get wide or ultra-wide. For product shots, something in the 100mm range volition be corking for B-roll. For animals and nature shots, become a telephoto. Linear motors are all-time for polish AF.

Volition I become a crop if I adhere a lens to the A7 III?

If you’re shooting E mount lenses, yes, you’ll accept to employ an APS-C crop mode to shoot stills and video. Full-frame FE mount lenses will work without a crop.

Is the A7 3 skilful for beginners?

For beginners with deep pockets, yes, it’s cracking. Acquit in heed that the trunk, and Atomic number 26 lenses, are quite expensive. Otherwise, I’d recommend going for cheaper APS-C cameras like the A6400.


Sony’s A7 III is one of the cheapest, most capable total-frame camera systems out there, and deserves a smashing lens pairing. Here are the recommended Sony A7 Three lenses:

  • For vloggers, the
    Sony FE 12-24mm F4 Chiliad
    is the must have lens for Sony A7 III. The aperture is small, but the focal range is perfect and you can be bodacious that you’ll e’er be in focus.
  • For product shots and portraiture, nothing beats the
    Sony Atomic number 26 135mm F1.viii GM. It’s a spectacular lens with a huge discontinuity and impeccable sharpness.
  • Lastly, for those on a smaller budget or those looking for a great travel lens, I’d suggest the
    Sigma 16mm F1.four DC DN C. It’south an E mount lens, merely is fast and offers a groovy focal length.

The A7 III is a great camera and it will truly shine with the correct lens. Cull your kit wisely and get out there and have some fun!