Sony E 50mm F1 8 Oss

By | 28/10/2022

Sony 50mm f/1.eight OSS

Stabilized Eastward-Mount APS-C (2011-)

Sample Images   Intro   Format

CompatibilitySpecifications

Performance   Compared   Recommendations


Sony 50mm f/1.8 OSS

Sony E 50mm f/i.8 OSS
(APS-C, 49mm filters, 7.i oz./201g, 1.3’/0.39m close focus, $348 new or about $200 used if you know How to Win at eBay). bigger. I’d go mine at Adorama, at Amazon, at B&H, at Crutchfield or used at eBay. It besides comes in black at Adorama, at Amazon, at B&H, at Crutchfield or used at eBay.

This all-content, junk-free website’s biggest source of back up is when you use those or whatsoever of these links when you go
anything,
regardless of the country in which you alive. Thanks for helping me assist you! Ken.

January 2020

Sony   Sony Lenses   Zeiss   Nikon   Canon   Fuji   LEICA   All Reviews

Sony FE 50mm f/1.8
(full-frame, no stabilizer)

All Sony Cameras Compared

Why Fixed Lenses Take Meliorate Pictures

Sony A6600

Sony A6600 with Sony E 50mm f/1.8 OSS.

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Sample Images

MeridianSample Images   Intro   Format

CompatibilitySpecifications

Performance   Compared   Recommendations

Shot hand-held every bit Standard JPGs; no RAW or FINE JPGs or tripods were used or needed:

Sony E 50mm f/1.8 sample image file

Palm, 29 December 2019.
Sony A6600, Sony East 50mm f/i.8 OSS, f/viii at i/125 at Auto ISO 100 (LV thirteen.0), Perfectly Clear. bigger, full-resolution or photographic camera-original © file.

Introduction

TiptopSample Images   Intro   Format

CompatibilitySpecifications

Performance   Compared   Recommendations

Skilful   Bad   Missing

This Sony 50mm f/one.8 OSS is a stabilized, super light, distortion-free, compact and fast normal lens for Sony’s E-mountain APS-C cameras.

This was Sony’s first always mirrorless brusque telephoto, coming out with Sony’s first mirrorless cameras in 2011.

Information technology’s pocket-size, focuses silently and reasonably fast, works great in low light, it’s sharp and it’s reasonably priced and has prototype stabilization. What more could y’all desire?

This 50mm lens sees the same angle of view on APS-C cameras as a 75mm lens sees on full frame; it’southward a short telephoto on APS-C.

This lens is is all plastic on the within, with a metal mount and aluminum vanity cover on the outside, and so it weighs next to nothing. You tin can take it everywhere and have it ready for anything.

I’d go my 50/one.8 OSS in silvery at Adorama, at Amazon, at B&H or at Crutchfield, or in black at Adorama, at Amazon, at B&H or at Crutchfield, or used at eBay if you know How to Win at eBay.

Good

green ball icon © KenRockwell.com
Fast f/1.viii aperture is
four times more sensitive to calorie-free
than an f/iii.five zoom.

green ball icon © KenRockwell.com
Optical Steady Shot (OSS) Image Stabilization.

green ball icon © KenRockwell.com
Reasonably fast and silent autofocusing.

green ball icon © KenRockwell.com
Aluminum external trim.

green ball icon © KenRockwell.com
Tiny.

green ball icon © KenRockwell.com
Light.

green ball icon © KenRockwell.com
Inexpensive.

Bad

red ball icon © KenRockwell.com

Electronic focus band, like most mirrorless lenses, has no straight mechanical connection to the eyes. It only works when you have the camera set just right.

red ball icon © KenRockwell.com
Offshored

China
; not made domestically in Nippon.

Missing

gray ball icon © KenRockwell.com
No focus or depth-of-field scales.

gray ball icon © KenRockwell.com
No aperture band.

Sony 50mm f/1.8 OSS

Sony 50mm f/1.8 OSS.
bigger.

Format

PeakSample Images   Intro   Format

CompatibilitySpecifications

Performance   Compared   Recommendations

I’d get my 50/1.8 OSS in argent at Adorama, at Amazon, at B&H or at Crutchfield, or in black at Adorama, at Amazon, at B&H or at Crutchfield, or used at eBay if you know How to Win at eBay.

This is an APS-C (cropped-sensor) lens and I’1000 testing it every bit such.

It besides works on total-frame cameras, which automatically crop their sensors to APS-C.

Compatibility

AcmeSample Images   Intro   Format

CompatibilitySpecifications

Performance   Compared   Recommendations

I’d get my 50/1.8 OSS in silver at Adorama, at Amazon, at B&H or at Crutchfield, or in blackness at Adorama, at Amazon, at B&H or at Crutchfield, or used at eBay if you know How to Win at eBay.

This is an APS-C (cropped-sensor) lens that works on all Sony E-mount cameras. This includes all the variations of NEX, A9-, A7-, A6xxx and A5xxx series cameras.

Total-frame cameras will automatically crop to APS-C.

It will not mountain on whatever Sony A-mountain DSLR or any Minolta MAXXUM 50mm SLR of whatever kind. Those utilize the onetime A mount which was actually the Minolta MAXXUM mountain from 1987.

Specifications

TopSample Images   Intro   Format

CompatibilitySpecifications

Operation   Compared   Recommendations

I’d become my 50/1.viii OSS in argent at Adorama, at Amazon, at B&H or at Crutchfield, or in black at Adorama, at Amazon, at B&H or at Crutchfield, or used at eBay if you know How to Win at eBay.

Name

Sony 50mm f/1.8 OSS

Sony 50mm f/1.8 OSS.
bigger.

Sony calls this the E 50 MM F1.8 OSS:

    E:
E-mount (APS-C).

    OSS:
Optical Steady Shot Image Stabilization.

Sony’south model number is SEL50F18.

Eyes

Sony E 50mm f/1.8 OSS internal optical construction

Sony E 50mm f/1.8 internal optical construction.

9 elements in 8 groups.

Internal focus.

Diaphragm

Sony 50mm f/1.8 OSS

Sony 50mm f/1.viii OSS
(diaphragm not seen). bigger.

vii rounded blades.

Stops down to f/22.


Focal Length

50mm.

When used on APS-C, it sees the aforementioned bending of view as a 75mm lens sees when used on a full-frame photographic camera.

Encounter too Crop Factor.



Angle of View

32° diagonal on APS-C.

Autofocus

Internal focus.

No external motility as focused, so no air or grit is sucked in.

Close Focus

1.28 feet (0.39 meters).

Maximum Reproduction Ratio

1:vi.ii (0.16×) life size.

Optical Stabilizer

Yeah.

Filters

49mm filter thread.

Hood

Sony ALC-SH116 Hood

Included ALC-SH116 hood.
bigger.

ALC-SH116 plastic bayonet included.

Size

2.44″ maximum diameter × 2.44″ extension from flange.

62 mm maximum diameter × 62 mm extension from flange.


Weight

7.095 oz. (201.one g) bodily measured weight.

Rated 7.i oz (202 g).

Included

Lens (SEL50F18).

ALC-SH116 plastic bayonet hood.

ALC-F49S front and ALC-R1EM rear cap.

Announced

Belatedly 2011.

Sony Model Number

SEL50F18.

Price, United states of america

January 2020

$348 new or about $200 used if you lot know How to Win at eBay.

I’d go mine at Adorama, at Amazon, at B&H, at Crutchfield or used at eBay. Information technology also comes in black at Adorama, at Amazon, at B&H, at Crutchfield or used at eBay.

Performance

TopSample Images   Intro   Format

CompatibilitySpecifications

Performance   Compared   Recommendations

Overall   Autofocus   Bokeh   Distortion

Ergonomics   Falloff   Lateral Color Fringes

Macro   Mechanics   Sharpness   Spherochromatism

I’d become my l/one.8 OSS in silver at Adorama, at Amazon, at B&H or at Crutchfield, or in black at Adorama, at Amazon, at B&H or at Crutchfield, or used at eBay if yous know How to Win at eBay.

Overall

Performance          top

This weightless Sony 50mm f/1.eight OSS focuses fast and takes great pictures in any light for a bargain price.

Autofocus

Performance          top

Autofocus is fast and silent.

Bokeh

Performance          top

Bokeh, the experience or quality of out-of-focus areas equally opposed to how far out of focus they are, is pretty expert.

Here’due south a photograph from headshot distance wide-open at f/ane.8:

Sony 50mm f/1.8 OSS Bokeh

Fabricated-in-U.s.a. Davis 6250 conditions station, 20 Dec 2019.
Sony A6600, Sony 50mm f/1.8 OSS at f/one.8 at ane/3,200 at Machine ISO 100 (LV 13.3). bigger or camera-original © file.

The green and red fringes you see around the weather station and on the DAVIS logo are acquired past this lens’ potent spherochromatism on slightly out-of-focus areas, which likewise helps smooth green backgrounds.

Equally with all lenses, if you want to throw the background as far out of focus as possible shoot broad open up (f/1.viii) and get as close as possible.

Distortion

Performance          acme

I tin can’t measure whatsoever distortion, with or without my A6600’south distortion correction turned ON or OFF.

This is excellent performance.

Ergonomics

Functioning          acme

Sony 50mm f/1.8 OSS

Sony 50mm f/i.8 OSS.
bigger.

In that location’s an electronic focus band and that’south it.

It’s all hard aluminum on the outside.

Falloff

Performance          elevation

Falloff is invisible with the camera’s default correction ON (ordinarily at MENU > Camera 1 > Lens Comp. > Shading Comp. > Auto).

I’ve profoundly exaggerated it here by shooting pure grey and displaying it against more gray. It won’t look this bad in bodily photos:


Sony 50mm f/ane.8 OSS falloff at infinity, correction ON.

© 2020 KenRockwell.com. All rights reserved.

If you get out of your way to turn correction OFF then you tin can see some at f/1.8 and f/2, and for actual photos (non tests of apartment fields) it’s gone past f/2.viii:


Sony 50mm f/1.8 OSS falloff at infinity, correction turned OFF.

© 2020 KenRockwell.com. All rights reserved.

Lateral Color Fringes

Performance          top

There are few lateral color fringes as shot on Sony’due south cameras which commonly correct for them anyway. This is excellent performance — but in that location is a boatload of spherochromatism at big apertures, which are different kinds color fringes in a dissimilar dimension.

Macro Performance

Operation          top

It gets shut, and it’south very sharp at f/8:


Sony 50mm f/1.8 OSS macro performance

Casio G-Shock Solar Diminutive Lookout man at shut-focus distance at f/eight on Sony A6600, 20 December 2019.

bigger or camera-original © file.


Sony 50mm f/1.8 OSS macro performance

ane,200 × 900 pixel ingather from above.
bigger or camera-original © file.

If this 1,200 × 900 pixel crop is about 3″ (7.5cm) wide on your screen, then the complete paradigm printed at this aforementioned big magnification would be nigh 10 × 15″ (25 × 38cm).

If this 1,200 × 900 pixel ingather is near 6″ (15cm) wide on your screen, and then the complete image printed at this same farthermost magnification would be about 20 × 30″ (50 × 75cm).

If this 1,200 × 900 pixel crop is nigh 12″ (30cm) wide on your screen, then the complete epitome printed at this aforementioned insanely high magnification would exist almost 40 × 60″ (1 × 1.5 meters).

Information technology’s softer at f/1.eight, caused past lots of spherochromatism:


Sony 50mm f/1.8 OSS macro performance

Casio G-Shock Solar Diminutive Spotter at close-focus distance at f/1.8 on Sony A6600, twenty Dec 2019.

bigger or photographic camera-original © file.

Spherochromatism at f/1.8 causes the psychedelic carmine and cyan fringes on out-of-focus elements (which is most of the picture with any lens this close) that arrive await like a 1960’s newspaper’s funny pages with really bad colour alignment:


Sony 50mm f/1.8 OSS macro performance

1,200 × 900 pixel crop from above.
bigger or camera-original © file.

If this ane,200 × 900 pixel crop is about iii” (7.5cm) wide on your screen, so the complete prototype printed at this same large magnification would be about x × xv” (25 × 38cm).

If this ane,200 × 900 pixel ingather is about vi” (15cm) wide on your screen, then the complete image printed at this aforementioned extreme magnification would exist most xx × thirty” (50 × 75cm).

If this 1,200 × 900 pixel crop is most 12″ (30cm) wide on your screen, so the complete paradigm printed at this same insanely high magnification would exist about 40 × sixty” (1 × ane.5 meters).

Mechanical Quality

Operation          top

Sony 50mm f/1.8 OSS

Sony 50mm f/1.viii OSS.
bigger.

This Sony 50mm f/one.8 OSS is all plastic on the inside, with a plastic filter band but a metal mountain and aluminum outer skin and transmission focus ring.

The drinking glass is drinking glass and the electrical contacts are metal.

Sharpness

Performance          elevation

Lens sharpness has zilch to practise with picture sharpness; every lens made in the past 100 years is more than than precipitous enough to make super-precipitous pictures
if you know what you’re doing. The simply limitation to moving-picture show sharpness is your skill as a photographer. It’south the least talented who spend the most time worrying about lens sharpness. Skilled photographers make great images with whatever camera is in their hands; I’ve made some of my best images of all fourth dimension with an irreparably broken camera! Most pixels are thrown away before you meet them, but camera makers don’t want you to know that.

This lens is super-abrupt at normal apertures, while it gets softer generally due to the crazy chromatic effects of spherochromatism wide-open at f/1.8. It sharpens up quickly as stopped down from f/1.viii.

This Chinese special is non the huge Zeiss 50/1.4 which costs 4 times as much, but is also flawlessly sharp in the corners in the lab wide-open up where no one cares.

Sony 50mm f/1.8 OSS

Sony Due east 50mm f/1.8 OSS MTF.


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Performance          superlative

This 50/one.8 has a boatload of

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Southward

p
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a
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m, besides called “color bokeh” by laymen, is an advanced form of chromatic aberration in a different dimension than lateral color. It causes colored fringes on out-of-focus highlights, seen equally green-cyan fringes on backgrounds and magenta-red fringes on foregrounds.

S

p
h
e
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o
c
h
r
o
m
a
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i
southward
1000
is mutual in fast lenses of moderate focal length when shooting contrasty items at full aperture.

These

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color fringes are this lens’ weakest signal. They get away as stopped downward, and are the limiting gene in functioning at f/1.8:

Sony 50mm f/1.8 OSS Spherochromatism

Mondaine A132.30348.11SBB, 20 December 2019. Sony A6600, Sony 50mm f/ane.viii OSS at f/one.8.
bigger or photographic camera-original © file.

Sony 50mm f/1.8 OSS Spherochromatism

ane,200 × 900 pixel crop from above.
bigger or photographic camera-original © file.

If this 1,200 × 900 pixel crop is near iii” (7.5cm) wide on your screen, then the complete image printed at this same big magnification would exist about x × 15″ (25 × 38cm).

If this 1,200 × 900 pixel crop is about six” (15cm) wide on your screen, then the consummate image printed at this same high magnification would be about twenty × 30″ (50 × 75cm).

If this 1,200 × 900 pixel ingather is about 12″ (30cm) wide on your screen, then the consummate image printed at this same extreme magnification would be nigh 40 × 60″ (1 × i.v meters).

Compared

AcmeSample Images   Intro   Format

CompatibilitySpecifications

Operation   Compared   Recommendations

I’d get my fifty/1.8 OSS in argent at Adorama, at Amazon, at B&H or at Crutchfield, or in blackness at Adorama, at Amazon, at B&H or at Crutchfield, or used at eBay if y’all know How to Win at eBay.

All Sony Cameras Compared

Versus the

Sony FE 50mm f/1.eight

The Sony FE 50mm f/i.8 is newer, costs $100 less, has better optics and covers full-frame, withal the FE version has no optical stabilizer.

If your camera has congenital-in sensor-shift stabilization or you have a full-frame camera, get the newer FE 50mm f/1.8 instead.

If yous have an APS-C photographic camera that doesn’t have built-in stabilization, go this E 50/1.8 OSS lens.

This 50/1.eight OSS lens dates from the earliest days of Sony’s NEX APS-C mirrorless cameras that had no congenital-in stabilization.

They both take 49mm filters.

This E APS-C OSS lens weighs a tiny fleck more (7.one oz./201g versus the full-frame’s 6.6 oz./186g) and this APS-C lens focuses a picayune fleck closer (1.3’/0.39m with a i:vi.ii/0.16× macro ratio versus the total-frame’due south 1.five’/0.45m and ane:7.1/0.14× macro ratio).

Recommendations

SuperlativeSample Images   Intro   Format

CompatibilitySpecifications

Operation   Compared   Recommendations

This trivial stabilized lens is great at as a short tele and portrait lens. With both stabilization and a fast aperture, yous’re prepared for anything.

Consider this lens if your camera has no born stabilizer, still if you take a total-frame photographic camera or if yous take a built-in stabilizer (see All Sony Cameras Compared for which have in-camera stabilization), get the newer and less expensive Sony Atomic number 26 50mm f/ane.viii instead. The Iron 50mm f/1.8 is unstabilized but sharper at large apertures, while this Eastward OSS lens has a built-in stabilizer.

I’d get my 50/i.8 OSS in silverish at Adorama, at Amazon, at B&H or at Crutchfield, or in black at Adorama, at Amazon, at B&H or at Crutchfield, or used at eBay if you know How to Win at eBay.

I apply a clear (UV) protective filter instead of a cap. I only use a cap when I throw this in a bag with other gear, otherwise I exit a clear protective filter on my lens at all times instead of a cap and so I’grand fix to shoot instantly.

The very best protective filter is the Multicoated Hoya Hard disk 49mm which uses hardened glass and repels clay and fingerprints.

For less money, the B+West 49mm 010 is an excellent filter, as are the multicoated B+Westward and the basic multicoated Hoya filters, but the Hoya HD is the toughest and the all-time.

Filters last a lifetime, and so y’all may besides go the best. The Hoya Hd stays cleaner than the others since it repels oil and dirt.

This junk-gratuitous website’due south biggest source of support is when you apply those or any of these links to approved sources when yous get
annihilation, regardless of the country in which you live. Sony does not seal its boxes in any way, so
never
buy at retail or any other source not on my personally approved list since y’all’ll have no fashion of knowing if y’all’re missing accessories, getting a defective, damaged, returned, store demo or used lens. I utilize the stores I do because they ship from secure remote warehouses where no ane gets to touch your new lens before you practise. Buy merely from the approved sources I utilise myself for the best prices, service, return policies and choice.

Thanks for helping me aid you!

Ken, Mrs. Rockwell, Ryan and Katie.

© Ken Rockwell. All rights reserved. Tous droits réservés. Alle Rechte vorbehalten.

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Source: https://www.kenrockwell.com/sony/lenses/50mm-f18-oss.htm