Sony Fe 12-24mm F2.8 G Master

By | 27/10/2022


Highly Recommended awardThe FE 12-24mm f2.8 becomes another worthy member of Sony’s premium G Principal series, delivering first-class quality results. The coverage takes yous from wide to extremely wide with a bright constant f2.8 aperture. It’s a lens for those who demand the all-time performance and have the upkeep to pay for it. But if your pockets aren’t equally deep, consider Sony’due south own Iron 12-24mm f4G which matches the range only loses a end of aperture and the ultimate sharpness at one-half the price. Or if y’all can sacrifice the widest coverage so Sigma’s 14-24mm f2.8 DG DN has the same bright f2.8 focal ratio and delivers excellent quality at just under half the price.

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Check prices on the Sony FE 12-24mm f2.8 GM at B&H, Adorama, WEX or! Alternatively get yourself a copy of my In Photographic camera book or care for me to a coffee! Thanks!

Sony Iron 12-24mm f2.8 GM review

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The Sony Atomic number 26 12-24mm f2.8 G Master is an ultra-wide zoom lens with a abiding f2.eight aperture, designed for Alpha full-frame mirrorless cameras. Announced in July 2020, it’southward Sony’due south 37th full-frame mirrorless lens and becomes the widest full-frame f2.8 zoom; it also means Sony now offers focal lengths from 12 to 200mm with a abiding f2.viii discontinuity.

The Fe 12-24mm f2.8 GM shares the same focal range as the earlier FE 12-24mm f4G, just with an aperture that’southward ane stop brighter. As a member of the Chiliad Master serial, Sony likewise claims the f2.viii model delivers higher resolution and contrast especially towards the corners, reduced flare and ghosting, and remains rectilinear out to the extremes as well. It’s inevitably larger and heavier equally a result, measuring 98x137mm and weighing 847g versus 87x117mm and 565g for the earlier f4G model, just these sizes practise include built-in petal lens hoods. The new lens is of course dust and wet-resistant. Find out everything yous need to know about the lens, including sample images and movies in my video review below, or keep scrolling for a written version!

Facts from the catalog

Let’s compare the Sony Atomic number 26 12-24mm f2.viii GM (“Sony f2.viii GM” for short) to the Sigma 14-24mm f2.8 DG DN Art (“Sigma DN”) and Sony FE 12-24mm f4.0 G (“Sony f4.0 G”). As usual I’ve rated the features with a [+] (or [++]), when it’s meliorate than average or even state of the fine art, a [0] if it’south standard or simply boilerplate, and [-] if there’s a disadvantage.

Size (diameter x length): All 3 lenses have a built-in lens hood and don’t change their length when zooming – although the front element of the lenses moves. At 98 ten 137mm (3.9 x 5.4in.) the Sony f2.8 GM is the biggest lens of the iii. The Sony f4.0 G is pretty meaty in comparison at 87 ten 117mm, the Sigma DN somewhat in-between at 86 10 132mm. [0]

Weight: At 847g (xix.ix oz.) the Sony f2.8 GM is heavier than the Sigma DN at 797g or the Sony f4.0 Chiliad at 563g. [0]


Optics: The Sony Atomic number 26 12-24mm f2.8 GM has 17 elements in 14 groups including five special dispersion elements and iv aspherical elements. This is similar to the other lenses in this comparison. To reduce reflections causing flare, glare and ghosting the Sony f2.8 GM employs Nano-coating. It too has fluorine-blanket on the front chemical element to repel water, dust, and clay and make cleaning easier like the Sigma DN. [+]

Closest focus altitude is 0.27m (0.9ft.) at 24mm focal length with a magnification of 1:6.7 which is similar to the Sony f4.0 Grand. This results in a working distance of only 12cm (4.7in.). The Sigma DN reach 1:5.1 at 23cm focus distance. A magnification of one:10 is achieved at around 0.35m focus altitude with all three lenses. [0]

Filter-thread: None of the lenses in this comparing offering a filter-thread – their bulbous front end elements foreclose that. So you need to get some non-standard mounting arrangement and a new set of filters – or apply gel filters in the rear filter holder of the Sony f2.8 GM and Sigma DN. Go on in mind though that gels cannot be rotated which precludes the utilize of polarizers. Sony and Sigma supply a template with their lens to cut out the gels. [0]

Image stabilization: All 3 lenses in this comparison have no optical image stabilization. But the Sony A7 photographic camera bodies provide born sensor-shift stabilization. [0]

Auto focus: Yes with congenital-in AF bulldoze. Manual-focus override is past simply turning the dedicated focus band at the front of the lens. Information technology has a linear gearing covering the focus range in about 120 degrees. This is ideal for smooth focus pulling in videos and still precise enough for manually focusing. The Sony f4.0 G has a somewhat restricted variable gearing between xc and 200 degrees for the full focus range and the Sigma DN offers the usual fully variable gearing. All 3 lenses also take an extra button which can be assigned many unlike functions eastward.g. AF-lock. [+]

Lens profile: All tree lens come with a lens profile for vignette-, CA- and distortion-compensation which can be controlled from the photographic camera. [+]

Covers total frame/FF or smaller. Same with the other lenses. [+]

Price: The Sony f2.8 GM is 3300 EUR (incl. 19% VAT) / 3000 USD / 2900 GBP, the Sigma DN is 1450 EUR / 1399 USD / 1299 GBP, the Sony f4.0 Thou currently goes for 1550 EUR / 1670 USD / 1400 GBP. [-]

Discontinuity ring: None of the lenses in this comparing has an aperture band. [0]

The lens comes with a padded pouch merely no straps. [+]

Sealing: yes, a safety grommet at the lens-mount plus farther special weather-sealing throughout the construction, only similar the other two lenses. [+]

The score in the “features-department” is 1[-]/half dozen[0]/6[+]. The Sony FE 12-24mm f2.8 GM offers a skilful feature set: It has a constant bright f2.8 focal ratio, a professional build including thorough weather sealing, provides for the use of rear gel filters, and starts at 12mm focal length giving a visibly wider field-of-view than other lenses starting at 14mm. Merely information technology is the largest, heaviest, and past far near expensive of the three lenses in this comparison.



If you desire to cover the range of focal lengths from 14mm to 24mm there are really only two alternatives to the Sony Iron 12-24mm f2.8 GM bachelor in the native Eastward-mount:

  • Sony introduced the FE 12-24mm f4.0 G in 2017. It has a one stop slower focal ratio but this makes the lens a smaller and 30% lighter alternative to the Sony f2.viii K. And at one-half the cost it is much more than affordable although still not exactly cheap. Run into my Sony Atomic number 26 12-24mm f4.0 K review.
  • The Sigma 14-24mm f2.eight DG DN Art from 2020 might ‘only’ start at 14mm focal length giving an 8 degree narrower view on the short end than the Sonys but it still delivers enormous coverage. And although it has the same vivid focal ration as the Sony f2.viii GM, Sigma managed to make the lens a bit smaller and lighter. And nearly chiefly information technology is less than half the price of the Sony f2.8 GM although it has the same feature set, albeit again without that extra 2mm at the short-end. See my Sigma 14-24mm f2.8 DG DN Fine art review.

Other alternatives cover different focal lengths similar the transmission focus Laowa 10-18mm f4.5-five.six which is currently the merely total frame zoom lens starting at 10mm focal length with a recti-linear project. Or you utilise older DLSR designs via mount adapter.

Here is the angle of view that the Sony FE 12-24mm f2.viii GM covers with its 2x zoom compared to the 1.7x coverage of the Sigma 14-24mm f2.8 DG DN Fine art:


To a higher place: Sony 12-24mm f2.8 GM coverage on Sony A7R 2 (FF) body at 12mm (left) and 24mm (right)


In a higher place: Sigma 14-24mm f2.viii DG DN Fine art coverage on Sony A7R Two (FF) body at 14mm (left) and 24mm (correct)

Focus and zoom

Focus accuracy and repeatability is critical to consistently produce sharp shots. Repeatability (the accuracy of focus on the same subject after repeated focus-conquering) of the Sony FE 12-24mm f2.8 GM at 24mm focal length is very expert (measured 99.0% in Reikan FoCal) with no outliers over a series of 40 shots. At that place is likewise no focus variation whether the lens focuses from a closer distance or from infinity. At 24mm focal length the lens focuses in around 0.half dozen sec from infinity to 0.35m (1:x magnification), which is faster than the Sigma 14-24mm f2.8 DG DN Art which took 0.7 sec but a bit slower than the Sony f4.0 G at 0.5 sec.

The zoom ring turns through sixty degrees and has a 17mm wide rubber surface with a good grip. It needs less force than the Sigma. The focus ring at the front is 12mm wide and moves smoothly.

AF-operation of the Sony f2.8 GM is inaudible from the exterior or if y’all tape video with the built-in microphone. Same with the Sony f4.0 G and Sigma DN.

As you pull focus, you’ll notice some focus animate: When I adjusted the focus from infinity to 0.35m on the Sony f2.8 GM I measured a 4% decrease in magnification at 24mm focal length and at 12mm. The Sigma DN is breathing -1%, the Sony f4.0 Grand ane-2%.

The Sony Fe 12-24mm f2.8 GM zoom lens is parfocal: When I focused the lens at 24mm and zoomed dorsum to 12mm focus stays on the same spot. Same with the Sony f4.0 G and Sigma DN.

Next check out my quality results!

Check prices on the Sony Atomic number 26 12-24mm f2.8 GM at B&H, Adorama, WEX or! Alternatively get yourself a copy of my In Photographic camera book or treat me to a coffee! Thank you!