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Tokina 11 20mm F 2.8 Nikon

By | 24/10/2022

Do yous call back your first favorite lens? It probably wasn’t the kit lens that came with your photographic camera. It was, most likely, either your first portrait prime, or your first landscape broad-angle zoom, or whatever lens immune you to truly fall in honey with your favorite genre of photography.

Milky Way Photography ultra-wide tokina lens 11-16mmMilky Way setting over Mt Whitney Switchbacks illuminated by headlamp, 2014
Tokina 11-16mm f/ii.8 DX, Nikon D5300 | Click here for our in-depth Galaxy workshop!

Havasu Falls Star Trail | Tokina 11-16mm f/2.eight DX, Nikon D5300
Click here to learn about how to capture a star trail photo like this!

For me, and probably many other mural and nightscape photographers who first got into digital photography 10-15 years ago, that first lens was the legendary Tokina eleven-16mm f/2.8 DX.

It was precipitous every bit a tack, and unlike both the Canon and Nikon proper name-make competition, it offered a constant f/2.8 aperture. In fact, the Tokina stood alone amidst APS-C lenses as the merely f/2.8 ultra-wide zoom available, until Tokina themselves released the bigger, wider-range 11-20mm f/ii.8 DX. (Click here to read our review of that lens!)

Well, Tokina has at present announced their newest APS-C f/2.viii ultra-broad zoom, the 11-16mm f/2.8 ATX-i CF.
It volition be bachelor (shipping) starting on November 8th, and volition toll a mere $449. That’due south a pretty incredible price for such a good optic; despite the age of the optical formula itself, everything else about the lens seems to be extremely mod, from the new design to the glass coatings.

Tokina eleven-16mm f/ii.8 atx-i CF Printing Release

The Tokina atx-i 11-16mm F2.8 CF is re-designed for an improved user experience and better image quality. The constant F2.8 aperture lens provides first-class edge-to-edge sharpness and resolution. Reduces flare and ghosting, while maintaining fantabulous dissimilarity and color. A new waterproof top coat also makes it easier to clean.

Great for Gimbal Work Likewise!

Popular among cinematographers too, considering the lens provides a wide cinematic feel, minimized breathing, no edge distortion while panning, and the overall weight and internal focus design makes information technology an ideal pick for gimbal work.

Advanced Optical Pattern

The new Tokina atx-i 11-16mm F2.viii CF incorporates a complex optical design, with 13 elements in eleven groups. Using 2 aspherical lenses including a large aspherical P-MO element and 2 all-glass molded Low-Dispersion (SD) elements, the lens effectively suppresses chromatic and spherical aberrations. The front element provides super-depression distortion and depression lite fall-off for straight lines and minimal exposure vignetting. Perfect for architectural, mural, astrophotographers, and cinematographers.

I-impact Focus Clutch

The 1-Impact Focus Clutch Mechanism makes switching from AF to manual focus (MF) simple. While in AF mode the user only needs to snap the focus ring back toward the camera to engage “real” manual focus control. This gives photographers an authentic tactile MF experience with hard stops on either side of the focus range similar traditional manual lenses. Additionally, the directional rotation of the focus ring matches the direction of proprietary Nikon and Canon lenses.

Focus Ring Rotation

The directional rotation of the focus band matches the proprietary direction of Nikon and Canon lenses.

Package components:

Lens trunk, BH-77B Petal-type Lens hood, front cap, rear cap, multi-language manual, three-twelvemonth USA warranty carte.

Aperture RANGE:
13 Elements / 11 Groups
104 – 82°
1.2 lbs
11.8 IN
84 X 91.7mm (Canon) / 89.2mm (Nikon)
Sectional three-Year USA WARRANTY

If you don’t take a wide-angle zoom for your Catechism or Nikon DSLR yet, this i is going to exist hard to laissez passer upwards!

Pre-Gild Data

Adorama | B&H | Amazon

Source: https://www.slrlounge.com/tokina-updates-one-of-the-best-ultra-wide-lenses-ever-11-16mm-f-2-8-atx-i-cf/