Used Prime Lens For Nikon

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Most of Nikon’s recently-released lenses have zoom capabilities, just that doesn’t mean that primes are any less desirable. There’south no pressure level for them to work well on multiple focal lengths, so primes excel at prototype quality while often being smaller and lighter than zoom lenses. It’s besides easier to manufacture primes with brilliant apertures, letting you become improve results in depression light and create background blur everyone will fall in love with.

Hither are the six best prime lenses for Nikon cameras you can get today. We embrace everything from broad-angle to telephoto & betwixt, so you’re sure to find a new favorite whichever type of photography yous prefer. Get to know each of them in our in-depth reviews and enrich your lens collection with some other worthy addition.

Prime Lenses for Nikon Cameras Comparison Table

one. Best Overall – Nikon AF-Southward NIKKOR 85mm f/ane.4G


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Editor’s Rating: iv.8/5

Portrait photographers in search of jaw-dropping bokeh and tack-precipitous performance needn’t wait further than the AF-S NIKKOR 85mm f/1.4G. Its price is nothing to sneeze at, but you’re getting world-course build & paradigm quality alike. It’south silent, fast, free from distortion, and handles well.

Overview of Features

The AF-Southward NIKKOR 85mm f/1.4G is relatively small for a prime number with an aperture equally wide equally this, particularly if you compare it to models past rival manufacturers like Catechism. 10 elements in nine groups are all that’s needed for its excellent operation. Coupled with a polycarbonate body, this keeps the lens’s weight down while having no adverse impact on performance. Nikon doesn’t explicitly land that it is weather condition-sealed. However, there’southward a safe gasket on its metal mount that ensures you can employ the lens in inclement atmospheric condition without compromising high-cease cameras.

A Silent Wave Motor provides accurate focus that’south quiet enough for use in video shooting. Its speed is great for a portrait prime, and you should have no problem capturing sharp details on subjects’ faces even in unforgiving calorie-free. Switching to manual is an choice, or y’all tin can brand slight corrections to the autofocus as manual override is supported. The band is broad and grippy, making functioning experience intuitive and smooth.

We were impressed with the AF-S NIKKOR 85mm f/1.4G’s sharpness. A lens rarely remains usable throughout its aperture range, and this one remains sharp plenty even at f/16. Speaking of sharpness, the picture is uniformly detailed regardless of f-stop. Aye, even at f/1.4! Quality improves steadily until it peaks at f/viii, only to dip slightly due to diffraction afterward.

You lot might think that sharpness is the AF-S NIKKOR 85mm f/ane.4G’s best feature, but those honors become to blur. Whether foreground or background, the lens delivers exceptional blur quality accompanied past well-defined and creamy bokeh. Nano Crystal Coat keeps flare & ghosting in check. At the same time, the lens’s superior optics make it free from distortion with minimum chromatic aberration at high apertures.

What We Didn’t Like

The AF-South NIKKOR 85mm f/1.4G suffers from strong vignetting at f/ane.iv. It measures 4.5 stops of light falloff uncorrected, which is besides severe fifty-fifty if yous’re going for an creative look. The lens doesn’t take optical image stabilization, so you’ll desire to use it with a tripod.

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Tech Specs
Dimensions:
three.four x 3.4 x 3.1”
Weight:
1.3 lbs
Type:
prime
Focal length:
85mm
Maximum aperture:
f/1.four
Minimum aperture:
f/xvi
Minimum focus distance:
2.viii’
Angle of view:
28° 30′
Image stabilization:
No
Pros

Exceptional uniform sharpness at whatever aperture

No baloney

Fantastic blur & bokeh

Excellent build quality
Cons

No image stabilization

Strong vignetting at f/1.four

ii. Best Value – Nikon AF-S NIKKOR 35mm f/1.8G ED

Nikon AF-S NIKKOR 35mm f/1.8G ED
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Editor’due south Rating: 4.6/5

Primes such equally the AF-Southward NIKKOR 35mm f/1.8G ED don’t get enough recognition. Information technology’s a shame since 35mm is a great middle-basis for shooters interested in ambience portraits, landscapes, and urban photography. It’due south every bit fast as Nikon’s lens, and you can even use it for astrophotography. The lens is portable, commendably precipitous, and works well on both full-frame & DX Nikon cameras.

Overview of Features

The AF-South NIKKOR 35mm f/i.8G ED is a light and compact lens that feels most at home on Nikon’south smaller DSLRs. It’s long enough to be comfortably supported with your left hand and doesn’t move while focusing. Its build quality is a step above what we’d consider adequate for the toll range. The barrel is solid plastic, and a gasket keeps dust out of your photographic camera. One of its elements is of the Extra Dispersion multifariousness, which you lot’d expect on high-finish Nikon glass only.

Autofocus is amongst the AF-S NIKKOR 35mm f/1.8G ED’southward all-time features. It’s noticeably faster than the portrait prime number above, even though the motor isn’t necessarily more powerful. Information technology works as quietly as our overall winner and has little problem adapting to nighttime conditions. The just switch on the lens’s side toggles between manual and autofocus with manual override. In that location’southward no image stabilization, just that’due south to be expected, given the focal length.

Wide-open, the AF-S NIKKOR 35mm f/ane.8G ED is already commendably abrupt. It’southward not quite as uniform every bit our overall winner, but the difference between corner & primal functioning is slight. Stepping downward sees the middle getting noticeably sharper while the rest of the epitome gets a modest increase. The gap closes once more once you hit f/5.6, while the overall performance peaks at f/8.

There’s some barrel distortion that doesn’t exceed values uncommon for 35mm primes. Bokeh looks squeamish at high apertures, and foreground blur is splendid. Lower apertures introduce edges on bokeh balls, so avoid them if possible. Flare resistance is beauteous, and there’s footling lateral chromatic abnormality.

What’due south Bad About It?

The AF-Southward NIKKOR 35mm f/one.8G ED is another lens with pronounced vignetting. It’due south not as severe as that on the portrait prime number, but you’ll still need to correct for it either by stepping downwards or using Lightroom. Longitudinal CA is another result at f/i.8, causing highlights towards the edges to display magenta and cyan halos. This phenomenon is harder to correct than ordinary CA, so plan ahead when framing your shots.

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Tech Specs
Dimensions:
2.8 10 2.eight x 2.viii”
Weight:
10. viii oz
Type:
Standard prime
Focal length:
35mm
Maximum discontinuity:
f/1.8
Minimum aperture:
f/xvi
Minimum focus distance:
nine.8”
Bending of view:
63°
Image stabilization:
No
Pros

Excellent value for the money

Outstanding sharpness

Modest form cistron

Fast autofocus
Cons

Some vignetting and pronounced LoCA at f1.4

3. Sigma 24mm f/1.iv DG HSM Art

Sigma 24mm f/1.4 DG HSM Art
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Editor’southward Rating: four.6/5

The 24mm f/ane.four DG HSM Art proves yet once more that Sigma is deservedly counted among the earth’s best tertiary-political party lens manufacturers. It’southward a capable broad-angle lens with a wickedly precipitous heart, solid optics, and excellent build quality. Best of all, it comes in at half the price of Nikon’s original while sacrificing almost nothing in quality and performance.

Overview of Features

Hither we have some other lens that’southward beefier than you’d expect for its blazon. Understandable, since Sigma crammed 15 elements into it, several of which are of the dispersion and aspherical kind. The barrel is fabricated from metal, while the supplied petal-shaped hood is plastic. There’southward a focusing distance scale on one side and an A denoting the premium Art line on the other.

The 24mm f/1.4 DG HSM Fine art’south autofocus is a mixed bag out of the box. It performs reasonably quickly and is placidity enough for making movies cheers to the Hyper-Sonic Motor. On the other hand, accuracy isn’t its strong suit. The lens has problem obtaining accurate focus at long distances. Fortunately, it turns out that this event but applies to sure cameras and can be corrected by calibrating the lens using Sigma’s USB dock. The AF issues go away once yous calibrate it.

In that location’south a visible disparity between central and corner sharpness at f/1.iv equally the former is excellent while the latter is merely good. Edges & corners don’t hit their pace until f/two.8 but catch up quickly afterwards. The lens’s peak performance is at f/5.half-dozen. Feel gratuitous to step all the mode down, though, as diffraction doesn’t have a severe impact on image quality even at f/16.

We were pleasantly surprised by the 24mm f/one.4 DG HSM Art’s lack of barrel distortion, which is unheard of for wide-angle lenses! Information technology too performs admirably when shooting into the lord’s day and manages to proceed chromatic abnormality under i pixel at its worst. At that place’south no image stabilization, but that’due south to be expected given its application.

Are At that place Drawbacks?

The vignetting curse continues as the 24mm f/1.four DG HSM Fine art is the third lens on review to showroom information technology. Light falloff is strongest at f/1.4, reaching an undesirable iii.v stops. Images get uniformly bright at f/two.8. Bokeh quality is striking and miss. It comes out smooth if your subjects are far away but can appear harsh and nervous as yous approach the minimum focusing distance.

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Tech Specs
Dimensions:
3.4 x 3.four x 3.6”
Weight:
1.v lbs
Type:
Broad-bending prime
Focal length:
28mm
Maximum aperture:
f/1.four
Minimum aperture:
f/16
Minimum focus altitude:
9.eight”
Bending of view:
84.1°
Image stabilization:
No
Pros

Cheaper than Nikon’s lens while maintaining a similar performance

Excellent build quality

No distortion

Great for shooting in sunny weather
Cons

Some vignetting when wide open

Inconsistent bokeh quality

4. Nikon AF-Due south NIKKOR 300mm f/4E PF ED VR

Nikon AF-S NIKKOR 300mm f/4E PF ED VR
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Editor’s Rating: 4.five/v

Telephoto primes are rare present as sports & wildlife are the ideal subjects for lenses of varying focal lengths. Even so, that doesn’t mean that the available ones are inferior. The AF-Southward NIKKOR 300mm f/4E PF ED VR offers a host of highly-seasoned features like superb image stabilization, excellent overall optics, and a surprisingly compact build. Your wallet might accept a hit, but the results speak for themselves.

Overview of Features

Information technology’southward difficult to believe that you’re belongings a prime with a focal length of 300mm when you lot first lay your eyes on this lens. The AF-Due south NIKKOR 300mm f/4E PF ED VR is impressively small and reasonably light for its caliber, so roofing a game won’t be as strenuous as with competing lenses. Y’all can thank a new Stage Fresnel chemical element that cuts down on the glass needed to achieve its optical excellence.

Autofocus is snappy and silent, as befits a telephoto lens. You can speed it up further by using the focus limiter and change its behavior in three ways. Transmission focus is available at whatsoever time only comes with a slight delay if the lens is set to A/Thou and then you don’t upset it by accidentally turning the ring. Vibration Reduction is outstanding as information technology provides 4.5 stops of support. There were reports of inconsistent stabilization results with early production units, but a firmware update has since brought image stabilization to tiptop functioning.

You lot accept the freedom to choose whichever aperture suits your electric current situation best since border & corner performance is barely affected by changes. Central sharpness perks up at f/5.6 and f/8, but information technology’south laudable to begin with and benefits merely moderately from stepping down.

The AF-Due south NIKKOR 300mm f/4E PF ED VR is finally a lens with no serious vignetting issues as there’southward less than a cease of light falloff at f/iv. It exhibits mild pincushion distortion unlikely to be noticed in real-world scenarios. In that location isn’t a hint of LoCA, while you tin right for the lateral kind in-photographic camera without much hassle. Bokeh is circular and even in the center and takes on a true cat’south eye shape towards the edges.

What We Didn’t Like

The AF-S NIKKOR 300mm f/4E PF ED VR is an expensive lens. To add together insult to injury, it doesn’t come up with a tripod collar. The one Nikon sells for it isn’t stable either, so you’re meliorate off with a third-party culling. Y’all should avert shooting into the light with this lens as the Fresnel chemical element drastically increases ghosting and veiling flare in images. Even dimmer lite sources tin requite off halos, and so frame your shots carefully.

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Tech Specs
Dimensions:
3.five ten iii.5 x v.eight”
Weight:
1.vii lbs
Type:
Telephoto prime
Focal length:
28mm
Maximum discontinuity:
f/four
Minimum aperture:
f/32
Minimum focus distance:
4.6′
Bending of view:
eight° ten′
Epitome stabilization:
Yes
Pros

Uncommonly compact for its focal length

Consistent sharpness beyond the board

Minimal distortion and chromatic aberration

Outstanding image stabilization
Cons

Expensive & doesn’t come with lens hood

Pronounced veiling flare and light halos due to Fresnel element

five. Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED

Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED
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Editor’s Rating: 4.v/5

The AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED is the Holy Grail if you’re a Nikon shooter interested in macro photography. It’s amidst the sharpest lenses the visitor has ever made, boasts superb optics, and is built to last. The price has even gone downwards in recent years, and so it’s more in-line with cheaper alternatives.

Overview of Features

Most lenses on our list are either unusually small or large for their corresponding categories. The 105mm f/2.8G IF-ED falls nether the latter. It’due south a heavy lens with a large front chemical element congenital from a alloy of metallic & polycarbonate materials for maximum durability. It can achieve ane:ane magnification without outwardly moving or extending the barrel! This lets yous adhere ND filters and get close to subjects without scaring them off.

The 105mm f/two.8G IF-ED’s autofocus is consistently silent, so y’all tin use information technology to make documentaries about bugs and other small, skittish creatures. It does hunt in depression light, but you can help by engaging the focus limiter. Switching to transmission allows for minute adjustments every bit the ring is responsive and easy to grip. Vibration Reduction provides 4 stops of image stabilization and is as useful for portraits as for macro subjects.

It’south difficult to overstate how skillful the 105mm f/2.8G IF-ED’s sharpness is. A wickedly sharp centre is a must for macro lenses. Still, nosotros were most impressed with the corners and edges as they’re negligibly softer. All values improve markedly before peaking at f/five.half-dozen with record-breaking corner sharpness. The lens remains usable until f/16, but diffraction starts drastically affecting quality later that.

You’d expect the 105mm f/2.8G IF-ED to offering wonderful-looking bokeh, and it doesn’t disappoint. Barrel distortion is academic, and chromatic aberration appears only in extreme examples of loftier dissimilarity scenes. The back-well-nigh glass element is treated with Nano Crystal Coating. Coupled with a deep hood, this gives the lens superb glare resistance.

What’s Bad About It?

The 105mm f/2.8G IF-ED needs better quality command equally optical properties can vary noticeably from sample to sample. For example, y’all might go i with worse vignetting or more CA problems than the norm.

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Tech Specs
Dimensions:
3.3 10 3.3 10 4.5”
Weight:
1.vi lbs
Type:
105mm
Focal length:
f/2.8
Maximum aperture:
f/32
Minimum aperture:
1’
Minimum focus distance:
23° 20′
Angle of view:
Yep
Image stabilization:
x
Pros

Earth-form sharpness from corner to corner

No distortion or chromatic aberration

Focuses internally

Capable of true 1:1 magnification
Cons

Inconsistent quality control

6. All-time Budget Selection – Nikon AF-South Nikkor 50mm f/ane.8G

Nikon AF-S Nikkor 50mm f/1.8G
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Editor’south Rating: 4.four/5

Our budget choice is also ane of Nikon’s all-time bestsellers, the AF-Due south Nikkor 50mm f/ane.8G. The lens is an attractive choice for full-frame and APS-C shooters alike since it can be used for normal shots on the one-time and every bit a portrait prime on the latter. Information technology’s a lens no Nikon photographer should go without and a wonderful option as your first buy after exploring everything your kit lens can practice.

Overview of Features

The AF-S Nikkor 50mm f/1.8G is a tiny pancake lens that adds barely any weight to full-frame cameras. The build quality doesn’t betray its price equally the barrel is fabricated from solid plastic. Its metal mount is sealed, adding another layer of protection from wet and dust. The front end element is deeply recessed and protected from flaring, especially if you add the included barrel-shaped hood. The lens extends when zooming just doesn’t rotate, so polarizers and ND filters are supported.

There’s nothing to complain about regarding autofocus every bit the AF-S Nikkor 50mm f/ane.8G is accurate and reasonably silent. It’due south slower to acquire focus than virtually lenses on review, but that’s offset by its use every bit a general-purpose & portrait lens. We aren’t fans of the focus ring. It’s comfy and easy to grip, but it has a slight lag that takes some adjusting before y’all tin can use it consistently.

The AF-S Nikkor 50mm f/1.8G’due south sharpness is neat for the price. The corners are slightly softer than desired at f/1.viii. Central clarity is already decent wide open and soars with every further step. The edges & corners improve at a slower stride and max out at f/5.6. Stepping down to f/11 still yields fine-looking photos, but we wouldn’t recommend using f/16.

The lens exhibits moderate barrel baloney levels that aren’t likely to cause problems out in the field. Blurred backgrounds are polish, with bokeh going from a true cat’due south eye shape at f/1.four to perfectly fifty-fifty at f/28. There’s some light falloff at f/one.viii you could leave in for portraits or hands get rid of with Lightroom otherwise. There are no noteworthy issues with flare and ghosting.

Are There Drawbacks?

The AF-S Nikkor 50mm f/1.8G doesn’t handle chromatic aberration well. On the one hand, lateral CA starts at close to a pixel and reaches more than i.5by f/11. On the other, LoCA is credible when wide open. Make sure to choose an aperture first and so bring subjects into focus as the lens is prone to focus shift.

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Tech Specs
Dimensions:
2.8 x two.8 x 2.i”
Weight:
6.5 oz
Type:
Standard prime
Focal length:
50mm
Maximum aperture:
f/ane.8
Minimum aperture:
f/16
Minimum focus distance:
i.v’
Bending of view:
47°
Image stabilization:
No
Pros

Beauteous performance at a stone-bottom price

Accurate and silent autofocus

Decent central sharpness

Pleasing bokeh & little distortion
Cons

Prone to focus shift

Chromatic aberration problems

Source: https://3dinsider.com/nikon-prime-lenses/