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What Do Photographers Wear To Weddings

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Wedding Photography: Essential Equipment for Wedding Photography

When I was a new wedding ceremony photographer, I was freaked out about not having everything I needed. Being the organized photographer that I am, I fabricated a list of essential photography equipment for wedding ceremony photography; everything that I needed so that I wouldn’t forget anything. Over the years, I’ve added things and taken things off the list, so that I at present only bring what I need. This list allows me to become the job done without breaking my back lugging gear.

The most important equipment is your backup equipment!

These are the equipment essentials for wedding photography

ane. Camera and backup camera

I actually bring three cameras so I can shoot with two and take one additional as a backup, just I think only two would get the job done. It is essential to accept a backup in the result that something goes wrong with your primary camera — and there are and then many things that tin can go wrong.

2. Medium zoom lens

I use a 24-70 f2.8 every bit my medium zoom and the lens that is on my photographic camera nearly of the time. This focal length is great for wedding ceremony portraits and photojournalism, offering both wide and tight perspectives. The pretty wide discontinuity gives me some flexibility in spaces that aren’t very well lit.

3. Telephoto Lens

You will need a longer lens to capture events from a altitude, in item the ceremony. I like to stand up toward the back or sides of a ceremony as to non exist blocking anyone’s view and taking photos from a altitude with my 70-200mm. I besides use this lens for closeups of the offset dance.

4. Wide angle lens and prime lenses

These are not as essential for a hymeneals, but are certainly nice to have. The wide angle can get y’all shots of architectural details or big groups. The prime number lens can let you to shoot in dark spaces and give you dreamy depth of field.

5. Speedlights

Using an external flash can be a lifesaver when y’all need to get a shot that is merely too dark to get otherwise. I accept to utilise speedlight photography techniques for nighttime weddings and dark churches. The culling is dark or grainy images.

six. Memory cards and batteries

E’er bring more than cards and batteries than you think you need. I volition shoot 50-threescore GB of images for a wedding and go through ii sets of batteries per photographic camera and per speedlight. Brand sure the batteries are all charged up in advance.

seven. Tripod and light stands

A good tripod will get you out of a pinch if you are low on calorie-free and only need a fiddling more stability. It’s as well helpful if you are working in very low light or compositing images together. The calorie-free stands are helpful to place your speedlights on and allow you to adjust the placement of the lights. Shoot-through umbrellas are besides helpful to take with the lightstands and speedlights for portrait work.

viii. Flash diffuser

I similar to bring a Gary Fong Lightsphere to put on tiptop of my flash. It helps to diffuse the low-cal and make for better portraits on the wing when you don’t have time to ready lights.

9. Camera bag

You will need something to put all your gear in. Make sure it’due south big enough and comfortable enough to booty around with you as y’all’re moving throughout the day.

10. Studio strobes and umbrellas

Some people may disagree with me that this is essential, merely I like to have powerful strobes (more than power than speedlights) to utilise on formal portraits if I need them. Sometimes, it rains or is as well cold and I’thou forced to have formals in a dark church. In this case, I similar have the speed and power of strobes to evenly calorie-free up a big group of people.

11. Lens cleaning kit and lens hoods

It’due south possible for the lens to get dirty or moisture throughout the course of a quick moving event, so it’s good to proceed a cleaning kit or lens wipes with you to keep smudges from ruining your shots. Lens hoods are a good fashion to go along lenses from getting dirty in the first place and also serve to proceed sun flare downward.

In his grade,
Off-Camera Flash Photography, Neil van Niekerk discusses how to generate the best light for your subject field via speedlights, umbrellas and farther equipment. His Portraits with
On-Camera Speedlight
further delves into the importance of creating the best lite no matter what kinds of weather y’all may exist shooting in.

These are my essential items. Am I missing any items that you think are essential?