What Lens Is Best For Landscape Photography

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Landscape photography has been a dominant genre of photography since the commencement, especially equally we’ve moved away from paintings being the but source of sharing or expressing the way we view our surroundings. As the great photographer Robert Adams said, “If as individuals we can meliorate the geography only slightly, if at all, perhaps the more appropriately scaled subject for reshaping is ourselves.” We accept always had a want to share our surround, but as Adams suggests, information technology may exist more than about what the landscape has to offering us on a personal level, the manner it inspires both the photographer and viewer of the terminal image. In this article we volition be looking at some of the best Sony prime lenses to aid you create inspiring mural images yourself. From wide-angle views with lenses like the Sony 24mm f/one.4 G Master, to the up-close and personal ones with lenses like the Sony 90mm f/two.eight Macro G – keep reading to come across our list of best Sony primes for landscape photography.

From broad-angle to macro, see our list of the all-time Sony primes for shooting mural photography.

Sony 14mm f/1.viii G Primary

If you are looking to create vast and dynamic landscape images, this lens will practice that. Using such a broad-angle lens forces you to really remember about your angles and compositions. The wider you get the more hazard of losing item, simply quality and precision of the 14mm f/ane.viii Yard Master will not let you down. For a small and light 14mm lens at f/1.8, it is abrupt. You will also detect that there is minimal distortion, giving yous shine and coherent landscape images.


Photo by Tiffany Nguyen. Sony Blastoff 1. Sony 14mm f/1.8 K Master. ane/100-sec., f/2, ISO 125

“14mm gives me a completely dissimilar perspective. It allows me to get creative and capture images that I typically wouldn’t be able to execute with a tighter lens. My favorite affair about this lens is how fast and sharp it is. I was so impressed that every shot was perfectly in focus, even in depression light situations.” –  Tiffany Nguyen Landscapes, Astroscapes, Compages & More than. Run across What These Creators Are Capturing With The New 14mm f/one.8 Thou Master

Sony 24mm f/one.4 G Master


A wide-angle lens at f/one.4 is perfect for those who desire to get a sharp and pristine landscape paradigm in that blue 60 minutes – y’all can get a lot of light in without losing any quality in the image. The 24mm is besides a great focal length for those interested in creating photos of broad-open desert-scapes or more than dense wooded areas, as it helps you find a well-counterbalanced composition of your surroundings. This lens is light and packable, making it easy to take on all your adventures in pursuit of that platonic landscape shot.


Photograph by Gary Hart. Sony α7R 3. Sony 24mm f/1.4 Chiliad Master lens. one/10-sec., f/11, ISO 50

“This lens makes a tremendous difference and non just in terms of the exposure. A lot of people don’t appreciate how much of a deviation information technology makes in just being able to see the scene to compose and focus. Because and so much lite’due south getting through to the sensor at f/1.4, focusing is a easy.” – Gary Hart, Sony 24mm f/one.four GM First Looks For Street, Astroscapes, Landscape & Compages


Photo by Matt Ferr. Sony Alpha 7R III. Sony 24mm f/1.four 1000 Master. ane/320-sec., f/4, ISO 400

“Over the years I’ve tested all the 24mm E-mountain lenses on the market. I’ve washed this because I love having a wide lens in my handbag while traveling. It’s a great focal length for shooting lifestyle images in broad landscapes and peculiarly good for capturing video. When Sony released the 24mm f/1.iv GM I was showtime to pre-society and later on owning it for some fourth dimension now I tin say information technology’south the all-time 24mm on the market. Information technology not only hits all the features I needed merely it’s very lightweight which makes information technology an easy add together-in to my travel bag.” – Matt Ferr, What’s In My Bag: How Matt Ferr Travels For Shooting Photo & Video

Sony 35mm f/1.4 G Master


The 35mm is one of the best focal lengths because of its versatility. When information technology comes to using this focal length for mural photography, it is a happy medium betwixt the 24mm and the 50mm equally information technology allows you to become wide shots with foreground and groundwork details in your frame and captures the scene equally you see it. The Sony 35mm f/i.iv G Master is compact and lightweight, making information technology ideal for hiking. At f/1.4, it’south an excellent lens to grab those beautiful landscapes just earlier or later on sunrise and sunset.


Photo By Caroline Jensen. Sony α7R IV. Sony 35mm f/one.4 G Chief. 1/8000-sec., f/1.iv, ISO 125

“The i big thing that stands out is that it [the Sony 35mm f/1.4 One thousand Principal] was but razor sharp which was crawly. That’due south ever the number one matter for me, considering I just need to know that that factor is there. Number two was the size. It was not as big as some of the 35s I’ve used in the by, which is a huge bonus. In fact, I often would cede the wide aperture that I love and use the 2.eight version that Sony has, just to maintain the size and continue information technology smaller for my kit. This is perfect considering information technology’south not huge and information technology’s also non heavy. It’s well into the category of a showtime-pick lens for travel, or annihilation where weight is an issue.” – Caroline Jensen, “The Quintessential Storytelling Lens”

Sony 50mm f/1.2 Thousand Principal


The 50mm may not exist your showtime choice when choosing a lens for landscape photography, merely information technology’s one you should definitely consider. Especially the 50mm f/1.2 Thou Principal with its high resolution, striking bokeh and fast autofocus – information technology will non disappoint. When you are not shooting wide with a prime, you have more of an opportunity to get compelling images from one location. You have to move effectually the space and get creative with how you lot desire to tell the story of your environment and go the images you lot want. The lens is also smaller and lightweight, saving yous infinite and weight in your pack and making information technology like shooting fish in a barrel to have with you all mean solar day long.


Photo by Caroline Jensen. Sony α7R IV. Sony 50mm f/1.2 G Master. 1/200-sec., f/one.2, ISO 400

“Most 50mm lenses have a fairly broad open aperture, but the beauty of an f/1.2 cannot be understated. Information technology is the departure between a skilful image and a Cracking image. I am a bokeh lover and I think the first matter I e’er searched for (in a menu itemize, probable, ha!) was for books that would teach me how to make blurry backgrounds behind flowers. My favorite images take a dreamy quality that is nearly impossible without a lens that assists in getting that flossy-smooth bokeh. Digital editing never comes shut in my humble opinion…the drinking glass is everything!” – Caroline Jensen, Hands On With The New 50mm f/1.2 G Principal

Sony 90mm f/ii.8 Macro M

First off, this lens tin can exist used both as a macro and a curt telephoto. Information technology is super sharp with beautiful bokeh at all focal lengths and smaller apertures. This lens likewise has a clutch, which is very handy when you desire to switch to and from machine to manual quickly to get precise focus on your subject. The 90mm f/two.8 Macro Chiliad is a very versatile lens for a prime and allows y’all to capture a range of subject affair out in the wild.

Photo by Michael Castaneda. Sony α7R III. Sony 90mm f/2.8 Macro G. 8-secs., f/7.1, ISO 100

Photograph by Michael Castaneda. Sony α7R III. Sony 90mm f/ii.8 Macro Thousand. 8-secs., f/vii.1, ISO 100

“…this lens is my favorite. For landscapes, the compression from this lens allows me to create unique compositions while still retaining a mural feel to the scene. Information technology is one of, if non, the sharpest lenses in the Sony armory and makes for an incredible portrait and lifestyle lens.” – Michael Castaneda, What’s In My Bag: A Consummate Sony Alpha Kit For Stunning Landscapes

Sony 135mm f/1.8 G Master


The 135mm f/1.8 G Master is Sony’s longest fixed-focal-length G Master lens, and at f/ane.8 information technology offers beautiful depth of field that makes information technology an interesting lens to utilize for mural. At 135mm, this lens gives you lot a chance to get tighter and focus in on a particular role of the landscape you desire to highlight. It as well allows you to become artistic with how you capture specific landscape scenes. This lens is perfect if you’re looking to prove a different perspective and character within your landscape photography.

Photo by Lester Tsai. Sony Alpha 1. Sony 135mm f/1.8 G Master. 1/1000-sec., f/1.8, ISO 100

Photograph by Lester Tsai. Sony Alpha 1. Sony 135mm f/i.8 M Principal. one/yard-sec., f/1.8, ISO 100

“One of the best Eastward-mount lenses ever made. The sharpness and rendering of this lens are unmatched. From portraits to landscape (Yes, I shoot landscape with information technology) you will never be disappointed. If you haven’t tried this lens yet, you’re missing out!” – Lester Tsai What’s In My Purse: This Might Be The Ultimate Sony Alpha Kit For Max Versatility

Source: https://alphauniverse.com/stories/best-prime-lenses-for-landscape-photography/

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