What Should Write About Foreground On A Conceptual Photography

By | 02/01/2023

Information technology may sound clichéd, only the but rule in photography is that in that location are no rules. Yet, there are a number of established composition guidelines which can exist applied in well-nigh whatever situation, to enhance the impact of a scene.

These guidelines will assistance yous take more compelling photographs, lending them a natural balance, cartoon attention to the important parts of the scene, or leading the viewer’s eye through the epitome.

One time you are familiar with these composition tips, yous’ll exist surprised at just how universal most of them are. You lot’ll spot them everywhere, and you’ll notice it easy to see why some photos “work” while others feel like unproblematic snapshots.

Rule of Thirds

Imagine that your paradigm is divided into 9 equal segments by ii vertical and 2 horizontal lines. The dominion of thirds says that yous should position the about of import elements in your scene along these lines, or at the points where they intersect.

Doing then will add together balance and interest to your photograph. Some cameras fifty-fifty offer an option to superimpose a dominion of thirds grid over the LCD screen, making it even easier to utilise.

Lighthouse with rule of thirds grid

Notice how the building and horizon are aligned forth dominion-of-thirds lines. Prototype by Trey Ratcliff.

Balancing Elements

Placing your main subject off-centre, as with the rule of thirds, creates a more interesting photograph, but it tin can get out a void in the scene which can make it feel empty. You can achieve a balanced composition and even out the main subject’s “visual weight” past including some other object of bottom importance to fill the space.

Road sign with building behind

Hither, the visual “weight” of the route sign is counterbalanced by the building on the other side of the shot. Paradigm by Shannon Kokoska.

Leading Lines

When we look at a photograph our heart is naturally drawn along lines. By thinking about how you place these leading lines in your limerick, yous can bear on the way we view the epitome, pulling us into the picture, towards the subject, or on a journeying “through” the scene.

In that location are many different types of line – direct, diagonal, curvy, zigzag, radial etc – and each tin can be used to enhance our photo’s composition.

Road winding through mountains

The route in this photo draws your eye through the scene. Epitome by Pierre Metivier.

Symmetry and Patterns

We are surrounded by symmetry and patterns, both natural and human being-fabricated. They tin can make for very eye-communicable compositions, particularly in situations where they are not expected. Another peachy way to use them is to intermission the symmetry or pattern in some way, introducing tension and a focal betoken to the scene.

Chapel entrance

The symmetry of this chapel is broken past the bucket in the bottom right corner. Image by Fabio Montalto.


Earlier photographing your subject, accept time to think about where y’all will shoot it from. Our viewpoint has a massive impact on the composition of our photo, and as a consequence it tin can greatly bear upon the message that the shot conveys. Rather than only shooting from eye level, consider photographing from loftier above, downwards at ground level, from the side, from the back, from a long way abroad, from very close up, and so on.

Man sitting on beach photographed from above

The unusual viewpoint chosen here creates an intriguing and slightly abstruse photograph. Image by ronsho.


How many times accept you lot taken what you lot thought would be a not bad shot, only to find that the final image lacks impact because the discipline blends into a busy background? The human being center is splendid at distinguishing betwixt dissimilar elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise bully photo. Thankfully this trouble is usually easy to overcome at the time of shooting – look around for a plain and unobtrusive background and compose your shot so that it doesn’t distract or detract from the subject.

Female violinist

The plain background in this composition ensures nothing distracts from the subject. Image by Philipp Naderer.


Considering photography is a two-dimensional medium, we have to cull our limerick advisedly to conveys the sense of depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle ground and groundwork. Some other useful composition technique is overlapping, where you deliberately partially obscure one object with another. The human heart naturally recognises these layers and mentally separates them out, creating an paradigm with more depth.

Sheep in field will misty hills in the background

Emphasise your scene’southward depth by including interesting subjects at varying distances from the camera. Image past Jule Berlin.


The world is full of objects which brand perfect natural frames, such as trees, archways and holes. By placing these around the border of the composition you assist to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main betoken of interest.

Lake framed by hills either side

Here, the surrounding hills class a natural frame, and the piece of wood provides a focal point. Paradigm by Sally Crossthwaite.


Often a photo will lack impact because the main subject is and so small it becomes lost among the clutter of its environment. By cropping tight around the subject you eliminate the groundwork “noise”, ensuring the subject gets the viewer’s undivided attention.

Ceramic ornaments of characters hugging

Cut out all unnecessary details to go on keep the viewer’s attention focused on the bailiwick. Prototype by Hien Nguyen.


With the dawn of the digital historic period in photography nosotros no longer have to worry virtually film processing costs or running out of shots. Equally a issue, experimenting with our photos’ composition has become a real possibility; we tin can fire off tons of shots and delete the unwanted ones later at absolutely no actress cost. Take advantage of this fact and experiment with your limerick – you lot never know whether an idea volition work until you endeavour information technology.

Lone tree in field illuminated with golden light

Digital photography allows us to experiment with different compositions until we notice the perfect ane. Image past Jule Berlin.

Composition in photography is far from a scientific discipline, and every bit a upshot all of the “rules” to a higher place should be taken with a pinch of common salt. If they don’t work in your scene, ignore them; if yous find a neat limerick that contradicts them, then go ahead and shoot it anyway. Only they can often prove to be spot on, and are worth at least because whenever you are out and well-nigh with your camera.

Source: https://www.photographymad.com/pages/view/10-top-photography-composition-rules

Posted by: Fusiontr.com

Originally posted 2022-02-13 02:40:01.