Where To Buy Frost Gel For Photography

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Technical Filters

The LEE range of technical filters has been developed to convert and dispense light sources with a high degree of accuracy. A full range of daylight, tungsten and fluorescent conversions, neutral densities, reflectors and scrims are available.

  • Daylight Conversion

    Converts daylight to a tungsten lite.

  • 444
    Eighth C.T. StrawConverts 6500K to 5700K – daylight to tungsten light with a xanthous bias.
  • 223
    Eighth C.T. orangishConverts daylight (6500K) to tungsten light (5550K).
  • 443
    Quarter C.T. StrawConverts 6500K to 5100K – daylight to tungsten light with a xanthous bias.
  • 206
    Quarter C.T. orangeConverts daylight (6500K) to tungsten light (4600K).
  • 442
    Half C.T. HarbingerConverts 6500K to 4300K – daylight to tungsten low-cal with a yellow bias.
  • 205
    Half C.T. orangishConverts daylight (6500K) to tungsten lite (3800K)
  • 285
    Three Quarter C.T. orangishConverts daylight (6500K) to tungsten lite (3600K).
  • 204
    Full C.T. orangeConverts daylight (6500K) to tungsten lite (3200K).
  • 604
    Full C.T. Eight 5Converts Daylight (6500K) to Tungsten light (3200K) with a scarlet bias. Creates an orange effect similar to sodium when used on Tungsten.
  • 441
    Full C.T. StrawConverts 6500K to 3200K – daylight to tungsten low-cal with a yellow bias.
  • 286
    One and a One-half C.T. orangeConverts daylight (6500K) to tungsten (2507K)
  • 208
    Full C.T. orange + .6NDConverts daylight (6500K) to tungsten (3200K) and reduces calorie-free 2 stops.
  • 207
    Full C.T. orange + .3NDConverts daylight (6500K) to tungsten (3200K) and reduces light 1 stop.
  • 287
    Double C.T. orangeConverts daylight (6500K) to tungsten (2147K)
  • Tungsten Light Conversion

    Converts a tungsten light source to daylight.

  • 200
    Double C.T. BlueConverts tungsten (3200K) to daylight (26000K)
  • 283
    1 and a Half C.T. BlueishConverts tungsten (3200K) to daylight (8888K)
  • 201
    Full C.T. BlueishConverts tungsten (3200K) to photographic daylight (5700K).
  • 281
    3 Quarter C.T. BlueishConverts tungsten to daylight.
  • 202
    Half C.T. BluishConverts tungsten (3200K) to daylight (4300K).
  • 203
    Quarter C.T. BlueConverts tungsten (3200K) to daylight (3600K).
  • 218
    8th C.T. BlueConverts tungsten (3200K) to daylight (3400K).
  • Fluorescent Correction

    A range of filters for correcting fluorescent lite for both lighting and photography.

  • 241
    LEE Fluorescent 5700 KelvinConverts tungsten to fluorescent calorie-free of 5700K (cool white/daylight).
  • 243
    LEE Fluorescent 3600 KelvinConverts tungsten to fluorescent low-cal of 3600K (warm white).
  • 242
    LEE Fluorescent 4300 KelvinConverts tungsten to fluorescent light of 4300K (white).
  • 219
    LEE Fluorescent greenGeneral tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction.
  • 244
    LEE Plus dark-greenUsed on daylight and tungsten light sources to provide green cast when used in conjunction with belch lighting. Approximately equivalent to CC30 dark-green camera filter.
  • 245
    One-half Plus greenUsed on daylight and tungsten light sources to provide light-green cast when used in conjunction with discharge lighting. Approximately equivalent to CC15 greenish camera filter.
  • 246
    Quarter Plus greenUsed on daylight and tungsten low-cal sources to provide green bandage when used in conjunction with belch lighting. Approximately equivalent to CC075 light-green camera filter.
  • 278
    8th Plus greenProvides very slight dark-green cast. Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting.
  • 279
    Eighth Minus greenProvides very slight correction. Used on lighting to eliminate unwanted green cast created by discharge lite sources on film.
  • 249
    Quarter Minus greenishUsed on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC075 magenta camera filter.
  • 248
    One-half Minus greenUsed on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC15 magenta camera filter.
  • 247
    LEE Minus greenUsed on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC30 magenta camera filter.
  • Urban Furnishings Filters

    Create the look of Sodium street lighting with either a tungsten or daylight source. These colours have been specifically designed to recreate different types of urban lighting effects ranging from High and Low Pressure Sodium to the general orangish and mustard expect associated with street lighting. They give a dirty, gritty urban feel to existing low-cal sources that was previously difficult to achieve.

  • 651
    HI SodiumUsed on tungsten to create a High Pressure Sodium look.
  • 653
    LO SodiumUsed on tungsten to create a Low Force per unit area Sodium look.
  • 650
    Manufacture SodiumUsed on tungsten to blend with sodium light.
  • 741
    Mustard yellowishSpooky when used in brume. Removes some red and blueish. Works all-time with daylight bulbs. Sodium lamp effect.
  • 740
    Aurora Borealis greenMaster jungle colour. Removes some blood-red and bluish. Works best with daylight bulbs. Sodium lamp upshot.
  • 642
    Half Mustard yellowOne-half forcefulness Sodium light effect, designed for employ with daylight sources.
  • 643
    Quarter Mustard yellowishQuarter forcefulness Sodium calorie-free effect, designed for use with daylight sources.
  • 652
    Urban SodiumUsed on tungsten to create the orange glow associated with Sodium light.
  • Arc Correction

    A range of filters for arc correction.

  • 213
    White Flame greenCorrects white flame carbon arcs by absorbing ultra violet.
  • 212
    Fifty.C.T.yellow (Y1)reduces colour temperature of depression carbon arcs to 3200K.
  • 236
    H.M.I. (to Tungsten)Converts HMI to 3200K, for employ with Tungsten film.
  • 237
    C.I.D. (to Tungsten)Converts CID to 3200K, for utilize with Tungsten movie.
  • 238
    C.S.I. (to Tungsten)Converts CSI to 3200K, for use with Tungsten film.
  • 232
    Super Correction W.F. greenConverts white flame arc to 3200K, for use with Tungsten motion-picture show.
  • 230
    Super Correction 50.C.T. yellowConverts yellowish carbon arc (of depression colour temperature) to tungsten.
  • Ultra-Violet Absorption

    Low transmission of ultra-violet light.

  • 226
    LEE U.Five.Transmission of less than l% at 410nms.
  • Special Cyans

    Reduces the red component of light sources compared to the blue & green wavelengths.

  • SC15
    Special Cyan 15Reduces the red component (600nm-700nm) of light sources by approx. 25% compared to the bluish and green wavelengths (400nm-600nm).
  • SC30
    Special Cyan thirtyReduces the reddish component (600nm-700nm) of calorie-free sources by approx. 50% compared to the bluish and green wavelengths (400nm-600nm).
  • SC60
    Special Cyan sixtyReduces the scarlet component (600nm-700nm) of lite sources by approx. 75% compared to the blue and green wavelengths (400nm-600nm).
  • Neutral Density

    Reduces calorie-free intensity without changing colour.

  • 299
    1.2NDReduces light four stops, without irresolute color.
  • 211
    0.9NDReduces light 3 stops, without changing colour.
  • 210
    0.6NDReduces low-cal 2 stops, without irresolute colour.
  • 209
    0.3NDReduces low-cal 1 stop, without irresolute colour.
  • 298
    0.15NDReduces light one/2 terminate, without changing color.
  • Polariser

    Reduces glare and reflection.

  • 239
    PolariserMade from 0.006″ (150 micron) Triacetate. reduces glare and reflection when used in conjunction with LEE Polarising Camera Filter.
  • Protection Media

    The LEE Oestrus Shield is a transparent flexible movie placed between the lite source and the filter, which extends the life of a filter. LEE also offers a blackness Aluminium foil to reduce calorie-free spill and reduce unwanted reflections.

  • 280
    Black FoilUsed to reduce unwanted light spill or to command unwanted light reflection.
  • 269
    LEE Heat ShieldA transparent flexible picture show used to extend the life of filter. The shield should be placed between the low-cal source and the filter, allowing distance between the shield and the filter.
  • Reflectors

    These silver and gold metallic surfaces, let reflected light to exist bounced to simply make full in shadow areas requiring a niggling more than illumination. Alternative surface treatments allow for soft or difficult reflections, and the white backing can likewise exist used every bit a soft reflector.

  • 274
    Mirror GoldProduces hard reflection. White backed.
  • 272
    Soft Gold ReflectorProduces soft reflection. White backed.
  • 271
    Mirror SilverProduces hard reflection. White backed
  • 273
    Soft Silver ReflectorProduces soft reflection. White backed.
  • Scrims

    Perforated ‘scrim’ reflectors can produce very soft reflections and eliminate unwanted reflections from windows.

  • 270
    LEE ScrimA perforated reflector producing a very soft reflection. Silver on 1 side and black on reverse.
  • 275
    Black ScrimA flexible perforated material that is blackness on both sides. Tin can be used on windows to reduce calorie-free intensity, without causing whatever unwanted reflections.
  • Acrylic Panels

    These panels are unique to LEE and exhibit the aforementioned degree of colour accuracy and consistency as our range of lighting filters.

    Specifically for use over windows for correcting daylight, these hardwearing panels can be cut to size and installed permanently, or used on location again and once again.

  • A208
    Full C.T.O. + 0.6ND Acrylic PanelConverts Daylight to Tungsten and reduces light ii stops.
  • A207
    Full C.T.O. + 0.3ND Acrylic PanelConverts Daylight to Tungsten and reduces light 1 finish.
  • A205
    One-half C.T.O. Acrylic ConsoleConverts Daylight to Tungsten
  • A209
    0.3ND Acrylic Consolereduces light 1 cease without altering the colour

Mired Shift Reckoner

Detect the correct technical filter rapidly with our Mired Shift Calculator. Detect out what filter you need to correct your source.

Framed Glass Filters

LEE dichroic glass filters offering unmatched color purity and stability. Popular with both the architectural and theatrical industries.


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LEE Swatch for iPhone & Android

Our complete range on i screen, with an innovative colour picker so you can easily build palettes anytime inspiration strikes.


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Source: http://leefilters.com/lighting/technical-list.html

Posted by: Fusiontr.com

Originally posted 2022-02-12 11:46:41.