Wide Angle Lens For Nikon D3400

By | 08/11/2022


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Nikon’southward D3400 might be getting long in the tooth, but now is the time to pick one up if you lot’re looking for an affordable and versatile beginner-friendly camera. You’ll besides need at least one lens to get started, and that’southward what this commodity is going to help y’all choose.

Here are the best Nikon D3400 lenses you can get. Our picks encompass everything from lenses not bad for portraits and wild animals photography to ones that excel at shooting landscapes or products. Best in this context ways a mixture of affordability and functioning that reflects the cost of your camera. We’ve also written almost premium Nikon lenses if yous don’t listen paying essentially more.

Keep in mind that the D3400 is an APS-C camera that applies a 1.6x crop factor to a lens’s focal length. For example, a lens whose full-frame focal range is 17-50mm behaves like a 27-80mm one on an APS-C torso.

Nikon D3400 Lenses Comparing Table

one. Best Overall – Sigma 17-50mm f/2.viii EX DC Os HSM FLD

Sigma 17-50mm f/2.8 EX DC OS HSM FLD
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Editor’southward Rating: four.half dozen/5

It’due south rubber to say that D3400 users are looking for value, and the 17-50mm f/2.eight EX DC Bone HSM FLD delivers that in spades. It’s a standard zoom lens that dips into broad-angle and telephoto territory at its focal extremes. This makes it suitable for all fashion of photography, including product, landscape, event, and portrait. It’southward remarkably sharp and even has image stabilization.

Overview of Features

The 17-50mm f/ii.8 EX DC Os HSM FLD is a mid-sized zoom lens that’s got some heft just won’t tire y’all out as a large telephoto would. Its plastic & metal frame fits nicely on the D3400 and doesn’t overbalance even when you zoom the lens out completely. Both rings take a satisfying texture, and the zoom ring is responsive.

Sigma uses the Hyper-Sonic motor to deliver quiet and authentic autofocus. Information technology’s not as fast equally the company’s Excellence line of premium lenses, but y’all’ll get lots of keepers unless you lot intend on shooting fast-activity sports. The focus ring rotates while the lens is acquiring targets and can’t be used for manual correction in AF mode. All-time of all, the 17-50mm f/2.8 EX DC Bone HSM FLD comes with paradigm stabilization good for an impressive four stops.

The 17-50mm f/ii.8 EX DC OS HSM FLD is ane of the strangest lenses nosotros’ve ever seen in terms of sharpness. Central image clarity is expert no matter what aperture or focal length you’re on and becomes excellent past f/5.half dozen. The corners are far likewise soft at f/ii.eight 17mm and become even more so the more you zoom in. However, corner sharpness rallies almost miraculously by f/4 to the point that you’ll wonder if you’re using the same lens.

The FLD in the lens’south name pertains to a fluorine-like drinking glass element that does an excellent job of minimizing chromatic aberration. Light falloff is controlled well for this lens type every bit information technology reaches 1.v stops at its farthermost. Bokeh is nothing to write dwelling about and becomes nervous at smaller apertures, but blurry backgrounds wait good nonetheless.

What We Didn’t Similar

The 17-50mm f/2.viii EX DC Bone HSM FLD shows moderate butt distortion levels at 17mm and some pincushion baloney at 50mm. You can dispose of both easily either in post or by shooting JPEGs.

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Tech Specs
Dimensions:
3.3 10 3.3 ten 3.half-dozen in.
Weight:
ane.2 lbs.
Type:
Standard zoom
Minimum focal length:
17mm
Maximum focal length:
50mm
Maximum aperture:
f/2.viii
Minimum discontinuity:
f/22
Minimum focus distance:
11 in.
Angle of view:
79.7° to 31.vii°
Image stabilization:
Yes
The Pros

First-class sharpness for its price

Few chromatic aberration bug

Accurate autofocus

Capable image stabilization
The Cons

Very soft corners at f/2.8

Some barrel and pincushion baloney

2. Best Value – Nikon AF-S DX NIKKOR eighteen-200mm f/3.5-five.6G ED VR 2

Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II
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Editor’s Rating: 4.5/five

An all-in-ane lens like the AF-S DX NIKKOR eighteen-200mm f/3.5-5.6G ED VR Two is the perfect counterpart to a D3400. Information technology can accept precipitous pictures of any imaginable subject ranging from landscapes to wildlife. The lens is stabilized, well-built, and its optical properties are well-rounded. There’s no better choice if you lot’ve got room in your budget for a single lens every bit it doesn’t excel at anything but does everything well.

Overview of Features

The AF-S DX NIKKOR eighteen-200mm f/3.5-5.6G ED VR 2 is made from high-quality plastic and has a metal hood. Its length extends significantly when zoomed out, just the outer lens doesn’t rotate and accommodates ND filters. Physical switches allow you switch from automatic to manual focusing, turn image stabilization on, and lock the barrel into identify at 18mm to keep it from sliding out during ship.

We were pleasantly surprised by the AF-S DX NIKKOR 18-200mm f/three.five-5.6G ED VR Ii’s autofocus speed. There are faster performers overall, only it snaps to attention quickly for a lens with such a wide focal range. You won’t feel hunting in low light either. Focusing manually is a pleasance since the band offers the right amount of resistance. The lens has second-generation Vibration Reduction, assuasive you lot to shoot handheld or snap action shots at quicker shutter speeds.

You’ll get the most out of the lens’south sharpness at 18mm f/8 and can expect frontwards to bang-up fundamental sharpness no thing your preferences. Edges are understandably softer than the middle and proceeds quality gradually as the aperture decreases. Zooming in results in slight quality loss across the lath and shifts peak operation towards f/11.

The AF-South DX NIKKOR eighteen-200mm f/3.5-five.6G ED VR II exhibits finely-tuned optical traits. It handles flare well thanks to 16 elements in 12 groups, letting y’all take pictures with the lord’s day in a corner. There’s impressively picayune chromatic aberration for a lens with this focal length. Yous’ll encounter some at either length farthermost. It’s the same with vignetting, which never poses a significant problem. Highlights look like onion rings and are too difficult for satisfactory bokeh, but clever positioning will yield flossy background blur.

What’due south Bad Near It?

Distortion is the AF-S DX NIKKOR 18-200mm f/three.5-5.6G ED VR Two but moderately serious optical drawback. Barrel distortion is pronounced at 18mm. Pincushion distortion is never every bit evident, simply y’all’ll all the same want to correct for information technology if yous zoom into architectural elements. The lens is susceptible to zoom creep, so go on it straight if you lot don’t want the focal length to change equally you’re repositioning.

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Tech Specs
Dimensions:
3 x 3 x three.8 in.
Weight:
1.2 lbs.
Type:
All-in-one zoom
Minimum focal length:
18mm
Maximum focal length:
200mm
Maximum discontinuity:
f/iii.five to five.half-dozen
Minimum aperture:
f/22
Minimum focus altitude:
1.6 ft.
Angle of view:
76° to 8°
Image stabilization:
Yes
The Pros

Broad focal range covers a broad range of subjects

Fast automobile and precise manual focusing

Effective epitome stabilization

Few bug with CA and flare
The Cons

Pronounced butt distortion at 18mm

Prone to zoom creep

3. Nikon AF-P DX NIKKOR 70-300mm f/iv.5-6.3G ED VR

Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR
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Editor’s Rating: 4.4/five

Our upkeep choice is a fantastic all-around lens, but D3400 owners who specialize in bird or sports photography will need something sharper for the zooming this entails. The AF-P DX NIKKOR seventy-300mm f/four.5-6.3G ED VR is an inexpensive telephoto lens for Nikon APS-C cameras that perfectly fits the bill. It’s remarkably sharp, isn’t scared by sunlight, and it’s as effortless to use every bit can be.

Overview of Features

You’ll notice right away how compact and light the AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR is. That’s mainly due to its plastic body, including the mountain. No need to worry about its quality since everything fits together tightly and the plastic used is high course. A broad zoom ring dominates the body and is piece of cake to rotate. It has a 90-caste throw and clearly marked stops for precise adjustment.

Nikon used a silent stepping motor in the lens, making information technology ideal for filming skittish wildlife. Focus acquisition is reasonably fast and barely afflicted by changes in light until there’southward barely any left. Focusing manually could be more pleasant since the band is thin and feels likewise loose. Vibration Reduction accounts for four stops of shake correction and can’t be turned off manually.

Nosotros were pleased with the AF-P DX NIKKOR 70-300mm f/4.five-6.3G ED VR’s sharpness, especially once you consider its cost. Corners are a bit soft at max aperture but climb noticeably as you decrease it. Central sharpness ranges from skilful to outstanding, and you’ll go the best results between f/8 and f/eleven. Stepping down to f/16 is a good idea at any focal length, simply y’all shouldn’t narrow the aperture more because of diffraction. The lens’s resolution takes an overall dip at 300mm. It’due south not a deal-breaker, simply you’ll want to be aware of the change.

The AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR shows little baloney. You shouldn’t shoot into the dominicus since that introduces veiling flare and reduces contrast. However, careful positioning will internet you spectacular shots during golden hour without introducing artifacts. There’s little CA, particularly in the center. The only exception is f/four.5 at 70mm y’all can recoup for in post.

Are There Drawbacks?

The AF-P DX NIKKOR 70-300mm f/iv.5-half dozen.3G ED VR would benefit from a lens hood but doesn’t come up with i. You lot can buy the butt-shaped HB-77 hood separately. Vignetting is nowadays throughout the lens’south focal range and most evident at f/five 170mm.

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Tech Specs
Dimensions:
2.viii x 2.eight x 4.2 in.
Weight:
fourteen.6 oz.
Blazon:
Telephoto zoom
Minimum focal length:
70mm
Maximum focal length:
300mm
Maximum discontinuity:
f/4.5 to vi.three
Minimum aperture:
f/32
Minimum focus distance:
three.6 ft.
Angle of view:
22° 50′ to 5° 20′
Prototype stabilization:
Yes
The Pros

Excellent sharpness

Lightweight withal sturdy

Silent autofocus

Controlled chromatic aberration and minimal distortion
The Cons

Some vignetting at the middle of its zoom range

Doesn’t come with a lens hood

4. Tokina AT-X fourteen-20mm f/2 PRO DX

Tokina AT-X 14-20mm f/2 PRO DX
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Editor’s Rating: 4.four/5

Tokina is a respected 3rd-party manufacturer renowned for superior wide-angle lenses. The AT-X 14-20mm f/2 PRO DX continues the tradition as information technology’southward the starting time lens with a focal range of less than 18mm with a max aperture of f/2. This allows y’all to shoot landscapes, grouping portraits, events, or cities with a wonderful groundwork mistiness and smooth bokeh.

Overview of Features

The commencement thing you’ll notice about the AT-X fourteen-20mm f/2 PRO DX is its weight. Information technology’south one of the two heaviest lenses on review thanks to 13 elements in 11 groups, 3 of which are aspherical and two are low dispersion. The mount is metal and enhanced past a rubber gasket that offers a degree of moisture and dust sealing. Tokina doesn’t advertise the lens as being weatherproof, though.

You’re free to utilize any aperture you desire if central sharpness is your just business. Information technology’s keen even at 14mm f/2 and improves slightly as the amount of light passing through the lens gets smaller. The edges and especially the corners are some other matter. They aren’t as well-resolved at f/ii and improve modestly at f/2.8. Bumping the aperture down to f/four sees a noticeable improvement, while f/5.6 is the AT-X 14-20mm f/2 PRO DX’south sweet spot.

The lens was constructed with nine discontinuity blades, which give bokeh a rounded look while producing sunday stars with xviii beams when shooting at low f-stops. The AT-Ten fourteen-20mm f/ii PRO DX tin achieve a shallow depth of field that makes it suitable for group or product photos where clear subjects are contrasted confronting distinguishable but blurred-out backgrounds.

Some butt baloney is inevitable in wide-angle lenses, simply the AT-X fourteen-20mm f/ii PRO DX handles it well and doesn’t exhibit pincushion distortion at 20mm. Light falloff is subtle and unobtrusive, while the various specialized glass elements and a petal-shaped hood take care of artifacts and flares,

What We Didn’t Similar

The AT-X 14-20mm f/ii PRO DX uses an old autofocus system that isn’t as fast or as precise every bit those seen on Nikon lenses. It produces faint sounds while moving your D3400 could pick up, so it isn’t great for video. Moreover, it uses an old-fashioned auto to manual focusing switch you engage past sliding the focus ring forrard or back. Chromatic aberration is evident in branches and high-contrast scenes at wide apertures.

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Tech Specs
Dimensions:
3.5 x iii.five x iv.two in.
Weight:
one.6 lbs.
Blazon:
Wide-angle zoom
Minimum focal length:
14mm
Maximum focal length:
20mm
Maximum aperture:
f/ii
Minimum aperture:
f/22
Minimum focus altitude:
xi in.
Angle of view:
91.68° to 71.78°
Image stabilization:
No
The Pros

Commendably fast for a wide-angle lens

Small barrel baloney

Beautiful bokeh & blurred backgrounds

Practiced sharpness across the board
The Cons

Slow and outdated autofocus

Some CA at wide apertures

5. Sigma 105mm F2.8 EX DG Os HSM Macro

Sigma 105mm F2.8 EX DG OS HSM Macro
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Editor’s Rating: four.3/5

Sigma’s 105mm F2.8 EX DG Bone HSM is almost a decade onetime. Nonetheless, it still manages to surpass all but the company’due south Fine art and Nikon’s premium macro lenses while costing less than $400. Information technology’s tack-sharp, has impressive optical backdrop, and comes with prototype stabilization invaluable for handheld shut-upwards photography

Overview of Features

The 105mm F2.viii EX DG OS HSM Is some other heavy lens outfitted with a circuitous array of glass split into two contained segments. Its barrel moves while focusing and extends to almost twice its length. Y’all’ll see distance as well as attribute ratios on it to make focusing easier. This is a true macro lens and can achieve 1:1 magnification at its minimum focusing distance.

Central sharpness is the attribute that tin can make or break a macro lens, and the 105mm F2.eight EX DG OS HSM has enough of it. Yous tin use this to your advantage and take pictures of nervous bugs or small lizards instantly with the aperture wide-open and image stabilization engaged. The edges and corners aren’t as well defined at first but become sharper the narrower the discontinuity.

The 105mm F2.viii EX DG OS HSM’s optical properties are excellent. It’s one of the all-time macro lenses nosotros’ve tested when information technology comes to decision-making both longitudinal and lateral CA. Distortion isn’t visible unless yous’re dealing with lots of horizontal lines, and calorie-free falloff is small enough to requite images a graceful appearance without cutting into essential details.

What’due south Bad About It?

The 105mm F2.8 EX DG Os HSM is another lens with a disappointing autofocus organization. This doesn’t matter every bit much for macro lenses since you’ll mostly make transmission adjustments, but slowness and the focus ring’s uselessness in AF mode are problems to consider. Veiling flare is another matter to keep in heed. Shooting into the sun causes the image to brighten and decreases dissimilarity significantly, and then think carefully most your positioning.

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Tech Specs
Dimensions:
3.one 10 3.i x v in.
Weight:
ane.6 lbs.
Blazon:
Macro lens
Mount:
Nikon F
Focal length:
105mm
Maximum aperture:
f/two.viii
Minimum discontinuity:
f/xvi
Minimum focus distance:
1 ft.
Bending of view:
23.3°
Image stabilization:
Yes
The Pros

Outstanding primal sharpness

Negligible baloney and chromatic aberration

True 1:1 magnification

105mm is optimum for macro piece of work
The Cons

Slow autofocus

Pronounced veiling flare

6. All-time Budget Choice – Nikon AF-S Nikkor 50mm f/1.8G

Nikon AF-S Nikkor 50mm f/1.8G
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Editor’s Rating: four.2/five

We’ve already recommended the AF-S Nikkor 50mm f/1.8G as a fantastic upkeep pick for total-frame Nikon DSLRs considering of its neutral focal length. Doing so for an APS-C camera like the D3400 is some other no-brainer since 80mm is the optimum focal length for many types of photography, particularly portraiture. The lens is pocketable, fast, and a pleasure to handle, non to mention inexpensive.

Overview of Features

The AF-S Nikkor 50mm f/ane.8G is the smallest and lightest lens nosotros’ve tested. Its pancake shape means the lens sits nearly flush with the D3400 while barely increasing the camera’s weight. The focus ring is rubberized and responsive. Yous get a lens hood but don’t need to use it all the time since the front glass element is recessed securely unless you’re shooting close to the minimum focusing altitude.

Autofocus is handled by a noiseless motor that repositions the AF-S Nikkor 50mm f/1.8G’s vii elements with precision. It’southward not as fast as more than expensive Nikon primes and sometimes hunts in low lite. Notwithstanding, you volition find the autofocus to be acceptable for all just carve up-2d action shots. Acquiring focus causes the glass to extend within the inner butt, so the lens’south dimensions stay fixed.

Fundamental sharpness on the AF-S Nikkor 50mm f/1.8G resembles a gently-sloping curve. It starts out proficient at f/i.eight and reaches its tiptop betwixt f/iv and f/5.6, only to subtract slightly until diffraction becomes credible at f/16. The corners and edges are softer. Stepping down gradually improves both to more than acceptable levels.

Putting subjects into focus and isolating them from blurred-out surround is like shooting fish in a barrel due to the AF-Due south Nikkor 50mm f/1.8G’southward high max discontinuity. Bokeh at f/1.8 might exist too nervous for perfectionists and looks much ameliorate at f/.2. Combining the recessed drinking glass and lens hood leads to brilliant images with no contrast issues when you decide to include the sun in your shots. There’south some butt distortion you probable won’t detect in real-life conditions unless your model is standing next to a brick wall.

Are There Drawbacks?

The AF-Southward Nikkor 50mm f/ane.8G exhibits longitudinal chromatic abnormality at f/ane.8. This s manifested as cyan or magenta halos around specular highlights and other contrasting areas. It’s difficult to correct artificially, then narrowing the aperture is your only solution. There’due south also some focus animate. You lot can remedy information technology by choosing and sticking to an f-stop before adjusting focus.

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Tech Specs
Dimensions:
2.8 x ii.eight x two.1 in.
Weight:
6.five oz.
Blazon:
Standard prime
Mount:
Nikon F
Focal length:
35mm
Maximum discontinuity:
f/ane.8
Minimum aperture:
f/16
Minimum focus distance:
1.3 ft.
Angle of view:
47°
Paradigm stabilization:
No
The Pros

Peachy central sharpness

Lightweight and portable

Excellent flare resistance

Moderately fast but accurate and silent autofocus
The Cons

LoCA at f/1.8

Some focus breathing

Source: https://3dinsider.com/nikon-d3400-lenses/